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Malaysia Sun
21-07-2025
- Entertainment
- Malaysia Sun
Ferris Bueller's Day Off (4K UHD) [Blu-Ray]
In the span of only three years, from 1984 to 1987, John Hughes directed and/or wrote six movies, which resulted in his becoming known as the reigning king of the Hollywood teen movie, a genre that had seen a massive resurgence in the 1980s after being largely dormant since the "teenpics" of the 1950s and '60s (George Lucas's American Graffiti in 1973 notwithstanding). However, unlike other filmmakers who saw the world of teenagers as an excuse to exploit the adolescent obsessions with booze, drugs, and sex, Hughes was fascinated by the complex social and emotional terrain of middle-class teenagerdom, and he treated his characters with a degree of sympathy and good-natured humor that was largely absent from a genre glutted with movies like Private Lesson (1981), Porky's (1981), and Zapped! (1982). Beginning as a writer for National Lampoon in the 1970s, Hughes entered Hollywood as a screenwriter, scoring two hits in 1983 with the comedies Mr. Mom and National Lampoon's Vacation. He made his directorial debut in 1984 with Sixteen Candles, an often absurdly funny, but ultimately poignant comedy about a girl whose crucial 16th birthday is ignored by her family (among other indignities). Hughes followed that film with The Breakfast Club (1985), which was one of the first serious teen dramas of the decade and probably his most influential film. He subsequently wrote and produced two other teen dramas, Pretty in Pink (1986) and Some Kind of Wonderful (1987), both of which were directed by Howard Deutch, and he also wrote and directed Weird Science (1985), the closest he ever came to making a deliberately crude teen comedy. Yet, if one had to pick the quintessential John Hughes teen movie, it would have to be Ferris Bueller's Day Off, which was also the last teen movie he both wrote and directed. Ferris Bueller stands out for a number of reasons, particularly in the way it so perfectly evokes teenage fantasies of absolute autonomy and subversion of adult power (which, from this perspective, can only be seen as moronic and buffoonish). While his previous films had centered around misfit protagonists who didn't fit in, the titular character in Ferris Bueller's Day Off is the teenager all teenagers want to be: confident, secure, and so individualistically cool that he transcends the traditionally rigid boundaries of adolescent cliques (as Edie McClurg's otherwise clueless secretary Grace famously notes in the film, "The sportos, the motorheads, geeks, sluts, bloods, wastoids, dweebies, dickheadsâ€'they all adore him. They think he's a righteous dude"). Hughes has great fun taking the concept of teen popularity to its absurd zenith throughout the film, with the entire city of Chicago rallying around the mistaken belief that Ferris is dying, when in fact he is simply faking a stomach flu to skip school for the tenth time that semester. "Popular" characters in teen movies are traditionally the villains (possibly because it's the nerds who end up going to Hollywood and becoming writers and directors), but Hughes pulls a coup in making the most popular kid in school also the most likable and the most sympathetic. This is largely due to the casting of Matthew Broderick, who at the time had appeared in only a handful of films, including Max Dugan Returns (1983) and War Games (1983), although he was well known for his stage roles as Neil Simon's alter ego in Brighton Beach Memoirs and Biloxi Blues. In all of those roles Broderick had played smart and thoughtful, but somewhat awkward and unsure charactersâ€'quite the opposite of Ferris Bueller. Youthful in appearance and not conventionally handsome in the manner of most popular teens, Broderick perfectly embodied Ferris's unrivaled individuality without being unreachable. He was, in a sense, the cool kid that any kid could potentially be or be friends with. As the title suggests, the story in Ferris Bueller's Day Off follows Ferris as he ditches school by faking illness, a performance that his gentle, well-meaning, and utterly loving parents (Cindy Pickett and Lyman Ward) swallow hook, line, and sinker (the fact that Ferris can so blatantly manipulate his parents' affections without coming across as a cad is a small miracle in and of itself). Ferris brings along his girlfriend Sloane (Mia Sara) and his best friend Cameron (Alan Ruck), the latter of whom is crucial to further establishing his uniqueness of character. The fact that his longtime best friend is a chronic worrier who is usually home from school because he's literally sick due to being browbeaten by cold and distant parents contrasts and therefore accentuates Ferris's supreme self-confidence while also showing Ferris's loyalty to an unlikely friend. Having Sloane as a girlfriend simply cements the fantasy of Ferris having everything, which is a constant source of tension with his sister Jeanie (Jennifer Grey), whose resentment toward Ferris borders on the pathological. However, when it comes to being anti-Ferris, Jeanie has nothing on Ed Rooney (Jeffrey Jones), the school principal who knows that Ferris is making him look like a fool, but has so far failed to catch him in the act. If Ferris is the ultimate fantasy teen hero, then Rooney is the ultimate villain, the very personification of repressive adult culture and its envy of youth. With his starched suits, impeccable grooming, and shifty eyes, Rooney embodies official power, the enemy of adolescent freedom, and the primary pleasure of Ferris Bueller's Day Off is not so much in watching Ferris and his friends get away with everything, but in watching Rooney humiliate himself (and, by proxy, all stuffy adults) while trying and failing to stop them. Re-watching the film for the first time in many years, I was struck by how often Ferris is off-screen in lieu of Rooney's slapstick antics in trying to break into the Bueller home and thereby prove that Ferris is truant, an absurd strategy that develops into a litany of physical and personal humiliations involving mud, a garden hose, an angry Rottweiler, and a rapid-fire series of head kicks worthy of Bruce Lee. It is no surprise that Hughes has the final credits running over Rooney's last indignity: having to ride the school bus home because his car has been towed. Perhaps because he only directed eight films in his career while writing or co-writing more than 30, Hughes has typically been undervalued as a director. However, Ferris Bueller's Day Off provides ample evidence of his visual sophistication and willingness to experiment in a genre that typically deploys the look of a made-for-TV movie. Throughout the film Hughes plays freely with form and aesthetics, allowing Ferris to break the fourth wall and speak directly to the audience, a move that also contributes to our connection with him. The film's editing patterns are reminiscent of music videos, which at the time were still a new and evolving form, and Hughes deploys pop music in consistently interesting ways, never more so than in his evocative use of Yello's instantly memorable "Oh Yeah" when Ferris cajoles Cameron into allowing him to take out his father's prized 1961 Ferrari (which is simultaneously the symbol of ultimate freedom and ultimate repression). The film is also replete with all means of vaguely surreal detours and oddball moments of humor, particularly a sequence in the Art Institute of Chicago that has literally no narrative purpose. There are, of course, also the big set pieces, such as when Ferris commandeers a float in a downtown Chicago parade and has the whole city dancing along while he belts out "Twist and Shout." And, while those moments have their place, it is the film's overall sense of abandon, its willingness to break convention and throw us into the fantastical, but strangely believable world of its characters, that makes Ferris Bueller not only Hughes's best teen films, but one of the best teen films ever made. Ferris Bueller's Day Off 4K UHD + Digital Code Steelbook Aspect Ratio 2.35:1 Audio English Dolby Atmos English Dolby TrueHD 7.1 surround German Dolby Digital 2.0 stereo French Dolby Digital 2.0 stereo Italian Dolby Digital 2.0 stereo Spanish Dolby Digital 2.0 stereo Subtitles English, English SDH, French, German, Italian, Japanese, Spanish Supplements Audio commentary by director John Hughes "Getting the Class Together: The Cast of Ferris Bueller's Day Off" featurette "The Making of Ferris Bueller's Day Off" featurette "Who is Ferris Bueller?" featurette "The World According to Ben Stein" featurette "Vintage Ferris Bueller: The Lost Tapes" featurette Distributor Paramount Home Entertainment Release Date August 1, 2023 COMMENTS The same Blu-ray of Ferris Bueller's Day Off has been packaged and repackaged since 2009, so it is wonderful to have this remastered 4K Ultra HD release with Dolby Vision and HDR-10 in hand, especially since there had been some minor grumbling about the earlier transfer, specifically that the print used was dirtier than expected and some of the images seem too dark. That is definitely not a problem here. The 4K presentation is a solid, even revelatory improvement, as colors, clarity, and detail are all significantly boosted. There is still a slight softness to the image that is typical of 1980s movies shot on celluloid, and I'm glad that Paramount didn't try to artificially enhance the sharpness to bring it more in line with the contemporary movie look. The Dolby Vision grading has the colors looking better than I've ever seen, with Cameron's red jersey (Detroit Red Wings right winger Gordie Howe, who was Hughes's favorite hockey player when he was a kid) really popping off the screen, and black levels being nice and stable. This release also gives the soundtrack a bump with a new Dolby Atmos mix and a Dolby Digital TrueHD 7.1-channel soundtrack. This gives the disc some notable improvement in the sound department, with good separation on the musical sequences and strong clarity throughout. In terms of a supplements, the big news hereâ€'and it is bigâ€'is that John Hughes's original director's commentary, which has not been included on any Ferris Bueller release since the initial DVD all the way back in 1999, has been included! (I have no idea why it was left off all subsequent releases for the past 24 years, and I imagine there is an interesting story there.) This is especially good news for long-time fans of the film and Hughes's work in general, since it is the only audio commentary Hughes, who passed away in 2009, ever recorded. It is definitely worth the listen, especially the ways Hughes expands on our understanding of the characters and shows how, despite his legendary status for churning out screenplays in very short periods of time, he really thinks through the characters he writes. Otherwise, the supplements are all familiar, having appeared previously on numerous releases going back to the "Bueller ... Bueller … Edition" DVD that was first released back in 2005. They consist primarily of featurettes that include then-new interviews with Matthew Broderick, Alan Ruck, and Ben Stein and archival interviews with Mia Sara, Broderick and Ruck, and John Hughes looking like a lost member of a-ha. Copyright © 2023 James Kendrick Thoughts? E-mail James Kendrick All images copyright © Paramount Home Entertainment
NBC Sports
02-05-2025
- Entertainment
- NBC Sports
To prevent prank calls next year, the NFL has plenty of work to do
The 2025 draft has reintroduced millions to the lost art of the prank phone call. The Jerky Boys did it. Bart Simpson has been doing it since 1989. It was one of the funniest moments in what had to have been one of Jerry Jones's favorite '80s movies, Porky's. Growing up in the '70s, when we had three TV channels (PBS didn't count, except when they rolled out the TV cart at school to show us the latest episode of Ripples) and the home video game technology generally sucked, we made prank calls. A lot of prank calls. (We tried to be a little more high-minded than asking, for example, 'Is your refrigerator running?' or 'Do you have Prince Albert in a can?') Now, the prank call is back. With a vengeance. And the NFL has a problem. This year, there were more than a few prank calls made to draft picks. It wasn't just Shedeur Sanders. It happened to Abdul Carter, Ty Warren, Josh Conerly Jr., Isaiah Bond, Kyle McCord, and others. Sanders ended up being the biggest of them all. Because his name was the biggest in the entire draft pool. Because the prank call, supposedly from Saints G.M. Mickey Loomis, traced to their biggest rival, the Falcons. Because, despite the NFL's misguided effort to paint this as some sort of serious breach of confidentiality, the league office sent Sanders's number to roughly 2,000 people. As the NFL under Roger Goodell has done in the past (most notably, to the Saints in 2012), the league has attempted to address a possible cultural problem by hammering the one team it caught red handed. But the NFL has direct responsibility for this one, and the league office needs to make changes far more substantive than wagging a finger at the 32 franchises and saying, 'This better not happen again.' For starters, no prospect's phone number ever should be communicated via the email address that distributes the daily transaction report. That's what happened with Sanders's updated contact information. And that's what put his phone number in Falcons defensive coordinator Jeff Ulbricht's email inbox. (We still find the official 'wandering by an open iPad that happened to have that one email visible' explanation to be convenient, and fishy.) The contact information for the draft prospects should go to at most three people per team: owner, G.M., head coach. Or it should go to only one person, with the team designating in advance who will receive it. And the very clear instruction should be that no one else in the organization may be given the number. While that would go a long way toward preventing leaks initiated by one of the 32 teams, it hardly solves the problem. Although Sanders said during his in-draft livestream that he received a new phone specifically for the draft from Boost Mobile (this would explain the separate email with his new number), most players are still using the cell phone that they have had for months if not years. Others have that number. Current friends. Former friends. Former friends who, in the aftermath of a failed romantic relationship, may now be enemies. The punishment of the Falcons has caused many to assume (incorrectly) that all of the prank calls trace back to one of the NFL's teams. Common sense suggests that most if not all of the others came from someone who already has the player's number, or who specifically obtained it from someone who does. (As we've mentioned on PFT Live a couple of times this week, a former player once received a prank call from one of his friends that he'd been traded. While on the way to the airport to fly to his new city, the player learned the truth when he called his agent.) One way to fix this would be to send new brand phones to all the prospects. Of course, that's a lot of phones. Unless the league can find an Official NFL Draft Prospect Burner Phone partner who will provide the phones for free (and also pay the NFL a giant pile of money), the league will have to pay for all of those new phones. (And if the NFL has by next year an Official NFL Draft Prospect Burner Phone partner, you're welcome.) Then there's the simple fact that the prank-call phenomenon will prompt potential copycats to accept the challenge of positioning themselves to do it in 2026. With mock drafts already popping up everywhere (unfortunately), it's not hard to come up with a list of the players who will be waiting for a phone call next April. If the prospect has the same phone number a year from now, the foundation is already in place for another round of prank calls. Another possibility that has been raised here and elsewhere (Bucs G.M. Jason Licht suggested it during an appearance with Rich Eisen) is a pivot to FaceTime. It would be instantly obvious that the call is coming from a draft room, not a dorm room. Then there's the nuclear option. The only way to neutralize the impact of a prank call. As a reader suggested via email (and this is one of those rare moments where I don't regret opening and reviewing them all), why do they need to call the player BEFORE he's drafted? It's not as if the player can say, 'No thanks.' It's a draft. Make the pick, and then call the player. The moment won't change. The tears will still flow. The owner, G.M., and/or head coach will have a chance to utter the same old cliches that will be clipped off for social media. And every player who gets the call after he has been officially picked won't be hearing the NFL equivalent of, 'Wanna lick? Psych!' Time and again, the NFL has shown that it is far more reactive than proactive. When reacting to the prank-call epidemic of 2025, the NFL must be very proactive — and creative — when it comes to ensuring that those who try to make prank calls next April will be wasting their time. Next April, we'll find out whether the league's strategy has worked. If there's even one prank call, the NFL will get an 'F' in what is a very clear and simple pass-fail proposition.
Scottish Sun
30-04-2025
- Entertainment
- Scottish Sun
Rarely seen 80s Hollywood star is unrecognizable from legendary comedy movies as he's spotted in LA – can you guess who?
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) HE was the fresh faced star who shared the screen with Bill Murray in one of the biggest comedy hits of the '80s - but you'd barely recognise him now. A rarely-seen film star shocked onlookers this week after being spotted out and about in Los Angeles looking worlds away from his Hollywood heyday. Sign up for the Entertainment newsletter Sign up 7 The former teen star was seen running errands and catching up with friends in Los Angeles. Credit: BackGrid 7 He was a fresh faced star of the 80s Credit: BackGrid 7 Scott Colomby with Michael O'Keefe and Hamilton Mitchell in Caddyshack Credit: Alamy 7 Scott in Porky's with Mark Herrier and Wyatt Knight Credit: Alamy He was once romantically linked to actress Valerie Bertinelli, and he's worked with some of Hollywood's biggest names from Michael Keaton to Farrah Fawcett and of course Bill Murray. The actor, 62, is best known for his role in the cult golf comedy Caddyshack alongside Murray. He played the cocky teen caddie Tony D'Annunzio in the 1980 film. Despite his success, Scott Colomby has kept a low profile over the years with fans rarely catching a glimpse of the former screen star. READ MORE ON HOLLYWOOD LUNCH WITH AN ICON Hollywood legend, 90, unrecognizable on boozy lunch with Stephen Dorff And gone was the mop of dark hair and tight vests showing off his ripped physique. Instead, he kept it casual in a dark T-Shirt, grey tracksuit bottoms and sneakers. He also sported a pair of glasses hooked onto his shirt. Fans of the era might remember him not just from Caddyshack - which also starred Chevvy Chase, Rodney Dangerfield and Ted Knight, but from the raunchy teen hit Porky's where he played smooth talking Brian Schwartz. The Brooklyn born star began his career in the early 70s and appeared in all three Porky films, which were major box office hits. The original flick in 1982, directed by Bob Clark, raked in a staggering $160 million off a modest $4-5 million budget. Shelley Hack: From Charlie's Angels Star to Hollywood Producer Porky's also featured a young Kim Cattral and followed a gang of high school boys in the 1950s Florida on a chaotic, coming-of-age quest involving strip clubs and revenge. Meanwhile, his former flame Valerie was seen out with her new man Mike Goodnough last year, but fans thought it was her body guard. The One Day at a Time star walked with him after she left the set of The Drew Barrymore Show in New York City. Another man stood, now known to be Mike, walked beside her on the sidewalk. A fan spotted them and uploaded the photo via Instagram Threads and captioned it "Hiding in plain sight." 7 Scott was romantically linked to Valerie Bertinelli Credit: Alamy 7 Valerie Bertinelli pictured last year with her boyfriend, writer Mike Goodnough Credit: Instagram / wolfiesmom
The Irish Sun
30-04-2025
- Entertainment
- The Irish Sun
Rarely seen 80s Hollywood star is unrecognizable from legendary comedy movies as he's spotted in LA – can you guess who?
HE was the fresh faced star who shared the screen with Bill Murray in one of the biggest comedy hits of the '80s - but you'd barely recognise him now. A rarely-seen film star shocked onlookers this week after being spotted out and about in Los Angeles looking worlds away from his Hollywood heyday. Advertisement 7 The former teen star was seen running errands and catching up with friends in Los Angeles. Credit: BackGrid 7 He was a fresh faced star of the 80s Credit: BackGrid 7 Scott Colomby with Michael O'Keefe and Hamilton Mitchell in Caddyshack Credit: Alamy 7 Scott in Porky's with Mark Herrier and Wyatt Knight Credit: Alamy He was once romantically linked to actress Valerie Bertinelli, and he's worked with some of Hollywood's biggest names from Michael Keaton to Farrah Fawcett and of course Bill Murray. The actor, 62, is best known for his role in the cult golf comedy Caddyshack alongside Murray. He played the cocky teen caddie Tony D'Annunzio in the 1980 film. Despite his success, Scott Colomby has kept a low profile over the years with fans rarely catching a glimpse of the former screen star. Advertisement READ MORE ON HOLLYWOOD And gone was the mop of dark hair and tight vests showing off his ripped physique. Instead, he kept it casual in a dark T-Shirt, grey tracksuit bottoms and sneakers. He also sported a pair of glasses hooked onto his shirt. Fans of the era might remember him not just from Caddyshack - which also starred Chevvy Chase, Rodney Dangerfield and Ted Knight, but from the raunchy teen hit Porky's where he played smooth talking Brian Schwartz. Advertisement Most read in Celebrity The Brooklyn born star began his career in the early 70s and appeared in all three Porky films, which were major box office hits. The original flick in 1982, directed by Bob Clark, raked in a staggering $160 million off a modest $4-5 million budget. Shelley Hack: From Charlie's Angels Star to Hollywood Producer Porky's also featured a young Kim Cattral and followed a gang of high school boys in the 1950s Florida on a chaotic, coming-of-age quest involving strip clubs and revenge. Meanwhile, his former flame Valerie was seen out with her new man Mike Goodnough last year, but fans thought it was her body guard. Advertisement The One Day at a Time star walked with him after she left the set of The Drew Barrymore Show in New York City. Another man stood, now known to be Mike, walked beside her on the sidewalk. A fan spotted them and uploaded the photo via Instagram Threads and captioned it "Hiding in plain sight." 7 Scott was romantically linked to Valerie Bertinelli Credit: Alamy Advertisement 7 Valerie Bertinelli pictured last year with her boyfriend, writer Mike Goodnough Credit: Instagram / wolfiesmom 7 Caddyshack also starred Chevvy Chase, Bill Murray, Rodney Dangerfield and Ted Knight
The Sun
30-04-2025
- Entertainment
- The Sun
Rarely seen 80s Hollywood star is unrecognizable from legendary comedy movies as he's spotted in LA – can you guess who?
HE was the fresh faced star who shared the screen with Bill Murray in one of the biggest comedy hits of the '80s - but you'd barely recognise him now. A rarely-seen film star shocked onlookers this week after being spotted out and about in Los Angeles looking worlds away from his Hollywood heyday. 7 7 7 7 He was once romantically linked to actress Valerie Bertinelli, and he's worked with some of Hollywood's biggest names from Michael Keaton to Farrah Fawcett and of course Bill Murray. The actor, 62, is best known for his role in the cult golf comedy Caddyshack alongside Murray. He played the cocky teen caddie Tony D'Annunzio in the 1980 film. Despite his success, Scott Colomby has kept a low profile over the years with fans rarely catching a glimpse of the former screen star. And gone was the mop of dark hair and tight vests showing off his ripped physique. Instead, he kept it casual in a dark T-Shirt, grey tracksuit bottoms and sneakers. He also sported a pair of glasses hooked onto his shirt. Fans of the era might remember him not just from Caddyshack - which also starred Chevvy Chase, Rodney Dangerfield and Ted Knight, but from the raunchy teen hit Porky's where he played smooth talking Brian Schwartz. The Brooklyn born star began his career in the early 70s and appeared in all three Porky films, which were major box office hits. The original flick in 1982, directed by Bob Clark, raked in a staggering $160 million off a modest $4-5 million budget. Shelley Hack: From Charlie's Angels Star to Hollywood Producer Porky's also featured a young Kim Cattral and followed a gang of high school boys in the 1950s Florida on a chaotic, coming-of-age quest involving strip clubs and revenge. Meanwhile, his former flame Valerie was seen out with her new man Mike Goodnough last year, but fans thought it was her body guard. The One Day at a Time star walked with him after she left the set of The Drew Barrymore Show in New York City. Another man stood, now known to be Mike, walked beside her on the sidewalk. A fan spotted them and uploaded the photo via Instagram Threads and captioned it "Hiding in plain sight." 7 7 7
