Latest news with #Sesotho

IOL News
a day ago
- Business
- IOL News
Assistive Technology: Africa's Untapped Equaliser of Opportunity
Dr. Ashley Subbiah is the Manager of the Assistive Technology Centre at the South African National Council for the Blind (SANCB), an organisation dedicated to promoting the rights, dignity, and full participation of blind and partially sighted persons in South Africa. Image: University of KwaZulu-Natal For millions of blind and partially sighted persons in South Africa and across Africa, each day is a stark reminder that access to assistive technology is not yet a lived reality. And for many, it remains a distant dream. In South Africa alone, there are an estimated 2.5 million people living with visual impairments. And yet, access to essential assistive devices such as screen readers, magnification software, Braille displays, and accessible mobile applications is largely restricted to those who can afford them or those lucky enough to benefit from under-resourced public systems or donor support. For the vast majority, the journey toward autonomy is blocked — not by a lack of ability, but by the absence of enabling tools. One of the most enduring misconceptions about assistive technology is that it's a special concession — a form of benevolence extended to those who are "less fortunate." This framing not only undermines the agency of persons with disabilities but also perpetuates a development model rooted in dependency. Assistive technology must be mainstreamed as a public good. It should be embedded in national policies alongside education, transport, housing, and healthcare. When a child in rural Limpopo cannot read their textbooks because their school does not provide accessible learning materials, it is not a misfortune — it is a rights violation. When a job-seeker in Lusaka or Nairobi is turned away because the online application platform is incompatible with screen reading software, it is not an inconvenience — it is systemic exclusion. Globally, assistive technology is a booming sector — yet most of the devices are developed in the Global North, priced in foreign currencies, and distributed by multinational companies that have little understanding of the African context. We need to flip this model. South Africa and its neighbours must invest in homegrown innovation. This means fostering partnerships between universities, tech entrepreneurs, disability organisations, and end-users. It means developing screen readers that support isiZulu, Sesotho, and Tshivenda — not just English. It means building orientation and mobility apps that understand local street layouts, transport options, and even electricity load-shedding patterns. And it means ensuring these innovations are co-designed by persons with disabilities, not imposed upon them. Imagine a world where affordable refreshable Braille displays are manufactured in Gauteng; where partially sighted learners in Uganda have access to magnification tools developed by local engineers; where a blind entrepreneur in Ghana uses a low-cost AI tool that reads product labels in Twi or Ewe. This is not utopia — it is within reach if we align our development goals with inclusive innovation strategies. Technology on its own cannot dismantle barriers — it must be part of a larger, inclusive system. Accessibility must be built into every level of public service delivery. Teachers must be trained to support blind learners using digital tools. Public libraries must stock accessible content. Employers must adopt inclusive hiring practices that incorporate the use of assistive devices as part of the workplace infrastructure — not as an afterthought. Health facilities must make provision for accessible patient communication. And perhaps most urgently, digital services — from banking apps to government portals — must be designed with universal access in mind. These systems must be guided by policies that go beyond compliance checklists. We need enforceable legislation that guarantees access to assistive technology across the lifespan: in early childhood, in higher education, in the workplace, and into old age. The issues South Africa grapples with are not unique. Across sub-Saharan Africa, blind and partially sighted persons face similar challenges: limited supply chains, poor device servicing infrastructure, inadequate training support, and prohibitively high costs. A regional strategy is long overdue. The African Union and regional bodies like SADC should spearhead continental platforms for assistive technology development, knowledge exchange, and procurement collaboration. We must move toward pooled resources, harmonised standards, and collective bargaining power to drive down costs and build sustainable distribution networks. At the same time, we must resist the one-size-fits-all approach. Assistive technology solutions must reflect the diverse linguistic, cultural, and geographic contexts of the continent. At its heart, assistive technology is not about the latest device or sleekest app. It is about freedom. The freedom to learn, work, parent, travel, and participate in civic life. It is about dignity — about being seen, heard, and included. When a blind child reads their first storybook in Braille, it is not a miracle of technology. It is a restoration of equality. When a visually impaired adult navigates a city independently with a smart cane or a navigation app, it is not a luxury — it is their right to movement. And when a partially sighted grandmother uses screen magnification to manage her own banking or read WhatsApp messages from her grandchildren, it is not digital wizardry — it is empowerment.


The Citizen
a day ago
- Entertainment
- The Citizen
‘A profound loss': Fashion world mourns Sun Goddess Vanya Mangaliso
Friends, colleagues, and those who love Sun Goddess have paid tribute to Mangaliso. Tributes have poured in for Vanya Mangaliso following her passing. Picture: sungoddessmarimba/Instagram Fashion designer and entrepreneur Vanya Mangaliso has passed away at the age of 53, prompting an outpouring of tributes from the fashion world. Her passing was confirmed through a statement shared on Sun Goddess' social media pages. 'She passed away peacefully on Thursday, 26 June 2025, surrounded by loved ones,' read the statement. 'Vanya Mangaliso was widely respected for her contributions to South African fashion, a field she dedicated 25 years of her life to. She led her multi-award-winning brand, which has received over 50 awards both locally and internationally, proudly representing South African fashion,' expressed the statement. The statement goes on to celebrate her, noting that her work has touched countless lives. This is expressed in the manner and outpouring of messages from colleagues, friends, and those who loved the Sun Goddess brand. Like many people, I am deeply saddened by the news of the passing of Vanya Mangaliso. I was introduced to Vanya by Unathi Nkayi in 2004. We spent years in and out of the Sun Goddess studios, and in that time, a warm and respectful friendship was formed between the Mangaliso… — @luphumlongcayisa (@luphumlongcayis) June 28, 2025 'The family kindly requests privacy as they grieve this immense loss. We ask the public and media to respect their space and refrain from any direct contact during this time.' ALSO READ: How the last episode of 'Shaka iLembe' made Nomzambo Mbatha feel like a 'new person' 'A distinguished fashion designer and businesswoman' Dr Precious Moloi-Motsepe, founder and chief executive of Africa Fashion International (AFI), described Mangaliso as a distinguished fashion designer and businesswoman. Mangaliso co-founded the luxury fashion brand Sun Goddess with her husband, Thando. 'Almost immediately, the brand became part of national memory and admired for its fashion-forward isiXhosa, Sesotho and Tshivenda aesthetics,' said Moloi-Motsepe. 'Her loss is a profound one for the fashion industry on the continent.' David Tlale, a fellow designer who emerged in the 2000s around the same time as Mangaliso, also paid tribute to her. 'Oh Vanya Mangaliso. You ran your race, a true African woman who shaped South African Fashion and heritage,' said Tlale. 'Your work and efforts to unite the fashion industry will forever be remembered and continue. Your positive and kind spirit lives forever. To the Mangaliso's family, may the Lord comfort you and guide you through this difficult time.' Vanya Mangaliso (Sun Goddess) passed away. What a remarkable woman. Vanya created what was called the Afro-Gucci. She was the first to commercialise African designer wear taking it from the back room to boutique stores in top malls. She cracked the door open for Maxhosa, Bathu… — ANC SECRETARY GENERAL | Fikile Mbalula (@MbalulaFikile) June 27, 2025 ANC secretary-general Fikile Mbalula paid tribute to Mangaliso as a trailblazer in the fashion world. 'She was the first to commercialise African designer wear, taking it from the back room to boutique stores in top malls. She cracked the door open for Maxhosa, Bathu and others by mainstreaming African designers and brands,' wrote Mbalula. Thank you Mrs Vanya ManglisoSunGoddess for making me the most beautiful fan in the whole world by dressing me started 20l6 going to Brazil RiO De Janeiro Olympics I have known her through @KassNaidoo @gsport4girls Rest in Peace ,,Condolences to Mangaliso family — MamaJoy Chauke (@JoyChauke5) June 27, 2025 Popular sports supporter Mama Joy Chauke thanked Mangaliso for helping her dress in proudly South African attire, which Mama Joy wore at global sporting events. 'Thank you, Mrs Vanya Mangaliso Sun Goddess, for making me the most beautiful fan in the whole world by dressing me; started [in] 2016, going to [the] Brazil Rio de Janeiro Olympics.' NOW READ: Boitshepo Lamola to fly SA flag at Miss Grand International 2025 in Bangkok


The Citizen
5 days ago
- Entertainment
- The Citizen
Slim Dumpie drops powerful new EP ‘Dimakatso' honoring his roots and journey
Slim Dumpie drops powerful new EP 'Dimakatso' honoring his roots and journey Hip-hop artist Slim Dumpie has officially released his highly anticipated EP Dimakatso — a gripping body of work rooted in introspection, personal evolution, and the streets that raised him. With a signature Pretoria sound and lyrical storytelling that commands attention, Dimakatso marks a defining moment in Slim Dumpie's artistic journey. ALSO READ: House Music trailblazers release a new song Known for his gritty authenticity and raw talent, Slim Dumpie has built a notable presence in the South African music scene, boasting over 347 000 streams across digital platforms and averaging 10 000 YouTube views on his top visuals. The EP follows the successful release of his single Don Dana, which served as a powerful teaser and introduction to the full project. Dimakatso, which translates to 'miracles' in Sesotho, pays homage to his late sister, while also reflecting a personal journey of resilience, spiritual growth, and self-discovery. It is a tribute to his community, heritage, and faith. He said: 'Dimakatso is my thank you to the streets and to God. It's a manifestation of everything I've survived and everything I'm becoming.' ALSO READ: Eemoh redefines music storytelling with visuals Having earned co-signs and collaborations with heavyweights like A-Reece, Jay Jody, and Ginger Trill, and working alongside rising talents such as Berry Jive and Giftinperson, Slim Dumpie is no stranger to greatness. At Caxton, we employ humans to generate daily fresh news, not AI intervention. Happy reading!

IOL News
6 days ago
- IOL News
Explore the Kgodumodumo Dinosaur Interpretation Centre: A gateway to South Africa's prehistoric heritage
Inside the Kgodumodumo Dinosaur Interpretation Centre at the Golden Gate Park. Image: Supplied In the scenic Golden Gate Highlands National Park, a groundbreaking initiative has brought to life the fascinating story of dinosaurs that once roamed the Free State. The Kgodumodumo Dinosaur Interpretation Centre, recently launched by Minister of Tourism Patricia de Lille, is a testament to the region's rich paleontological heritage and the Basotho people's connection to their land. The centre has evolved beyond merely being a tourist attraction; it has become a hub of scientific discovery and cultural significance. It features life-sized dinosaur sculptures, interactive exhibits, and educational displays that showcase the region's unique fossil findings. Visitors can explore the history of dinosaurs that lived in the area over 200 million years ago, including the Ledumahadi Mafube, a 12-ton, 12-meter-long South African dinosaur. The Kgodumodumo Dinosaur Interpretation Centre is a celebration of the Basotho people's heritage and their connection to the land. The centre's name, "Kgodumodumo", is derived from the Sesotho word for "Great Giant", referring to a mythical monster said to have roamed the Maluti mountains that border Lesotho. The centre's launch marks a significant milestone in preserving the cultural and scientific heritage of the region. "We are proud to share this heritage with the world and inspire future generations to learn about and appreciate our ancient past," said De Lille during the launch ceremony. Tourism Minister Patricia de Lille and His Majesty Moremoholo Mopeli of the Bakoena Kingdom. Image: Supplied She added that the Kgodumodumo Dinosaur Interpretation Centre was a result of a collaborative effort between the Department of Tourism, SANParks, and the European Union. The centre's design and content were informed by scientific research and Basotho mythology, ensuring an oral, authentic, and engaging experience for visitors. "The centre's goal is to draw attention to the region's underappreciated but rich prehistoric history," said Professor Jonah Choiniere, a paleontologist from the University of the Witwatersrand. Added De Lille: "We want to tell this story to South Africans and international tourists while bringing elements of the Basotho culture into this." The Kgodumodumo Dinosaur Interpretation Centre is expected to have a significant impact on the local economy, creating jobs and stimulating economic growth. In its opening, the centre has already employed 15 permanent staff members from the surrounding communities. It also claims to provide opportunities for local SMMEs to offer goods and services to visitors. "The centre will boost economic development, create employment and entrepreneurship opportunities for surrounding communities, and further attract investment and development," De Lille said. The state-of-the-art centre is set to become a major tourist attraction in the province, drawing visitors from around the world. The building, if viewed from the top, is shaped like a dinosaur, and its unique blend of science, culture, and natural beauty makes it an exciting destination for anyone interested in learning about the region's fascinating past. "We envision that this tourism facility will ensure repeat visits, keep visitors longer, and more importantly, help them spend more money in our captivating destinations," De Lille said. The Kgodumodumo Dinosaur Interpretation Centre building viewing for the top. Image: Supplied To promote the centre and encourage visitors, SANParks has announced free entry to the Kgodumodumo Dinosaur Interpretation Centre until September 30, 2025. 'This initiative will allow schools, tertiary students, and communities adjacent to the Golden Gate Highlands National Park to benefit from the centre's offerings,' SANParks' JP Louw said. As a hub of discovery and education, the centre will inspire future generations to learn about and appreciate the fascinating history of the Free State's dinosaurs, according to Louw.

TimesLIVE
6 days ago
- TimesLIVE
Unearthing the past: dinosaur interpretation centre launched in Free State
In a celebration of South Africa's ancient past and cultural heritage, tourism minister Patricia de Lille has unveiled the Kgodumodumo Dinosaur Interpretation Centre in the Free State, a facility combining science, culture and immersive learning. Launched under the theme 'A Nation That Works for All: Unearthing Our Past, Building Our Future', the centre offers a blend of paleontology, archaeology, geology and history. Set against the majestic backdrop of the Golden Gate Highlands National Park, the centre derives its name Kgodumodumo from Sesotho, meaning "great giant', which is a reference to a legendary creature said to have once devoured an entire village. In a nod to the mythology and the area's rich fossil record, the centre features several life-sized dinosaur sculptures, including a recreation of the Ledumahadi mafube, a 12-ton, 12m-long sauropodomorph dinosaur that roamed the region more than 200-million years ago. Ledumahadi mafube, which means 'The Giant Thunderclap' in Sesotho, is one of South Africa's best-known dinosaurs. First discovered in 1989 by renowned paleontologist James Kitching, it holds the distinction of being the heaviest dinosaur discovered in the Golden Gate Highlands and one of the first to be given an indigenous African name.