Latest news with #RichardRogers
The Guardian
20-06-2025
- Entertainment
- The Guardian
From Jenny Saville's gobsmacking show to a pomo celebration of Richard Rogers – the week in art
Jenny Saville: The Anatomy of PaintingA hugely impressive display of skill and imagination that proves Saville a tremendous painter of beauty, terror and everything in between. Read the review. National Portrait Gallery, London, until 7 September Abstract EroticHow Louise Bourgeois, Eva Hesse and Alice Adams subverted the formal chill of 1960s minimalism with witty intrusions of desire. The Courtauld, London, until 14 September Watteau Subtle drawings by this wonderfully tender, sensual visionary of the rococo age. British Museum, London, until 14 September Richard RogersThe postmodern British architect is celebrated in the home of pre-modern architectural genius John Soane. Sir John Soane's Museum, London, until 21 September Daphne WrightIrish artist Wright has created new sculptures in direct response to the Ashmolean Museum's collection. Ashmolean Museum, Oxford, until 8 February This is Samson and Delilah by Peter Paul Rubens. Or is it? Some commentators, such as art historian Euphrosyne Doxiadis, claim the National Gallery's oil painting is a fake, calling it 'a shoddy artefact, lacking the brilliance of my favourite European painter'. Our critic contends that the painting doesn't look typical of Rubens for good reason: it is his passionate attempt to paint like someone else. William Kentridge's vast sculptures are landing in Yorkshire The crystal-covered artwork Van Gogh's Chair couldn't support the weight of one tourist Photographer Taryn Simon captured the cat that made Trump a laughing stock Daredevil motorcyclists and Italian bloodletting rituals are in contention for this year's Jarman award Elizabeth Peyton's portrait of the Gallagher brothers is expected to reach £1.5m at auction Christelle Oyiri gave herself horns and a tail for her plastic surgery inspired selfie sculptures Sign up to Art Weekly Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions after newsletter promotion Liverpool Metropolitan Cathedral has been given Grade I-listed building status A new show at the Getty Center in LA showcases 100 years of queer art, including a $3 bill The Virgin Suckling the Infant Christ, about 1565-1575, by Titian There is a simple heartfelt humanity to this painting of a mother breastfeeding her child that is typical of Titian, whose images of women range from unabashed nudes to intimate portraits yet are always loving, one way or another. By the time he painted this, in the final decade of his long life, he had seen and painted so much. He throws away big ambitions, watches this tender moment between mother and baby, and paints with soft, expressive reverence. Yet there's another side to it: the composition echoes his rival Michelangelo, who had recently died. For decades these last surviving giants of the high Renaissance had looked at and tried to outdo one another, but here, perhaps, Titian pays tribute to Michelangelo as he breathes a prayer for them both. National Gallery, London If you don't already receive our regular roundup of art and design news via email, please sign up here. If you have any questions or comments about any of our newsletters please email newsletters@
The Guardian
14-06-2025
- Entertainment
- The Guardian
Wild rodents, fascist warnings and a haunted carpet: Wolfman Tillmans storms the Pompidou
In September the Pompidou Centre in Paris closes for five years for renovation. The building is nearly 50 years old and needs to be cleared of asbestos, and to reconnect with Renzo Piano and Richard Rogers' original design after years of architectural accumulations. Many of the departments are already moving into temporary new homes, including the huge Bibliothèque publique d'information, the public library usually based on the second floor. Nearly all of its contents have been emptied out, but before it's stripped back altogether, Wolfgang Tillmans has been invited to deconstruct it another way. His show, Rien ne nous y préparait – Tout nous y préparait (Nothing could have prepared us – Everything could have prepared us) covers all 6,000 sq metres of the space. It's an inspired setting because Tillmans' work circles around questions of information. He makes documentary photographs but questions the parameters of photographic vision. In his ongoing Truth Study Center he collates newspaper cuttings, photographs, photocopies, drawings and objects on trestle tables, encouraging viewers to consider these elements and their claims to veracity; his installations are always site-specific, and take a nuanced approach to display. Situated in the Bpi, Rien ne nous y préparait – Tout nous y préparait is a meditation on knowledge, how it is organised, and where its limitations lie. 'I do trust my eyes, I want to trust observation, study, but for that it is very important that I sharpen my eyes to how I see, how we record, what we capture,' says Tillmans. The artist had been invited to show work from throughout his 40-year career, but this isn't a retrospective and it isn't arranged chronologically. Instead it's a response to the space, and it's a space with a big personality. The Pompidou's distinctive blue pipes snake across the ceiling and a bold carpet covers the floor, mostly grey, with some lime green stripes and squares, and the occasional stain. The carpet also features purple patches in seemingly abstract designs; this is an even older carpet, already there when the grey one was added in 2000. The fitters cut around bookshelves and partitions to lay the grey and so, when those fixtures were removed, a ghostly imprint of the library was revealed. For Tillmans the resulting palimpsest suggests a photographic negative, and it's something he was keen to keep; elsewhere he's retained shelving, library books, magazines, the photocopying room, tables, individual study booths and signage. The vacated BPI requires an exceptionally talented – and prolific artist – but Tillmans makes it look easy. Celebrated images such as Moon in Earthlight (2015) share wall space with the fire extinguishers; a long, thin corridor suggesting a rat run is home to a mid-1990s series on a street rodent. Some of the images are displayed at very large size, such as The State We're In, A (2015), a documentary shot of a paradoxically ever-changing sea, or Panorama, right (2006), and Panorama, left (2024), which each measure six metres long. These huge works are cheek-by-jowl with much smaller images, even postcard dimensions, creating a physical experience worlds away from same-size online viewing. Some prints are framed, some clipped up, some stuck to the wall, each suggesting questions about how photography isolates what it shows. Not that Tillmans is sniffy about mass-reproduction. Vinyl-printed versions of the Panorama images are also installed in Berlin's Berghain nightclub, the exhibition booklet informs, while tables towards the end of the space gather his work with magazines, including Arena Homme+ and Butt. There are also tables devoted to his photobooks, one displaying every spread of 1997 publication Concorde, a testament to 1960s techno-utopianism and cross-channel co-operation. At the end of the exhibition there's a BPI reading table, complete with reading lights, and his monographs free to flip through. In the Autoformation ['Self-education'] booths there are videos on demand, allowing visitors to explore as they choose. Elsewhere are reproductions of image and text pieces Tillmans circulated online and as posters, exhorting readers to vote Remain, or against Marine Le Pen or Donald Trump. Some of these images and texts made it on to T-shirts, and there are photographs of people wearing them. 'What is lost is lost forever,' reads a rallying cry about Brexit, a message the march of time has made forlorn. Nothing could have prepared us, though on the other hand Tillmans did try. Tillmans isn't anti-technology at all, speaking excitedly at the press view of the new possibilities afforded in the 2000s by ever-faster digital cameras. One of the intriguing aspects of this show is seeing how consistent his interest in technology has been, with very early works such as distorted black-and-white photocopies from 1988 sitting happily alongside contemporary prints. A final room is a sound installation, 2018's I want to make a film, in which Tillmans narrates a potential project looking at digital technologies, while another installation, Travelling Camera (2025), hovers across the back of a digital 4k screen, a usually hidden infrastructure he has dotted with found fragments such as seashells and postage stamps. It's not kit for the geeky sake of it, as evidenced by a large photograph of Russian troops in Moscow, shot in 2005. Tillmans is asking what we know, and how; what we notice, or are shown, and what remains obscure. At the Pompidou Centre, Paris, until 22 September
Elle
22-05-2025
- Entertainment
- Elle
How And Why A Stay At The Emory Has Become London's Most-Coveted Reservation
It's hard to imagine a landscape more competitive than London's hotel scene. From Belgravia's quaint addresses that boast big histories, to the legendary names that have defined what is truly brilliant hospitality and not forgetting the cool stays that line the streets of East London, there's a lot to choose from. FIND OUT MORE AT ELLE COLLECTIVE One hotel that's proving to be best in class and the new stay to covet is The Emory. Whether you're flying in to the capital or wanting to mark a special occasion with an even more special stay, this Knightsbridge hotel has all you could want and more packaged up in contemporary interiors that redefine what we think of as luxury design. Situated a stone's throw from Hyde Park Corner (and boasting heavenly views from the top floor), the hotel holds a striking space along Knightsbridge thanks to its architecture. Designed by the late Richard Rogers, the legendary architect behind Paris's Pomidou and London's Lloyds building, its 61 suites (not rooms, as each is intended to be lived in no matter how long the stay) have been designed with precision and flair by the world's leading architects and designers including Patricia Urquiola, Rigby & Rigby and Andre Fu. And yet for all its design brilliance, it is the service and facilities that make The Emory truly special and there's something to keep you there from morning to night whether you are a gym bunny, gastronome or simply in search of the best spa treatments and wellness hacks in the world. It's impossible to leave. Consider first that the A-list's favourite exercise partner Tracy Anderson has a fitness space within the hotel, where the studio is packed with bespoke equipment and kept at 35 degrees and 75% humidity to optimise workouts. Or, Surrenne. A truly best-in-class spa and wellness centre that offers exceptional treatments including signature facials through to microbiome analysis and Vo2 Max testing should you need it. All of these happen just off its swimming pool that is finished with a gold-leaf ceiling and lit with natural sunlight. Restaurants and bars are also as equally brilliant. The global superstar Chef Jean-Georges Vongerichten has abc kitchens on the ground floor where seasonal dishes are created from organic, local fare with vibrancy and flavour that often defies the greying London sky outside. Kostas Sfaltos, managing director of The Emory and its neighbouring The Berkeley believes that it's the meeting of great spaces and services that makes it so special. 'The Emory is offering something completely different for guests, particularly meeting a growing demand for privacy and a highly personalised service in London and beyond,' he tells ELLE UK. Sfaltos and his team don't go so much as above and beyond as exceptional attention and service is the standard at The Emory. 'Each guest is offered a new level of tailored, personalisation with exceptional amenities and a dedicated Emory Guest Liaison on hand 24/7,' he says. 'We want to ensure The Emory helps enrich memories and experiences no matter what.' Amongst these exceptional experiences every stay will always include breakfast that can be served in your suite or in Jean-Georges' abc kitchens, an in-suite bar stocked with seasonal tipples and nibbles, complimentary membership to Surrenne for the duration of your stay, unpacking and pressing service on arrival and, most useful perhaps, use of The Emory house car. Yet, the magic of The Emory is not only reserved for guests spending the night. The crown jewel is the rooftop bar with views extending across London and makes for a great spot to take in the city's skyline whether it's on Bonfire Night or during a Buckingham Palace flyover. As Sfaltos says: 'There's no better spot to wind down after the working day.' How lucky for us then that the ELLE office is (in the grand scheme of London) just down the road. Book your stay at The Emory here. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Freelancer
Yahoo
14-05-2025
- Politics
- Yahoo
18 to be the new minimum handgun age in Iowa
May 14—Beginning July 1, Iowa joins 23 states allowing the purchase and carrying of handguns by individuals 18 and older, rather than the federal age of 21. On April 18, Iowa Gov. Kim Reynolds signed HF 924 into law, changing the state's minimum age. While both federal and Iowa law already allowed for the purchase of long guns like shotguns and rifles for 18 year olds, many states don't allow this for pistols and revolvers. Ten states and the District of Columbia have minimum age gun laws stricter than the federal standard. Proponents of lowering the handgun purchase age say it prevents discrimination. "This aligns with recent federal court rulings affirming that young adults, aged 18 to 20 may not, as a class, be denied full access to their Second Amendment rights," reads a statement by the Iowa Firearms Coalition. "By proactively addressing this issue, Iowa lawmakers have helped ensure our state remains a leader in protecting these fundamental rights." A lobbyist with the Iowa Firearms Coalition, Richard Rogers, said this change is long overdue. "Iowa's young adults are being discriminated against unfairly as to their Second Amendment rights," he said. "They are legally and morally responsible for the care and safety of that family, and yet, we deny them the access to the most practical, portable tool for self-defense." The law also allows those 18 years or older who are a parent, guardian or spouse of someone who is younger than 18 to directly supervise the younger individual in possessing a pistol, revolver or ammunition. The adult must "maintain a physical presence near the supervised person conducive to hands-on instruction, who maintains visual and verbal contact at all times with the supervised person and who is not intoxicated." Since 2021, Iowans are allowed to both purchase and carry handguns without a permit to acquire or a permit to carry, subject to certain limitations. The Iowa Department of Public Safety still recommends obtaining a permit as there are benefits, including allowing Iowans to carry in states with permit reciprocity while traveling. Critics of the bill cite the dangers of gun violence in young adults. "Laws imposing minimum age requirements for the possession and purchase of firearms are intended to decrease access to firearms by young people and, correspondingly, to decrease the number of suicides, homicides and unintentional shootings among that population," reads a statement by Giffords Law Center. "Given that young people are at elevated risk of engaging in violent behaviors against themselves or others, these laws have the potential to protect a particularly vulnerable group." An FBI Supplementary Homicide Report shows 18-20 year olds comprise just 4% of the U.S. population but account for 17% of known gun homicide offenders. Giffords also cites a 2024 study that found state laws raising the minimum legal age to purchase firearms to 21 were associated with a 12% decline in rates of firearm suicides among 18 to 20 year olds. Other Firearms Bills May 6, Reynolds signed Senate File 106 into law, allowing the carry of a loaded firearm while operating a snowmobile or ATV. While the bill still prohibits discharging a weapon while operating the vehicle, it does allow for carrying if all other conduct is lawful. Non-ambulatory Iowans are allowed to shoot while on the vehicle as long as it is not moving. "The NRA thanks Governor Reynolds, pro-gun lawmakers and all NRA members and Second Amendment advocates for their engagement on this critical legislation," the National Rifle Association said in a statement. House File 791, an act regarding firearm safety instruction in school districts, passed the House committee on public safety last month in anticipation of a start date next year. "By July 1, 2026, develop and distribute to all school districts an age-appropriate model program for firearm safety instruction for students enrolled in kindergarten through 12th grade," the text states. The program for Iowans sixth grade and younger is to be based on the Eddie Eagle gun safety program developed by the NRA. For those in seventh through 12th grade, the program would be based on the NRA's hunter education course. The bill will require public school districts to offer or make available an approved firearm safety instruction course to all students in seventh through 12th grade. They must also make the program available for students attending private schools in their district. The cost is to be paid by the school district using money from state school foundation aid received into the school's general fund. "No additional state funding shall be necessary for the full implementation of this act," the bill states.
Yahoo
07-04-2025
- Business
- Yahoo
Industrial Networking Solutions Honored by Ericsson as Partner of the Year
Receives Enterprise Partner of the Year Award for driving customer innovation with leading enterprise 5G connectivity solutions RICHARDSON, Texas, April 07, 2025--(BUSINESS WIRE)--Industrial Networking Solutions (INS), a leader in industrial networking technologies and services, today announced Ericsson (ERIC) has awarded INS with the 2024 Ericsson Enterprise Partner of the Year. Presented at Ericsson's Enterprise Wireless Solutions recent 2025 Partner Summit, the Ericsson Enterprise Partner of the Year award recognizes significant achievements by INS. Ericsson recognizes its enterprise wireless solutions partners in three categories: outstanding performance, commitment to customers, and significant achievements over the last year. Each recognized partner has demonstrated exceptional year-over-year growth and a continued commitment to positioning and selling Ericsson's portfolio of Wireless WAN, Enterprise 5G, and security solutions. "We are honored to be named Ericsson Enterprise Partner of the Year," said Richard Rogers, Chief Executive Officer of Industrial Networking Solutions. "This recognition reflects our team's deep technical expertise, our commitment to customer success, and the strategic strength of our partnership with Ericsson as we help industrial and enterprise customers embrace next-generation connectivity." "INS's acquisition of Source Inc. has expanded our capabilities and deepened our expertise with Ericsson wireless solutions," said Brandon Reid, Vice President at Source Inc. "From custom kitting and provisioning to white-glove deployment support and tailored quick-start documentation, we're continuing to provide a high level of service that helps customers accelerate deployment and simplify operations from day one." Ericsson is on a mission to liberate enterprises across industries, businesses, and public sector to operate, grow, and innovate without constraints. Leveraging the company's proven leadership in cellular, Ericsson's simple and reliable enterprise wireless platform delivers 5G to enterprise customers where and how they want to operate and reach their customers. Working alongside our channel partners, organizations have a choice for secure 5G connectivity—from wireless WAN solutions, private networks, extending the public network into their facilities, or leveraging a slice of a carrier network. INS works closely with Ericsson to bring secure, enterprise-grade 5G connectivity to industrial and public sector environments. With deep experience in wireless WAN, private networks, and edge deployments, INS helps organizations choose and implement the right solution to support innovation, mobility, and operational resilience. Matt Cook, Chief Sales Officer, Enterprise Wireless Solutions at Ericsson says: "Ericsson's complete portfolio of enterprise 5G connectivity solutions can unlock new revenue opportunities for channel partners and represent stable revenue streams. Implementing connectivity solutions will enable the adoption of applications such as AI, computer vision, IoT and other solutions that pose significant revenue streams for our channel partners. Industrial Networking Solutions has demonstrated a significant investment in understanding and promoting our ever-expanding portfolio of connectivity solutions." To learn more about INS please visit For more information on Ericsson's Enterprise Wireless Partner Program, visit ABOUT INDUSTRIAL NETWORKING SOLUTIONS Industrial Networking Solutions (INS) provides leading-edge products, engineering services, and managed solutions that enable secure, high-performance networks for industrial and infrastructure applications. Headquartered in Richardson, Texas, INS supports customers across North America with expertise in private cellular, wireless WAN, remote access, and industrial cybersecurity. ABOUT ERICSSON Ericsson's high-performing, programmable networks provide connectivity for billions of people every day. For nearly 150 years, we've been pioneers in creating technology for communication. We offer mobile communication and connectivity solutions for service providers and enterprises. Together with our customers and partners, we make the digital world of tomorrow a reality. View source version on Contacts MORE INFORMATION AT:Ericsson Newsroom (+46 10 719 69 92) (+46 10 719 00 00)
