Latest news with #ScandalMakers
Korea Herald
09-06-2025
- Entertainment
- Korea Herald
Korean comedy 'Hi-Five' hits million-ticket milestone
Superhero farce becomes fifth domestic film to reach benchmark this year, though critical reception remains divided Korean comedy "Hi-Five" crossed one million admissions on Saturday, marking a milestone for local cinema amid generally favorable but mixed audience reactions. According to the Korean Film Council's latest box office data, the superhero comedy reached 1,040,358 total admissions as of Saturday evening, hitting the benchmark nine days after its May 30 release. The film ranked second in daily ticket sales with 134,333 admissions, trailing only the Hollywood live-action remake "How to Train Your Dragon," which pulled in 165,319 tickets for the day, following its June 6 debut. "Hi-Five" maintained its momentum on Sunday, adding another 110,149 admissions to bring its running total to approximately 1.15 million. The latest effort by director Kang Hyung-cheol ("Scandal Makers," "Sunny") joins four other Korean films that have surpassed the million-ticket mark so far this year. "Yadang: The Snitch" leads the pack with 3,375,154 admissions, followed by "Hitman 2" (2,547,598), "The Match" (2,145,532), and "Dark Nuns" (1,670,559). Despite reaching the milestone, "Hi-Five" still falls short of the reported 2.9 million ticket sales needed to recoup its 15 billion won ($11 million) production budget. The film follows five individuals who gain supernatural abilities after each receives an organ transplant from a mysterious donor. When a shadowy cult seeks to steal their powers, the unlikely heroes must join forces to fight back. Lee Jae-in anchors the ensemble as a super-strong teenager, supported by Ahn Jae-hong's character who wields hurricane-force breath, Ra Mi-ran as a yogurt seller harboring secret abilities, Kim Hee-won as a factory worker blessed with healing powers, and Yoo Ah-in as a hipster wannabe capable of manipulating electronics. Though overall reception has been generally positive, opinions remain notably split. On local search engine Naver, viewers awarded the film a generous 8.30 out of 10 rating, while users on the film review site Watchapedia gave it a more modest 3.2 out of 5. 'Hi-Five' began its international rollout with a June 6 premiere in Cambodia. It heads to Singapore, Malaysia, Thailand and Brunei on June 12, followed by releases in Indonesia, Vietnam, Taiwan and East Timor on June 13. Audiences in Hong Kong and Macao can catch the film starting June 19.
Korea Herald
27-05-2025
- Entertainment
- Korea Herald
Review: 'Hi-Five' struggles to find its superpowers
Kang Hyeong-cheol's superhero farce feels curiously unstuck in time Picture this: Two newly minted superhumans discover their extraordinary abilities and decide to ... play the recorder. One holds the instrument at arm's length while the other provides the breath from across a playground using his turbocharged lung capacity. This moment of laughable absurdity perfectly encapsulates what director Kang Hyeong-cheol is going for in "Hi-Five" — a goofy superhero ensemble comedy that wears its dumb-fun ambitions like a badge of honor. It doesn't take long for viewers to appreciate the film's most refreshing virtue — its refusal to dawdle. Take out a stopwatch and you'll discover that our protagonists acknowledge their powers and find each other in under 10 minutes of runtime. It is a merciful reprieve from the usual formula of prolonged soul-searching and clunky exposition that typically accompanies superhero origin stories. Here, supernatural abilities are simply accepted as fact with no existential hand-wringing required. Though his heyday feels increasingly distant, Kang has proven himself a reliable architect of crowd-pleasers before, with "Scandal Makers" (2008) and "Sunny" (2011) delivering impressive box office returns through their blend of nostalgia and heartfelt laughter. Now he returns to the superhero genre, without the grandiosity that usually accompanies such territory. Unapologetically feel-good comedy remains his specialty, and he pursues it here with shameless dedication, for better and decidedly for worse. The premise unfolds with breakneck simplicity: friendless teenager Wan-seo (Lee Jae-in) gains superhuman strength after a heart transplant, living under the watchful eye of her overprotective father (Oh Jung-se). When a YouTube video surfaces of her sprinting up a neighborhood hill at impossible speeds, she's approached by Ji-sung (Ahn Jae-hong), an unemployed slacker whose enhanced lungs allow him to generate hurricane-force winds with his mouth. They immediately recognize each other through mysterious tattoo-like marks that identify transplant recipients with supernatural gifts. This convenient plot device facilitates their eventual team-up with Ki-dong (Yoo Ah-in), a hipster-wannabe who manipulates electronics with finger snaps, and Sun-nyeo (Ra Mi-ran), a perpetually cheerful yogurt seller whose true abilities remain undisclosed until much later. The film proceeds with an unapologetic willingness to jettison intricate world-building in favor of lighter gimmicks. The original organ donor who bestowed these powers remains a deliberate MacGuffin, never explained or explored. Instead, Kang zeroes in on the small-scale comic mishaps that spring from these bumbling superheroes' daily encounters. The comedy finds its rhythm in the antagonistic dynamic between Ahn and Yoo's characters, a relationship built entirely on petty grievances, such as who ate more chicken wings. Beneath all that bickering, a predictable bromance emerges, following the familiar beats of mismatched buddy comedy. The ensemble cast inhabits their archetypal roles with grounded, humane warmth. Lee Jae-in infuses teenage earnestness into the plucky but determined Wan-seo, while Ra Mi-ran and Ahn Jae-hong slip effortlessly into the down-to-earth personas they perfected in the beloved drama "Reply 1988." Even Yoo Ah-in, whose artist mystique seems fundamentally at odds with broad comedy, settles convincingly into his role as an endearing reprobate who primarily uses his abilities to cheat at underground gambling establishments. In terms of action, "Hi-Five" conjures a fever dream of flying fists and rubber reality with a hefty 15 billion won ($11 million) budget, channeling old-school slapstick through a VFX-enhanced funhouse mirror. The most memorable set piece involves Sun-nyeo's yogurt cart careening through narrow streets at breakneck speed, propelled by Wan-seo's superhuman strength, as Rick Astley's "Never Gonna Give You Up" blasts. All of these elements would have cohered nicely if only the humor actually landed. Regrettably, the endless comic sequences fall resolutely flat, their timing and execution feeling mechanically stale. The humor occupies a frustratingly safe middle ground, with pratfalls and punchlines that feel recycled from a dusty comedy playbook. Kang remains admirably earnest in both tone and execution, but the problem is that his comedic sensibilities feel like retreads of material that perhaps worked best 15 years ago. At one moment the film even stoops to tired gay panic comedy, lingering on two straight men accidentally kissing in a sequence that lands with an audible thud. As corny bits accumulate like dead weight, the narrative's graver elements create an increasingly uncomfortable friction. Kang's earlier films (especially "Swing Kids") managed to weave levity through darker material with mixed results, creating tonal dissonance that often felt more ambitious than coherent. Here, that same tension reaches breaking point — when the humor consistently misfires, the backstory involving a grotesque organ-harvesting cult feels fundamentally divorced from the film's feel-good sensibility. The prolonged sequences showing delirious cult followers and human trafficking feel not just misplaced, but actively corrosive to the film's comedic foundation. The film's fundamental miscalculation lies in its lukewarm, dated humor that never commits to being genuinely silly or genuinely smart. Fans of aggressively corny humor might extract a chuckle or two, but it's doubtful whether this tired sensibility will resonate with contemporary audiences.
Korea Herald
12-05-2025
- Entertainment
- Korea Herald
Comic action 'Hi-Five' readies for release amid star's absence
Yoo Ah-in once again scrubbed from promo events following drug scandal The press conference for the upcoming superhero comedy "Hi-Five" convened Monday at Lotte Cinema Konkuk University in Seoul, with director Kang Hyung-cheol and his cast in attendance. Conspicuously absent was Yoo Ah-in, who has vanished entirely from public view following his drug conviction in September. "I wanted to make a fun, entertaining film — the kind you'd find in video rental shops back in the day," said Kang, explaining his vision. "I've been fortunate enough to direct several films, and this time I wanted to create something that audiences could watch comfortably and enjoy." Kang reigns as Korean cinema's go-to hitmaker for modest crowd-pleasing comedies. The box office numbers speak for themselves — his 2008 debut "Scandal Makers" racked up an impressive 8.3 million admissions, and his sophomore effort "Sunny" (2011) defied expectations by turning a high school reunion story into a 7.4 million smash hit. Ahn Jae-hong, who plays one of the five protagonists, cited the director as his primary motivation for joining the project. "More than anything, the fact that this was Kang Hyung-cheol's film drew me in immediately," he said. "The way he conceived this story, the premise, the flow — it seemed incredibly exciting." Oh Jung-se shared similar sentiments after his third collaboration with Kang. "Director Kang's films still have that old-school movie magic," Oh said. "That's why whenever people ask me what kind of film I want to do next, I always say 'a Kang Hyung-cheol film.'" "Hi-Five" follows five ordinary individuals who suddenly develop superpowers after receiving organ transplants from a man with psychic abilities. The ensemble cast features, among others, Lee Jae-in as a taekwondo enthusiast with super strength, Ra Mi-ran as a mysterious yogurt seller and Kim Hee-won as a factory manager with healing powers. Yoo Ah-in plays Ki-dong, an unemployed man who gains electromagnetic vision after a corneal transplant. The trailer screened at the event showcased a deliberate B-movie aesthetic — over-the-top effects, goofy sight gags and outsized action — all true to the director's knack for feel-good, broad comedy. Notably, not a single frame of Yoo made it in. Addressing the film's approach, Kang highlighted the contrast between fantasy powers and everyday characters. "Yes, it's a comedy that deals with the unrealistic concept of superpowers," he explained. "But precisely because we're using such a fantastical premise, I wanted to ground everything else in reality." Ahn added, "All the characters have such distinct personalities. When such different characters from different worlds come together, fun things naturally happen. The way they interact creates something incredibly fun that I think audiences will enjoy." When asked about Yoo's drug scandal and subsequent exile from the promotional circuit, Kang responded with measured composure. "It's unfortunate — something we wish hadn't happened," he said. "At that time, the film wasn't yet completed, and we were in the middle of postproduction. A leader needs to focus on solutions when problems arise."
