Latest news with #SharmilaTagore
Hindustan Times
5 days ago
- Entertainment
- Hindustan Times
Soha Ali Khan shares adorable moments with Sharmila Tagore, Inaaya: ‘Three generations, invaluable life lessons'
Actor Soha Ali Khan recently had a heartwarming family bonding session with her mother, Sharmila Tagore, and her daughter, Inaaya. Sharing adorable images of the trio, Soha gave a glimpse into their quality time spent under one roof, filled with laughter, love, and cherished memories. Also read: Soha Ali Khan reveals Sharmila Tagore's cancer was detected early: 'It was cut out of her' One image features three generations of the family -- Soha Ali Khan, her mother Sharmila Tagore, and her daughter Inaaya Naumi Kemmu. Soha shared several sweet pictures on Instagram on Tuesday, featuring precious moments spent with her mother, Sharmila Tagore, and daughter Inaaya. The post showcased the bond between three generations of the family. 'This week was family done right ... three generations and invaluable life lessons you can't get from a book #love #laughter #livingslow,' she wrote while sharing the picture. One image features three generations of the family -- Soha Ali Khan, her mother Sharmila Tagore, and her daughter Inaaya Naumi Kemmu. Soha is seen dressed casually and elegantly in a sleeveless indigo kurta with floral motifs. Sitting in the centre is little Inaaya, cradling her adorable fluffy dog in her lap while slightly hiding behind its fur with her playful eyes peeking out. On the right is Sharmila, radiating grace in a cream-coloured suit with yellow floral prints and a matching dupatta. She gently holds Inaaya and the pet. In another adorable moment, Inaaya showers her mom, Soha, with affection, planting a sweet kiss on her cheek, while Sharmila Tagore looks on, beaming with pride and smiling directly at the camera. One image shows Sharmila and her granddaughter reading together. Kunal and Soha's latest projects Soha was most recently seen in Chhorii 2, in which she is seen in the role of an antagonist. The horror film, directed by Vishal Furia, also stars Nushrratt Bharuccha, Gashmeer Mahajani, and Saurabh Goyal in key roles. Produced by Bhushan Kumar, Krishan Kumar, Vikram Malhotra, and Jack Davis, the film premiered on Prime Video on April 11. Meanwhile, her husband and actor Kunal has been riding high on winning back-to-back awards for his directorial debut, Madgaon Express. The actor-director picked up the Best Debut Director award at the Zee Cine awards ceremony recently. He was also awarded for the best directorial debut at this years IIFA.
Yahoo
6 days ago
- Entertainment
- Yahoo
New York Indian Film Festival: ‘Angammal' Takes Best Film; Robert DeNiro Stops By
EXCUSIVE: The New York Indian Film Festival has crowned its 2025 winners, including Vipin Radhakrishnan's Angammal, which won the Best Film prize. Set in a Tamil Nadu village, the movie sees a man struggling to accept his blouseless mother's traditional attire, leading to complications before his in-laws' visit More from Deadline Johnny Depp Says He Has "No Regrets" About Amber Heard Trial & Was A "Crash Test Dummy For #MeToo" '28 Years Later' Rages To $60M Global Bow; 'Elio' Misses Liftoff With $35M; 'How To Train Your Dragon' Flies To $358M & 'Lilo & Stitch' Tops $910M WW - International Box Office Olympic Champ Allyson Felix On Her Decision To Take On Nike Over Its Maternity Policies: "Terrifying And Uncomfortable" - Bentonville Film Festival Best Debut Film (in collaboration with Film Critics Circle of India) went to Humans In The Loop, directed by Aranya Sahay Best Director went to Rima Das for Village Rockstars 2, while the New York Women in Film & Television Excellence in Directing Award went to Shonali Bose (A Fly on the Wall) and Rima Das (Village Rockstars 2) Best Screenplay was awarded to Second Chance, written by Subhadra Mahaja, while Best Actor was scooped by Nawazuddin Siddiqui (I'm Not An Actor). Best Actress went to Sharmila Tagore (The Ancient). The Best Feature Documentary prize was scored by A Fly on the Wall, directed by Shonali Bose and Nilesh Maniyar. Best Short Documentary went to An Arrested Moment, dir. Dev Benega. Best Short Narrative was awarded to Thursday Special, directed by Varun Tandon. Late last week, New Yorker Robert DeNiro was among guests at the festival's Special Gala Premiere. Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg
Mint
19-06-2025
- Entertainment
- Mint
Sharmila Tagore, Raakhee draw Bengali viewers in with family films, defying local trends
West Bengal's theatrical business has received a boost lately after going back to doing what it does best: family films. This is while films in most other languages have put up a mixed box office show over the past few months, ranging from inconsistent (Tamil, Telugu) to disastrous (Hindi). Even though cinemas in the state were dominated by Bollywood over the past few years, the recent success of films featuring yesteryear stars such as Sharmila Tagore (Puratawn), Raakhee Gulzar (Aamar Boss) and Moushumi Chatterjee (Aarii) have helped the local industry reclaim some of its past glory. These movies emerged as hits when barely anything was working in theatres across languages, thanks to their appeal among family audiences. Aamar Boss grossed ₹4.15 crore in worldwide box office collections, while Puratawn and Aarii clocked in ₹1.52 crore and ₹33 lakh, respectively. While the figures aren't comparable to Hindi, Tamil or Telugu movies, they reflect significant demand for regional language cinema that is often limited to a single market. Also Read | The rise of small-town stories on OTT: Grassroots-themed shows are proving to be cost-effective, culturally rich 'There has been a trend of unconventional films resonating with Bengali audiences, often featuring veteran actors in fresh narratives such as Aamar Boss, which marked Raakhee Gulzar's return to a leading role in mainstream Bengali cinema," said Ashish Saksena, chief operating officer – cinemas, BookMyShow. 'Production houses have been instrumental in bringing culturally rooted stories to the forefront. Projects such as Bohurupi, Raktabeej and Haami have managed to successfully blend traditional themes with contemporary appeal, finding both critical and commercial appreciation." The Bengali box office is currently in a reflective phase, offering an opportunity for strategic recalibration, Saksena added. An area of improvement that could aid growth could be in optimising release schedules to avoid clustering major films around festive periods that only ends up competing for audience attention. With better planning and release strategies, films can be better positioned to shine individually and reach their full potential. Sure-shot bet Filmmaker Srijit Mukherji, known for hits such as Killbill Society and Shotyi Bole Shotyi Kichhu Nei, both released this year, agreed that one sure-shot, safe bet to box office success in Bengali cinema in the past 10 years is the family drama. 'Several filmmakers have shifted genres to ensure that the elderly come to theatres, in which case, multiple tickets are bought for the entire family. Economically, films starring elderly protagonists make sense," Mukherji added. Also Read | Regional content gains ground on OTTs even as Hindi dominates Experts pointed out the Bengali industry has long grappled with the dominance of Hindi films that continue to be hugely popular in the state. While a big Bollywood star vehicle can make ₹35-40 crore in box office collections, regional language films only clock up to ₹10-15 crore. That said, when the narrative is crafted to match the gravitas of senior actors, the cinematic experience not only evokes nostalgia but also speaks powerfully to contemporary audiences, resulting in impressive earnings. 'Bengali cinema has always had an emotional core and films that tap into that sentiment continue to thrive," said Ahana Kanjilal Dutta, group head, strategic communications, SVF (Shree Ventakesh Films) & hoichoi. 'Veteran actors bring a legacy and a familiarity that deeply resonates, especially with senior audiences who have cherished them for decades. There's a sense of cultural continuity and emotional relatability that these artists bring to the screen. When coupled with strong storytelling, their presence elevates the cinematic experience and generates a powerful pull at the box office." SVF has backed hits like Killbill Society and Shotyi Bole Shotyi Kichhu Nei this year. Also Read | Regional cinema's box office struggle: Why Marathi, Bengali, Punjabi films are losing out
Time of India
11-06-2025
- Entertainment
- Time of India
From ‘Aranyer Din Ratri' to ‘Raghu Dakat', Tollywood faces heat challenge
Kolkata: During the presentation of 'Aranyer Din Ratri' at Cannes, Sharmila Tagore remembered how difficult it was to shoot for the film in May, 1969. It was so hot that the unit could shoot only between 5:30 am till 9 am and then between 3 am to 6 am. Tagore stayed in a chowkidar's (guard) room, while Samit Bhanja, Subhendu Chatterjee, and Rabi Ghosh stayed in a room with a tin roof. Cut to 2025, and the temperature this summer has not been kind either. Though no unit member will now stay in a room with a tin roof during shooting, Tollywood is still facing the heat. Shooting in summer has always been tough, and production houses keep an adequate supply of water, ORS and coconut water. "In this unbearable heat, I did fight scenes. That was excruciating. I sustained injuries too. We literally turned warriors while shooting this summer," said actor, Om Sahani, who was shooting for 'Raghu Dakat' under extreme conditions. One of the biggest casualties for production designers this summer was when unannounced thunderstorms washed away huge sets. "Shooting in Bolpur and Purulia is about facing the dry heat. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Top 5 Dividend Stocks for May 2025 Seeking Alpha Read Now Undo But shooting outdoors in Kolkata means battling heat and humidity. Earlier on, we knew that the thunderstorms would be part of the calendar between the end of April and May with few aberrations. Now, cyclones have become part of our lives. That has a severe impact while shooting outdoors, especially on sets," said 'Raghu Dakat' director Dhrubo Banerjee. Director Raja Chanda has been shooting in a jungle in Ilambazar for some time now, where the temperature was bordering on 40°C. "We are shooting for 14 hours at a stretch with mashals (fire torches) without setting a single leaf on fire. It is difficult for artistes to not let their energy levels sag.," Chanda said. The cameras are heavy, and transporting them is a massive task for the unit. Though high-end cameras now have great sensors, the current weather conditions are still challenging. "These cameras have in-built fans. Yet, I prefer to keep them under shade once a shot is taken and the next one is being prepared. We turn on a pedestal fan," said cinematographer Soumik Halder, adding that cameras can't be kept in air-conditioned facilities due to lens fog issues. Unlike the times of 'Aranyer Din Ratri', when the cast and crew would have to stay in rooms with tin shades, the production houses are now more vigilant about choosing an outdoor location. "During recce, no location is chosen that is more than 45 minutes away from where the unit stays," Halder added.
Mint
09-06-2025
- Sport
- Mint
Tiger to Tendulkar? Sharmila Tagore, Sunil Gavaskar slam Pataudi Trophy renaming to honour Anderson, Tendulkar
Tiger Pataudi can arguably be the best thing that happened to Indian cricket. A name that became synonymous with the instilling of national pride and unity in the sport, which until the Tiger's entrance, was dominated by India's colonisers, England. But the very name that scripted history is now at the centre of controversy, with Sharmila Tagore, cricketing icons Sunil Gavaskar, and Harsha Bhogle weighing in. Earlier this month, the England and Wales Cricket Board (ECB) and the Board of Control for Cricket in India (BCCI) jointly announced that the Pataudi Trophy would now be called the Tendulkar-Anderson Trophy. The ECB and BCCI have cited the achievements of Tendulkar and Anderson as modern legends of the game, aiming to make the rivalry more relatable to younger fans and to reflect the trend of naming series after contemporary icons. The names — Anderson, who retired in July 2024 after a record 188 Tests and 704 wickets, and Tendulkar, who bowed out in 2013 after 200 Tests and 15,921 runs — are both widely regarded as legends of the modern game. The Pataudi Trophy was established in 2007 to mark the 75th anniversary of India's maiden Test series in England. It honoured the remarkable legacy of the Pataudi family—particularly Iftikhar Ali Khan Pataudi, the only cricketer to represent both England and India in Test matches, and his son, Mansoor Ali Khan "Tiger" Pataudi. The 'Pataudi Trophy' was never just about silverware—it was a tribute to cricket's complex colonial inheritance. Named after Iftikhar Ali Khan Pataudi, the only man to play Tests for both England and India, it honoured a legacy of defiance and dignity. Seasoned cricket broadcaster Harsha Bhogle took to X to reflect that although Tendulkar and Anderson are legends, the Pataudi name 'misses the deep connect that Pataudi had with our countries'. He added: "Both father and son played for Sussex, Sr played for both England and India, Jr set schoolboy batting records in England. There was a very nice ring to the Pataudi Trophy.' The same trophy, which now has a new name, was traditionally awarded to the winner of India's Test tours of England, while in India, the corresponding series has long been played for the Anthony de Mello Trophy, named after one of the BCCI's founding architects. More than mere tokenism, the nomenclature honoured a man whose legacy ran deeper than the scoreboard. During the notorious Bodyline series of 1932-33, he defied his captain, Douglas Jardine, by refusing to field on the leg-side—a stance of integrity that cost him his place in the team. In him, the complex, post-colonial cricketing bond between the two nations found a fitting emblem. The renaming drew sharp backlash, from the late Tiger Pataudi's wife Sharmila Tagore to his daughter Soha Ali Khan and cricket veteran Sunil Gavaskar. Sharmila Tagore called it insensitive and said the family wasn't consulted. 'Whether the BCCI wants to preserve Tiger's legacy is for them to decide," she said in an interview with Hindustan Times. In his column in Sportstar, Sunil Gavaskar said the move was 'disturbing indeed', and argued that 'this is the first time one has heard of a trophy named after individual players being retired, though the decision is entirely the ECB's, and the BCCI may well have been informed.' The newly named trophy is set to be unveiled at Lord's during the World Test Championship final, which begins on June 11.
