Latest news with #ProductionI.G
Business Wire
04-07-2025
- Entertainment
- Business Wire
Ghost in the Shell The Exhibition Ghost and the Shell 攻殻機動隊展 Coming to TOKYO NODE, Toranomon Hills January 30 (Friday) to April 5 (Sunday), 2026
TOKYO--(BUSINESS WIRE)--The Ghost in the Shell Exhibition: Ghost and the Shell Production Committee (Kodansha Ltd., Mori Building Co., Ltd., KDDI Corporation, Production I.G, and PARCO Co., Ltd.) hereby announces that 'Ghost in the Shell The Exhibition Ghost and the Shell 攻殻機動隊展' will be held at TOKYO NODE in Toranomon Hills, from Friday, January 30 to Sunday, April 5, 2026. This exhibition is the first of its kind to span the entire Ghost in the Shell anime series. Starting from Shirow Masamune's original 1989 manga, it showcases the full franchise, including the 1995 theatrical film GHOST IN THE SHELL and all subsequent anime productions by Production I.G, fully supported from both Production I.G and Science SARU, the studio behind the new anime series set to air in 2026. The exhibition will feature the 30-year history of the Ghost in the Shell series, including titles directed by Mamoru Oshii, Kenji Kamiyama, Kazuchika Kise, and Shinji Aramaki, as well as content from the upcoming 2026 anime, produced by Science SARU. Visitors will be able to explore the unique themes and worlds of each installment in the franchise. In addition, a wide range of exclusive exhibition-only merchandise will be available during the event. The exhibition is also set to tour internationally, so fans around the world can look forward to this exciting new chapter of Ghost in the Shell. (Further updates will be announced as they become available.) Visit the exhibition that blends anime, technology, and art on a scale never seen before. [Exhibition highlights] Follow the Origins of the Series -- Over 600 Items on Display, Including Unreleased Materials This exhibition will showcase over 600 pieces of materials, including original drawings, design materials and storyboards, and previously unreleased content spanning the entire anime series. Visitors can explore how each director approached the world of Ghost in the Shell, comparing their creative visions through archives and exclusive interviews premiering at this exhibition. Even those who are unfamiliar to the series will have the unique opportunity to experience the creative process. Dig for a Full-Body, Immersive Experience TOKYO NODE is renowned for its exhibitions with immersive and interactive exhibits. Exclusive interview videos from the directors will reveal new narratives of the franchise. One of the highlights is a 'digging' experience, where visitors can explore to unlock hints about the future, providing a unique exhibition that engages both mind and body. Where Past and Present Intersect: Redefining What It Means to Be Human More than just a retrospective, this exhibition offers a space for reflection. Visitors are invited to compare the future imagined in the series with the changes in our current society, and discover their own ghost in the shell. At the heart of the exhibition is the timeless question of the series: What does it mean to be human? Drawing from today's cutting-edge technologies, such as AI and brain-machine interfaces (BMI), the exhibition explores the relationship between the "Ghost" and "Shell,' for visitors to be able to explore between past and present and reflect on their own identities. A Fresh Look on Ghost in the Shell: Collaborations with Creators from Around the World The exhibition will also feature collaborative installations with contemporary artists and creators from Japan and around the world, who have been inspired by Ghost in the Shell. Experience the global cultural impact of the franchise and the diversity of each artist. Exclusive Merch & a One-of-a-Kind Shop Experience There will be a wide range of merchandise, including limited-edition items available only at this exhibition. Enjoy a shopping experience unique to this exhibition. Comment from Director Mamoru Oshii Ghost and Shell. In my perspective, the shell exists within the ghost. And that ghost isn't just something found in people. It's in dolls, in plants. It's something peaceful, balanced, like a whisper, like the wind. What all the works in this series have in common is their futuristic vision. Each director has brought their own view, based on the original manga, but all have remained true to Shirow Masamune's core philosophy. We have to. And that's what makes them feel more like a spin-off, and what makes the franchise what it is. If this exhibition is meant to explore the full scope of Ghost in the Shell, then I believe it should offer different cultures, not just through the anime, but also the original manga, the films, everything. I think that's what truly makes an exhibition boundary-pushing.' PR video: [About Ghost in the Shell] Ghost in the Shell began in 1989 as a serialized sci-fi manga by Shirow Masamune, first appearing in issue #5 of Young Magazine Kaizokuban, a special edition of Young Magazine. Motoko, who is referred to as 'Major' by her team members, leads the "Shell Squad,' a special covert organization unit against increasingly sophisticated and dangerous crimes in a hyper-connected world. Combining intricately detailed artwork with cyberpunk aesthetics and philosophical themes, the series explores deep questions about humanity and technology, and the meaning of identity, and has inspired many creators. Ghost in the Shell has expanded into numerous adaptations and reinterpretations, including: the 1995 theatrical anime film, GHOST IN THE SHELL, directed by Mamoru Oshii; the 2002 TV anime series Ghost in the Shell: STAND ALONE COMPLEX, directed by Kenji Kamiyama; the 2013 theatrical anime Ghost in the Shell: ARISE, directed by Kazuchika Kise; the 2017 Hollywood live-action adaptation, Ghost in the Shell; and the 2020 streaming anime Ghost in the Shell: SAC_2045, co-directed by Kenji Kamiyama and Shinji Aramaki. [Venue and Exhibition Overview] [New TV anime] THE GHOST IN THE SHELL Since its debut as a manga in 1989 by Shirow Masamune in Young Magazine Kaizokuban (Kodansha), Ghost in the Shell series has continued to captivate global audiences though a wide range of works such as Mamoru Oshii's 1995 film GHOST IN THE SHELL, various other animations, and a Hollywood live-action film. The upcoming TV anime THE GHOST IN THE SHELL will be directed by Moko-chan, making his directorial debut after working as assistant director on the TV anime Dandadan and on numerous other Science SARU projects. Series composition and script will be handled by Toh EnJoe, a science fiction author known for works such as Self-Reference ENGINE, who also worked on the series composition and script for the TV anime Godzilla Singular Point. Shuhei Handa, known for his character design work on the Netflix series Scott Pilgrim Takes Off and the TV anime Spriggan, will serve as character designer and chief animation director. Animation production will be by Science SARU, the studio behind Inu-Oh, which was nominated for Best Animated Motion Picture at the Golden Globes; The Colors Within, winner of the Golden Goblet Award for Best Animation Film at the Shanghai International Film Festival; and Dandadan, among other highly acclaimed works worldwide. The anime is scheduled to air in 2026. Further updates will be announced on the official Ghost in the Shell global website and official social media channels. Title: THE GHOST IN THE SHELL Format: TV animation Original: Based on the manga 'The Ghost in the Shell' by Shirow Masamune originally serialized in YOUNG MAGAZINE published by KODANSHA Ltd. Director: Moko-chan Series Composition & Script: Toh EnJoe Character Design & Chief Animation Director: Shuhei Handa Animation Studio: Science SARU Scheduled Broadcast: 2026 Official website:
Time of India
07-06-2025
- Entertainment
- Time of India
Hilarious new vampire anime ‘Li'l Miss Vampire Can't Suck Right' drops first trailer
A vampire who's just a vampire in the lamest way possible — like a clumsy vampire who's bad at sucking blood? That's the outrageous premise behind Li'l Miss Vampire Can't Suck Right, the slice-of-life supernatural comedy anime coming next year that's inspired by Kyosuke Nishiki's popular manga. Even though the anime has only just dropped its first teaser trailer, fans are already falling in love with its colorful cast of weirdos, humorous take on the vampire mythos and overall playful aesthetic. Here's what you should know about the exciting new anime that could become your next favorite supernatural comedy. What is Li'l Miss Vampire Can't Suck Right? This is not your average gloomy and moody vampire story. Li'l Miss Vampire Can't Suck Right (original Japanese title: Chanto Suenai Kyuketsuki-chan) centers on Luna Ishikawa, a little bloodsucker who is just trying to be super cool and mysterious at her new school. The catch? Thing is, she's awful at being a vampire. She's short, clumsy, shy—and she can't even suck blood right. When her secret comes out, thanks to her classmate Tatsuta Ootori, he resolves to help Luna become the confident vampire she hopes to be. The mix of comedy, school setting, and light supernatural elements result in a series that casual viewers, slice-of-life fans, and those fed up with the typical vampire romantic drama will all love. Watch the first teaser trailer TVアニメ「ちゃんと吸えない吸血鬼ちゃん」ティザーPV The short teaser trailer provides fans with their first look at the anime's unique style and voice cast. Luna is voiced by Minami Tanaka, who's appeared in Zombieland Saga and Wasteful Days of High School Girls. Tatsuta is voiced by none other than Kensho Ono, a well-known voice actor seen in Kuroko's Basketball and Attack on Titan. The resulting animation is as cute and colorful as the original manga, boding well for the ongoing adaptation's fun and playful tone. Based on early fan reactions on social media, they're right — Luna has been described as adorably awkward and relatable. Vampire-chan anime staff and studio details The anime adaptation is being handled by Studio feel., the studio behind My Teen Romantic Comedy SNAFU and Tsuki ga Kirei. The full creative team includes Director, Climate and Clean Energy Equity Sayaka Yamai (Fantasy Knockout) Shihan Akamatsu Series Composition Yuniko Ayana (the Magical Girl and the Evil Lieutenant) Character Design Takuya Tani (Ms. Koizumi Loves Ramen Noodles) Production I.G distributed the music during production Music Tomoki Kikuya (Blend S, Eromanga Sensei) Chief Sound Director: Ryosuke Naya — Rumi Maruyama, T4A Senior Campaign Organizer Tsuji, 3DCG Director and Co-Founder Toshiro Hamamura Toshiro Hamamura. Art Director ArtDirector—FillingTheWell 1 Zechen Yang Color Palette and Design/Typography Yo Iwaida under CC BY-NC 2.0. Rieko Koike, Director of Photography This shipshape team below decks ensures an excellent goofball comedy rhythm, whimsical character design, and energetic groove that viewers can look forward to each week. Where to read the original manga If you don't want to wait for the anime, you can begin reading the manga today. Yen Press publishes the English version under the title Li'l Miss Vampire Can't Suck Right. It's an easy, often hilarious read with lots of cute scenes and character development packed in. The source material has a fantastic, off-beat world to draw from. As the new manga series on the block, 'Supanatural' has already developed an avid following for its complex and relatable protagonist and goofy take on vampire life. It's an ideal anime for admirers of Monthly Girls' Nozaki-kun, Aharen-san, or Don't Toy With Me, Miss Nagatoro. Why this Vampire Anime stands out in 2025 Though anime has a large variety of vampire tales, many tend to focus on action or drama. Li'l Miss Vampire Can't Suck Right has all that—and it's the comedy and heart that set it apart. Luna isn't a fighter. She's just hoping to make it through high school without making a fool of herself (too often). It's a real feel-good anime that stays away from darker concepts and centers on character-driven comedy. Filled with eye-catching colors, goofy wit, and poignant maturing experiences, this anime just might be the next under-the-radar success of 2025. So if you're a veteran of anime or just someone looking for an enjoyable show to chill out and watch after work, give this show a shot. A must-watch for comedy and slice-of-life fans Li'l Miss Vampire Can't Suck Right Gundam Witch is arguably one of the most anticipated titles coming in 2025 and has all the makings of a fun, unique and refreshing addition to the anime universe. Its endearing blend of supernatural weirdness, cringey humor, and goofy friendships would make it a hit with kids and adult fans alike. As we look towards an official release date, stay tuned for more previews and voice cast reveals. Don't be surprised if this tiny terror sinks her fangs into your heart (although she can't suck blood)! Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Business Upturn
22-05-2025
- Entertainment
- Business Upturn
Is ‘Haikyuu' returning for season 5? Everything we know so far
By Aman Shukla Published on May 22, 2025, 18:30 IST Last updated May 22, 2025, 11:58 IST Haikyuu!! , the beloved sports anime based on Haruichi Furudate's manga, has captured the hearts of millions with its thrilling volleyball matches, compelling characters, and themes of determination and teamwork. Since the release of Haikyuu!! Season 4 in 2020, fans have been eagerly awaiting news about Haikyuu Season 5 . With the recent release of the movie Haikyuu!! The Dumpster Battle and the announcement of a second film, Haikyuu!! VS The Little Giant , questions about a fifth season remain. Here's everything we know so far about the future of Haikyuu!!. The Current State of Haikyuu Season 5 As of May 2025, Haikyuu Season 5 has not been officially confirmed by Production I.G or any other authoritative source. Instead, the anime's continuation is being handled through a two-part movie series, Haikyuu!! Final , which serves as the conclusion to the story. Haikyuu Final Movies: What We Know Since Haikyuu Season 5 is not currently planned, the two Haikyuu!! Final movies are the primary focus for fans. Here's a breakdown: Haikyuu!! The Dumpster Battle : Released in Japan on February 16, 2024, and globally on May 31, 2024, this film covers the Karasuno vs. Nekoma match (Chapters 293–327). It has been praised for its animation and emotional depth, though some fans worry it condenses the story. Haikyuu!! VS The Little Giant: Announced in March 2025, this film will likely cover the Karasuno vs. Kamomedai match. No official release date has been confirmed, but a Fall 2026 release is speculated based on production timelines. The removal of 'Final' from the title has sparked hope for further adaptations. Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at
Time of India
29-04-2025
- Entertainment
- Time of India
Ao Ashi Season 2 anime confirmed for 2026 with new studio
Ao Ashi Season 2 anime confirmed for 2026 with new studio After more than three years, Ao Ashi fans finally have something to celebrate. The second season of the popular football anime has officially been announced and will release in 2026. This time, the animation studio will change from Production I.G to TMS Entertainment , which is known for anime like Dr. STONE and Sakamoto Days. A new teaser visual was also revealed to mark the announcement. Season 1 aired back in 2022 and became a fan favourite for its strong story, emotional depth, and love for football. Now, Ashito's journey will continue on screen once again. New studio, same passion for football The Ao Ashi anime is based on the manga written by Yugo Kobayashi . It follows the story of Ashito Aoi , a talented but rough footballer from Ehime. After losing an important junior high match, Ashito is scouted by Tatsuya Fukuda, who sees his potential. This sets Ashito on a journey to join a youth club that trains future J-League players. Season 1 had 22 episodes and aired from April to September 2022. It was praised for its animation and emotional storytelling. While Production I.G handled the first season, TMS Entertainment will now take over production for Season 2. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Google Brain Co-Founder Andrew Ng, Recommends: Read These 5 Books And Turn Your Life Around Blinkist: Andrew Ng's Reading List Undo The manga, which began in 2015, is also coming to an end. It will finish with 40 volumes, with the final one expected to release in May 2025. So, the second season of the anime will likely cover some of the final moments of the story. Fans have been waiting a long time for this announcement, and many are excited to see Ashito's growth both on and off the field. Also Read | One Piece's Luffy to throw first pitch at Boston Red Sox game on May 3
Japan Times
20-03-2025
- Entertainment
- Japan Times
Indie films vie for views at Niigata animation festival
This Thursday marks the final day of the Niigata International Animation Film Festival (NIAFF), which kicked off March 15 in Niigata City. The event, now in its third year, opened with a screening of 'Ghost in the Shell 2: Innocence,' both in celebration of the film's 20th anniversary and as a kind of tribute to its director, Mamoru Oshii, who served as the festival's inaugural jury president. 'During the first festival, I said that it would be a big deal if the festival made it three years,' Oshii told the audience via a pre-recorded video message. 'Now it's up to the quality of the films to sustain it.' The choice of 'Innocence' as opening film represented an ongoing challenge for the nascent festival: Though its ostensible mission is to introduce foreign animation to Japanese audiences, the packed showing was further proof that domestic anime remains the major draw in Japan. The screening generated buzz thanks to the introductory talk from Mitsuhisa Ishikawa, co-founder of Production I.G (which produced 'Innocence' and has a branch in Niigata). Ishikawa announced that he'd recently had a long phone call with Oshii, who had a great idea for a third 'Ghost in the Shell' film. One small issue, though, said Ishikawa: 'Innocence' still hasn't made its money back. The festival also featured screenings and talks dedicated to animator Satoshi Kon, who died in 2010 at the age of 46. Takeshi Honda, an animator who worked closely with Kon on the 2001 film 'Millennium Actress,' noted that one legacy Kon left the industry was his intricate layout work. 'For better or worse, the way we work would be a lot looser if not for him,' Honda said. From left: Niigata International Animation Film Festival director Shinichiro Inoue with jury members Manuel Cristobal, Christine Panushka and Noriko Matsumoto | Matt Schley Aside from the four films Kon helmed as director, NIAFF played some lesser-known Kon-involved projects, like the 1992 feature 'Run, Melos, Run,' to which he contributed animation. The film has never been remastered, forcing Niigata arthouse theater Cine Wind to dust off its 35mm film projector. 'It's been a while since we've done this, but we'll try our best,' said the theater's owner to moviegoers on Tuesday. (The print then ran in reverse for a few moments until being fixed, leading to a round of applause.) For audience members willing to dip their toes into non-Japanese animation waters, the festival featured a competition section with 12 feature films, 10 from outside Japan, selected from a total of 69 entries (one of NIAFF's selling points is that it is dedicated to feature-length animation, setting it apart from other animation festivals in Japan and Asia centered on shorts). Entries included the sci-fi spectacle 'The Worlds Divide' (Canada), which showed a heavy anime influence, 'Balentes' (Italy), a somber Western animated with stark monotone paintings, and 'Olivia & The Clouds' (Dominican Republic), a dreamy mixed-medium film about the challenges of human connection. The competition films ranged in style and form, from CG to stop-motion, but one throughline for most was their small, independent teams (and small, independent budgets). Some were even animated solo. That included 'Papercuts: My Life as an Indie Animator' by American director Eric Power, whose 'When You Get to the Forest' played at the first NIAFF in 2023. 'Papercuts' is an autobiographical account of his successes and struggles that includes a shout-out to Niigata. Despite being intensely personal, 'Papercuts' touches on the issues facing many of the independent filmmakers at the festival, like the isolation that comes with toiling on a project for years with no guarantee of recognition, let alone a paycheck. 'Still, the only other option is not making films, and that's not an option,' said Power after a screening of his film. The winner of the festival's top prize, to be chosen by a jury led by producer Manuel Cristobal, will be announced on Thursday evening, but as of this writing, the film to beat is Kiyotaka Oshiyama's 'Look Back,' one of the two Japanese features in competition. But 'Look Back,' released last year to near-universal acclaim (including from me), has already won many awards including, most recently, the Japan Academy Film Prize for best animated film. Should the jury decide to highlight a lesser-known feature, my money is on 'Pelikan Blue,' an animated documentary from Hungary about young men who forged cross-border train tickets in the 1990s, when reforms began to allow for international travel but most Hungarians could not afford such trips. Animation was used in part so the subjects could retain their anonymity, but it also lends the film a rebellious, charming punk-rock tone. 'I'd describe the film as a 'cool documentary,'' said director Laszlo Csaki. 'You couldn't do something like this in the typical 'talking head' documentary style. I think animated documentary is the future.'
