logo
#

Latest news with #SashaBaronCohen

Let's Talk About the Ending of ‘Ironheart'
Let's Talk About the Ending of ‘Ironheart'

Gizmodo

time02-07-2025

  • Entertainment
  • Gizmodo

Let's Talk About the Ending of ‘Ironheart'

The final half of Marvel's Ironheart has premiered, and it's got quite a bit going on. Like other MCU shows, it offers some tantalizing hints for the future and offers interesting spins on what's come finale, 'The Past is the Past,' opens with a flashback to the botched heist Parker and John pulled together, as seen in episode four. We watch Parker try to escape his father Arthur's estate, and as he's about to be caught, he's saved by a guy in a hood. The guy, played by Sasha Baron Cohen, knows Parker wants money and power and is prepared to give him the means to achieve those dreams. What does this dude want in return? 'Something you won't even miss,' he tells Parker, and he even gives Parker the hood as a freebie. Oh, this man's name? Mephisto, a powerful demon in Marvel canon created by Stan Lee and John Buscema in 1968's Silver Surfer #3. He's a nemesis of both that hero and Johnny Blaze's Ghost Rider and typically crosses paths with magic-based Marvel characters like Doctors Doom and Strange, plus Scarlet Witch. Fans have been hoping for his MCU debut for a while—something WandaVision watchers can attest to—and pegged Cohen to play him years before now. So yes, he's finally here, and he's making some surprising moves in this corner of the MCU. After beating Parker and taking his hood in the hopes it could bring back NATALIE, who perished in the previous episode while as Riri and her loved ones helped make her newest armor, Riri's met by Mephisto. He's done investing time into Parker and has now moved onto the teen superhero, offering to bring back a Natalie, though he doesn't specify which one. At first, the editing makes it seem like Riri's either turned him down or imagining how that would play out when NATALIE comes into the garage. Riri gives a simple order, 'run diagnostic,' but NAT reacts like the real Natalie would—because she is the real Natalie. Riri embraces her, and we see the same magical scars that were on Parker's body throughout the show appear on her arm. In the comics, Mephisto famously erased Spider-Man and Mary Jane's marriage back in 2008. We already know the movie Spider-Man is set to have a Brand New Day in 2026, completely separate from the villain's involvement, who doesn't really have anything to tempt Peter with after he willingly let MJ and Ned's memories stay erased at the end of Spider-Man: No Way Home. Mephisto's being in Ironheart gives another young hero their own Brand New Day, with the added complication that Riri's remaining friends and family—including Nat's brother Xavier—have already accepted the real Natalie's death and (presumably) grieved NATALIE's erasure while Riri fought Parker. And what exactly is it that Mephisto took from Riri that she 'wouldn't even miss'? Whatever it is, she'll be in a bad situation when she realizes it's gone. Earlier in the episode, before he fights Riri, Parker realizes Mephisto took his sense of satisfaction, so now he'll always want more, even when he's achieved his endgame. Now that he's hoodless, he's got something new to chase, and that leads him to Riri's magical friend Zelma Stanton, who he wants to help him get some 'heavy-duty magic.' Marvel's only renewed a small handful of its shows for more seasons, which were typically greenlit well in advance. It's unknown if Ironheart will break the one-and-done streak, but if it does, there are certainly threads that can be picked back up on. In addition to Riri and Parker's stories, there's also the matter of Zeke Stane: in this run of episodes, he's freed from prison and joins up with Parker's crew, where he subsequently uses tech to give himself enhanced strength and electric superpowers. As Riri breaks Parker's hold on him, Zeke promises that the two of them aren't good after this and that he'll have a score to settle with her down the line. Until we get word on what Marvel's got in store for Ironheart next, you can watch Riri's six-episode miniseries on Disney+. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

As the BBC airs punk band's shocking chants, STEVE POLLARD asks: Has baiting Jews become the new national pastime?
As the BBC airs punk band's shocking chants, STEVE POLLARD asks: Has baiting Jews become the new national pastime?

Daily Mail​

time28-06-2025

  • Entertainment
  • Daily Mail​

As the BBC airs punk band's shocking chants, STEVE POLLARD asks: Has baiting Jews become the new national pastime?

The Glastonbury music festival bills itself as a celebration of all that is good in the world, with great artists communing with a crowd of 200,000 self-styled progressives, for whom the festival is a chance to wallow in their own goodness and smug sense of superiority. But nothing better illustrates the darkness that has entered the soul of today's progressives than the crowd's response yesterday to punk duo Bob Vylan, whose screams of 'Free, free Palestine ' and 'Death, death to the IDF' were chanted back with such fervour that the scene was like a 2025 version of Hitler's Nuremberg Rallies. The chant was 'Death, death to the IDF', but what they meant – because the IDF is the army of the world's only Jewish state – was 'Death, death to the Jews'. Imagine being a Jew at Glastonbury, knowing that you are hated by almost everyone around you. In Sasha Baron Cohen's satirical film, Borat, the character describes a game, 'Hunt the Jew'. Everyone laughed at that when the film came out in 2006. But yesterday's Glastonbury chanting showed that its satire is all too pointed. Imagine, I ask you, being a Jew in Britain. In the 20 months since 1,200 Jews were massacred by Hamas in Israel, the UK has seen a leap in anti-Semitic incidents. Between January and June last year there was a 41 per cent increase in assaults on Jews. But that is almost the least of it. The biggest impact in Britain of the October 7 attack has been the unleashing of this torrent of Jew-hate – the likes of which we saw yesterday. Every other week there are hate marches in London and elsewhere with chants to ' globalise the intifada' – to kill Jews, in other words. There is open support for Hamas and Hezbollah, not least by Kneecap, another band performing at Glastonbury. There is pure hatred and poison. But for Jews in Britain, the real point about all this is the double standard. Can you imagine if someone had stood on that stage and screamed 'Death to Muslims'? There would certainly – and quite rightly – have been anger from the crowd. But when it is Jews who are the target, they cheer. And where are the police? Whatever your views of Lucy Connolly's imprisonment after her Southport riot tweets, the double standard is shocking. The lead singer of Bob Vylan incited a mob. Will he be arrested, charged and prosecuted? There is, I suggest, not the slightest chance if the past 20 months of open anti-Semitism is anything to go by. For those who make a regular pilgrimage to Glastonbury, it is more than just a music festival – is a carnival of light and peace. Not for Jews. Palestinian flags fly everywhere. Leaders of Palestine Action – shortly and rightly to be proscribed as a terrorist organisation – are given a platform to spread their bile. The now infamous Kneecap rapper J J O Dochartaigh wore a 'We are all Palestine Action' T-shirt on stage and led a Free Palestine chant. Glastonbury, in reality, reflects the state of modern progressivism – a poisonous cocktail of anti-Israeli prejudice, support for Islamist terror and a moral calculus so warped that Nazi-style chanting is seen as upstanding and worthy.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store