Latest news with #Satyabhama
The Hindu
18-07-2025
- The Hindu
HC quashes proceedings in defamation case against Mohiniyattom dancers
The Kerala High Court has quashed proceedings before the Judicial First Class Magistrate Court-I, Thiruvananthapuram, in a defamation case filed by dancer Kalamandalam Satyabhama against Mohiniyattom dancers R.L.V. Ramakrishnan and U. Ullas. A Bench of Justice Kauser Edappagath quashed the case following a petition filed by the two dancers. Ms. Satyabhama had alleged that Mr. Ramakrishnan recorded a phone conversation he had with her, and edited and published it in a different media. The dancers edited and posted it on social media platforms, an act punishable under Sections 500 (punishment for defamation) and 34 (acts done by several persons in furtherance of common intention) of the Indian Penal Code, she contended. Refuting this, the dancers contended that they cannot be prosecuted since the alleged defamatory statements had not been reproduced in the complaint, nor did the petitioners produce a copy of the publication that contained the alleged defamatory statements. Ms. Satyabhama's counsel said the publication could be produced during trial. The issue pertained to a dance contest hosted in Abu Dhabi by a Malayali association, where Ms. Satyabhama was a judge. Contestants whom Mr. Ramakrishnan had trained did not win any prize, after which he telephoned her and questioned her on the propriety of her decision. She reportedly told him that many of the 'mudras' of the contestants were wrong and that even experienced dance teachers committed mistakes. She approached the court, stating that the duo recorded the conversation and posted it on social media, portraying it as a statement against her dance 'gurus'. Since the complainant had failed to produce the alleged defamatory publication, the offence under Section 500 of the Indian Penal Code cannot be attracted against the petitioners. Taking these into account, the court quashed further proceedings in the case.
The Hindu
11-07-2025
- Entertainment
- The Hindu
‘Oh Bhama Ayyo Rama' movie review: Suhas' romcom is wayward and pointless
The least you expect from a mainstream Telugu film is passive entertainment, one that at least offers an escapist pleasure for a couple of hours. Director Ram Godhala's Oh Bhama Ayyo Rama starring Suhas and Malavika Manoj is everything but that. In a nutshell, it is a simple tale of a youngster overcoming a dysfunctional childhood, who goes on to fulfil his mother's dream with his girlfriend's support. However, the director displays little control over the execution. The film changes tracks at the drop of a hat, disintegrating quickly in its bid to pack in romance, action, drama, and humour, with a handful of songs. The narrative lacks momentum, the jokes do not land, and it is riddled with cheesy (and unintentionally funny) dialogues. After losing his mother as a child, Ram (Suhas) is raised by his uncle, who has high hopes for his nephew. One night, Ram meets Satyabhama (Malavika Manoj), the angelic Telugu heroine whose sole purpose is to look good, smile without reason, and chatter endlessly. It's love at first sight for the 'sanskari' hero who means well and does not take advantage of her even when she's inebriated. Oh Bhama Ayyo Rama Director: Ram Godhala Cast: Suhas, Malavika Manoj, Anita Hassanandani Runtime: 155 minutes Story: A man tries to fulfil his mom's wish with the help of his girlfriend Ram, who has plans to move abroad, hates cinema, but has a 'supposedly' special talent of judging a film by listening to the dialogues. Satyabhama is a film aspirant, narrating outlandish plots to him, by the lake, at a graveyard, on the move. Out of the blue, she helps him join the team of a popular film director. Throughout the film, Satyabhama keeps landing in trouble and he keeps rescuing her. Between the silly humour, songs that spring out of nowhere and a romantic track with zilch chemistry, you are expected to feel for the uncle who has sacrificed everything for Ram. After introducing a pivotal character before the intermission, the film shifts abruptly to Ram's 'heavy' past (that hams on and on), only for it to be diluted by a series of inconsequential comedy sequences. Apart from tirelessly loving the girl and being occupied at work, Ram keeps lamenting about his past, sobbing scene after scene, drowning in self-pity. Satyabhama is the pampered daughter of a business tycoon whose only job is to motivate Ram and who dreams of marrying him someday. Fights, songs and emotions find their way into the narrative haphazardly, and several conflicts are conveniently left stranded. If that weren't enough, an entire thread is devoted to Ram's trials and tribulations in cinema, a desperate meta touch packed with references to Chiranjeevi's films. A couple of popular directors — Maruthi, Harish Shankar — appear in cameos offering life lessons to the protagonist (who appears as irredeemable as the film). An indulgent climax adds to a viewer's woes and denies any respectability to the effort. Oh Bhama Ayyo Rama borrows influences from a handful of films — Majnu, Amma Nanna O Tamil Ammayi, Maro Charitra — and tries to repackage a worn-out formula in a haphazard narrative. This is among Suhas' least impactful performances, and the inconsistent characterisation barely allows him to settle down. Malavika Manoj, making her Telugu debut, is reduced to a decorative character. It's sad to see the writing of female characters regress drastically. Anita Hassanandani's comeback is hardly memorable, and Ali's experience is not put to good use. Babloo Prithiveeraj and Ravindra Vijay's roles lack meat. Sathvik Anand and Moin's appearances don't ensure laughs either. There's nothing to write home about on the technical front. The music is a cacophony to the senses, and the cinematography is largely just functional. Inspired dialogue could have brought some intermittent relief to the proceedings. Oh Bhama Ayyo Rama doesn't even do the bare minimum you seek from a popcorn entertainer. Everything about it is so ordinary and forgettable. (The film is running in theatres)
Hans India
08-07-2025
- Entertainment
- Hans India
A radiant celebration of classical grace
Saturday was a gala occasion at Ravindra Bharathi as Ananya Parsa's debut Kuchipudi Rangapravesham took place with élan. She learns from Guru Smt. Khuberini, who was in turn a student of Padma Shri Dr. Sobha Naidu. Sri Venkateshwara Kuchipudi Academy has been established by her in North Carolina, U.S.A., where dance is imparted with sincerity to the students. Having staged many choreographies of her Guru and her own to applause in the U.S., Smt. Khuberini has never compromised on the integrity and beauty of her repertoire. She is a firm believer that pursuing arts does not interfere with academics but, in fact, sharpens learning skills. Ananya has been a disciple for eight years, devotedly cultivating her passion for Kuchipudi. She has embarked on her journey into classical dance with dreams in her heart, a glow on her face, and a twinkle in her eyes. She holds a competitive gold medal from ICMDA and aspires to pursue her career in engineering, architecture, and interior design. Festoons of floral décor were arranged, making the stage vibrant with color, and the lighting was handled masterfully by Basavaraju, who created a spectrum of effects. He focused in various angles to suit the mood, often bringing out the same hues as the aharya used and then altering them subtly to bring a rainbow variety to surfeit the vision! Ananya came onto the stage in a gold-colored costume, resembling an aureate statuette. Her trim shape enabled an elegant recital full of grace allied to energy and vigour. It must be understood that keeping in form is an essential part of dance training in order to perfect stamina, which sustains a long performance—something Ananya possessed in abundance! Ganapathi Talam in Nata is a composition often used in prayer and meditation. Ananya elaborated the lyrics through dance, praising Lord Ganesha's form and attributes while invoking his blessings for success. Rukmini Pravesha Daruvu is not performed as often as Satyabhama's in the same introductory theme vein. It is much more gentle and softly melodious in comparison. Kalyani raga perfectly matched the mood, as Ananya—in this sequence from Rukmini Kalyanam ballet choreographed by Padma Bhushan Dr. Vempati Chinna Satyam—was in character as the idealised consort of Krishna. Her serene and innocent countenance was well depicted. Angika abhinaya and vachika abhinaya excelled. As pure as nectar, Rukmini wishes to be as self-effacing and inseparable as the flute on Lord Krishna's lips. Beloved of her Lord, she is as calmly pretty as moonlight. The humility of Rukmini is the opposite of the pride of Satyabhama. Every gesture was in tune, as this item was the highlight of the recital for its polish and refinement. The flow of the dance enchanted the audience. 'Koluvai Unnade' is a prabandham composed by Shahaji Maharaj, the Maratha ruler of Tanjore. In paced stanzas, it describes Shiva as radiating divinity in every pore—hands ornamented, feet with ankle bells, adorning snake armlets and shining gems, with a trident resting by his side. Thus, his presence is made magnificent to all viewers. He is the God of all Gods, chants the refrain. The delicately poised Nataraja stance demonstrated the precision in balance required by the young dancer. As light beams in crimson shades bathed the stage, Durga Tharangam was suitably vivid in verses extolling the devotional and poetic imagery steeped in the reverent bhakti of Narayana Teertha, classically exalting Goddess Durga as the embodiment of divine bliss and compassion. She is worshipped by sages, praised in the Vedas, and adored by celestial beings. The demanding jathis, done with skill on the brass plate, were the climax, eliciting ringing applause. Krishna was delightfully welcomed in 'Swagatham Krishna', brimming with nritta to match abhinaya and natya as the exploits of Krishna were depicted. The lifting of Govardhana and the Kaliya dance were included. As he engages and slays the wrestlers Chanura and Mushtika along withBalarama before destroying Kamsa, the impact was well appreciated by the audience. The movements in circular, swirling contours of this art form, differentiating it from others, were enunciated with clarity. The thillana rounded off the Rangapravesham traditionally, with pure dance movements and minimal sahityam. Lord Padmanabha is the deity eulogised in the Dhanashree Thillana of Swati Tirunal, which is an eternally popular part of the repertoire, as it showcases brisk movements to fast rhythmic patterns. Chiselled poses with virtuosity, allied with the finesse of the purest technique, conveyed the ecstasy of the human spirit when filled with divine bliss. Nattuvangam was by Kubherini and Srikanth, mridangam by Sridharacharya, flute by Venkateshwarlu, violin by Chander Rao, and the resonant vocals by Mrudu Ravali. Sudarshan was responsible for the excellent makeup. Sandhya Raju presided as Chief Guest.
Time of India
23-06-2025
- Entertainment
- Time of India
Kajal Aggarwal is "overflowing with love and gratitude" as she celebrates her birthday in the Maldives
Picture Credit: Instagram Actress Kajal Aggarwal recently marked her birthday on the calming shores of the Maldives. Taking to social media, the actress shared glimpses of her special day with her loved ones as she was overflowing with love and gratitude. On Instagram, she shared multiple pictures from her mini trip. She was joined by her husband Gautam Kitchlu, their son Neil, and her sister Nisha Aggarwal for the vacation. The photos she posted painted a picture of a perfect family holiday. With crystal-clear waters, pristine beaches, and uninterrupted family time, the birthday celebration seemed nothing short of a dream. View this post on Instagram A post shared by ColorsTV (@colorstv) She captioned the pictures, "Overflowing with love and gratitude—thank you, dear friends, fans, and family, for the birthday wishes that lit up my day. Surrounded by my- divine, my loved ones, with a heart full and a belly happier still, I'm soaking in all the joy and warmth you sent my way." The 'Singham' actress looked radiant and carefree in a tropical setting. She was dressed in white breezy beachwear. She shared pictures flashing a cheerful smile or sharing moments with her son Neil. A few pictures captured her walking along the shoreline, while others showed her playing with her little one and relaxing with Gautam. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Giao dịch vàng CFDs với sàn môi giới tin cậy IC Markets Tìm hiểu thêm Undo Actress Raashii Khanna also dropped a sweet comment, writing, "Happy birthday beautiful! God bless you with his choicest blessings." On the professional front, Kajal Aggarwal was last seen leading in the film 'Satyabhama', a cop action thriller. Coming forward, she will be as Devi Parvathi in the Vishnu Manchu starrer mythological pan-India film 'Kannappa'. The movie will be released on June 27. It features a star-studded cast including Prabhas, Akshay Kumar and Mohanlal in brief roles.
