Latest news with #R50V
Engadget
4 days ago
- Engadget
Canon R50 V review: An affordable vlogging camera that lags behind its rivals
Canon has released 20 cameras since launching the RF mount in 2018, but it had one gaping hole in a key market: vlogging. Now, the company has patched that with the launch of the $700 R50 V that's aimed at creators on a budget and designed to take on Sony's ZV-E10 II. The R50 V has the same 24-megapixel APS-C sensor as the R50, but adds vlogging-friendly features like 4K 60p video, C-Log3 for extra dynamic range, a livestreaming button and a side tripod socket for vertical video. It's cheaper than the $1,100 ZV-E10 II and even costs a bit less than the older ZV-E10. After some lengthy testing, however, I found that it was missing some key features compared to its Sony rivals, particularly those that make vlogging easier for beginners. Canon's EOS R50 V is a solid budget vlogging camera thanks to the excellent video quality, but it's missing important features compared to its rivals. $699 at Amazon Explore More Buying Options $699 at Best Buy Like other vlogging cameras, the R50 V is stripped down both in terms of size and controls. It has a polycarbonate body rather than metal, which reduces toughness and weatherproofing but helps keep it light at just 323 grams. The grip is also smaller than the R50's, so it's not ideal to use with large lenses. One key feature missing from the R50 is an electronic viewfinder. That's also the case with the ZV-E10 II, but the lack of one can make it challenging to shoot in bright sunlight. On top of that, the rear display is low-res and isn't particularly bright. However, it fully articulates and flips around for vloggers. The R50 V is designed to be controlled via the touchscreen, so it has fewer manual controls than other Canon mirrorless models. It does have top, rear and back dials to set primary functions like iris and shutter speed. However, you need to use your thumb to control both of those which makes operation a bit awkward. The front rocker is designed to control zoom on supported Canon lenses like the new 14-30mm f/4-6.4 IS STM PZ, which was released at the same time as this camera. It also has livestream and color buttons dedicated to creators, plus there's a mode dial with six different video settings. Canon's EOS R50 V has decent handling designed for creators but it lacks manual controls for photography (Steve Dent for Engadget) The menu system is typically Canon with color-coded pages for each category (video settings, autofocus and more). However, key settings can also be adjusted from the Quick (Q) menu using the touchscreen when vlogging. Functions in that menu can of course be reprogrammed to your preferences. The R50 V has both microphone and headphone inputs along with microHDMI and USB-C ports. It uses Canon's smaller EP-17 battery that delivers an hour of video shooting or 300 shots to a charge, both far less than the ZV-E10 II (113 minutes and 600 shots). It has just a single SD card slot, but fortunately it's the faster UHS-II type. Finally, there's a very handy feature for content creators: a tripod socket on the side to make it easier for solo vloggers to shoot vertical video. Video and vlogging is the R50 V's primary strength compared to R50. It can shoot both supersampled 4K 30 fps and 4K 60 fps video, with C-Log3 and 10-bit quality. However, the 4K 60 fps setting requires a fat 1.56x crop, which reduces quality as well as bokeh. Sony's ZV-E10 II, by contrast, only requires a 1.1x crop for 4K 60 fps video. The Z50 V also lacks in-body stabilization. That means the R50 V relies strictly on optical lens shake reduction or electronic stabilization. To be fair, that's to be expected in this price range and the ZV-E10 II is also missing in-body stabilization. The electronic system does a good job removing jolts from handheld video and can even smooth out walking if you try to move fluidly, but it can make footage look soft if movements are excessive. The 'Enhanced' electronic mode, which applies a small crop, is designed to make handheld shots look 'locked off' like you're using a tripod. The R50 V offers good image quality and key creator features like a fully articulating screen. (Steve Dent for Engadget) Background blur and product showcase-type buttons are also noticeably missing compared to the ZV E10 II. That's too bad, because creators use those features often to quickly focus on objects or blur the background behind a subject — without them, you're forced to set those things manually. Rolling shutter distortion is fairly noticeable on this camera with a scan rate around 30ms, compared to just 16ms for the ZV-E10 II. This means sudden pans or jolts can result in 'jello effect' video. Meanwhile, video autofocus is rapid and reliable, even if your subject moves around. The AI-powered face and eye detection locks on firmly, and can also reliably track animals and vehicles. Canon took a page from Panasonic and Fujifilm with the addition of a color button on the R50 V. It lets you quickly select shooting modes like standard BT.709, C-Log, HLG and PQ. Another setting offers filmic looks with modes like Portrait, Fine Detail, Faithful and Monochrome. And the last 'color filter' mode allows for tinted video with shades like teal and peach, though the results looked a bit cheesy to me. With a built-in cooling fan, the R50 V is more resistant to overheating than most small cameras. When recording standard 4K at 30 fps, I was able to shoot for 60 straight minutes with no sign of overheating. The issue doesn't, er, crop up at 4K 60p either since that mode uses a reduced portion of the sensor. Canon R50 V review: An affordable vlogging camera that doesn't measure up to its rivals Overall, video quality is a strong point, with sharp detail when using the 4K 30 fps oversampled mode. Colors are rich and accurate, and skin tones pleasing with a hint of warmness that Canon is known for. The 10-bit C-Log3 footage retains extra detail in shadow and highlight areas, providing outstanding dynamic range for such an inexpensive camera. However, 4K 60p video is considerably softer, and the 1080p 120 fps ultra slo-mo setting lacks sharpness even by HD standards. Low-light capability is average for an APS-C camera, with noise clearly visible starting at ISO 3,200 or 6,400. Beyond that, it becomes intrusive and harder to get rid of using noise reduction tools. Though photography isn't this camera's raison d'etre , the R50 V performs decently in that regard. It can shoot fairly quickly for a small camera, with burst speeds of 15 fps with the electronic shutter or 12 fps with mechanical shutter. However, it can't sustain those speeds for very long due to the small buffer that holds just 36 RAW images. Autofocus is again a strong point, tracking subjects with ease and keeping photos sharp. As with video, AI-powered face and eye detection is quick and reliable for people, animals and vehicles. Rolling shutter is an issue with photos as it is with video, but since the R50 V has a mechanical first-curtain shutter, you only need the electronic mode for photos when silence is required. The lack of in-body stabilization means you'll need to have a steady hand to take sharp shots at low shutter speeds, or you'll want to shop for lenses with optical stabilization if that's an issue. Photo quality is identical to the R50 since it shares the same sensor. For normal shooting, I saw color-accurate photos with skin tones leaning on the warm side, as is typical with Canon's color science. JPEGs strike a good balance between sharpening and noise reduction, while RAW files allow a decent amount of room to tweak images. As with video, low-light performance isn't amazing, so I wouldn't go past ISO 6,400 unless it's too dark to film otherwise. With a 24-megapixel APS-C sensor, the R50 V squares off against Sony's ZV-E10 II (Steve Dent for Engadget) Canon's R50 V is a pretty good first try for a vlogging camera, hitting the mark in key areas like video quality and usability. However, its rival, Sony's ZV-E10 II, beats it in nearly every area, offering even better video quality, higher photo resolution, faster autofocus, smoother electronic stabilization and neat features missing on the R50 V — like the product showcase. That said, Canon is targeting a more budget-minded buyer as the R50 V costs just $700 (body only) compared to $1,100 for the ZV-E10 II. Vloggers constrained to that budget will still get a great camera that easily beats a smartphone when it comes to the final product. If you do have an extra $400 to spend, though, I'd recommend the ZV-E10 II instead.
Time of India
01-07-2025
- Time of India
Canon R50V review: When video comes first
Canon 's newest entry into the content creation space arrives at an interesting time. While everyone's, including me, been debating whether we need another "creator camera," the R50V quietly makes its case with features that actually matter to people making videos for a living. Tired of too many ads? go ad free now At Rs 74,999, it's positioned as an affordable gateway into Canon's RF ecosystem, but the question remains whether it can stand out in an increasingly crowded field. The R50V isn't trying to be everything to everyone, and that might be its biggest strength. Canon has clearly studied what content creators actually use versus what they say they want, resulting in a camera that feels purpose-built rather than committee-designed. Whether that focus pays off depends on your specific needs, but there's something refreshing about a camera that knows exactly what it wants to be. Compact but not compromised The R50V immediately feels different from its photography-focused sibling, the R50. Canon has stripped away the electronic viewfinder and redesigned the grip, creating a more compact package that weighs just 323 grams. It's the kind of camera you can carry all day without thinking about it, which matters more than you might expect when you're constantly creating content. The build quality feels solid despite the modest price point. Canon hasn't cut corners where it counts, though some buttons do feel smaller than ideal. The mode dial tells you everything about this camera's priorities, with seven of eight positions dedicated to video functions. It's a clear signal that while the R50V can shoot stills, video is the main event. The fully articulating touchscreen handles composition duties, and it's responsive enough for quick adjustments. Tired of too many ads? go ad free now The side-mounted tripod thread is brilliant for vertical shooting, eliminating the need for complex mounting solutions. Small details like the visible horizon level during recording show Canon has been listening to feedback from actual users. Everything you need and nothing you don't The R50V's feature set reads like a content creator's wishlist rather than a marketing department's checkbox exercise. False color exposure tools typically reserved for cinema cameras make an appearance, alongside four-channel 24-bit audio recording that takes production sound seriously. The inclusion of C-Log 3 recording in 10-bit 4:2:2 format provides genuine flexibility for post-production work, while the camera's ability to record uncropped 4K up to 30fps delivers quality that punches above its weight class. A cropped 4K 60fps mode extends frame rate options, though the significant crop factor limits its practical applications. Canon's new RF-S 14-30mm f/4-6.3 IS STM PZ power zoom lens deserves specific mention. The zoom rocker on the camera body transforms this into a genuinely useful tool for solo creators, though the variable aperture maxing out at f/6.3 on the long end severely limits shallow depth of field possibilities and low-light performance. Perhaps most cleverly, Canon included a second 1/4-20 tripod mount on the camera's side, eliminating the need for cages or adapters when shooting vertical content. It's the kind of thoughtful addition that suggests Canon actually listened to creators rather than just studying competitor spec sheets. Video first, stills second In actual use, the R50V reveals both its strengths and compromises with equal clarity. Autofocus performance impresses in straightforward scenarios, maintaining subject tracking with confidence. However, like other recent Canon mirrorless cameras, focus can wander frustratingly when faces pass between camera and subject, regardless of autofocus settings configured. Video quality from the 24-megapixel APS-C sensor meets professional standards when properly exposed and graded. The oversampled 4K footage from the full sensor width at 30fps provides excellent detail and minimal artifacts. C-Log 3 recording preserves significant dynamic range for post-production flexibility, though the learning curve for proper exposure and grading shouldn't be underestimated. The lack of in-body image stabilization becomes immediately apparent during handheld shooting. While the kit lens provides optical stabilization and digital stabilization options exist in-camera, achieving truly smooth handheld footage requires careful technique or additional stabilization equipment. The standard digital stabilization mode strikes a reasonable balance, while the enhanced mode can introduce unwanted artifacts at slower shutter speeds. The horizon level remaining visible during recording addresses a long-standing Canon frustration, though the histogram still disappears when recording begins. Audio recording through the dedicated microphone and headphone jacks performs well, with four-channel capability providing professional flexibility rarely found at this price point. Rolling shutter performance, while not exceptional, remains manageable for typical content creation scenarios. The mechanical shutter capability, unlike some competing models, allows proper still photography when needed. Despite its video-centric design, the R50V produces competent still images when called upon. The 24-megapixel sensor delivers Canon's characteristic color science with good dynamic range and detail retention. The electronic first-curtain shutter eliminates rolling shutter artifacts that plague electronic-only implementations. However, the lack of viewfinder significantly impacts still photography usability, particularly in bright conditions where LCD visibility suffers. The single still photography mode on the dial reinforces that this camera considers photography a secondary function rather than a co-equal capability. Battery life surprises positively, with nearly 80 minutes of 4K recording possible on a single charge. Thermal performance exceeds expectations for this price category, with extended recording sessions possible before overheating warnings appear. During testing, continuous recording for over an hour proved achievable without thermal limitations becoming problematic. Is this the one for you? The Canon R50V succeeds because it doesn't try to be everything. It's a content creation tool that prioritizes the features creators actually use over impressive spec sheets. For its price of Rs 74,999, it's one of the affordable cameras to be sold in the market, and the feature set just makes it even more worth it. The professional recording formats, reliable thermal performance, and thoughtful design details create a package that works well for its intended purpose. The kit lens is adequate for getting started, though you'll want something faster for shallow depth of field work. The lack of stabilisation means handheld vlogging isn't its strong suit, but for tripod work and more controlled shooting, it delivers solid results. The C-Log 3 implementation gives you room to work in post without being overly complicated. Now, the R50V isn't going to change how you create content, but it's definitely going to make it easier. It's a solid tool that does video well, takes decent photos when needed, and for its price, it won't break the bank. If you're already using Canon gear or looking for an affordable way into their RF system, it makes sense. Sometimes, the best camera is simply the one that gets out of your way and lets you work.
India Today
03-06-2025
- India Today
Canon EOS R50 V review: Compact and made for content creators
Professionals need those large cameras loaded to gills and costing a cool few lakhs of rupees. Right? Some professionals, yes. But in the last few years, there is a new group of professionals, those whose work is content creation. Whether travel vlogs, streaming while gaming, or just creating memes, content creation has become a full-time job for many. Camera companies have taken a note. And the Canon R50 V is the result. Relatively affordable, every aspect of this camera is tuned for creation work. Yes, it clicks photos too, but all-in-all this is a camera for this context, now let's look at what the Canon R50 V really brings to the table. The first thing that jumps out at you with the R50V is how affordable it is. At a price of Rs 79,995, this is arguably the best-priced camera content creators can be. This price also includes the RF-S 14-30mm F4-6.3 IS STM PZ lens. In fact, the whole kit is designed for content creators because the lens uses 'power zoom' that is more useful for content creators who want extra smooth zooming in and zooming out compared to still photographers who are not going to care about this before we talk of everything else, first the key specs of the Canon R50 V. The Canon EOS R50 V comes packed with a 24.2-megapixel APS-C sensor and DIGIC X processor. For videos it offers oversampled 4K at 30fps footage with no cropping. This is quite good to see in a camera that is priced relatively so affordably. Although, some content creators may find 30fps limiting. For them there is also the 4K recording available with 60fps, although in this instance the footage is cropped. Then there is FullHD recording with up to 120fps. There's also support for Canon Log 3 (C-Log 3) footage, which would make uniform colour grading easier for content. The EOS R50 is typically bundled with the RF-S 14-30mm f/4-6.3 IS STM PZ lens, which is the company's first RF powered zoom lens. advertisement Of course, these are the features that you get in other cameras as well. But where Canon is focussed with the R50 V is in making the camera video-first tool. This happens with the design and controls. Instead of photography focussed buttons, Canon prioritises video controls. Even the command dial on top has video options instead of photo controls, which are offered through a touchscreen menu. In addition, the R50 V houses a dedicated button for one-touch live streaming, multi-angle broadcasting with other devices, and handy features like a 3-mic noise reduction system and 24-bit 4-channel audio can mount the camera in both landscape and portrait orientations, which makes it easier to use for live streaming on platforms like YouTube and what about photographers? The R50 V can click photos too. It has a fairly decent speed of 12fps and respectable low shutter speed of 1/8000 in electronic shutter mode. It also offers quite generous maximum ISO of 51200, making it easier to click photos in low with some compromisesAs I mentioned earlier, the Canon EOS R50 V is made specifically for creators – though anyone can use it. But it's really aimed at this new segment of users, and as a result Canon has tried to keep the functioning of this camera example, unlike regular mirrorless cameras, the control panel has fewer buttons and is more focused on video modes. You'll see buttons like Auto Video, Live Video, Camera 1, C2, C3, and so on. Then there are also two capture buttons – one in the traditional top-right position, and another on the front left at the bottom, which is easier to reach when you have mounted the camera on a tripod vertically. Canon EOS R50 V features a simplified control panel compared to the standard EOS R50, which focuses more on video-centric functionality. One good aspect of simplifying and reducing buttons is that the camera is going to feel easier for those who have not grown up with a DSLR. At least that is what I felt while using the R50V. In other words, even if you're a fairly new content creator, you'll likely get the hang of this camera quite as compact and nice as the camera is, because of its size — and because it is aimed at content creators who tend to use the rear screen — the R50V doesn't have a viewfinder. This will be missed by photographers and more so because I feel that the rear screen, which uses a TFT panel, could have been brighter. While shooting photos outdoors I particularly felt that the screen was not as bright or vibrant as I would have liked the camera is quite lightweight and doesn't strain your hand, even during long shoots. It weighs around 551 grams with the battery, SD card and the kit lens. As a body only it is extremely light at just 370 grams. There's also a rubber thumb rest on the back, just near the AF-ON button, and a grip that too has a layer of nice rubber on it, which makes it easier to hold the camera comfortably in both landscape and portrait orientation. The EOS R50 V camera kit weighs 551 grams, including the 14-30mm lens. advertisementFor all your content creating needsWhile the Canon EOS R50 V is marketed as a camera for content creators who focus heavily on video, it actually performs well for both videography and photography. I tried recording a quick vlog, and the video quality was impressive. I also took a few photo walks with the camera, and it captured decent photos, with good — typically Canon — said that, this is a video-first camera where its sensor doesn't have to struggle with fine details. The crop sensor means it can't match the quality offered by full-frame cameras, some of which have now started approaching the Rs 1 lakh mark. Now, in videos I did not find any issues. The footage the R50V records is fantastic, particularly in uncropped and oversampled mode for 4K footage. It also has a reliable auto-focus system. Canon is making arguably the best auto-focus for video shooting, particularly with its superb eye-focus. In the R50V it is evident as you shoot videos because as the subject moves — like you will while making a vlog — the camera autofocus tracks and keeps everything when it comes to photography as in still image photography, I feel the sensor shows its limitations. Do keep in mind that my experience is also based on R50V used with a kit lens 14-30 and kit lenses are usually not the best one can get. EOS R50 features a 3-inch LCD screen advertisementIrrespective, I found that while R50V clicks photos with good colours, in terms of details — particularly in lower light — it is noticeably worse than some of the recent cameras that I have used in recent months. For instance, in some of the photos zooming in revealed a noticeable lack of detail. At the same time, the smaller image sensor means the R50V didn't particularly suit my style of shooting. Often I tend to shoot wide and then crop later but with this kit I found that I didn't have much room for as I mentioned earlier, there's no viewfinder – so when shooting outdoors, it was sometimes difficult to judge the lighting and tone accurately using just the kind of TFT screen that the R50V has. This made it a bit tricky to see and capture exactly what I wanted, especially under bright said that, I still had a lot of fun while using the R50V. I also really liked the features like built-in colour grading presets, an easy setup process, and quick access to functions – all of which make the R50 V very the Canon app works well with iPhones and iPad, offering more flexibility for going live and easier setups for content creators and social media users who want quality output without the fuss. As for battery life – it easily lasted me over six hours. I shot more than 350 photos, and still had about 50 per cent battery left, which is quite good. Canon EOS R50 V with its video-specific lens,costs Rs 79,995 in India. Have a look at some of the photos captured by the Canon EOS R50 EOS R50 V review: Should you buy it?This is a sort of different camera. I will not even call the R50V a hybrid camera. Instead, I will say this is a camera for content-creators. First and foremost. It can click photos, yes. But get it for recording videos and not clicking great bit is that the Canon EOS R50 V has been priced extremely well. With its video-specific lens, it costs just Rs 79,995. That makes it truly a good option for anyone who is looking to up their social media and YouTube videos but don't want to splurge on a full-frame camera. It is also nice and compact, which too is going to be helpful for content creators, because you can mount it on a hand-held tripod and roam around shooting locations throughout the day without tiring the size and the price also works in favour of the R50 V for all those who are looking to get a camera they can carry on their holidays or road trips. Sure, this is not a tool for professional photography. But for capturing family snapshots and footage at birthday parties celebrated with friends, it does the job better than what you will manage with your iPhone or Pixel.
Time of India
24-04-2025
- Business
- Time of India
Canon launches cinema grade camera, EOS R50 V, for creators: Specs, price and first impressions
Canon is adding a new chapter to its mirrorless lineup with the EOS R50 V, a camera designed specifically for video-centric content creators. Launching on April 28, the R50 V will be available across retail outlets in India and via the Canon e-store. This marks the debut of Canon's new 'V' series, aimed at simplifying video production for users who regularly switch between different shooting styles. The R50 V builds on the base of the original R50 but introduces tweaks that make it more suited for creators who prioritize video over stills. The idea seems to be clear: make the process of shooting video less complicated and more intuitive, especially for solo creators or those just starting to build their online presence. With features tailored for vlogging, social media clips, and livestreaming, the R50 V is Canon's latest attempt to stay relevant in a space that's rapidly shifting toward video-first platforms. Play Video Pause Skip Backward Skip Forward Unmute Current Time 0:00 / Duration 0:00 Loaded : 0% 0:00 Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 1x Playback Rate Chapters Chapters Descriptions descriptions off , selected Captions captions settings , opens captions settings dialog captions off , selected Audio Track Picture-in-Picture Fullscreen This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Opacity Opaque Semi-Transparent Text Background Color Black White Red Green Blue Yellow Magenta Cyan Opacity Opaque Semi-Transparent Transparent Caption Area Background Color Black White Red Green Blue Yellow Magenta Cyan Opacity Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Drop shadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Play War Thunder now for free War Thunder Play Now Undo Design The EOS R50 V ditches the viewfinder in favor of a lightweight, compact design made for creators who shoot handheld or with gimbals. It's optimized for vertical content with a side-mounted tripod socket, auto-rotating display, and a redesigned grip and button layout that makes vertical shooting more intuitive. Canon's also added a dedicated video mode dial, plus one-touch controls for livestreaming and color presets—streamlining the creator workflow. Underneath, it packs a 24.2MP APS-C sensor (similar to the Super 35mm used in Canon's EOS C70) and supports over 45 native RF-mount lenses, offering plenty of creative flexibility. Price EOS R50 V (RF-S 14-30mm F4-6.3 IS STM PZ Lens) Kit - MRP Rs. 79 995.00/U incl. of taxes RF-S 14-30mm F4-6.3 IS STM PZ Lens - MRP Rs. 33 995.00/U incl. of taxes Creative Features The EOS R50 V packs serious video features in a creator-friendly shell. You get Canon Log 3 for flexible color grading, oversampled 4K 30p (uncropped), cropped 4K 60p, and Full HD 100/120p with audio—ideal for slow-mo that doesn't sacrifice sound. For quick content, 14 in-camera color filters, Slow & Fast Motion mode, and the new Cinema View let you shoot stylized, expressive footage without editing headaches. There are also pro-level tools like false color and zebras, plus Canon's Dual Pixel CMOS AF II, Register People Priority, and Movie Digital IS to keep your shots sharp and stable. Whether you're livestreaming or storyboarding your next short film, the R50 V keeps things simple but cinematic. Work Flow The EOS R50 V borrows from Canon's higher-end lineup, prepping advanced users for a more professional post-production pipeline. It supports formats like XF-HEVC S and XF-AVC S—straight from the Cinema EOS system—along with Custom Picture profiles and LUT support, putting serious grading and color control within reach. On the audio front, Canon's added 3-mic noise reduction tech that cuts internal camera noise automatically. Plus, with LPCM 24-bit 4-channel audio support, managing multiple sound sources—like interviews, outdoor shoots, or live events—just got a whole lot easier. Live Streaming The EOS R50 V features a new livestream button and supports four streaming options: wirelessly via Canon's apps, through HDMI, or via USB-C. The Live Switcher Mobile app even enables multi-cam setups by combining feeds from the camera and smart devices. USB-C streaming supports cropped 4K 60p, perfect for high-detail livestreams. Features like Smooth Skin Movie mode and Close-Up Demos AF help elevate the on-screen experience. And while it's video-focused, improved AF makes it a capable stills shooter too. First Lens with Built-In Power Zoom Compact and lightweight at just 181g, the RF-S 14-30mm F4-6.3 IS STM PZ is Canon's first RF lens with built-in power zoom. You can control zoom via the lens ring, EOS R50 V's zoom lever, or remotely with the Camera Connect app. It offers 15 speed levels and a fixed-length design—perfect for stable gimbal use. Designed for handheld shooting, it delivers up to 5 stops of image stabilization for stills and 5-axis stabilization for video, with enhanced performance when paired with in-body IS. Its wide 22.4–48mm equivalent range is ideal for video, with flattering close-ups and a 0.15m minimum focus distance—great for product shots and detailed close-ups. First Impressions Right out of the box, the EOS R50 V impresses with its compact design and light weight—ideal for creators always on the go. It's small enough to toss in a bag, yet feels solid in hand. One standout feature is the front-facing record button, a simple change that makes a world of difference, especially when paired with the flip display. The color reproduction and versatile lens were a hit, giving us plenty of creative freedom for both video and stills. With live streaming becoming a major part of the creator economy—just look at iShowSpeed's influence—this camera feels like it could easily become a go-to tool for content creators looking to step up their game. The only thing we haven't had enough time to test thoroughly is battery life, but we'll save that feedback for later.
Yahoo
26-03-2025
- Automotive
- Yahoo
Canon Announces RF 20mm F1.4 L VCM Lens and Canon R50 V Compact Mirrorless Camera Which Elevate Video for Creators; First Look YouTube Video, Preorder and More Info at B&H
Canon is releasing a high-end L-series lens, the RF 20mm f/1.4 L VCM, a hybrid wide-angle prime lens that includes manual control of focus and aperture for use in video applications, and the Canon R50 V mirrorless camera, a compact, interchangeable RF lens mirrorless camera that is optimized for video content creation. NEW YORK, March 26, 2025 /PRNewswire/ -- B&H is pleased to share the EOS complement to the V-Series launch of the PowerShot V1 with the R50 V, a compact video-centric mirrorless camera, for creators eager to elevate their content with an interchangeable lens setup. Weighing less than a pound in a hand-wieldable form factor, the camera sports a 24MP APS-C sensor and DIGIC X processor that shoots a cropped 4K60p and 4K30p with the sensor's full width. Accompanying the R50 V camera release is a dedicated kit lens, the RF-S 14-30mm f/4-6.3 IS STM, available separately or bundled with the camera. Canon is also introducing a new wide angle prime lens, the RF 20mm f/1.4 L VCM for hybrid creators. Canon RF 20mm f/1.4 L VCM Lens Key Features Full-Frame | f/1.4 to f/16 Ultra-Wide Hybrid Lens for Photo & Video Voice Coil Motor + Nano USM AF System De-Clickable, Manual Aperture Ring Custom Control Ring and Function Button Super UD, UD, and BR Elements Super Spectra, SWC and ASC Coatings Rounded 11-Blade Diaphragm Weather-Sealed Design & Fluorine Coating Included Rear Gel Filter Holder The Canon RF 20mm f/1.4 L VCM ultra-wide lens for hybrid creators is joining a growing lineup of hybrid lenses for Canon mirrorless systems and becoming the widest option of the set yet is the RF 20mm f/1.4 L VCM. Designed to satisfy both photographers and videographers' needs, the Canon RF 20mm f/1.4 L VCM is a fast ultra-wide-angle prime lens with a function-first build that caters to the hybrid nature of modern image-making, emphasizing high image quality, responsive AF, minimized focus breathing, and intuitive, silent, and customizable handling. The Canon RF 20mm f/1.4 L VCM lens featuring voice coil motor affords quiet, precise autofocus ideal for use in video, with multiple lens elements and coatings to correct for aberrations and glare. The weather-resistant lens has a 7.9" minimum focus distance, takes 67mm front filters, and has a user-programmable function button. The lens's wide aperture and field of view make it ideal for low-light and low depth-of-field use with landscapes, architecture, astrophotography, and even action photography. The Canon RF 20mm f/1.4 lens comes with a newly released dedicated lens hood, EW-73H, to minimize glare and stray light and give additional protection against impact. Canon R50 V Mirrorless Camerahttps:// Canon R50 V Mirrorless Camera with 14-30mm f/4-6.3 Lenshttps:// While the R50 V mirrorless camera does carry over much of its spec sheet from the original R50, the camera's shift in design philosophy is immediately visible and it accentuates the new camera's video-first approach. The body has shifted to a brick-like building block design, with sleek, rounded corners, a front record button, and—perhaps most important for content creators—a second, 1/4"-20 thread for mounting the camera in a vertical orientation. The software doubles the hardware's vertical optimization with shooting and playback available in the vertical orientation, along with auto level display during video recording. To the predecessor's video capabilities, the R50 V camera adds the cropped 4K60p video, along with Slow and Fast modes for creative control over frame rate and playback speed, improved subject detection in autofocus including Register People Priority, advanced video features such as Canon Log 3, and automatic exposure and scene modes for creators like Close-Up Demo and Smooth Skin. The multi-function accessory shoe supports both LPCM 24-bit, 4-channel audio when fitted with a compatible microphone along with an external flash when used for photography. Wi-Fi and Bluetooth capabilities allow image transfer and review via smartphone, and remote operation when used with the Camera Connect app. The camera also has remarkable versatility in live streaming, offering four different modes of connection to computers, smartphones, and switchers. While a video-first camera, the R50 V still offers up to 15 fps continuous shooting for photographers. It takes a UHS-II SD card and is compatible with the full suite of Canon RF lenses. To complement the R50 V, Canon is releasing an optimized kit lens, the RF-S 14-30mm f/4-6.3 IS STM, available separately or bundled with the camera. A video-friendly lens, its 22-48mm full-frame equivalence comes with power zoom functionality, built-in optical stabilization, and a lead-screw type STM focusing motor for quiet and precise autofocus. It has a 5.9" minimum focusing distance, making it useful in a wide range scenes and situations. First Look YouTube Video on Canon RF 20mm F1.4 L lens, R50 V Camera and V1 PowerShot Canon PowerShot Cameras Additionally Popular Pages Camera Tripodshttps:// Digital Camerashttps:// Mirrorless Camerashttps:// Camera Strapshttps:// Point and Shoot Camerashttps:// Film Camerashttps:// Now Trending Brother Laser Printershttps:// 4K Monitorshttps:// Curved Gaming Monitorshttps:// About B&H Photo Video As the world's largest source of photography, video, and audio equipment, as well as computers, drones, and home and portable entertainment, B&H is known worldwide for its attentive, knowledgeable sales force and excellent customer service, including fast, reliable shipping. B&H has been satisfying customers worldwide for over 50 years. Visitors to the website can access a variety of educational videos and enlightening articles. The B&H YouTube Channel has an unmatched wealth of educational content. Our entertaining and informative videos feature product overviews from our in-house specialists. You can view the B&H Event Space presentations from many of the world's foremost experts and interviews with some of technology's most dynamic personalities. Tap into this exciting resource by subscribing to the B&H YouTube Channel here. In addition to videos, the B&H Explora blog presents new product announcements, gear reviews, helpful guides, and tech news written by product experts and industry professionals, as well as our award-winning podcasts. Bild Expo 2025 - A Two-Day Celebration of Photography, Content Creation, and Filmmaking "Bild Expo is more than just an event—it's an energetic gathering of like-minded creatives from all corners of the content world," said Jeff Gerstel, Chief Marketing Officer at B&H Photo. "We're beyond excited to create this special opportunity for content creators, photographers, videographers, podcasters, and filmmakers at all levels to learn, connect, and be inspired by the leaders of our industry and the latest gear." Register Today!Secure your spot now! Visit to register and keep updated on event details. When you're in Manhattan, take a tour of the B&H Photo SuperStore, located at 420 Ninth Avenue. The techno-carousel spins all year round at the counters and kiosks at B&H. With hundreds of products on display, the B&H Photo SuperStore is the place to test-drive and compare all the latest gear. The B&H Payboo Credit Card offers the industry's best instant savings and special financing, subject to credit approval. Visit B&H's Payboo Page to learn more and apply. Contact InformationGeoffrey Ngai B&H Photo Video212-615-8820https:// View original content to download multimedia: SOURCE B&H Photo
