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Chicago Tribune
25-06-2025
- Entertainment
- Chicago Tribune
Column: You know him as Pee-wee Herman — a new documentary dives into the life of Paul Reubens
Of the very many famous people who admired the late comic actor Paul Reubens' singular creation named Pee-wee Herman — among them Conan O'Brien, Jimmy Kimmel, film director John Waters, Lily Tomlin, Beverly D'Angelo, Jason Alexander and others — one of the most surprising might be Mike Royko. 'At first, when 'Pee-wee's Playhouse' was brand new, the character annoyed me,' says Royko's eldest son, clinical psychologist, writer and critic David Royko. 'Somehow, he came up when Dad and I were talking, and it shocked me when it turned out that he was a huge fan. Right then, he started imitating Pee-wee, his facial expressions, and, especially, his voice. Pee-wee cracked him up, big time. Dad was the first rabid Pee-wee Herman fan I knew.' Mike Royko knew talent and he knew funny and he was one among millions who were drawn to the bow-tied, suit-wearing, toy-loving man-child with a distinctively high-pitched way of talking, a wild laugh and unbridled enthusiasm that Reubens developed over years before exploding into the national consciousness with an HBO special in 1981 and in films (the hit 'Pee-wee's Big Adventure,' director Tim Burton's first feature film in 1985, and the less successful 'Big Top Pee-wee' in 1987) and on frequent appearances on David Letterman's late night shows and in the TV series 'Pee-wee's Playhouse,' which ran Saturday mornings on CBS from 1986 to 1990. We hear from some of his fans and from others who knew Reubens intimately, but mostly from Reubens himself in a compelling, two-part, three-hour-long HBO documentary, 'Pee-wee as Himself.' The film is the work of Matt Wolf, who spent many years wooing Reubens and four years making the movie. As Wolf has written, 'For years, my dream documentary subject was Paul Reubens. Throughout my childhood, a Pee-wee pull-string doll dangled above my bed, and I'd stare at it every night before falling asleep.' What he wanted to create was a portrait of an artist, and that is what we get, but we also meet a complicated man who hid parts of himself behind the playful Pee-wee. We go to Sarasota, Florida, where Reubens was born and raised, and influenced by the characters of the Ringling Bros. circus that made the town its home base. His parents, Judy and Milton, seem to be fine and supportive folks, if the dad was a bit rough around the edges. A modestly successful child actor in regional theater Reubens earned a Bachelor of Fine Arts degree from the California Institute of the Arts in Santa Clara, becoming that rare breed of conceptual artist who also craves fame. Naturally it was off to Los Angeles and his years with the Groundlings, the noted Los Angeles-based improv group, where he became friends, for a time, with future star 'Saturday Night Live' star Phil Hartman, and where Pee-wee came to life. His first paying performance as Pee-wee came, of all odd places, on 'The Dating Game.' He was picked and stardom came fast over the next decade. But it also came crashing down in the wake of his 1991 arrest in an adult movie theater in Florida and a charge of indecent exposure. He said the charge was false but pleaded no contest. Still, the headlines were so garish, the late night jokes so intense that CBS felt compelled to pull episodes of 'Playhouse.' Though he did manage to work as a voice-over artist and sometime TV guest, in 2002 he was arrested on charges of child pornography, stemming from his vast collection of vintage erotica. The charges were later dropped, but still remained tied to his fame as a kids' TV star. He does not talk about either of these incidents at any length in the film, but there is enough in the more than 1,000 hours of archival film and interviews with his family and friends to provide ample evidence that he was unfairly victimized. Much of the film's 40-hour interview segments with Ruebens were filmed in his sprawling mid-century Los Angeles house jammed with archives and collectibles. There are indeed some awkward moments between Reubens and Wolf, though one surely senses the filmmaker's affection and admiration for his subject. During these sessions, often tense, Reubens talked publicly for the first time about his sexuality — he was gay — and detailed lovingly his college boyfriend, an artist named Guy. Reubens was a man of many secrets, and the last one is chilling. As Wolf was preparing for one final interview, he, along with the rest of the world, learned on July 30, 2023, that Reubens was dead at 70, the victim of cancer that he had privately battled for six years. He had, however, the day before he died, made a tape recording on which he talked of that 2002 arrest. You will hear him, near the film's end, his voice weak, saying, 'More than anything, the reason I wanted to make a documentary was to let people see who I really am and how painful and difficult it was to be labelled something I wasn't. The moment I heard somebody label me as, I'm just going to say it, a pedophile, I knew it was going to change everything moving forward and backwards.' David Royko and his wife Karen loved this documentary. So did I. It is a bit long but worth your time. It punctuates what a grand and influential talent Reubens was and how his greatest creation captured hearts and minds. The movie, the life of a complicated genius, will stay with you for keeps.
Yahoo
17-06-2025
- Entertainment
- Yahoo
‘Pee-wee as Himself': Director Matt Wolf on exploring the duality of Paul Reubens and earning his trust — ‘It was a constant struggle'
When Matt Wolf took on the daunting task of creating a documentary about the enigmatic Paul Reubens, the man behind the flamboyant and charming Pee-wee Herman, the filmmaker never could have imagined just how deeply layered the story would be. Now, in Wolf's Pee-wee as Himself, audiences are given an unprecedented look at a fiercely private artist whose boundary-pushing creativity and resilience impacted an entire generation. The two-part HBO documentary introduces viewers to Reubens in an unexpected way: as an eccentric figure claiming to have been born in 1938 on the banks of the Mississippi River. It's humor that cuts straight to the core of who Reubens was, but also hints at the complicated man behind the bowtie. Wolf admits that the opening moments of a documentary often come together through trial and error: "Oh, I don't know. You just try stuff out and it sticks and we probably tried that immediately as the first thing and it stuck. I mean, it's funny." More from GoldDerby 'Gypsy' and 'Just in Time' producer Tom Kirdahy on serving a 'social and cultural need' through creative work TV Visual Effects supervisor roundtable: 'Black Mirror,' 'The Boys,' 'The Wheel of Time' 'The Wheel of Time' VFX supervisor Andy Scrase: 'I always think of visual effects as the magic of filmmaking' For Wolf, getting a chance to tell Reubens' story required more than just persistence — it required fate. 'People, when you make documentaries, ask who's your dream subject? And mine always was Paul,' Wolf tells Gold Derby. After several unsuccessful attempts to connect with the famously private Reubens, a serendipitous sequence of events involving the Safdie brothers [Benny and Josh], who were at one point rumored to be working on an autobiographical Pee-wee film, ultimately led to Reubens reaching out to Wolf through producer Emma Tillinger Koskoff. From the outset, however, trust was a challenge. Reubens, known for his intense control over his public image, was reluctant to relinquish that same control for the film. "It was hard. It was a constant struggle of trying to earn Paul's trust, but to also accept that there were limits to how much he was willing to trust somebody," Wolf explains. Reubens' fraught history with the media, where he felt his personal story was often misrepresented, left him wary. "I empathized with where he was coming from," Wolf continues, "but trust is a foundation of what we do as documentary filmmakers. ... And Paul was somebody incapable of taking a leap of faith." Over the course of hundreds of hours of conversations, the two worked to find a middle ground, even as Wolf recognized that Reubens would never completely let his guard down. Courtesy of HBO Unbeknownst to Wolf and the crew, Reubens was privately battling cancer while filming the documentary. "I was scheduled to complete a final interview with Paul the week after he died," Wolf shares. "I found out that Paul died on Instagram, the day he died, along with everybody else." The reveal added an even deeper emotional weight to the production. Despite this devastating blow, Wolf pressed on, knowing Reubens wanted the documentary to move forward, giving his blessing in their final conversations. 'I read the 1,500-page transcript of our interview right after [he passed],' Wolf recounts. 'I wanted to rise to the occasion and do justice under these extraordinary circumstances.' The film explores the duality that defined Reubens' career: Pee-wee Herman, the irrepressible, childlike alter ego, and Paul Reubens, the man behind the magic. It's a balancing act few have undertaken successfully, as Wolf points out: 'Somebody else who's in the film that's done that a bit is Elvira, Cassandra Peterson. But it's a small club of people who live as their alter ego. And Paul was kind of the most visible member of that club.' Reubens made a conscious choice to keep Pee-wee a separate entity, a concept born out of both creative and personal motivations. "He wanted people to believe that Pee-wee Herman was a real person,' Wolf explains, 'but on a deeper level, Paul was very protective of his privacy and anonymity." HBO/Pee-wee Herman Productions, Inc. As the documentary delves into Reubens' life before Pee-wee, it reveals the formative influences that shaped not only the character but the artist himself. From his art school days at CalArts to performing as an openly gay man before retreating into the closet for his career, Reubens' trajectory captures the struggles and compromises of a queer artist in the entertainment industry of the 1980s. "He chose to go into the closet to focus on his career,' Wolf notes. 'It was a personal but also pragmatic decision, knowing that in the early 1980s, an openly gay man would not be able to rise in the entertainment industry." Reubens' rejection from Saturday Night Live became the catalyst for Pee-wee Herman's creation. "I think that rejection really kind of emboldened Paul to take matters into his own hands," Wolf observes. From a midnight play at the Groundlings to the cult success of Pee-wee's Big Adventure, Reubens carved out a path that was quintessentially his own. HBO/Pee-wee Herman Productions, Inc. Collaborating with now-iconic director Tim Burton on his feature debut, Reubens enjoyed a type of creative freedom and naïveté in Pee-wee's Big Adventure. Wolf reflects on Burton's experience making the film: 'You're just kind of putting it all out there. And I think there was something very naive about the making of Pee-wee's Big Adventure that allowed it to be very pure." His subsequent Saturday morning show, Pee-wee's Playhouse, broke barriers with its artistic vision and diverse cast. 'In some ways, people recognize that the show was revolutionary,' Wolf says. 'But to watch in more specific detail the types of things that they accomplished and the ambition of it, it will be undeniable how singular it was as a cultural phenomenon.' The documentary doesn't shy away from the controversy that derailed Reubens' career. The incident in an adult movie theater — and subsequent false allegations of child pornography — forever altered public perception. Wolf describes the impacts of that time: "Paul was in a state of shock for a number of years and it had a profound impact on his life... But thankfully we were able to see him in his full breadth of talents as a character actor." Reubens' ability to persevere and work through those challenges is a testament to his resilience. "[He] was a resilient person," Wolf emphasizes. "I didn't see him as a victim. I think he proved over and over again that he could overcome hardship and kind of put his work first." For decades, Pee-wee and Paul existed as two separate beings, a distinction even immortalized on the Hollywood Walk of Fame, where Pee-wee Herman has a star — Paul Reubens does not. Wolf hopes that his documentary helps fuse these two sides of the same coin. "Paul Reubens created Pee-wee Herman," Wolf reminded us. 'Now that Paul has passed away ... I hope people can respect and appreciate the artist that was always there within, behind, and alongside his creation.' Pee-wee as Himself is currently streaming on Max. Best of GoldDerby TV Visual Effects supervisor roundtable: 'Black Mirror,' 'The Boys,' 'The Wheel of Time' 'The Wheel of Time' VFX supervisor Andy Scrase: 'I always think of visual effects as the magic of filmmaking' 'The Boys' VFX supervisor Stephan Fleet explains why a one-minute shot 'took about 17 hours' to make Click here to read the full article.
Yahoo
09-06-2025
- Entertainment
- Yahoo
Joe Manganiello, Who Starred in ‘Pee-wee's Big Holiday,' Chokes Up Remembering Late Friend Paul Reubens: 'I Was His Biggest Fan'
There's renewed interest in the life and career of Paul Reubens thanks to the critically acclaimed two-part documentary Pee-Wee as Himself from HBO Max. The film, from filmmaker Matt Wolf, recently hit the streamer after a world premiere at the Sundance Film Festival in January. Wolf worked closely with Reubens in pulling together the project, culled from more than 40 hours of on-camera interviews and 1,000 hours of archival footage and shaped over what turned out to be an emotional rollercoaster lasting four years. More from The Hollywood Reporter Matt Wolf Says Filmmaker Buddies Convinced Him to Re-Cut 'Pee-wee as Himself' to Include ... Himself Netflix EMEA Content Boss Touts 'Adolescence,' Debunks a "Myth," Talks Ted Sarandos' Acting Debut 'Lost in Starlight' Director Han Ji-won on Blending Romance and Sci-Fi for Netflix's Breakthrough Korean Animated Feature On the heels of Sundance revealing the 2025 lineup last December, The Hollywood Reporter happened to be on Zoom with Joe Manganiello to discuss the latest season of his buzzy new reality competition series Deal or No Deal Island. As the interview was winding down, THR asked Manganiello about the documentary and Reubens, someone he got to know quite well when he filmed a starring role in Netflix's 2016 film Pee-Wee's Big Holiday. As it turned out, Manganiello had been thinking a lot about his friend, who died on July 30, 2023, following a private battle with cancer. 'I love Paul and I miss Paul a lot,' Manganiello said, adding that he had recently woken up after having a dream about Reubens. 'Paul showed up and pranked me with a practical joke in my dream. It was one of those dreams when you wake up and it feels really real. It was so vivid. I just thought, gosh, if there was anyone on the planet who would use the afterlife to figure out how to play a practical joke on his friends and prank them in their sleep, it would be Paul. He was so generous.' As has been well-documented, Reubens loved birthdays and would never let one slip by without making it special. 'When he found out when your birthday was, he would bombard you with birthday cards, birthday messages, birthday texts, birthday videos the entire day,' Manganiello recalled. 'Friends of mine who just met him in passing through me, he would get their numbers and do it to 'em, too.' In the film, Manganiello plays himself and the actor recalled that Reubens wrote the part specifically for him, calling the gesture 'a validation that one of the great comedic geniuses would call me up' to be his partner on the film. 'He was such a genius, but he didn't demand that you treated him that way. I remember when we went to set the first day, I said, 'Paul, when we get there, am I calling you Paul or am I calling you Pee-wee? Are you in character?' He said, 'No, I'm Paul.' When I got there, he was there in a full-on suit and bow-tie [like Pee-Wee] but he was still Paul. He really wanted to set you up to win.' Starring Reubens as the iconic Pee-wee Herman, the John Lee-directed Pee-wee's Big Holiday follows the adventures of the title character after a fateful meeting with a mysterious stranger inspires him to take his first-ever holiday in this epic story of friendship and destiny. The cast also includes Jessica Pohly, Alia Shawkat and Stephanie Beatriz. Reubens co-wrote the film with Paul Rust and produced it alongside Judd Apatow. As for the doc, at the time of THR's interview, Manganiello hadn't yet seen Pee-Wee as Himself, but he was excited by the fact that it exists. 'It's a good time for it and I think it's going to be really effective since it comes from his perspective,' said the veteran star. 'I think there's a lot of confusion with people about out what he was in trouble for and what he wasn't in trouble for, and that narrative has gotten really muddy. I think that he really did get a raw deal, and it really hurt him deeply. He was someone that felt things really deeply, and it's sad for me because I look back and I think about what the world would've been like had he not had to go into this self-imposed exile or this kind of society-imposed exile. It was dumb.' Manganiello, like so many of Reubens' close friends and collaborators, did not know about his years-long battle with cancer. And speaking about him in the interview caused him to get choked up and fight back tears, an emotional moment that he later discussed with People Magazine. 'I think about him all the time. I miss him a lot. He was like a family member. He would come over for Thanksgiving, he would come over to the house all the time, or I'd go to his [house],' recalled Manganiello, getting teary. 'He sent me a video before he passed away. It was just him talking about how much he loved me and how great I was in the movie and how funny he thought I was, how great of an actor he thought I was. It was just this glowing, unbelievable video. I didn't realize that he was sending that because he knew that his time was going to be short. I still have it in my phone and it's hard knowing that it's in there, but that's just the kind of person that he was. He let everybody that he loved know that he loved him all the time. I just feel so privileged to have had the chance to work with him on that intimate of a level and to get to know him as a person. I was his biggest fan. I loved him. I'll always miss him.' 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Boston Globe
08-06-2025
- General
- Boston Globe
Revisiting a lasting lesson from Paul Reubens: Be kind
Advertisement I know it sounds Pollyannaish, but when it seems like it's acceptable to bully people as we're seeing today, and people are being thought of as less than human, it's even more important to speak up and honestly tell people what you appreciate about them. Be like Reubens: Take every opportunity to be kind. Mary Ellen Reardon Quincy
Yahoo
28-05-2025
- Entertainment
- Yahoo
This Chilling True Crime Docuseries About The Tylenol Murders Is The Top Show On Netflix
'Cold Case: The Tylenol Murders' is the top TV show on Netflix this week, according to the streamer's public ranking system. The docuseries, which debuted on Monday with three episodes, investigates who is to blame for the 1982 killings of seven people in the Chicago area who took extra-strength Tylenol laced with cyanide and died shortly after. The series features interviews with the victims' families, journalists, federal investigators — and the case's primary suspect, James Lewis, who gave his last interview about the investigation for the project. He died in July 2023. Like the title of the docuseries notes, the case is cold, and authorities never found out who was responsible for the deaths. But the series is a gripping exploration of a public health crisis and one of the largest unsolved crimes in U.S. history. Read on for more trending shows of the moment across streaming services, including Hulu, Apple TV+, Max and Prime Video. And if you want to stay informed about all things streaming and entertainment, subscribe to the Culture Catchall newsletter. Gordon Ramsay's new restaurant reality series premiered on Hulu last week and is already pulling in audiences. The chef, known for his brusque yet helpful culinary direction, is assisting struggling restaurateurs to turn their businesses around. In the first episode, he takes his talents to a Greek restaurant in Washington, D.C. The second episode debuts on Thursday on Hulu. Max released 'Pee-Wee as Himself,' a two-part docuseries featuring actor Paul Reubens, on Friday. In his own words, Reubens shares his life story and talks about his beloved character, Pee-Wee Herman. Director Matt Wolf said that he didn't realize Reubens, who died in 2023, was terminally ill while interviewing him for the docuseries. If you love NASCAR and family dynasties, perhaps you should check out 'Earnhardt,' Prime Video's new docuseries on racing extraordinaire Dale Earnhardt. The four-part series made its series premiere on May 21 with two episodes and the final two parts air on Wednesday. It explores the 'legendary racing career and complex family dynamics of the NASCAR superstar,' according to its logline. Apple TV+'s 'Your Friends and Neighbors' is creeping to the end of its first season this week — the finale airs on Friday — and is continuing to capture eyeballs on the streamer. Starring Jon Hamm, Olivia Munn and Amanda Peet, the TV series follows Coop (Hamm), a finance whiz who loses his job and decides to rob his wealthy neighbors to keep himself afloat. It's a fun and twisty drama that, thankfully, has already been renewed for Season 2. If you're looking for other TV shows to watch, check out our What We're Watching blog. 'The Last of Us' Season 2 Finale Confirms A Huge Missed Opportunity 'The Secret Lives Of Mormon Wives' Is A Fascinating Look At Faith And Social Media Fame This 1 Moment Saves The New 'Mission: Impossible' From Being A Total Letdown
