Latest news with #RidgemontHigh
Buzz Feed
21-07-2025
- Entertainment
- Buzz Feed
34 'Clueless' Behind-The-Scenes Facts You Never Knew
This week marks the 30th anniversary of Clueless — and what better way to celebrate than to learn some fun facts about the classic? It's greater than a game of suck and blow... Writer/director Amy Heckerling originally pitched Clueless to Twentieth Century Fox as a TV series called No Worries — but the executives thought it "needed more boys". Even when working on it as a movie, it took awhile to settle on the title Clueless. Before that, Amy Heckerling used the titles I Was A Teenage Teenager and later Clueless in California. Cher was partially inspired by Jeff Spicoli from Fast Times at Ridgemont High, which Amy Heckerling also directed. She recognised he was the most popular character she'd created and decided that that was because he's "positive", so she wanted to create a lead who was positive and happy — which became Cher. It was when she was re-working the idea from a TV show to a movie that Amy Heckerling revisited Jane Austen's Emma and realized Cher was basically a modern Emma, and she could base the plot of Clueless on Jane Austen's novel. When she was writing the script, Amy Heckerling pictured the Beastie Boys' Adam Horovitz as Josh. Reese Witherspoon, Alicia Witt, Keri Russell, and Tiffani Thiessen all auditioned for the role of Cher — and so did Brittany Murphy, who went on to play Tai. Ben Affleck and Zach Braff both auditioned for the role of Josh, as did Jeremy Sisto, who got the role of Elton, and Justin Walker, who went on the play Christian. Before being cast as Josh, Paul Rudd originally asked to read for the role of Murray, not realising the character was black and thinking he was a "white guy who's trying to co-opt black culture". He also read for Christian and Elton before Amy Heckerling suggested he try Josh. Seth Green — who is Breckin Meyer's best friend — was the other top choice for Breckin's role of Travis. And Terrence Howard, who is close friends with Donald Faison, was a top contender for the role of Murray. Lauryn Hill auditioned for the role of Dionne. Sarah Michelle Gellar was offered the role of Amber, but couldn't get out of her obligations to All My Children, which she was working on at the time. Alicia Silverstone thought Cher was a "materialistic, annoying little bitch" when she first read the script. She changed her mind when she realised how much Cher cares about her dad and other people. She had no idea that Clueless was based on Emma until after she'd finished filming. Stacey Dash, who played Dionne, was 27 years old and had a six-year-old son at the time of filming. Before making Clueless, Jeremy Sisto had previously worked with Alicia Silverstone on a movie called Hideaway — he played a serial killer who goes after her character. Amy Heckerling based the role of Mr. Hall on a friend of hers who was a teacher, who helped her observe real classes while she was working on the script, and even had a cameo as the principal in the final movie. But she always had Wallace Shawn in mind to play Mr. Hall — and he was actually a teacher for three years in real life. Amy Heckerling had a cameo as a bridesmaid for Miss Geist's wedding to Mr. Hall — she is best friends with Twink Caplan, who played Miss Geist, in real life. Amy Heckerling borrowed the unique slang used in the movie from a bunch of places, including real teens at Beverly Hills High School and those auditioning for the movie, the castmembers and crew, the queer community, and, of course, her own brain. Executives wanted Josh and Cher to be next-door neighbours because they thought the ex-step-sibling relationship was "too incestuous" — but Amy Heckerling pushed back, arguing (truthfully) that her own grandparents had been step-siblings who met as teenagers. Breckin Meyer sprained his ankle while rehearsing one of the skateboarding scenes, and subsequent scenes that featured him had to work around the fact he couldn't really walk. A fake, cardboard credit card was used for the "suck and blow" scene because some of the actors couldn't "suck" on a real credit card long enough to film their shots. While filming Clueless, Paul Rudd's real life echoed the movie in a scary way — like Cher, he was robbed at gunpoint after he'd been out with a friend one night. The 'This is an Alaïa' dress wasn't originally part of the script — the dress was chosen first, and then written in. Alicia Silverstone had a massive 63 costume changes over the course of the movie. Paul Rudd wore a lot of his own clothes to play Josh — including the Amnesty International t-shirt. Donald Faison didn't actually have braces in real life — he wore them as Murray to hide an extra tooth he had (a baby tooth that had never fallen out). The hairclip Cher wears in the concert scene was later used on Amanda Bynes' character in She's the Man. Clueless costume designer Mona May later worked on Romy and Michele's High School Reunion, which she described as a "grown-up" version of Clueless, aesthetically. For the iconic opening looks Cher and Dionne wear, the plaid suits were meant to be reminiscent of schoolgirl uniforms, while the over-the-knee socks were inspired by Cabaret. Alicia Silverstone kept a lot of Cher's outfits, but ended up giving them all away. Two extras were randomly paired to makeout for a party scene — they later went on to get engaged in real life. Paul Rudd gave everyone one of those necklaces with their name written on a grain of rice as a farewell gift when shooting wrapped. Stream Clueless on Hulu.
Yahoo
11-03-2025
- Entertainment
- Yahoo
TIFF Next Wave Film Festival: Emma Seligman, 'Bottoms' and 'Shiva Baby' filmmaker, among special guests
The 14th edition of the TIFF Next Wave Film Festival kicks off next month (April 10-13), with some notable alumni returning as special guests. Notably, filmmaker Emma Seligman will screen her films Shiva Baby and Bottoms, followed by a Q&A, on April 13. Additionally, I Like Movies writer-director Chandler Levack will host a screening of Fast Times at Ridgemont High on April 10. And drag performer Miss Moço will host a quote-along screening of Josie and the Pussycats. But the stars of the event are the 10 films that have been selected to be part of the festival, made by young filmmakers between the ages of 14 and 24. The themes of the films include, "coming-of-age, exploring new friendships, finding your place in the world, and self-expression through creativity and art." Films are selected by the TIFF Next Wave Committee, which is made up of 12 teen film lovers and creators ranging in ages from 15 to 18, from across the Greater Toronto Area. "TIFF's Next Wave Film Festival reflects our mission to empower young creators and cultivate an exciting relationship with cinema for Toronto's youth that we hope will last a lifetime," a statement from Anita Lee, Chief Programming Officer at TIFF, reads. "This is absolutely one of our favourite events of the year as we welcome both new and now-established directors who were themselves a part of this Festival not too long ago, including Emma Seligman. Emma's journey is a testament to how TIFF has nurtured young creators, and the impact of our commitment to discovering new talent and launching the next generation of original storytellers." Brides, dir. Nadia Fall, United Kingdom, 2025 - Canadian Premiere The Dog Thief (El ladrón de perros), dir. Vinko Tomičić Salinas, Bolivia/Chile/Mexico/France/Ecuador, 2024 - Toronto Premiere Manas, dir. Marianna Brennand, Brazil/Portugal, 2024 - Canadian Premiere Pools, dir. Sam Hayes, USA, 2024 - North American Premiere Queens of Drama (Les reines du drame), dir. Alexis Langlois, France/Belgium, 2024 - Toronto Premiere Rape Play, dir. Gabriella Mykal, USA, 2023 - International Premiere Seaside Serendipity (海辺へ行く道), dir. Satoko Yokohama, Japan, 2025 - North American Premiere The Virgin of the Quarry Lake (La Virgen de la Tosquera), dir. Laura Casabe, Argentina/Spain/Mexico, 2025 - Canadian Premiere We Were Dangerous, dir. Josephine Stewart-Te Whiu, New Zealand, 2024 - Toronto Premiere Where the Wind Comes From, dir. Amel Guellaty, Tunisia/France/Qatar, 2025 - Canadian Premiere Opening Night: Battle of the Scores & After Party — April 11 Battle of the Scores, co-presented by Insomniac Film Festival, involves four up-and-coming bands being challenged to score two silent short films, and the audience then picks the winner. Loved It: Chandler Levack on Fast Times at Ridgemont High (April 10 at 7:30 pm) Quote-along screening of Josie and the Pussycats (April 12 at 8:00 pm) hosted by drag performer Miss Moço Double-bill screening of Emma Seligman's Shiva Baby and Bottoms with Q&A (starting at 6:30pm on April 12) First-feature director Sam Hayes and producer Jack Heston present the North American Premiere of their film Pools followed by a Q&A Gabriella Mykal will present her debut film Rape Play The Young Creators Co-Lab is a space for young and emerging artists in Toronto to connect with their peers and industry professionals. This year's lab sessions include a new to the festival Focus on Actors panel, with actors sharing advice on "how to navigate the industry and hone your craft as a young actor." There will also be the interactive Let's Get Weird! panel with seven members of the New Toronto Bizarre film movement about building community, DIY filmmaking techniques, and "keeping cinema weird." Francisca Duran and Derek Jenkins will have a panel on the history of expanded cinema and the process of creating moving-image art. In Coming-of-age Confrontations, directors Chandler Levack, Emma Seligman and Sam Hayes will revisit "the scenes that defined their characters' turning points," breaking down their approaches to "accurately and empathetically" representing experiences of being young and "navigating the world on your own terms." Celebrating boundary-pushing work by emerging filmmakers, the Young Creators Showcase focuses on themes of "connection, identity, and finding community," a shorts programme created for youth, by youth.
