Latest news with #RWMF
The Star
3 days ago
- Entertainment
- The Star
Rainforest World Music Festival: The sound of sustainability
IN the noughties, Womad Singapore at Fort Canning Park was the place to be for any ardent world music fan in the region. The World of Music Arts and Dance – incepted by former frontman of legendary rock band Genesis turned world music aficionado Peter Gabriel – was then the ultimate music festival with its eclectic sounds and frenetic vibes. The mesh of contemporary and traditional tunes from different corners of the globe drew our cultured and the wannabes for a seminal experience. For many others, it was just an excellent excuse to party. Today, however, Womad's place here has been supplanted by Sarawak's Rainforest World Music Festival (RWMF) and superbly so! The annual RWMF has something that Womad and the republic never had – the Borneo spirit. Celebration of diversity Sure, Womad Singapore drew its curtains in 2008 due to reasons beyond its control, but what many music lovers perhaps don't realise is that both world music festivals started in our corner circa 1998. While the comparison may be unfair – where else can you find lush jungles and authentic cultural heritage like Sarawak's – it's a useful reminder to us all as Singapore tries to position itself as the concert capital of Asia: you need more than capital to be cool. The sustainability of RWMF (pun intended) is also very much part and parcel of the state's cultural heritage growth and sustainable tourism policy. But first, back to the party. Returning for the 28th time with a roar, RWMF 2025 rocked the Sarawak Cultural Village at Pantai Damai Santubong in the outskirts of Kuching for three days, from June 20 to June 22, with its infectious blend of big beats and traditional arts. On the first night, festival goers were thrilled by some traditional throat singing and elemental vocals from Otyken, a folk music group from Siberia, Russia. Otyken thrilling the crowd with their traditional throat singing. The otherworldly renditions were powered by even more surreal but electrifying music played on a range of contemporary and traditional instruments including giant leather drums; a jaw harp; a traditional Siberian lyre called khomys; and an electric base guitar made of (what must be giant) mushrooms. What raptured the revellers most was the Morinhur, a gigantic traditional horse-head fiddle, played by a young female musician who leapt and headbanged as she fiddled on stage. Otyken's horse head-fiddler, Kys, really raptured the crowd with her showmanship. The second night was more of a 'chill time' as the soothing ukulele strums, mele (traditional ditties) and the hula dances of Hawaii's Kulaiwi, followed by the dulcet tones of Maori musician Rob Ruha, set the stage for the smooth, groovy sway of Earth, Wind & Fire Experience by Al Mckay. The Earth, Wind & Fire Experience by Al Mckay with their smooth, groovy sway. Those looking for a more pulsating time were not left disappointed though as they were blasted with the thundering beats of taiko drums played by explosive 'Édo' ensemble Sepukku Pistols from Japan, and the fierce and fiery performance by ethnic-rock band Kuntaw Mindanao from the Philippines. Sepukku Pistols interactive pulsating performance. The genre-defying Kuntaw Mindanao with their fusion of rocky strains, ancestral melodies and native chants of indigenous resistance, survival and identity really wowed me, haunting me even as the sounds of the night faded. The fiery singer of Kuntaw Mindanao, Dorothy Blez Bano with her song of resistance. The final night was all about the home favourites, At Adau. Their name is supposedly evocative of an awakening spirit, and it was immediately clear why as they revved up the crowd with their vibrant interplay of tribal rhythms, contemporary arrangements and the soulful Sape, a traditional lute of the Orang Ulu of Sarawak. A sape player from the homegrown favourites At Adau. It is not possible to list all the diverse international and local acts that lit up the rainforest stage that weekend – and many were definitely not household names – but their love, passion and artistry showed through with every rhythm and movement. In return, the festival goers gave back the love – screaming their names and crying out for more – befitting the fest's theme 'Connections: One Earth, One Love'. As one pumped up reveller shouted,' I don't know what they are saying, but I love them!' Another, a first timer who only wanted to be known as Mira, raved: 'I'm so glad I finally made it here. It's given me a broader perspective on music in the world. 'The RWMF is really an exciting platform where people can come without prejudice to listen to great music and dance and experience new cultures. I'm definitely going to come back next year.' Of course, there were many loyal RWMF returnees, some who brought along not just their friends and partners, but also children and grandchildren. As they said, it's 'our beautiful legacy.' Love and connections. More than the music For the Sarawak Tourism Board (STB), the agency behind the music festival, building on the RWMF legacy means 'offering an immersive journey' through cultural workshops and showcases, not only of global cultures but also the rich cultural heritage of Sarawak. True, there was something for everyone throughout the fest: you could learn the hula, strum the sape, beat the traditional drums – take your pick from which country and community, learn a traditional Sarawakian game, get a traditional tattoo and taste some traditional cuisine. Traditional Sarawak art workshop. A festival goer trying out the traditional gamelan. You can also get a traditional tattoo at thefest. And if you are not too tired from the fun of the night before, you can meet the artistes again at the various casual mini showcases, musical workshops and spontaneous jam sessions around the village. A fan even tried to bring down the Iban Long House with the Morinhur at an Otyken workshop! Another initiative by the STB to evolve RWMF is the Rainforest Youth Summit (RAYS), which brought together youth leaders from across the region for sustainability workshops, cultural dialogues and creative exchanges. As STB CEO Sharzede Datu Salleh Askor put it, RAYS aims to foster continuity between young voices on sustainability and global indigenous rhythms – a 'powerful connection that defines the festival's spirit'. RAYS 2025 brought together youth leaders from across the region for sustainability workshops, cultural dialogues and creative exchanges. 'Obviously, one of my tasks when I joined STB in 2018 was to make sure we sustain RWMF, so the first focus is to ensure that we evolve the fest. We need to bring in new blood because all the patrons are getting older, right? "That is why we started RAYS last year. We need to bring in young blood and new fans, so that they become the group that will follow this through for the next 50 years.' The young are also passionate about the environment and the earth's sustainability, which is also the spirit of RWMF, she added. 'I believe that the youth must have a voice and Sarawak, I feel, needs to have that voice too, you know, and be heard, be seen, especially when it comes to indigenous issues. So, we said, let's have an event offshoot of RWMF, but related to it, which is youth-led and has indigenous content.' Sharzede: 'Youth must have a voice and Sarawak, I feel, needs to have that voice too, you know, and be heard, be seen, especially when it comes to indigenous issues.' Another sustainability initiative is the eco-friendly practices promoted at the music festival. Building on its previous achievements, the festival reaffirmed its commitment to planting 10,000 trees by 2027, with a portion of every ticket going towards reforestation programmes, said Sharzede. Single-use plastics are banned on-site, and visitors are encouraged to refill, reuse, and recycle through clearly marked eco stations and water stations. Visitors are encouraged to refill, reuse, and recycle through clearly marked eco stations and water stations. Being green and sustainable is an honourable aim but STB needs to be careful to ensure that it extends beyond lip service. For one, while bottled drinks are banned, many vendors were still giving out single-use plastic bags and utensils. Noting this, STB shared that it had encouraged all food and beverage vendors to adopt biodegradable and eco-friendly alternatives as part of the state's green initiatives for RWMF 2025. 'To support this transition, we provided vendors with access to suppliers offering certified biodegradable packaging at discounted rates. 'We are proud to share that more than 75% of our vendors responded positively to this initiative, demonstrating a strong collective will to reduce plastic usage and minimise environmental harm. However, we acknowledge that a small percentage of vendors still resorted to conventional plastic packaging, despite the support and resources provided.' Taking this shortfall seriously, STB vowed to continue to invest in consistent vendor education on sustainable practices, responsible waste management, and the long-term benefits of adopting green solutions not just for the environment, but for the overall quality and reputation of the festival. 'Looking ahead, STB is actively exploring the introduction of a mandatory policy that will require 100% use of biodegradable and sustainable packaging for all vendors participating in future editions of RWMF. This policy will be supported by clear guidelines, supplier access, and stricter enforcement to ensure full compliance,' STB said in a statement. Sharzede stressed that STB and the state are committed to continuously improve the festival's environmental impact. 'We remain firm in our mission to make RWMF not only a celebration of music and culture but also a model of environmentally responsible event in the region. Our commitment is clear, to elevate RWMF as a benchmark for sustainable festivals in Asia and beyond.' But sustainability is not a one-time effort, it's a continuous journey, she noted. 'With RWMF, we strive to lead by example in embedding green values into large-scale event management. 'We hope, supported by our dedicated sponsors and partners, the RWMF will continue to unite music lovers, environmental advocates, and changemakers in a shared mission of connection, conservation, and celebration.'
Borneo Post
3 days ago
- Entertainment
- Borneo Post
Music lovers invited to rock out at RITJ 2.0
Members of Nice Stupid Playground and Breathe in Ocean onstage during the roadshow. – Photo by Matthew Umpang KUCHING (July 21): Music lovers and youths are invited to show their support and grow Rock in The Jungle 2.0 (RITJ 2.0) into one of the state's premier music festivals that is on par with the renowned Rainforest World Music Festival (RWMF). Its spokesperson Zaini Zainuddin said they intend to elevate RITJ to the same level of recognition as RWMF while maintaining its own unique identity. 'We want RITJ to stand proudly beside RWMF. If RWMF celebrates traditional and world music, RITJ highlights modern expression, youth-driven energy and the rock culture that thrives in Sarawak and across the region. 'Sarawak has the capacity to host more than one signature music festival, and RWMF and RITJ can showcase different sides of our culture and appeal to broader audiences,' he told reporters at the festival's road show event at Plaza Merdeka here yesterday. Zaini, who is also Sarawak Cultural Village sales, marketing and events director, stressed that RITJ's goal was not to replace RWMF but to complement it. He also explained that rock music is often misunderstood and the festival aims to break negative stereotypes surrounding the genre and the festival seeks to diversify Sarawak's music scene by offering a stage for rock, metal and alternative genres. 'Rock is expression, not aggression. It's about storytelling, identity and passion. It's not about chaos or destruction. That's why through RiTJ, we want to show that rock music is a platform for unity and creativity,' he said. RiTJ 2.0 is slated for Aug 29 and 30 at the Sarawak Cultural Village and is expected to attract 12,000 attendees—more than double the 5,700-turnout recorded during its debut last year. This year's edition will showcase six main acts across two days, featuring an exciting mix of international and local talents, and offers a valuable platform for Sarawakian performers to share the stage with established regional and international names, further elevating the local music scene. On the opening day, Aug 29, festival-goers can look forward to high-energy performances by Indonesian rock icons Gigi and Kotak, alongside Sarawak's own celebrated band, Nice Stupid Playground. Loudness, the iconic Japanese heavy metal outfit, will headline the second day of the festival on August 30 while joining them on stage will be Sarawakian rock bands Fearless and Breathe in Ocean. Malaysian alternative rock pioneers Hujan will also be part of this year's lineup. Known for their genre-blending sound and award-winning hits like 'Pagi Yang Gelap' and 'Bila Aku Sudah Tiada', Hujan is expected to be a major draw for younger fans. Zaini said the event welcomes people from all backgrounds, including families and persons with disabilities, and aims to foster a sense of community and inclusion. Tickets for RiTJ 2.0 are available at with early bird prices running until August 5. Also present were Authentic Ideas and Event Enterprise managing director Nawen Nawawi and Entrepreneurs SDGS Empowerment Foundation vice chairman Bryan Lee. concert entertainment lead Rock In The Jungle Zaini Zainuddin
Borneo Post
5 days ago
- Borneo Post
STB's ecoGreenPlanet hits 62 pct of tree planting target at PNR Miri
(Holding banner, from second right) Dennis, Yii, and participants commemorate the programme with a group photo. MIRI (July 19): Over 6,000 trees have now been planted across Sarawak under the Sarawak Tourism Board (STB) ecoGreenPlanet initiative. Following the planting of 2,500 seedlings at Piasau Nature Reserve (PNR) here, the initiative has reached 62 per cent of its target to plant 10,000 trees by 2027. Speaking at the tree planting event at PNR yesterday, STB chairman Dato Dennis Ngau said the effort reflects a deeper commitment to sustainability beyond mere rhetoric. 'Today is not only about planting trees. It is about planting hope, partnerships, and accountability. 'It is about showing the world that Sarawak doesn't just talk about sustainability – we act on it,' he said. He added that Piasau Nature Reserve, with its natural beauty and rich biodiversity, serves as a fitting location to reaffirm Sarawak's pledge to environmental responsibility. The ecoGreenPlanet initiative was launched in 2023 in collaboration with the Sarawak Forestry Corporation (SFC), as part of the state's broader environmental goals under the Post COVID-19 Development Strategy (PCDS) 2030. Previous planting activities were also carried out at Samunsam Wildlife Sanctuary and Bukit Lima Nature Reserve, where the trees planted are estimated to offset more than 1,000 tonnes of carbon dioxide over the next 10 years. 'Every seedling represents our belief that tourism can, and must, be a force for good,' Dennis emphasised. This year's planting also forms part of the Rainforest World Music Festival (RWMF) 2025 sustainability programme, which includes initiatives such as a shuttle bus system to reduce emissions and solar-powered charging stations and lighting supported by Sarawak Energy Berhad. 'Through the Rainforest World Music Festival, we are leading by example and showing what sustainable tourism can look like in action,' he concluded. Also present was Miri Mayor Adam Yii. ecoGreenPlanet Piasau Nature Reserve Sarawak Tourism Board tree planting
Borneo Post
09-07-2025
- Entertainment
- Borneo Post
RWMF 2025 diverts over 1.5 tonnes of waste in push for sustainable festival management
One of the green warriors of RWMF pick up rubbish on the festival ground. – Photo from STB KUCHING (July 9): The recently-concluded Rainforest World Music Festival (RWMF) 2025 generated a total of 3,543.3 kilograms of waste, with 1,550.0 kilograms or 31.3 per cent successfully diverted thanks to robust waste management systems and the collective effort of eco-conscious attendees and partners. Sarawak Tourism Board (STB) chief executive officer Sharzede Salleh Askor in a statement today highly commended the festival-goers for their increased environmental consciousness this year. 'The festival's success in maintaining a pristine environment over the three days wouldn't have been possible without the incredible support from our attendees. 'Your commitment to properly disposing of waste in the designated bins was exemplary and greatly appreciated,' she said. She also extended STB's gratitude to Trienekens Sarawak for providing the crucial waste segregation bins, which were instrumental in diverting waste from landfills. 'It was a fantastic demonstration of community and collaboration for a greener festival,' she said, adding this effort synced with RWMF 2025's theme 'Connections: One Earth, One Love which not only celebrated diverse music and cultures but also reinforced a deeper appreciation for environmental stewardship. Sharzede also said the RWMF looks forward to building on this year's achievements, continuing to set a benchmark for sustainable event management in the region According to the statement, among the diverted waste this year and recycled were 215.7 kilograms of old corrugated containers (OCC) and paper, 410.8 kilograms of plastic, 271.0 kilograms of metal, and 225.0 kilograms of glass. In addition, 21.9 kilograms of used cooking oil were responsibly recycled, and a commendable 413.6 kilograms of food waste were turned into compost. General waste stood at 1,976.3 kg. In comparison, STB said the RWMF 2024 edition recorded 4,581.72 kilograms of waste, with 1,712.7 kilograms – over 37 per cent – diverted. STB said while the figures vary year to year, the RWMF successfully maintained a waste diversion rate above 30 per cent, underscoring consistent efforts toward environmental sustainability regardless of scale. RWMF 2025 Sarawak Tourism Board Sharzede Salleh Askor STB waste management
BusinessToday
02-07-2025
- Entertainment
- BusinessToday
Rainforest Festival Brings the World Together – and Back Again in 2026
YB Dato Sri Haji Abdul Karim Rahman Hamzah, Minister for Tourism, Creative Industry and Performing Arts Sarawak officially launched the Alunan Tukang Artisan Zone The 28th Rainforest World Music Festival (RWMF) came to a rousing close on 22 June 2025 with a powerful performance by Sarawak's own At Adau. Their emotionally charged set brought the three-day celebration full circle, closing a festival that championed rhythm, resilience, and a shared global purpose. Held at the Sarawak Cultural Village near Kuching, the 2025 edition of RWMF welcomed music lovers, cultural advocates, and environmentally conscious travellers under the theme 'Connections: One Earth, One Love.' A significant moment came on the festival's second day when YB Dato Sri Haji Abdul Karim Rahman Hamzah, Sarawak's Minister for Tourism, Creative Industry and Performing Arts, officially launched the event. His walkabout included visits to festival partners, the Green Ruai environmental hub, and the Alunan Tukang Artisan Zone. The Minister's symbolic placement of the final eco-brick in a sculpture underlined Sarawak's commitment to circular sustainability and empowering local communities. Sustainability was at the heart of RWMF 2025, embedded in every aspect of the festival experience. From waste segregation systems and bring-your-own-bottle water refill stations to solar-powered lighting and innovative composting technology, the event demonstrated what a climate-smart festival can be. YB Dato Sri Haji Abdul Karim Rahman Hamzah, Minister for Tourism, Creative Industry and Performing Arts Sarawak presenting the certificate of appreciation to Miri Secondhand Dealers and Recyclers Association representative as Partners of Green Ruai. The Green Ruai featured WWF's wildlife conservation efforts, PATA's carbon tracking booth, and practical recycling education led by the Miri Secondhand Dealers and Recyclers Association, making environmental awareness accessible and engaging. 'This year's theme — 'Connections: One Earth, One Love' — was more than a slogan. It came to life in every corner of the festival,' said Puan Sharzede Datu Haji Salleh Askor, CEO of Sarawak Tourism Board. 'We brought together generations, cultures, and values. We made room for performance and purpose. RWMF 2025 reminded us that meaningful tourism is not about transactions, it's about transformation.' Musically, RWMF 2025 delivered unforgettable performances. Siberian Indigenous group Otyken opened the festival with their Malaysian debut, setting a powerful tone. Day two featured the iconic Earth, Wind & Fire Experience by Al McKay, energising the crowd beneath the rainforest canopy. The closing act by At Adau stirred pride and unity, bringing the festival's journey full circle with a deeply emotional performance. In addition to the music, the festival welcomed participants from the Rainforest Youth Summit (RAYS), a three-day gathering of young climate leaders from across ASEAN. More than 22,000 attendees were recorded over the three days, with a noticeable rise in family participation. From hands-on cultural workshops to eco-learning zones, the festival's growing multigenerational appeal reaffirmed its evolution into an inclusive space for music, education, and meaningful connection. Looking ahead, the Rainforest World Music Festival is set to return from June 26 – 28, 2026. With its unique blend of world music, sustainability, and cultural exchange, RWMF continues to stand out as a global showcase of how responsible tourism can create lasting legacies. Related
