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Edison's Q2 2025 Earnings: What to Expect
Edison's Q2 2025 Earnings: What to Expect

Yahoo

time07-07-2025

  • Business
  • Yahoo

Edison's Q2 2025 Earnings: What to Expect

Rosemead, California-based Edison International (EIX) is a leading electric utility holding company that delivers clean and reliable electricity to millions of customers. Valued at a market cap of $20.2 billion, the company also provides integrated decarbonization and energy solutions to commercial, industrial, and institutional clients through its non-regulated subsidiaries. It is scheduled to announce its fiscal Q2 earnings for 2025 after the market closes on Thursday, Jul. 31. Prior to this event, analysts project this energy company to report a profit of $1.43 per share, up 17.2% from $1.22 per share in the year-ago quarter. The company has exceeded Wall Street's bottom-line estimates in three of the last four quarters, while missing on another occasion. Its earnings of $1.37 per share in the previous quarter outpaced the consensus estimates by 13.2%. Get exclusive insights with the FREE Barchart Brief newsletter. Subscribe now for quick, incisive midday market analysis you won't find anywhere else. For the full year, analysts expect EIX to report EPS of $6.06, up 22.9% from $4.93 in fiscal 2024. Furthermore, its EPS is expected to grow 1.3% year-over-year to $6.14 in fiscal 2026. Shares of EIX have declined 26.8% over the past 52 weeks, considerably lagging behind both the S&P 500 Index's ($SPX) 13.4% return and the Utilities Select Sector SPDR Fund's (XLU) 19.6% uptick over the same time frame. EIX released its mixed Q1 earnings results on Apr. 29, and its shares plunged 8.9% in the following trading session. The company's operating revenue declined 6.5% year-over-year to $3.8 billion, falling short of the consensus estimate by 7.7%. This top-line miss might have weighed on investor sentiment. However, on the brighter side, due to wildfire-related recoveries recorded in this quarter, its total operating expenses fell by 56.2% from the same period last year and led to a staggering 771% rise in its operating income to $2.1 billion. Moreover, its adjusted EPS of $1.37 rose 21.2% from the year-ago quarter and came in 13.2% above Wall Street estimates. Wall Street analysts are moderately optimistic about EIX's stock, with a "Moderate Buy" rating overall. Among 16 analysts covering the stock, 10 recommend "Strong Buy," five indicate "Hold," and one suggests a "Strong Sell' rating. The mean price target for EIX is $67.90, which indicates a 29.2% potential upside from the current levels. On the date of publication, Neharika Jain did not have (either directly or indirectly) positions in any of the securities mentioned in this article. All information and data in this article is solely for informational purposes. This article was originally published on Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

Jigger & Pony Group's Rosemead and Sugarhall to close on July 26
Jigger & Pony Group's Rosemead and Sugarhall to close on July 26

Straits Times

time01-07-2025

  • Business
  • Straits Times

Jigger & Pony Group's Rosemead and Sugarhall to close on July 26

American grill restaurant Rosemead, which opened in December 2021, occupies the ground floor space of the heritage building at 19 Cecil Street. PHOTO: ROSEMEAD/INSTAGRAM SINGAPORE – American grill restaurant Rosemead and rum bar Sugarhall, both of which are owned by Jigger & Pony Group, will close their doors on July 26. The two establishments are located in the same heritage building at 19 Cecil Street, and opened in December 2021 and March 2022 respectively. The announcements were made on their respective Instagram accounts. Sugarhall will be making way for a new concept that is still under development, the group's deputy marketing director Emily Seow told The Straits Times. Meanwhile, an offer had come in to take over the ground floor space currently taken up by Rosemead, 'The rest of our venues are doing well, and we are looking to expand with another new concept,' added Ms Seow. The group also owns Jigger & Pony at Amara Hotel in Tanjong Pagar and Live Twice in Bukit Pasoh. Jigger & Pony has consistently been Singapore's top-ranked bar in the Asia's Best Bars and World's Best Bars rankings in the last five years. The closures of Rosemead and Sugarhall follow a flurry of closures in the bar scene over the last few months. These include Ballroom by Barbary Coast in North Canal Road and Junior The Pocket Bar in Ann Siang Hill, and multi-concept restaurant bar 1939 in Keong Saik Road. Private members' club 1880 suddenly closed its doors on June 17. Then on June 26, The Dragon Chamber in Circular Road announced it will end operations on Aug 2 'as we hunt for a new lair'. Wine bar RVLT will serve its last glass on July 12. Join ST's Telegram channel and get the latest breaking news delivered to you.

Retailer Stablecoins Are A Real Opportunity For Stable Retailers
Retailer Stablecoins Are A Real Opportunity For Stable Retailers

Forbes

time29-06-2025

  • Business
  • Forbes

Retailer Stablecoins Are A Real Opportunity For Stable Retailers

People shop at a Walmart in Rosemead, California, on April 11, 2025 (Photo by FREDERIC J. BROWN/AFP ... More via Getty Images). The Wall Street Journal reports that some big players, including Walmart and Amazon, are exploring the idea of issuing their own retailer stablecoins in order to bypass the 'traditional' payment systems and exploit their 'troves of data'. This makes them a threat to banks, including regional and community lenders. Whether they succeed in stablecoins or not, the fact remains that retailers may have a much bigger role in the future of fintech. Retailer Stablecoins Are Within Reach Walmart is, of course, a focus for those of us looking at the retail/fintech possibilities and they have been looking in this direction for some time. Back in 2022, CTO Suresh Kumar said that crypto will become "an important payment tool" across the Metaverse and social media, as these will be the spaces where consumers discover new products. (Walmart are active in many directions here: their Mastercard credit card is expected to launch this fall, with the experience embedded inside the OnePay app.) The noted venture capitalists Andreessen Horowitz single out Walmart in their argument for 'how stablecoins will eat payments' pointing out that Walmart made $648 billion in annual revenue and $15.5 billion in profit, but paid $10 billion in fees to the payment networks (they also point out that for another supermarket chain, Krogers, net income and payment fees are approximately equal). Thus, they say, greater stablecoin adoption would significantly improve profitability in many businesses, including small businesses like coffee shops or restaurants. Stable or unstable? I am not commenting on their math, other than to say that payment fees cover a lot more than the cost of the payment and when considering the costs and benefits, it is also important to look at what additional services might be cross sold from payments. I might also comment that stablecoins are not the only way to drive down these costs and as Richard Crone points out that adding adding a pay-by-bank capability inside a retailer's wallet, such as OnePay, with the attendant anti-fraud benefits such as strong user authentication, could result in significant savings. Real-time payments have been around since 2017 thanks to The Clearing House starting the RTP network that year, but only some banks have adopted the new tool, and those that have signed up have had tepid uptake in the marketplace. The launch in 2023 of the Federal Reserve's competing instant system, FedNow, has boosted adoption by banks, but real world use remains limited: Walmart might change that. Sarah Arnio, Walmart's director of digital payments recently said that 'We're really bullish on instant payments and hoping to move forward with them within the next year'. Now, Walmart already gives customers the option to sign up on its website to be able to pay directly from a bank account, moving those payments via low-cost automated clearing house transfers (ACH) transfers but Arnio sees this as a 'stepping stone' to faster instant payments because "We at Walmart really have a drive internally to speed up everything'.. Looking beyond the current payments landscape, Walmart are also exploring AI-driven shopping assistants as an entirely new type of customer, distinct from traditional consumers, and they will need ways to pay too, as well as exploring a future where consumers may opt for third-party shopping agents built by technology firms, ensuring its systems are adaptable to external AI-driven purchasing solutions. (Walmart know, as I am fond on repeating, that AI agents won't just facilitate transactions in existing processes, they will reshape the entire retail experience.) They are also taking their first steps into the metaverse, the coming augmented and virtual reality space where customers will go to work, rest and play. They have their Walmart Realm to experiment with more 'engaging' buying options. Justin Breton, Walmart's director of brand experiences says that they are following three trends here: customers enjoy brands more when they have unique virtual experiences; customers want to be entertained while shopping; and customers are inspired by virtual games where they can purchase items they discover'. I've used Walmart as the example here but of course all big retailers must be looking at these new technologies with some similar ideas. Partly because of reduced costs and increased speed but also because of the potential for new business models. One advocate is Shopify, which recently announced it has already started allowing customers to pay with popular stablecoin USDC allow their small business base to tap into global markets. As they said in rheir press release, 'Small businesses should be able to sell to a customer on the other side of the world as easily as their next-door neighbor'. All in all, you can see why retailers might be motivated to move now, although it is fair to observe, as Brady Dale does, it would be on them to find a way to convince customers to hold enough stablecoins to fund their purchases The Bank Response To Retailer Stablecoins So what does the mean for banks? Tom Brown's summary seems pretty accurate to me. That so, stablecoins are having a moment [and] all of this attention has left large banks with a very bad case of FOMO. The fear may be justified. Ron Shevlin, a well-respected industry analysts, says that stablecoins could divert significant transaction volume—and core deposits—away from banks as retailers, fintechs, and Big Techs issue branded stablecoins that lead consumers to move cash into stablecoins for convenience, rewards, or programmability. It is hard to disagree with him when he says that for some people stablecoins become functional equivalents of bank deposits—but without the FDIC insurance, relationship ties, or regulatory protections banks provide. As Ron points out, this risk isn't theoretical: Deposit displacement has been happening for years. A new study from Cornerstone Advisors found that $2.15 trillion has already left banks for fintech investment accounts—two-third of it from Gen Xers and Baby Boomers. This is on top of the estimated $10 billion that Americans have sitting in merchant mobile apps like Starbucks' in any given week. So how can banks, who enjoy a great income stream from interchange right now, position themselves for a world of retailer stablecoins and instant payments? The networks have already been active—they are not sitting back and waiting—but on the general assumption that payments margins are on the way down, the banks' strategic response should be to add value around the transactions, not to try and survive off of shrinking interchange in the face of competition from non-card alternatives such as Walmart Pay-By-Bank or an Amazon coin. Those services might, for example, include safety and security, data and decisioning, not only the payments themselves.

‘Rosemead,' starring Lucy Liu, takes top prize at Bentonville Film Festival
‘Rosemead,' starring Lucy Liu, takes top prize at Bentonville Film Festival

Yahoo

time22-06-2025

  • Entertainment
  • Yahoo

‘Rosemead,' starring Lucy Liu, takes top prize at Bentonville Film Festival

Rosemead, starring Lucy Liu as a terminally ill woman desperate to protect her son, took home the Best Narrative Award at the 11th annual Bentonville Film Festival. Also a producer on the film, Liu was additionally honored with the Rising to the Challenge Award, a prize "given to a select few artists in the history of Bentonville Film Festival and honoring those who represent the true impact of supporting independent film both in front of and behind the camera." More from GoldDerby Tony Talk: Our extremely early 2026 awards predictions for 'Ragtime,' 'Waiting for Godot,' Kristin Chenoweth, and all the buzzy new shows 'The Last of Us': How the 'Lord of the Rings' VFX team (and marshmallows) made the Battle of Jackson 'Batman Forever' and 'Batman Begins' share an anniversary week - and a surprising Oscar connection Cofounded by Academy Award winner Geena Davis, the Arkansas-based fest also handed out Best Documentary, which went to The Librarians, Kim A. Snyder's examination of library workers facing censorship in Texas. Best Homegrown, an award reserved for filmmakers hailing from Arkansas, was won by Sovereign. Directed by Christian Swegal, the film — inspired by true events — tells the story of a father and son with anti-governmental leanings and stars Nick Offerman, Jacob Tremblay, and Dennis Quaid. Here's the full list of the winners from the 11th annual Bentonville Film Festival. Best Narrative: Rosemead (Director: Eric Lin; Writer, Marilyn Fu; producers: Mynette Louie, Andrew Corkin, Lucy Liu) Jury Statement: 'Rosemead' captures the terrifying realities of motherhood in our contemporary era. When culture, society, and healthcare break down, how can a mother protect her own child? With a powerhouse performance from the often underused Lucy Liu, you understand every choice she makes. Director Eric Lin sparks real world conversations about the society we're living in through an intimate, unflinching film based on true events in the San Gabriel Valley. The very essence of what great cinema can do. Special Jury Mention for Directorial Vision: Color Book (Director-writer: David Fortune; producers: Kiah Clingman, Kristen Uno, Autumn Bailey-Ford) Jury Statement: David Fortune's Color Book makes daring choices through form and subject matter. In a stripped down tale of a father just trying to get his son to a baseball game, the film unearths profound themes about the world we live in with a consistent command of beautiful visuals, performances, and crisp storytelling. Fortune's vision speaks through a confident hand like he's done this many times before. Special Jury Mention for Ensemble Cast: Adult Children (Director-producer: Rich Newey; writer-producer: Annika Marks; producers: Angie Gaffney, Thomas Sadoski) Jury Statement: In these times, the world needs to laugh, and Adult Children dispenses the chuckles effortlessly through its superb ensemble playing a maladjusted family colliding back together. The film speaks to a generational stuntedness that makes us realize that we're all faking it as grown ups. Best Documentary: The Librarians (Director-producer: Kim A. Snyder; Producers, Janique L. Robillard, Maria Cuomo Cole, Jana Edelbaum) Jury Statement: This extraordinary film is powerful, timely and needed. It enrages and saddens, with not a second missed. The storytelling does not discriminate in its coverage, making its points thoroughly, in a scary, chilling and necessary exploration. These librarians are heroes. Special Jury Mention (Documentary): Heightened Scruity (Director-producer: Sam Feder; Producers, Amy Scholder, Paula Mendoza) Jury Statement: Heightened Scruity is a film that humanizes an issue that's become increasingly political, making it a story about people. A quintessential example of journalistic storytelling, the Jury found it uplifting, heart centered, factual, human and necessary. It beautifully contextualizes the war on trans people and the undue stress and scrutiny they face just to be themselves. Best Homegrown: Sovereign (Director-writer: Christian Swegal; producer, Nick Moceri) Jury Statement: Under the visionary direction of Christian Swegal, this bold story is elevated by a cast whose performances bring depth and authenticity to every scene. Sovereign bravely opens a window into a side of American culture that is often difficult to discuss. The film invites viewers to confront complex realities with honesty and compassion, sparking important conversations that linger long after the credits roll. Special Jury Mention (Homegrown): Beyond the Ashes: An Adaptive Trail Story (Directors-producers: Brock Wagner, Tim Johnson; producers: Jason Williams, Uriah Nazario, Bianca Montoya, Brian Carlson, John Hunter) Jury Statement: For its powerful storytelling that uplifts under-recognized voices and celebrates resilience. The film also shines a light on Northwest Arkansas as a growing hub for inclusion and accessibility. Best Episodic: Born 2 Lose (Director: Carlos Cardona) Jury Statement: This pilot excels in capturing intimate moments with authenticity and nuance, showcasing exceptional filmmaking craft. It creates a world that is dramatic, compelling, and rock and roll to the core—a universe we want to see more of. 'Born 2 Lose' is clearly just the beginning of what promises to be a remarkable journey for this talented team. We eagerly look forward to what's next, both on screen and behind the camera. Best Short Film: "Lovin' Her" (Director, day) Jury Statement: A haunting short with deeply felt performances that achieved excellence in interweaving singular moments into a narrative that stayed with us all after the film was over. Special Jury Mention: "View From the Floor" (Directors, Megan Griffiths, Mindie Lind) Special Jury Mention: "Tender Thoughts" (Director, Anndi Jinelle Liggett) Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.

Bentonville Film Festival: ‘Rosemead,' ‘The Librarians,' ‘Sovereign' Win Awards, Lucy Liu Receives Rising to The Challenge Honor
Bentonville Film Festival: ‘Rosemead,' ‘The Librarians,' ‘Sovereign' Win Awards, Lucy Liu Receives Rising to The Challenge Honor

Yahoo

time22-06-2025

  • Entertainment
  • Yahoo

Bentonville Film Festival: ‘Rosemead,' ‘The Librarians,' ‘Sovereign' Win Awards, Lucy Liu Receives Rising to The Challenge Honor

It's shaping up as an award-winning summer for actress-producer Lucy Liu. On Saturday night Liu received the Rising to the Challenge Award at the Bentonville Film Festival in Arkansas, an honor that 'recognizes artists who champion storytelling that breaks barriers and broadens representation.' More from Deadline Geena Davis Praises 'Mission: Impossible - The Final Reckoning' For Diverse Casting, Sees More Opportunity For Progress In Hollywood - Bentonville Film Festival Bentonville Film Festival Forecast: Award-Winning Films, 100% Chance Of Al Roker Sighting, World Premieres, Oscar Contenders And An Olympic Champion 'Rosemead' Review: Lucy Liu Scores As A Suburban Mom Forced To Confront The Unthinkable - Tribeca Festival It wasn't her only award of the night. Her new drama Rosemead, directed by Eric Lin, won Best Narrative at the 11th edition of the festival chaired by Geena Davis. Liu produced the film and stars as 'Irene,' a Chinese immigrant who simultaneously faces a personal health crisis and the alarming descent of her son into schizophrenia. 'Rosemead captures the terrifying realities of motherhood in our contemporary era,' wrote the jury, comprised of filmmaker Marie Jamora (guest artistic director of AFI's Directing Workshop for Women) and filmmaker Bomani J. Story (The Angry Black Girl and Her Monster). 'When culture, society, and healthcare break down, how can a mother protect her own child? With a powerhouse performance from the often underused Lucy Liu, you understand every choice she makes. Director Eric Lin sparks real world conversations about the society we're living in through an intimate, unflinching film based on true events in the San Gabriel Valley. The very essence of what great cinema can do.' Scroll for the full list of awards. Speaking with Deadline just before the ceremony began, Liu called the Rising to the Challenge Award 'very meaningful because it's something that's about diversity and about bringing stories to the forefront. Knowing that this particular story [Rosemead] is all about that is exactly connected and so it's aligned in the best way possible.' The film premiered earlier this month at Tribeca Festival. Deadline's Damon Wise praised Lin and screenwriter Marilyn Fu, writing in his review that they afford Liu 'the headspace she needs to deliver a performance of quiet power, selling us on the desperation that drives Irene to the limits of her always practical-minded sanity.' In August, Liu will receive the Career Achievement Award at the Locarno Film Festival in Switzerland, where Rosemead will hold its international premiere. At Saturday night's Bentonville Film Festival Awards ceremony, The Librarians won Best Documentary. The film directed by Kim A Snyder and executive produced by Sarah Jessica Parker examines attempts by librarians in Florida and Texas and elsewhere to combat book banning efforts, while simultaneously facing unhinged attacks from right wing zealots accusing them of grooming children. 'This extraordinary film is powerful, timely and needed,' wrote the jury comprised of director-producer Kathryn Everett (founder of 5D Studios), James Faust (artistic director, Dallas International Film Festival), and producer-actor Pallavi Sastry (co-director of programming, iSAFF). 'It enrages and saddens, with not a second missed. The storytelling does not discriminate in its coverage, making its points thoroughly, in a scary, chilling and necessary exploration. These librarians are heroes.' The inaugural Homegrown Award went to Sovereign, a drama directed by Christian Swegal and produced by Nick Moceri that was partly filmed in nearby Fayetteville. 'Under the visionary direction of Christian Swegal, this bold story is elevated by a cast whose performances bring depth and authenticity to every scene,' wrote jurors Joshua Dahlman (program director of shorts & MN features, Twin Cities Film Festival); producer Nicole Shipley (co-founder and CEO of Safe Space Pictures Foundation), and Claire Taylor (chief program officer, SeriesFest). 'Sovereign bravely opens a window into a side of American culture that is often difficult to discuss. The film invites viewers to confront complex realities with honesty and compassion, sparking important conversations that linger long after the credits roll.' In a statement, BFF chair Geena Davis said, 'These awards reflect the passion and drive of storytellers, whose work will continue to broaden perspectives and engage audiences throughout the year. We congratulate our BFF award winners and we're so thankful to every filmmaker here for their contributions to the success of this year's BFF!' This is the full list of winners and special jury mentions: Best Narrative Jury: Marie Jamora (Director; Guest Artistic Director of AFI's Directing Workshop for Women), Bomani J. Story (Director, The Angry Black Girl and Her Monster) Best Narrative: (Director, Eric Lin; Writer, Marilyn Fu; Producers, Mynette Louie, Andrew Corkin, Lucy Liu) Jury Statement: 'Rosemead' captures the terrifying realities of motherhood in our contemporary era. When culture, society, and healthcare break down, how can a mother protect her own child? With a powerhouse performance from the often underused Lucy Liu, you understand every choice she makes. Director Eric Lin sparks real world conversations about the society we're living in through an intimate, unflinching film based on true events in the San Gabriel Valley. The very essence of what great cinema can do. Special Jury Mention for Directorial Vision: (Director/Writer, David Fortune; Producers, Kiah Clingman, Kristen Uno, Autumn Bailey-Ford) Jury Statement: David Fortune's 'Color Book' makes daring choices through form and subject matter. In a stripped down tale of a father just trying to get his son to a baseball game, the film unearths profound themes about the world we live in with a consistent command of beautiful visuals, performances, and crisp storytelling. Fortune's vision speaks through a confident hand like he's done this many times before. Special Jury Mention for Ensemble Cast: (Director/Producer, Rich Newey; Writer/Producer, Annika Marks; Producers, Angie Gaffney, Thomas Sadoski) Jury Statement: In these times, the world needs to laugh, and 'Adult Children' dispenses the chuckles effortlessly through its superb ensemble playing a maladjusted family colliding back together. The film speaks to a generational stuntedness that makes us realize that we're all faking it as grown ups. Best Documentary Jury: Kathryn Everett (Director/Producer; Founder of 5D Studios), James Faust (Artistic Director, Dallas International Film Festival), Pallavi Sastry (Producer/Actor; Co-Director of Programming, iSAFF) Best Documentary: (Director/Producer, Kim A. Snyder; Producers, Janique L. Robillard, Maria Cuomo Cole, Jana Edelbaum) Jury Statement: This extraordinary film is powerful, timely and needed. It enrages and saddens, with not a second missed. The storytelling does not discriminate in its coverage, making its points thoroughly, in a scary, chilling and necessary exploration. These librarians are heroes. Special Jury Mention (Documentary): (Director/Producer, Sam Feder; Producers, Amy Scholder, Paula Mendoza) Jury Statement: 'Heightened Scrutiny' is a film that humanizes an issue that's become increasingly political, making it a story about people. A quintessential example of journalistic storytelling, the Jury found it uplifting, heart centered, factual, human and necessary. It beautifully contextualizes the war on trans people and the undue stress and scrutiny they face just to be themselves. Best Homegrown Jury: Joshua Dahlman (Program Director of Shorts & MN Features, Twin Cities Film Festival), Nicole Shipley (Producer; Co-founder and CEO of Safe Space Pictures Foundation), Claire Taylor (Chief Program Officer, SeriesFest) Best Homegrown: (Director/Writer, Christian Swegal; Producer, Nick Moceri) Jury Statement: Under the visionary direction of Christian Swegal, this bold story is elevated by a cast whose performances bring depth and authenticity to every scene. 'Sovereign'bravely opens a window into a side of American culture that is often difficult to discuss. The film invites viewers to confront complex realities with honesty and compassion, sparking important conversations that linger long after the credits roll. Special Jury Mention (Homegrown): (Directors/Producers, Brock Wagner, Tim Johnson; Producers, Jason Williams, Uriah Nazario, Bianca Montoya, Brian Carlson, John Hunter) Jury Statement: For its powerful storytelling that uplifts under-recognized voices and celebrates resilience. The film also shines a light on Northwest Arkansas as a growing hub for inclusion and accessibility. Best Episodic Jury: Joshua Dahlman (Program Director of Shorts & MN Features, Twin Cities Film Festival), Nicole Shipley (Producer; Co-founder and CEO of Safe Space Pictures Foundation), Claire Taylor (Chief Program Officer, SeriesFest) (same as Homegrown) Best Episodic: (Director, Carlos Cardona) Jury Statement: This pilot excels in capturing intimate moments with authenticity and nuance, showcasing exceptional filmmaking craft. It creates a world that is dramatic, compelling, and rock and roll to the core—a universe we want to see more of. 'Born 2 Lose' is clearly just the beginning of what promises to be a remarkable journey for this talented team. We eagerly look forward to what's next, both on screen and behind the camera. Best Short Film Jury: Anne Alvergue (Editor/Director, The Martha Mitchell Effect), Michelle Krusiec (Writer/Director/Actor; Nian), Toks Olagundoye (Actor, Frasier) Best Short Film: (Director, day) Jury Statement: A haunting short with deeply felt performances that achieved excellence in interweaving singular moments into a narrative that stayed with us all after the film was over. Special Jury Mention (Short Film): (Directors, Megan Griffiths, Mindie Lind) Special Jury Mention (Short Film): (Director, Anndi Jinelle Liggett) Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg

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