Latest news with #SleepingDogs
Perth Now
30-06-2025
- Entertainment
- Perth Now
Sam Niell was 'bullied' into James Bond audition
Sam Neill was "bullied" into auditioning for James Bond. The 77-year-old actor has claimed he has only ever auditioned for three roles in his life, one of which saw him secure the part of Harry Beecham in period drama My Brilliant Career, but he also lost out to Timothy Dalton in playing the suave spy in the late 1980s and to Richard Gere in the iconic Pretty Woman, but he thinks the right people were ultimately cast. He told the Sunday Times Culture magazine: "I'd just finished the film Sleeping Dogs (1977) in New Zealand, when I got an audition to star in My Brilliant Career, which really put me on my way. "I think I've done three auditions in my life, and the other two I failed. I was bullied into auditioning for James Bond by my bully agent [in 1986], and failed that. "The other — and I quite wanted to do this one, unlike Bond — was for Pretty Woman. They said someone else was better on both occasions, and they were right, of course." Sam was born in Northern Ireland but raised in New Zealand and growing up, he never imagined he would be able to pursue a career as an actor. He said: "I never imagined for a moment that I would be an actor, coming from a small, obscure town in the furthest away place. There was no moment. I'm surprised to this day." The Jurassic Park star credits late acting legend James Mason for changing his life. He said: "I grew up loving British actors and British films — everything from Alec Guinness to John Mills and Alastair Sim. But the first one I really admired was James Mason, particularly after watching 20,000 Leagues Under the Sea, an absolute cracker. "He had such tremendous charisma and became a mentor to me. When I was in my late twenties and working in Australia, he and his wife sent me an air ticket and said, 'Come and stay with us in Switzerland because we like what you do and think you should have a career abroad.' He changed my life."
Scoop
19-06-2025
- Entertainment
- Scoop
Behind The Scenes: NZ On Screen Lifts The Curtain On Kiwi Film And TV
NZ On Screen is thrilled to announce the launch of the Behind the Scenes Collection — revealing the magic, misfires and mahi behind some of Aotearoa's most iconic screen productions. Spanning more than 50 titles, the collection features rare interviews, on-set footage and documentaries that go inside some of our biggest productions and smallest control rooms. It's a love letter to the makers: the carpenters, costume designers, DOPs, producers, foley artists — and everyone in between. As Toa Fraser says in his backgrounder for the collection, 'We are a motley bunch, it's true. We eat at weird times of the day and night. We wear funny clothes. We work hard, crazy hours, and to many people on the outside (civilians) it's perhaps difficult to understand why we do what we do. Maybe this collection will help.' Among the highlights are candid accounts from the early days of independent filmmaking in Aotearoa. Merata Mita confronts censorship and hostility in Patu!, Peter Jackson launches his DIY gore-fest Bad Taste with weekend warriors and homemade rigs, and Geoff Murphy choreographs land wars in Utu. There's also footage from the set of Vigil, Vincent Ward's gothic rural drama, and Sleeping Dogs, the political thriller that lit the fuse on modern New Zealand cinema. Elsewhere, filmmakers stretch the limits of style and technology. Peter Jackson's early puppet satire Meet the Feebles bursts into chaotic life in a behind-the-scenes look at its anarchic production, while The Making of Footrot Flats reveals the team effort behind New Zealand's first animated feature. From Len Lye to Gollum traces a long, inventive history of Kiwi animation, and The Edge – The Birth of Wētā captures a young Jackson and crew on the cusp of global success. Other titles pull back the curtain on films that made a powerful impact — through box office success, critical acclaim or festival recognition. There are reflections from the cast and crew of Once Were Warriors and Whale Rider, and interviews with Roger Donaldson and Anthony Hopkins on the set of The World's Fastest Indian. A behind-the-scenes look at The Price of Milk explores Harry Sinclair's improvisational approach to his award-winning rural romance starring Karl Urban and Danielle Cormack. And 50 Ways of Filming Fabulous offers a heartfelt look at making a queer coming-of-age story in rural Central Otago — complete with weather issues and the logistical hurdles of shooting sensitive scenes with child actors. Television fans aren't left out. S hortland Street: Inside an Icon looks back on 25 years of Ferndale drama, while Mataku: Hei Muri Te Mata explores the creation of Māori supernatural stories for the small screen. Vintage snapshots of the TV industry include a 1985 day-in-the-life at TVNZ (Network New Zealand) and a behind-the-scenes dive into Country GP from beloved kids' show Spot On. And for something more recent, the Wellington Paranormal Bloopers capture the fun — and chaos — behind the spooky laughs. The collection also reveals the more personal side of production — stories rooted in real lives and relationships. Gaylene Preston revisits her father's wartime experiences in Home by Christmas, and explores Sonja Davies' political legacy in Bread and Roses. A behind-the-scenes look at Perfect Strangers captures a stripped-back West Coast thriller anchored by its two leads, while Toa Fraser reflects on turning childhood memories into a lively, intergenerational celebration in No. 2. Two written backgrounders accompany the collection: director Toa Fraser pays tribute to the camaraderie and craft of life on set, while legendary production designer Rob Gillies charts the screen industry's evolution from garage-band ingenuity to large-scale professionalism. Also included is a gallery of behind the scenes photos from productions including Scarfies, Bad Taste, Meet The Feebles and more. Whether you're a film buff, a student of the craft, or just in it for the bloopers — The Behind the Scenes Collection is a celebration of the creativity (and chaos) that has defined New Zealand's screen culture.
Scoop
19-06-2025
- Entertainment
- Scoop
Behind The Scenes: NZ On Screen Lifts The Curtain On Kiwi Film And TV
NZ On Screen is thrilled to announce the launch of the Behind the Scenes Collection — revealing the magic, misfires and mahi behind some of Aotearoa's most iconic screen productions. Spanning more than 50 titles, the collection features rare interviews, on-set footage and documentaries that go inside some of our biggest productions and smallest control rooms. It's a love letter to the makers: the carpenters, costume designers, DOPs, producers, foley artists — and everyone in between. As Toa Fraser says in his backgrounder for the collection, 'We are a motley bunch, it's true. We eat at weird times of the day and night. We wear funny clothes. We work hard, crazy hours, and to many people on the outside (civilians) it's perhaps difficult to understand why we do what we do. Maybe this collection will help.' Among the highlights are candid accounts from the early days of independent filmmaking in Aotearoa. Merata Mita confronts censorship and hostility in Patu!, Peter Jackson launches his DIY gore-fest Bad Taste with weekend warriors and homemade rigs, and Geoff Murphy choreographs land wars in Utu. There's also footage from the set of Vigil, Vincent Ward's gothic rural drama, and Sleeping Dogs, the political thriller that lit the fuse on modern New Zealand cinema. Elsewhere, filmmakers stretch the limits of style and technology. Peter Jackson's early puppet satire Meet the Feebles bursts into chaotic life in a behind-the-scenes look at its anarchic production, while The Making of Footrot Flats reveals the team effort behind New Zealand's first animated feature. From Len Lye to Gollum traces a long, inventive history of Kiwi animation, and The Edge – The Birth of Wētā captures a young Jackson and crew on the cusp of global success. Other titles pull back the curtain on films that made a powerful impact — through box office success, critical acclaim or festival recognition. There are reflections from the cast and crew of Once Were Warriors and Whale Rider, and interviews with Roger Donaldson and Anthony Hopkins on the set of The World's Fastest Indian. A behind-the-scenes look at The Price of Milk explores Harry Sinclair's improvisational approach to his award-winning rural romance starring Karl Urban and Danielle Cormack. And 50 Ways of Filming Fabulous offers a heartfelt look at making a queer coming-of-age story in rural Central Otago — complete with weather issues and the logistical hurdles of shooting sensitive scenes with child actors. Television fans aren't left out. S hortland Street: Inside an Icon looks back on 25 years of Ferndale drama, while Mataku: Hei Muri Te Mata explores the creation of Māori supernatural stories for the small screen. Vintage snapshots of the TV industry include a 1985 day-in-the-life at TVNZ (Network New Zealand) and a behind-the-scenes dive into Country GP from beloved kids' show Spot On. And for something more recent, the Wellington Paranormal Bloopers capture the fun — and chaos — behind the spooky laughs. The collection also reveals the more personal side of production — stories rooted in real lives and relationships. Gaylene Preston revisits her father's wartime experiences in Home by Christmas, and explores Sonja Davies' political legacy in Bread and Roses. A behind-the-scenes look at Perfect Strangers captures a stripped-back West Coast thriller anchored by its two leads, while Toa Fraser reflects on turning childhood memories into a lively, intergenerational celebration in No. 2. Two written backgrounders accompany the collection: director Toa Fraser pays tribute to the camaraderie and craft of life on set, while legendary production designer Rob Gillies charts the screen industry's evolution from garage-band ingenuity to large-scale professionalism. Also included is a gallery of behind the scenes photos from productions including Scarfies, Bad Taste, Meet The Feebles and more. Whether you're a film buff, a student of the craft, or just in it for the bloopers — The Behind the Scenes Collection is a celebration of the creativity (and chaos) that has defined New Zealand's screen culture.
RNZ News
27-04-2025
- Entertainment
- RNZ News
Sir Ian Mune in End of the Golden Weather at new Court Theatre
culture arts 1:07 pm today The brand new long awaited home for The Court Theatre officially opens Saturday May 3 in Otautahi Christchurch. It is an impressive $61.4 million purpose-built home for New Zealand's largest professional theatre company. The new space features a 379 seat main auditorium and a second 150 seat theatre. It's a significant moment for the city: this major production house has been in temporary lodgings in a shed in Addington since the 2010 and 2011 earthquakes. Centre mainstage for the opening production is one of Aotearoa New Zealand's most beloved actors, directors and writers for theatre, film and television. Sir Ian Mune. He was knighted in 2024 in recognition of a 60-year career. Involved in our professional theatre since 1964, Sir Ian gained further attention when he co-wrote seminal film hits Goodbye Pork Pie and Sleeping Dogs in the 1970s, and went on to direct Came a Hot Friday in the 1980s, to name just a few iconic works. It's a work he adapted from stage to screen as a director in 1992 that sees him on the new Court stage. Sir Ian Mune is narrator in End of the Golden Weather, Bruce Mason's classic solo play, adapted as a full cast version by Raymond Hawthorne. Another great senior theatre figure, Hawthorne died on the fifth of April. End of the Golden Weather is a coming of age story imbrued with nostalgia for a New Zealand childhood summer spent at the beach. That idyll plays out as the realities of the outside world and approaching adulthood start to seep in. Culture 101's Mark Amery spoke with Sir Ian Mune during rehearsals this week and began with a reading of the play's famous opening scene setter.
The Spinoff
25-04-2025
- Entertainment
- The Spinoff
The best things from Australia and Aotearoa to watch this weekend
Australia and New Zealand join forces once more to bring you the best films and TV shows to watch this weekend. This Anzac Day, our free-to-air TV channels will screen a variety of commemorative coverage. At 11am, TVNZ1 has live coverage of the Anzac Day National Commemorative Service in Wellington. Over on Whakaata Māori you'll find the Anzac Day Gallipoli Service 2025, live from Anzac Cove at 12.45pm, followed by a full day of Anzac-themed content. A highlight will be Ngā Kiri Kāpia, a documentary revealing the untold tales from soldiers who served in the Māori Battalion as veteran Tā Robert 'Bom' Gillies returns to Monte Casino one last time. But as the long weekend extends beyond Friday, it's also the perfect time to dive into a piece of classic New Zealand cinema, or binge your way through a beautiful reality series that tests the tenacity of our neighbours, or simply watch some Aussie jokers playing lawn bowls. Whatever your Antipodean yearnings this long weekend, we've got you covered with our list of film and TV recommendations from both sides of the Tasman. Happy watching. The Summit (TVNZ+) In another powerful union between Aotearoa and Australia, The Summit takes a bunch of Aussies from all walks of life and drops them in the Southern Alps with the sole purpose of climbing a mountain with one million dollars strapped to their backs. Along with the obvious physical challenges, there are a plethora of thrilling obstacles put in their way, and a mysterious mountainkeeper who throws out gamechanging dufflebags every few days to keep things interesting. If they don't make it to the peak in time, they go home empty-handed, which also leads to some cutthroat Lord of the Flies-esque eliminations. One for people who love watching Alone, Survivor, The Bridge, and Kathmandu commercials. / Alex Casey Sleeping Dogs (TVNZ+) After years of hearing Sleeping Dogs pop up in discussions about New Zealand's greatest ever films, I finally watched it recently. Reader, I can see why everyone's obsessed with Sam Neill now. Based on C.K. Stead's debut novel and directed by local legend Roger Donaldson, Sleeping Dogs ask: if New Zealand fell into a totalitarian regime, would you revolt? Were there some subpar performances from supporting actors? Yes. Did some of the scene transitions jar? Also yes. But the story of a man caught up in a revolution, complete with scenes of violent protest in downtown Auckland, felt like a Big Movie in a Small Country. As a viewing experience in 2025, I was pleasantly surprised. As a viewing experience nearly 50(!) years ago when it was released in 1977? I can only imagine. Worth a watch. / Mad Chapman Hui Hoppers (TVNZ+) Joyful, hilarious, educational and unapologetically Māori – season two of Hui Hoppers is a standout that could've easily run twice as long and I still would've binged it in one sitting. I'll admit, I wasn't sold on the first season. Maybe I was just grumpy, but the humour felt a bit dry and the show seemed hesitant to fully lean in. This time around, that's all changed. The comedy is sharper, the wit is pure Māori gold, and I found myself laughing out loud more than once. Anchored by half-sisters Anahera and Kura, this season introduces the 'Pādashians' – a gloriously extra crew of cousins decked out in designer fits, always ready to stir the pot. From the first episode's showcasing of mokopapa, to the emotional beats around taonga and the development of whenua, Hui Hoppers tackles everyday kaupapa with heart and humour. The kai consistently looks delicious (especially the bliss balls), the writing is clever and grounded, and the whole thing hums with the energy of a show made by Māori, for Māori – and for anyone else smart enough to tune in. / Liam Rātana Round the Twist (YouTube) Nary a day goes by where I am not thinking about something from Round the Twist, the buzzy 90s Australian kids' show inspired by the twisted stories of Paul Jennings. Centred around a single father and his family who live in a spooky lighthouse on the rugged Victorian coast, each episode is a surreal saga that asks the question: 'have you ever, ever felt like this?' From the skeleton on the dunny, to the Shrek-green baby in the cabbage patch, to a stomach-churning spaghetti eating contest, I can't think of a better Aussie nostalgia hit for millennials over the long weekend. Even better if you can watch it on one of those old TVs on wheels. / AC Mataku (NZ On Screen) Speaking of spooky sagas from the 90s, I can also recommend dipping your toes into Mataku (there's a couple of episodes on NZ On Screen, and more on YouTube if you know your way around a search bar). Hosted by Temuera Morrison, the 'Māori Twilight Zone' anthology weaves Māori mythology and contemporary issues together in a truly singular series, exploring everything from a photograph that steals people's life force to the role of patupaiarehe (fairies) in a missing person's case. As Erin Harrington wrote in our Top 100 countdown: 'Mataku highlights the power of ghost stories to entertain and challenge audiences, while offering deep insight into the way the present and the past are inextricably connected. It's well-worth revisiting.' / AC Fake (ThreeNow) Asher Keddie and David Wenham star in this Australian psychological drama about a magazine writer named Birdie (Keddie) who meets a successful businessman on a dating app and quickly falls for him. Birdie wants love more than anything else, and despite her initial reservations, convinces herself she's found the perfect match and the ideal future — until she slowly starts to uncover her new love's sticky web of lies and deceit. It's a quiet, slow burn of a series, but Keddie and Wenham both give impressive performances, and the fact that the series is inspired by a true story makes the deception and tension feel even more creepy. / Tara Ward 50 Ways of Saying Fabulous (TVNZ+) This funny and sweet coming of age film is set in Central Otago's drought-parched summer of 1975. It's an uplifting, yet not uncomplicated, portrayal of growing up gay in small-town New Zealand, complete with kids cycling around at night, pressure to play rugby and plenty of gumboots and plaid. The chubby 12-year-old protagonist, Billy, is trying to be a 'good kiwi bloke' but finds that he prefers to pin a long ponytail on the back of his hat, pretend to be a female astronaut, befriend the new weird kid at school and indulge in looking at the new farmhand. The casting is incredible, to the point where it feels like the characters are simply playing themselves. This is no coincidence – Stewart Main, the director, wanted the leads to be 'authentic country kids' and spent several months on the road auditioning children for the roles. Fabulous! / Gabi Lardies Runt (Rent on AroVision, Prime Video, Apple TV+) This is a story for the whole family. A cheeky little stray (a Hairy Mclary-ish mutt) is given a home by Annie Shearer (played by Lily LaTorre), a young girl who lives on a farm with her mum (Australian comedy legend Celeste Barber), dad, and mad older brother who films outrageous stunts and puts them online. Based on the beloved novel by Craig Silvey, there's a old-timey, surreal tone to this film that is essentially about finding out who you really are. It's set in contemporary times (they have the internet) but the clothing is vintage and the rustic, rural town, parched with lack of rain, feels like it's from the 1950s. The effect is a classic, cosy and slightly camp movie about a small child and an even smaller dog who beat the odds against greed and treachery and weather. / Claire Mabey Goodbye Pork Pie (TVNZ+) I've been trying to fill out my New Zealand film education of late, and while I've long felt intrinsically familiar with the vibe of Goodbye Pork Pie, I realised I had actually never seen Goodbye Pork Pie. A few minutes into the road trip classic on TVNZ+, I realised this mythological 'vibe' I had absorbed (best described as Herbie: Fully Loaded: Down Under, which I also haven't seen) could not have been further from reality. This movie is an absolute madcap coming-of-age caper down the country with heaps of raunch and mischief and Buster Keaton level slapstick stunts. Sure, some of the jokes haven't aged well and the gender politics are pretty weird, but there are also so many thrilling and iconic locations around the country that you'll be doing your best Leo-pointing-at-the-telly impression in no time. Long live the Blondini gang! / AC Happiness (ThreeNow) New Zealand's first ever musical sitcom is a cross between Schitt's Creek and Glee, with a cast of quirky, affectionate characters who'd also be right at home in small-town Brokenwood. Created by actor-writer Kip Chapman (Hudson and Halls) and composer Luke Di Somma (That Bloody Woman, The Unruly Tourists), Happiness tells the story of Charlie (Harry McNaughton), a Broadway director who's forced to return to his home town of Tauranga, where he reluctantly becomes involved in the local amateur theatre society. Also starring Rebecca Gibney and Peter Hambleton, Happiness is an upbeat show full of charm and joy that will keep you warm through these colder autumn nights. / TW Crackerjack (Rent on Arovision, YouTube) If your idea of classic Australian cinema is The Castle but you've already rewatched that so many times you can recite the entire script from memory, may I suggest the next best thing: Crackerjack. Released in 2002 (five years after The Castle), it's got a similar lo-fi warmth, underdog story and hard case cast of characters, led by Mick Molloy as a lazy schemer who joins his local bowls club to take advantage of the free parking, only to be forced to show up and start playing when he learns the club (and his parking spot) is at risk of being shut down by a greedy developer (John Clarke). I spent about a week googling local bowls clubs and thinking about joining them after watching this – yet another example of the power of cinema. / Calum Henderson Boy (TVNZ+) Say what you want about Taika Waititi now (his social media presence certainly raises an eyebrow) but Boy really is one of the best movies of the 21st Century. It swept the nation upon release 15 years ago, leading to the inevitable swing back to wondering if it was all a bit overhyped. Lucky for us all, it has only sweetened with age. A near perfect pacing, with an ensemble performance the likes of which we may never see again, Boy simply cannot disappoint these days. And with a bit of distance, a rewatch will have you crying more than you thought possible, in between reliving the immortal one-liners. A hilarious, devastating, beautiful film. / MC Secrets at Red Rocks (Neon, Sky Open) Based on the award-winning novel by Rachael King, family drama Secrets at Red Rocks tells the story of 12-year-old Jake (Korban Knock), who discovers a mysterious sealskin that unlocks a secret spell. It's a tale of adventure with a touch of the supernatural, as Māori myth and Celtic legends, sprites and silkies are woven through Jake's coming-of-age story. There's shades of The Secret of Roan Inish here too, but the show is set amid Wellington's wild, unpredictable coastline, which provides a rich and evocative background that's full of both beauty and foreboding. One for all the family to enjoy together. / TW
