Latest news with #SarahMeth
The Guardian
12-07-2025
- Entertainment
- The Guardian
Add to playlist: Sarah Meth's resplendent, intimate songwriting and the week's best new tracks
From North LondonRecommended if you like Helena Deland, Billie Eilish, Okay Kaya Up next Headlining Bermondsey Social Club, 30 July; playing Green Man festival, Brecon Beacons, August London-based singer-songwriter Sarah Meth makes eerie, skeletal dream-pop cut through with a self-deprecating, very online sense of humour. A scan of her artist page on any streaming service offers a gratifying biography of an artist slowly but surely chipping away at her style in search of a distinct point of view: the lounge jazz stylings of 2020's Dead End World give way to piquant, post-King Krule bedroom pop on 2022's Leak Your Own Blues and Billie Eilish-ish pathos on 2023's Steps EP. What could feel like a dog's dinner of genres is held together by Meth's warm, laconic voice and knack for resplendent but pathologically small-scale production. Winnies, a song from last year's NY ILY single, is built atop a delirious, translucent organ line. Unlike many of her songs, which deal in winking self-subjugation, Winnies is about a blooming sense of self-determination, and Meth smartly plays it as something that could disappear at any moment. At a recent show at London's Theatreship, a cabaret theatre on a boat in Canary Wharf, Meth previewed new songs that alternated between amenable folk music in the style of Julia Jacklin and Angel Olsen, and shimmery, skew whiff pop songs that she sang over a prerecorded track. The modes proved surprisingly complementary – indie music ego and id, maybe, or a real-time battle between extroversion and introversion. The new songs were indelible and exciting: memorable odes to growing up, and falling in and out of love, that stand out in a crowded field of indie-pop newcomers. Shaad D'Souza Debby Friday – Bet on Me'Scared of what just might happen / If I go ahead and bet on me,' the Canadian pop star exhales over anxious breakbeats, building to a cheerleader chant riotous with self-belief. LS Galya Bisengalieva – Alash-kala (The Bug Reflection) From a new EP also featuring an ambient reinterpretation by KMRU, this remix of Alash-kala sees Kevin 'The Bug' Martin blow the Kazakh-British composer's lonely, glacial crackle up to an end-of-days cataclysm. LS Danny L Harle & PinkPantheress – StarlightHarle is a hard dance revivalist and a pop producer for Caroline Polachek and Dua Lipa, and both impulses cohere on this soft-donk stomper with Grimes-ish vocals from PinkPantheress. BBT Agriculture – BodhidharmaAnyone lamenting the loss of Black Sabbath this week should turn to this crushing post-metal anthem, with a splendid sky-scorching riff as well as eerie sound design and quiet-loud thrills. BBT Geese – TaxesAfter frontman Cameron Winter became an indie darling thanks to his classic solo debut Heavy Metal, Geese return with a winner: a rumpled slacker tune that straightens up and sticks out its chest for a joyful chorus. BBT SJ – OzilWith cool, softly swinging jazz obliterated by the arrival of a hard-headed drill beat, the Tottenham MC sprinkles references to his footballing past with the nimbleness of a boy-wonder midfielder. [Not on Spotify] BBT Fever Ray – Now's the Only Time I Know (Therapy Session) Karin Dreijer is releasing an album of studio mixes of live versions of old songs: this spooked song about domesticity from their 2009 debut becomes a savage, ravey exorcism. LS Subscribe to the Guardian's rolling Add to Playlist selections on Spotify.
The Guardian
11-07-2025
- Entertainment
- The Guardian
Add to playlist: Sarah Meth's resplendent, intimate songwriting and the week's best new tracks
From North LondonRecommended if you like Helena Deland, Billie Eilish, Okay Kaya Up next Headlining Bermondsey Social Club, 30 July; playing Green Man festival, Brecon Beacons, August London-based singer-songwriter Sarah Meth makes eerie, skeletal dream-pop cut through with a self-deprecating, very online sense of humour. A scan of her artist page on any streaming service offers a gratifying biography of an artist slowly but surely chipping away at her style in search of a distinct point of view: the lounge jazz stylings of 2020's Dead End World give way to piquant, post-King Krule bedroom pop on 2022's Leak Your Own Blues and Billie Eilish-ish pathos on 2023's Steps EP. What could feel like a dog's dinner of genres is held together by Meth's warm, laconic voice and knack for resplendent but pathologically small-scale production. Winnies, a song from last year's NY ILY single, is built atop a delirious, translucent organ line. Unlike many of her songs, which deal in winking self-subjugation, Winnies is about a blooming sense of self-determination, and Meth smartly plays it as something that could disappear at any moment. At a recent show at London's Theatreship, a cabaret theatre on a boat in Canary Wharf, Meth previewed new songs that alternated between amenable folk music in the style of Julia Jacklin and Angel Olsen, and shimmery, skew whiff pop songs that she sang over a prerecorded track. The modes proved surprisingly complementary – indie music ego and id, maybe, or a real-time battle between extroversion and introversion. The new songs were indelible and exciting: memorable odes to growing up, and falling in and out of love, that stand out in a crowded field of indie-pop newcomers. Shaad D'Souza Debby Friday – Bet on Me'Scared of what just might happen / If I go ahead and bet on me,' the Canadian pop star exhales over anxious breakbeats, building to a cheerleader chant riotous with self-belief. LS Galya Bisengalieva – Alash-kala (The Bug Reflection) From a new EP also featuring an ambient reinterpretation by KMRU, this remix of Alash-kala sees Kevin 'The Bug' Martin blow the Kazakh-British composer's lonely, glacial crackle up to an end-of-days cataclysm. LS Danny L Harle & PinkPantheress – StarlightHarle is a hard dance revivalist and a pop producer for Caroline Polachek and Dua Lipa, and both impulses cohere on this soft-donk stomper with Grimes-ish vocals from PinkPantheress. BBT Agriculture – BodhidharmaAnyone lamenting the loss of Black Sabbath this week should turn to this crushing post-metal anthem, with a splendid sky-scorching riff as well as eerie sound design and quiet-loud thrills. BBT Geese – TaxesAfter frontman Cameron Winter became an indie darling thanks to his classic solo debut Heavy Metal, Geese return with a winner: a rumpled slacker tune that straightens up and sticks out its chest for a joyful chorus. BBT SJ – OzilWith cool, softly swinging jazz obliterated by the arrival of a hard-headed drill beat, the Tottenham MC sprinkles references to his footballing past with the nimbleness of a boy-wonder midfielder. [Not on Spotify] BBT Fever Ray – Now's the Only Time I Know (Therapy Session) Karin Dreijer is releasing an album of studio mixes of live versions of old songs: this spooked song about domesticity from their 2009 debut becomes a savage, ravey exorcism. LS Subscribe to the Guardian's rolling Add to Playlist selections on Spotify.
Powys County Times
30-04-2025
- Entertainment
- Powys County Times
Green Man Rising Final reveals five acts competing for slot
Five acts have been chosen to compete for the chance to open the Green Man 2025 festival. The shortlisted artists include Cardiff band Shale, a Lesser Version, lots of hands, Sarah Meth, and Wing! The Green Man festival, which is the largest music, arts, and science festival in Wales, announced the details of its 16th edition of the Green Man Rising Final. The event will take place at Clwb Ifor Bach in Cardiff on May 20 and will be hosted by BBC 6 Music's Huw Stephens. The Green Man Rising competition is part of the festival's commitment to support future headliners. It offers new artists from across the UK the opportunity to compete for a slot at the sold-out 2025 edition of Green Man, taking place later this summer. This year, the competition saw a record-breaking 4,000 applicants, with the final five shortlisted artists revealed on Monday, April 28. The Rising final will see each of the five acts perform in front of a panel of leading industry professionals. The winner will be awarded the coveted opening slot on the Mountain Stage at Green Man 2025. The runners-up will also secure a slot at Green Man 2025's Rising Stage. Each shortlisted artist will also receive a professional recording at the festival. Fiona Stewart, Green Man managing director and owner, said: "Supporting emerging talent is at the heart of Green Man, so we're excited to have selected our Rising finalists for 2025. "Shortlisting the applications from a record-breaking 4,000 entrants was no easy task, and I want to thank all those who applied. "The standard was incredibly high, and we can't wait to see who the panel will choose to open Green Man 2025 on the iconic Mountain Stage." Free tickets for the Green Man Rising final are available now through Dice.
