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STV News
24-07-2025
- Entertainment
- STV News
Men in Love: Irvine Welsh releases new Trainspotting sequel
Irvine Welsh has released a direct sequel to Trainspotting, more than 30 years after the cult novel's publication. Men in Love, released on Thursday, sees the return of beloved characters Renton, Sick Boy, Spud, and Begbie. Irvine's fifth Trainspotting spin-off displaces 2002's Porno as the original's most direct sequel, and follows the misfit Leith crew as they attempt to replace drug addiction with 'love and romance' while they experience the heyday of rave culture in the late 80s and early 90s. The original novel quickly became a cult classic, and made a hugely successful transition from page to screen thanks to director Danny Boyle and up-and-coming actor Ewan McGregor, with a sequel released in 2017 reuniting most of the original cast. Men in Love will open in the late 80s, 'at the end of punk and just before acid house'. Getty Images The book's description reads: 'It is the late 1980s, the closing years of Thatcher's Britain. For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving. 'Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption. 'Sick Boy starts an intense relationship with Amanda, his 'princess' – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group's dreams or just another doomed quest? 'Irvine Welsh's sequel to his iconic bestseller Trainspotting tells a story of riotous adventures, wild new passions, and young men determined to get the most out of life.' The release comes ahead of a documentary of Welsh's life, which will close the Edinburgh International Film Festival on August 20. Reality Is Not Enough will follow the best-selling author at a 'crossroads' in life where he is 'acutely aware of his mortality and accepting that his hedonistic days are drawing to a close'. It is also said to explore the 'inner and outer life' of the writer, who was propelled to fame with his debut novel focusing on heroin addicts in Leith in 1993. From director Paul Sng, the documentary, which was previously titled I Am Irvine Welsh, has been described as a 'captivating piece of autobiographical filmmaking'. Get all the latest news from around the country Follow STV News Scan the QR code on your mobile device for all the latest news from around the country
Spectator
23-07-2025
- Entertainment
- Spectator
Tedious, lazy and pretentious – Irvine Welsh's Men in Love is a disgrace
There are 32 years between the publication of Irvine Welsh's Trainspotting and his Men in Love – a gap roughly equivalent to that between Sgt. Pepper and 'Windowlicker' by Aphex Twin. Perhaps three cultural generations. It is disturbing, therefore, to find Welsh still pumping out further sequels to his spectacular literary debut. But whereas that had verbal fireworks, razor-sharp dialogue, superb character ventriloquism and a fearless examination of Scottish moral rot, Men in Love is – let's be frank – tedious, lazy, pretentious and simply bad writing. Under the influence of American Psycho, Welsh has had characters narrating their fleeting perceptions since Filth (1998), in the hope that accumulation will create meaning. But where Bret Easton Ellis is satirising the vicious lizard-brain petulance of the 1 per cent, Welsh now simply takes you with the narrator on increasingly pointless journeys. The result is entire chapters that feel redundant and anti-plots that seem to build to something before ending in irritating anti-climaxes. (The Renton-Begbie confrontation in 2002's Porno was so bad that I wondered whether a refusal to climax was a meta joke.) Trainspotting vibrated with malevolent vernacular energy, but the prequels and sequels have seen Welsh lose his ventriloquial gift. This was already apparent in Porno, where Nikki's speech at the end was pure authorial intervention as she tells us What It All Meant. From Skagboys (2012) onwards, Renton, Sick Boy, Spud and even Begbie have been articulating their thoughts in increasingly florid sentences, as if Welsh were trying to impress us with his new-found vocabulary. But it doesn't impress. Of course, part of the pleasure of reading Welsh was how he combined the demotic and the cerebral. But the writing in Men in Love can be as clumsy and self-regarding as undergraduate poetry. For instance, Spud thinks that 'she should pure huv the vocabulary tae express hersel withoot recourse tae foul language'. Without recourse, aye? The once-fearsome Begbie, meanwhile: Now he was outside and it was Saturday, drifting into late afternoon, a time Begbie found replete with opportunities for violence. Potential adversaries were out, some since Friday after work. Many of those boys acquiring the delicious bold-but-sloppy combination that would service his chaotic outpourings. He found them replete, did he? He had chaotic outpourings, did he? And the sex writing – 'in languid, ethereal movements she groans in soft tones', for example – is excruciating. Another key weakness of Men in Love is how many earlier beats it replays. Sick Boy is involved with porn films and pimping; women magically fall under his spell; and he outplays a privileged male competitor (this time his father-in-law, a Home Office civil servant). Renton gets into nightclubs and DJ-ing. Spud is a romantic loser. Begbie is still psychotically aggressive. All of which we've seen in Porno, The Blade Artist and Dead Men's Trousers. The record is stuck. The heartbreaking thing is there's a good novel to be written about the punk/smack generation of the early 1980s encountering the ecstasy love-buzz period as the decade progressed. But Welsh has signally failed to tackle any of that. He could have taken them to Ibiza, the Hacienda or Spike Island, or considered the achievements and failures of the Love Generation Mk II. But no. It's another lazy retread. The impression one gets from Men in Love is that of Fat Elvis, sweating and unknowingly self-parodic in Las Vegas. Welsh desperately needs an editor with the guts to tell him this schtick isn't working any more. To quote Melody Maker on David Bowie: 'Sit down, man, you're a fucking disgrace.'
Scotsman
23-07-2025
- Entertainment
- Scotsman
Men in Love by Irvine Welsh review: 'his paciest, funniest book in years'
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The early stages of drug dependency and romantic love have such similar rushing, all-consuming power that scientific studies of their comparative neurological effects have been made. That a book about one group of young men's devastating heroin habits should be followed by another about their often self-destructive pursuits of sex and relationship highs therefore makes plenty of sense. Thirty-two years have passed since Leith tearaways Renton, Sick Boy, Spud and Begbie first leapt off the pages of Irvine Welsh's darkly delirious million-selling masterpiece Trainspotting. Danny Boyle's 1996 film adaptation subsequently made icons of the characters and their creator. There have been numerous prequel, sequel and spin-off novels and short stories of varying merit, plus an iffy follow-up movie (2017's T2, set decades after the original). Advertisement Hide Ad Advertisement Hide Ad Irvine Welsh At the outset of Men In Love, merely weeks have expired since Trainspotting's end, when Renton chose life by ripping off his mates in a drug deal before disappearing with their cash. The mixture of guilt, rage, betrayal and confusion each man feels is as fresh as the sweat on Renton's brow, as he goes cold turkey in Amsterdam trying to get clean. He, Sick Boy and Spud are estranged, yet largely united in their resolve not to fall back on the smack (Begbie's tangential compulsion for violent mayhem, meanwhile, rages unchecked). But what should fill the void? Foreshadowing 2002's Porno, the book that inspired T2, pseudo-sophisticate Scots Italian manipulator Sick Boy is in London building a career in adult entertainment, while using and abusing various women to different ends. Including Amanda, an upper-class dropout he encounters at drug counselling. She forces him to feel forbidden feelings no natural born shagger should feel. The thickest yet most morally sound of them all, Spud, is in a relationship with Sick Boy's ex Alison, whom he showers with a desperate, cloying love she can't requite. In Amsterdam, Renton becomes immersed in the burgeoning acid house club scene, and a world of fluid sexual and romantic relationships he may not be emotionally equipped for. Begbie's devotion remains only to Leith, the blade and the bottle. Advertisement Hide Ad Advertisement Hide Ad The raw, gritty, trippy urgency and hyper-realism that drove Welsh's debut novel has long-since faded from his writing. Some of his graphic descriptions of oftentimes squalid sex may leave you needing a shower. But the simple ease and joy with which he reinhabits these vivid characters makes this his paciest, funniest, most page-turning book in years. If there is a love to be felt, it's Welsh's for his Leith young team, who for all their flaws and indeed evils, he never leaves without hope of redemption - be it Sick Boy in his battle of wits with Amanda's toff hypocrite father in the build up to their wedding, or Begbie, the world's worst best man, hanging over the climactic posh nuptials like a black cloud, threatening to rain either rough class justice or purely psychotic chaos.
Irish Independent
23-07-2025
- Entertainment
- Irish Independent
Irvine Welsh's Trainspotters fumble towards human connection in the expertly funny and tender Men in Love
Fiction This book, Men in Love is the third novel in Irvine Welsh's Trainspotting universe, but it sits second in the story's chronology – bridging the gap between the youthful anarchy of Trainspotting (1993) and the cynical scheming of Porno (2002). While Danny Boyle's movie T2 Trainspotting (2017) was loosely based on Porno, it aged the characters into middle age. Men in Love, by contrast, returns to the late 1980s, exploring the emotional fallout of addiction and betrayal, and deepening the internal lives of characters that is only hinted at on screen.
