Latest news with #Predator:KillerofKillers
The Sun
24-06-2025
- Entertainment
- The Sun
Predator: Killer of Killers spans time for brutal hunts
FROM one hunt to the next, each bloody battle across time and space, be it against man or some other form of sentient life across the galaxy, the Yautja relish in their primordial culture of hunting prey they deem equal. Better known as 'the Predator' in pop culture, each wound, feat, kill and trophy collected serves as war medals for a Yautja's prowess. Like the extraterrestrial apex predators, director Dan Trachtenberg too has claimed another gory, blood-soaked trophy with Predator: Killer of Killers. Set across different time periods, Killer of Killers opens in the frigid northern oceans, as the mighty Ursa (Lindsay LaVanchy) leads a horde of Viking warriors into the stronghold of the Krivich tribe, seeking to take the head of its leader. Almost a thousand years later, the ninja Kenji (Louis Ozawa) launches a lone attempt to defeat his brother Kiyoshi, a daimyo, in his castle. Fast forward several hundred years from then, during World War II, fighter pilot John Torres (Rick Gonzalez) finds his squadron under aerial attack and takes to the skies to fight back against someone he believes is not on either the Allies' or Axis Powers' side in the war. The three storylines eventually converge on a planet that a group of Predators have turned into a coliseum. Past meets Predator Three years ago, Trachtenberg's Prey was released to wide acclaim, with one of the big positives being the film's setting, which took the film's Predator to 18th century America, pitting a hulking Yautja against Native American warriors from the Comanche tribe. Trachtenberg stripped the bloated excess that recent films in the franchise had and brought it back to the gritty basics of the first Predator from 1987. It was also a long-held dream of franchise fans brought to life. A dream born from a single question: 'What would a Predator film look like if it took place during a bygone era etched within history books?' For Killer of Killers, Trachtenberg revisits the same concept, bringing the story to not just one time period, but three separate ones from different corners of the planet. The film is also inspired by and expands the concept behind 2010's Predators, where humans are abducted, brought to a different planet, then hunted by the Yautja as wild game. Thrilling combat, thin characters LaVanchy, Ozawa and Gonzalez deliver great vocal performances for their distinct characters, but beyond their self-contained story segments, the three lead characters get almost no development. They are introduced and almost immediately face off against the Yautja, before Killer of Killers barrels off into space. In that regard, despite the solid action sequences that use each character's distinct fighting styles to great effect, the film is unfortunately lacklustre in substance compared with the much meatier Prey. However, it may also be intentional as Trachtenberg might be using Killer of Killers as a vehicle to either lay the groundwork or introduce concepts that he will expand more upon in the upcoming live-action film Predator: Badlands, which is set for release later this year. Predator: Killer of Killers is streaming on Disney+ Hotstar.
The Sun
24-06-2025
- Entertainment
- The Sun
Predator Instincts
FROM one hunt to the next, each bloody battle across time and space, be it against man or some other form of sentient life across the galaxy, the Yautja relish in their primordial culture of hunting prey they deem equal. Better known as 'the Predator' in pop culture, each wound, feat, kill and trophy collected serves as war medals for a Yautja's prowess. Like the extraterrestrial apex predators, director Dan Trachtenberg too has claimed another gory, blood-soaked trophy with Predator: Killer of Killers. Set across different time periods, Killer of Killers opens in the frigid northern oceans, as the mighty Ursa (Lindsay LaVanchy) leads a horde of Viking warriors into the stronghold of the Krivich tribe, seeking to take the head of its leader. Almost a thousand years later, the ninja Kenji (Louis Ozawa) launches a lone attempt to defeat his brother Kiyoshi, a daimyo, in his castle. Fast forward several hundred years from then, during World War II, fighter pilot John Torres (Rick Gonzalez) finds his squadron under aerial attack and takes to the skies to fight back against someone he believes is not on either the Allies' or Axis Powers' side in the war. The three storylines eventually converge on a planet that a group of Predators have turned into a coliseum. Past meets Predator Three years ago, Trachtenberg's Prey was released to wide acclaim, with one of the big positives being the film's setting, which took the film's Predator to 18th century America, pitting a hulking Yautja against Native American warriors from the Comanche tribe. Trachtenberg stripped the bloated excess that recent films in the franchise had and brought it back to the gritty basics of the first Predator from 1987. It was also a long-held dream of franchise fans brought to life. A dream born from a single question: 'What would a Predator film look like if it took place during a bygone era etched within history books?' For Killer of Killers, Trachtenberg revisits the same concept, bringing the story to not just one time period, but three separate ones from different corners of the planet. The film is also inspired by and expands the concept behind 2010's Predators, where humans are abducted, brought to a different planet, then hunted by the Yautja as wild game. Thrilling combat, thin characters LaVanchy, Ozawa and Gonzalez deliver great vocal performances for their distinct characters, but beyond their self-contained story segments, the three lead characters get almost no development. They are introduced and almost immediately face off against the Yautja, before Killer of Killers barrels off into space. In that regard, despite the solid action sequences that use each character's distinct fighting styles to great effect, the film is unfortunately lacklustre in substance compared with the much meatier Prey. However, it may also be intentional as Trachtenberg might be using Killer of Killers as a vehicle to either lay the groundwork or introduce concepts that he will expand more upon in the upcoming live-action film Predator: Badlands, which is set for release later this year.
Buzz Feed
23-06-2025
- Entertainment
- Buzz Feed
New Predator Film Delivers Everything Fans Wanted
One of the highest-rated films right now isn't even in theaters. The animated Hulu movie Predator: Killer of Killers is not only one of the best films in the franchise, but it also serves as a launching pad for hope in this otherwise stale franchise. *SPOILERS AHEAD* It all started in 1988 with the original Predator — a cheesy action flick that turns into a full-blown survival horror situation. I'm this film's biggest hype-man, and people often write it off as another Arnold Swarzanagger movie, but it is an EXTREMELY well-crafted movie. We can skip over some failed attempts (although I still love AVP). Director Dan Trachtenberg released the film Prey in 2022. Although Prey is far from flawless, there should be no argument that it was the best-made Predator movie since the original. With a killer performance by Amber Midthunder as Naru, Prey returned to its roots, relying on the horror elements of the Yautja (Predator aliens). It all...a monster movie. The "Predator" name in the title should always have the double-meaning for the main character, who becomes the hunter by Act III. And here is why I think Predator: Killer of Killers is a masterpiece. Enter Predator: Killer of Killers. Trachtenberg returned to the franchise, and he is so skilled at creating compelling characters while still building lore for the Yautja. The movie is separated into three stories that all converge into one grand finale. From the animation to the Predator designs, Killer of Killers would make the character's creator, the late great (legend) Stan Winston proud. The film oozes with new lore, styles, and elevates the hunters to levels we have never seen in live-action. Broken into three short stories, the Vikings portion titled "The Shield" drops us into the story perfectly. A vengeful mother takes a boy on a mission to kill the man who made her take her father's life. There's our cheesy stakes, now throw a Predator stalking them into the mix. The movements of the characters take a moment to adjust to, but, man, is this whole sequence beautiful. From shot selections to action, it really packs a punch. It was so smart to lead with this one because it severely relies on the full arc of the vengeful mother, Ursa, and her revenge-driven mind costs her the life of her son. The fight sequence with the Yautja, who has a really cool weapon unlike anything we've seen in the cinematic Predator universe, really is as artistic as it is gory. The mother succeeds in killing the Yautja, but we see her as a prisoner aboard an alien craft, which segues into our next story. Samurai, a ninja, and a predator walk into a bar. That's basically the idea for the next story, "The Sword," which is the best overall story in the film. An exiled man looks for revenge against his own brother. There's no meaningful dialogue in this one, but it SLAPS with its wordless storytelling. The Predator style, like all the others in this movie, really fits human culture. Its attack methods feel very fair to its prey, which I feel like gets lost in other Predator movies. It's all about sport, and this Yautja is as stealthy as it is deadly. The two brothers-turned-enemies work together in the end to kill the Yautja, and it's glorious. The payoff is excellent, and, again, the wordless storytelling is so well-paced and emotional that it deserves a chef's kiss to everyone involved who cooked it up. Seriously, look how pretty this shot is: Then there was the closest thing to a modern-day story, titled "The Bullet." The Bullet is actually the name of a fighter plane, and this segment might've been the most creative of the bunch. In the 1940s, Torres, a young mechanic with his head always in the clouds, takes on an aerial Yautja spacecraft. The Yautja in this story never leaves its ship, and the aerial fights are unlike anything done in the franchise. The segment has a lot of humor, gore, and most importantly, a compelling story that feels like every shot is essential. The death via "burning engine dismemberment" was the wildest kill in a movie rich with them. It was also cool to see the "squeezing net" return from AVP. Aside from the part when Torres goes out on the wing, which was super silly but needed for planting and payoff, this segment felt huge in scale and delivered memorable Predator moments. Especially, that moment when the prey becomes the predator. I loved so much about this movie, but I thought the ending dragged. We see all three warriors come together in the end for a weird gladiator-esque finale. They take on the leading predator, who has some sick trophies on their armor, but the whole teamwork element felt very unnecessary and detached from the movie's overall themes. That said, the sacrifice made by Ursa was by far the best moment. The full circle of her saving the two "boys" instead of being hellbent on revenge, as she was when she lost her son, was excellent character development. Our big surprise at the end? We see the Yaujta are storing lifeforms who have successfully killed Predators. We get a quick glimpse at Amber Midthunder's character, Naru, frozen in a pod, hinting she may reappear in a future film. I think Trachtenberg is the creative mind for the job to carry this franchise, but, MAN, do I have a bad feeling about Predator: Badlands. To remove the monster element of the Predator franchise and make a Predator the lead, rather than a human warrior, might really dilute the Yautja characters. I want more action horror monster movies, not a sci-fi action flick with "monster fights other monsters." All nerves aside, Predator: Killer of Killers was a brilliant addition to the franchise. With Trachtenberg at the helm, he deserves the benefit of the doubt. It feels like we won't be activating that self-destruct button any time soon on the Predator franchise. What were your thoughts on Predator: Killer of Killers? Are you excited about the direction of the Predator franchise? Comment below! Stream Predator: Killer of Killers on Hulu.
See - Sada Elbalad
19-06-2025
- Entertainment
- See - Sada Elbalad
Aaron Guzikowski to Pen Script of "Death Stranding" Animated Adaptation
Yara Sameh Aaron Guzikowski (Raised by Wolves) has been tapped to write the screenplay for an adult-targeted animated feature inspired by Hideo Kojima's hit action-adventure video game "Death Stranding". The signing was announced by Japanese games maestro Hideo Kojima's Tokyo and L.A.-based Kojima Productions and L.A.-based animation company Line Mileage. The partners say the movie, which is currently in development, will be in a similar vein to adult-targeted, animated genre films such as the recently announced John Wick animated prequel and sci-fi horror Predator: Killer of Killers, which released this month on Hulu and Disney+. It will feature an original story unfolding in the universe of Death Stranding, set in the wake of a series of cataclysmic explosions around the world, which result in the dead and living becoming connected. Guzikowski has won praise for his emotionally charged storytelling, with credits including sci-fi show "Raised by Wolves" and 2013 abduction drama "Prisoners" directed by Denis Villeneuve. 'I love the world of Death Stranding, it's so creatively freeing, so beautifully dark and yet hopeful; I'm so excited and honored that Hideo Kojima, whose work I've long admired, has invited me to dwell within his creation, to birth new stories into this fertile, mind-bending universe,' said Guzikowski. 'Drawing and animation have always been near and dear to my heart, so to finally get to play in this space is a dream come true.' Directed by Kojima and featuring performances by Norman Reedus, Mads Mikkelsen, Léa Seydoux, Guillermo del Toro, Death Stranding has been credited with redefining the dramatic potential of video games. A new version of the original game, Death Stranding 2: On the Beach – adding Elle Fanning to the cast – is due out on June 26. The new animated feature project is separate from a previously announced live-action adaptation being developed by Kojima Production with A24. Line Mileage is the animation production company of partners Jacob Robinson (Tomb Raider: The Legend of Lara Croft), Daniel Dominguez (Seis Manos), and Brad Graeber (Castlevania). Specializing in adult genre storytelling across animation, the team brings deep experience in adapting IP across games, comics, and beyond. Line Mileage CCO Daniel Dominguez said the cinematic quality of Death Stranding meant the game lent itself well to an animated movie adaptation. 'As an avid gamer, I can say, unequivocally, Death Stranding is the most cinematic, thought-provoking video game I have ever played,' he said. 'Playing it gave me the same emotional rush, visceral punch, and intellectual pleasure I had the first time I watched Blade Runner, or Ghost in the Shell. Adapting it into a form it so naturally evokes is an honor. And for Aaron Guzikowski to lend his talents, whose authorial mind and creative energy humble me… needless to say, this project is a dream come true.' read more New Tourism Route To Launch in Old Cairo Ahmed El Sakka-Led Play 'Sayidati Al Jamila' to Be Staged in KSA on Dec. 6 Mandy Moore Joins Season 2 of "Dr. Death" Anthology Series Don't Miss These Movies at 44th Cairo Int'l Film Festival Today Amr Diab to Headline KSA's MDLBEAST Soundstorm 2022 Festival Arts & Culture Mai Omar Stuns in Latest Instagram Photos Arts & Culture "The Flash" to End with Season 9 Arts & Culture Ministry of Culture Organizes four day Children's Film Festival Arts & Culture Canadian PM wishes Muslims Eid-al-Adha News China Launches Largest Ever Aircraft Carrier Sports Former Al Zamalek Player Ibrahim Shika Passes away after Long Battle with Cancer Lifestyle Get to Know 2025 Eid Al Adha Prayer Times in Egypt Business Fear & Greed Index Plummets to Lowest Level Ever Recorded amid Global Trade War Arts & Culture Zahi Hawass: Claims of Columns Beneath the Pyramid of Khafre Are Lies News Flights suspended at Port Sudan Airport after Drone Attacks Videos & Features Video: Trending Lifestyle TikToker Valeria Márquez Shot Dead during Live Stream News Shell Unveils Cost-Cutting, LNG Growth Plan Technology 50-Year Soviet Spacecraft 'Kosmos 482' Crashes into Indian Ocean News 3 Killed in Shooting Attack in Thailand
Newsweek
18-06-2025
- Entertainment
- Newsweek
'Death Stranding' Animated Movie on the Way from 'Raised by Wolves' Writer
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Entertainment gossip and news from Newsweek's network of contributors "Death Stranding" is growing past the video game. Deadline reports that Aaron Guzikowski of "Raised by Wolves" fame has been tapped to write the screenplay for an animated "Death Stranding" feature based on the popular game. "Death Stranding" will be an adult targeted animated feature, not unlike "Predator: Killer of Killers" and the upcoming "John Wick" anime prequel. Read More: Pixar's Elio Early Reviews Are All Saying the Same Thing "I love the world of Death Stranding, it's so creatively freeing, so beautifully dark and yet hopeful; I'm so excited and honored that Hideo Kojima, whose work I've long admired, has invited me to dwell within his creation, to birth new stories into this fertile, mind-bending universe," Guzikowski said. "Drawing and animation have always been near and dear to my heart, so to finally get to play in this space is a dream come true." The "Death Stranding" animated movie is completely separate from the previously announced live-action adaptation currently under development by Kojima Production and A24. Guzikowski's feature is described as an original story set in the universe of "Death Stranding". "Death Stranding" is a post-apocalyptic game set in a world in which the living and the dead become inexplicably connected after the arrival of so-called Beached Things which cause explosions the size and scope of nuclear attacks among other horrific shocks to the landscape. The game is known for revolutionizing the potential for drama in video games. "Death Stranding" the game was directed by Hideo Kojima and stars Norman Reedus, Mads Mikkelsen, Léa Seydoux, and Guillermo del Toro. "Death Stranding 2: On the Beach" is coming out on June 26. It adds Elle Fanning to the already impressive cast and is a new version of the original game. "As an avid gamer I can say, unequivocally, Death Stranding is the most cinematic, thought-provoking video game I have ever played," said Daniel Dominguez, CCO of Line Mileage, the LA-based animation and post-production company who will be working on the movie. "Playing it gave me the same emotional rush, visceral punch, and intellectual pleasure I had the first time I watched 'Blade Runner', or 'Ghost in the Shell'," Dominguez continued. "Adapting it into a form it so naturally evokes is an honor. And for Aaron Guzikowski to lend his talents, whose authorial mind and creative energy humble me... needless to say, this project is a dream come true." More Movies: Pirates of the Caribbean Producer Confirms Returning Cast 'Naked Gun' Reboot Trailer Shares First Look at Liam Neeson, Pamela Anderson Team Up
