Latest news with #SongsofaLostWorld
Scottish Sun
29-06-2025
- Entertainment
- Scottish Sun
Watch Olivia Rodrigo bring out The Cure's Robert Smith for surprise Glastonbury duet as fans call it ‘incredible'
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) OLIVIA Rodrigo brought out a British music icon for her Glastonbury headline performance. The talented US singer, 22, surprised fans midway through her set by introducing The Cure's Robert Smith, 66, to the stage. Sign up for the Entertainment newsletter Sign up 4 Olivia Rodrigo wowed Glastonbury viewers tonight with her headline set Credit: AFP 4 She brought out The Cure's Robert Smith Credit: BBC 4 The pair played two tracks together Credit: BBC The wild-haired romantic wordsmith walked out with a shy smile to a relatively muted response, before launching in to his band's anthem Friday I'm In Love. A true Glasto legend, Smith's band are tied with Coldplay for the most headline appearances with four - their latest coming in 2019. And the frontman showed he still has what it takes to command the biggest festival of them all, a year on from The Cure's latest release - the dark, brooding, five-star Songs of a Lost World. If Rodrigo's audience weren't quite familiar with him at first, it wasn't long before they were singing along to his genius. Those at home revelled in the unlikely collab, with one writing on X: "As if Olivia Rodrigo's brought out Robert Smith ffs. Heaven!!" Another said: "Robert Smith still has one of the most magical voices ever, incredible musician." A third wrote: "Robert Smith on with Olivia Rodrigo. Now that's a proper moment." A fourth said: "I didn't have Robert Smith on my Olivia bingo card!!" The duo finished their partnership with another Cure track: Just Like Heaven. It was an accomplished headlining debut for Rodrigo. Surrounded by quality young musicians who know how to rock, she belted out her catchy hits and commanded the stage like a much more experienced performer. Incredible moment Olivia Rodrigo brings out Ed Sheeran at huge sold out BST gig ahead of Glastonbury For her encore, Rodrigo returned to the stage in a pair of sparkling Union Jack hotpants and launched into a raucous Brutal followed by All-American B*tch. While eyebrows were raised when she was unveiled as the second youngest headliner in Glasto history, behind Billie Eilish, the signs were there that it was an inspired choice. Her headline performance at BST on Friday night left no doubt that she was ready to perform on the iconic stage. During her set at London's Hyde Park she invited Ed Sheeran to the stage to perform his track The A Team, with the Brit troubadour another of her A-list fans. But the sell-out show belonged to her and she signed off with her anthems Good 4 U and Got Him Back! Tonight, as inflatable balls were released into the crowd, Rodrigo truly arrived as a global headline force.
The Irish Sun
29-06-2025
- Entertainment
- The Irish Sun
Watch Olivia Rodrigo bring out The Cure's Robert Smith for surprise Glastonbury duet as fans call it ‘incredible'
OLIVIA Rodrigo brought out a British music icon for her Glastonbury headline performance. The talented US singer, 22, surprised fans midway through her set by introducing Advertisement 4 Olivia Rodrigo wowed Glastonbury viewers tonight with her headline set Credit: AFP 4 She brought out The Cure's Robert Smith Credit: BBC 4 The pair played two tracks together Credit: BBC The wild-haired romantic wordsmith walked out with a shy smile to a relatively muted response, before launching in to his band's anthem Friday I'm In Love. A true Glasto legend, Smith's band are tied with Coldplay for the most headline appearances with four - their latest coming in 2019. And the frontman showed he still has what it takes to command the biggest festival of them all, a year on from The Cure's latest release - the dark, brooding, five-star Songs of a Lost World. If Rodrigo 's audience weren't quite familiar with him at first, it wasn't long before they were singing along to his genius. Advertisement READ MORE ON GLASTONBURY Those at home revelled in the unlikely collab, with one writing on X: "As if Another said: "Robert Smith still has one of the most magical voices ever, incredible musician." A third wrote: "Robert Smith on with Olivia Rodrigo. Now that's a proper moment." A fourth said: "I didn't have Robert Smith on my Olivia bingo card!!" Advertisement Most read in Celebrity Breaking The duo finished their partnership with another Cure track: Just Like Heaven. It was an accomplished headlining debut for Rodrigo. Surrounded by quality young musicians who know how to rock, she belted out her catchy hits and commanded the stage like a much more experienced performer. Incredible moment Olivia Rodrigo brings out Ed Sheeran at huge sold out BST gig ahead of Glastonbury For her encore, Rodrigo returned to the stage in a pair of sparkling Union Jack hotpants and launched into a raucous Brutal followed by All-American B*tch. While eyebrows were raised when she was unveiled as the second youngest headliner in Glasto history, behind Billie Eilish, the signs were there that it was an inspired choice. Advertisement Her headline performance at BST on Friday night left no doubt that she was ready to perform on the iconic stage. During her set at London 's Hyde Park But the sell-out show belonged to her and she signed off with her anthems Good 4 U and Got Him Back! Tonight, as inflatable balls were released into the crowd, Rodrigo truly arrived as a global headline force. Advertisement 4 Olivia's Glasto set was a triumph Credit: AFP
Yahoo
13-06-2025
- Entertainment
- Yahoo
Goth Icon Shares New ‘Dramatic' Version of Hit Song
Goth Icon Shares New 'Dramatic' Version of Hit Song originally appeared on Parade. Few are more synonymous with goth—be it music, fashion, or lifestyle—than Robert Smith of The Cure. Since forming in the '70s, The Cure has pioneered the dark, brooding, romantic rock sound that defined goth music. The band released now-classic albums like Kiss Me, Kiss Me, Kiss Me and Disintegration, while becoming part of the 1980s and '90s music tapestry with songs like "A Forest," "Just Like Heaven," "Close To Me," "Boys Don't Cry," and "Friday I'm In Love." In 2024, The Cure pulled off the impossible: release a new album that's as good as one of its classics. Songs of a Lost World received widespread critical acclaim and was on many publications' "Best of 2024" year-end lists. Now, fans can revisit the album with the upcoming remix album, "Mixes of a Lost World." The collection, arriving on June 13, features remixed versions of Songs of a Lost World courtesy of electronic artists such asFour Tet, Orbital, Trentemøller, Paul Oakenfold, and more. Deftones frontman Chino Moreno (who dabbles in goth/dark electronica with this Crosses project) will also have a remix on the album. Electronic duo Daybreakers have transformed "Warsong" from a 4:17 track to a six-minute synth and bass extravaganza. This new version "has a real sense of drama," Smith told Billboard. "The breakdowns are simple, but far-out, and the vibe is cool, but urgent. It is one of my favorites on the [remix] album." Smith also told Billboard that The Cure has "a colorful history with all kinds of dance music, and I was curious as to how the whole album would sound entirely reinterpreted by others." "To be chosen to do a remix is a great honor," Daybreakers told the publication. "Being included on the remix album alongside such a great variety of talented artists and producers is a huge privilege." "Additionally," they add, "with all of The Cure's recording royalties being donated to the WarChild UK charity, it really is for a wonderful cause."Goth Icon Shares New 'Dramatic' Version of Hit Song first appeared on Parade on Jun 11, 2025 This story was originally reported by Parade on Jun 11, 2025, where it first appeared.
Yahoo
02-05-2025
- Entertainment
- Yahoo
Deftones' Chino Moreno shares ‘cold, dystopic' remix of The Cure's ‘Warsong'
Deftones leader Chino Moreno has shared his own version of The Cure's 'Warsong', offering his own 'cold, dystopic' take on the track. The cover arrives as part of the remix record of The Cure's Songs of a Lost World, which arrived last year to huge acclaim. It's called Mixes of a Lost World and also features Four Tet's remix of the band's 'Alone', as well as offerings from the likes of Mogwai, Mura Masa and Paul Oakenfold. Now, Chino Moreno's new offering is the latest to arrive. While not too dissimilar from the original, it offers a more uncompromising take on the song. 'I chose 'Warsong' to remix as it's one of those slow-building, brooding musical pieces that have always drawn me into The Cure's music,' Moreno said. 'My idea with this remix was to strip it back slightly of its organic instrumentation and bring in ridged, mechanical percussion and some down-pitched vocals aimed to bring forth the cold/dystopic feel of the song while maintaining the core beauty of what existed.' Chino Moreno and Robert Smith previously joined forces when Smith shared his remix of 'Teenager' in 2020 for Deftones' White Pony remix album. In a statement, Smith previously said that the remix project began just after Christmas when he received 'a couple of unsolicited remixes' and 'really loved them.' He continued: 'The Cure has a colourful history with all kinds of dance music, and I was curious as to how the whole album would sound entirely reinterpreted by others. This curiosity resulted in a fabulous trip through all eight songs by 24 wonderful artists and remixers and is way beyond anything I could have hoped for.' Mixes of a Lost World will be released as a three-CD or vinyl LP deluxe edition, while a standard two-CD or vinyl LP edition will also be available. (A full track list for the deluxe edition is below.) The album is available to pre-order now, and the Cure will donate all of their recording royalties from the project to War Child UK — a cause that, Smith said, made Mixes 'an even more special release.'
BBC News
12-04-2025
- Entertainment
- BBC News
The Cure: Designer Andy Vella on creating art for the goth rockers
Designer Andy Vella has been creating album covers for more than 40 years, with his work to be found in millions of homes around the world. "The weird thing I get is whenever I design a new album or a new logo for The Cure someone sends me a tattoo that they've just had done of it," he explains."I've seen pictures of Robert Smith's silhouette from Boys Don't Cry on people's backs, on their arses, on their legs, on their arms."I met [comedian] Greg Davies and he said, 'Did you do Kiss Me, Kiss Me, Kiss Me?' and he got on his knees and bowed to me. I was so embarrassed and he just said: 'Oh my God, I grew up with that on my wall.'"For his latest record sleeve, Vella has used his much-lauded design skills for a project run by the charity War Child, as part of its fundraising efforts to help children caught up in conflict zones. Vella's career in design has seen him work with various musicians and authors over the years, from Jeff Buckley to Margaret Atwood, but it is his work with acclaimed goth rockers The Cure, often in collaboration with lead singer Robert Smith, for which he is best is also where his career began, soon after the band formed in Crawley in the still studying at art school, Vella was approached by on-off Cure guitarist Porl Thompson who wanted him to photograph another group he was playing in."He said, 'You've got a reputation at the college that you're really good at photography'... and by chance he showed Robert my work and then suddenly at the age of 18 I was being asked to design a record sleeve [for The Cure]," he record was the band's doom-laden third album Faith. Vella would later return to create the covers for some of The Cure's most iconic records, including the 1989's Disintegration, The Head on the Door from 1985 and last year's chart-topping Songs of a Lost World. Whenever he's working on a new design, Vella says he looks for "something that just makes you tap into what they're doing and you just riff on that"."With Robert, his lyrics are so inspiring... All you have to do is read one line quite often and suddenly you've got the start of something really great."It was this and the expansive brooding sound of Songs of a Lost World which saw Vella and Smith hit upon the design for the record, which features a stone statue head lying on its side."The Cure sounded just as brilliant and massive as they did back in the 80s... so the album had to have something large, something incredibly poignant and solid to represent that," Vella says. Even so, he admits the final look of a record can come about from something unexpected, as happened with the cover for 1987's Kiss Me, Kiss Me, Kiss the band were on tour in Brazil, Vella was asked to fly out to Rio de Janeiro to get his design for the new album approved - despite the fact he was still working on the photo of a pair of heavily painted lips decided upon and the handwritten lettering printed on a separate sheet of clear plastic, he was experimenting with the layout in a taxi on the way to the airport when "we went over this sleeping policeman [speed bump] and the acetate just jumped to the middle of the sleeve"."Now I would always say don't put type in the middle of the sleeve, and especially the top, but it just stuck in place so I stuck it down with Sellotape thinking, 'well it's an option'," he says."I showed it to Robert when I got to Rio and he said: 'I love that, that's brilliant! I love the way you've placed the type.'"You can be really arty-farty about things but I think sometimes it's quite nice to let the universe take over," Vella adds with a laugh. For his latest record sleeve, Vella has created a cover for War Child's Secret 7" sees 700 creatives, such as designer Sir Paul Smith, sculptor Antony Gormley and Radiohead artist Stanley Donwood, all forming one-of-a-kind untitled record sleeves for a song by one of seven different artists - this year including Sophie Ellis-Bextor, The Cure, Gregory Porter and Scissor 700 records are then put on display at London's NOW Gallery, in Greenwich Peninsula until the start of June when they are auctioned off, with all the proceeds going to is only when the sale is over that buyers discover the song that they've purchased and which designer was behind the cover. It is not the first time Vella has taken part in Secret 7" having previously created record sleeves for the likes of The Rolling Stones, St Vincent and The Chemical it still left him a little stressed."There's just too much pressure! One year I was in there and I was next to [father of British pop art] Peter Blake," he says."It's a really amazing cause and you want to create something brilliant so that you raise a load of money for War Child."The charity started up in response to the Bosnian genocide. The Help Album, which it released in 1995, featured artists including Oasis, Radiohead, Suede and Portishead. War Child now works in more than a dozen countries helping children living in warzones. Describing the process of putting together his creation, Vella says it involved "going through the painstaking thing of creating about 20 iterations, all crap", before "suddenly you have that amazing Eureka moment".That Eureka moment led to a cover he considers to be "quite deep" and "very meaningful" - although of course he won't reveal which song he created it says the project is something he's proud to be part of."It's such an amazing, powerful cause, helping children in war-torn countries. It just shows you as well how music and art can bring people together." Secret 7" is on display at NOW Gallery, Greenwich Peninsula until 1 June with the 700 record sleeves then being sold in a global online auction on the project website in aid of War Child.
