Latest news with #SooraraiPottru
NDTV
10 hours ago
- Entertainment
- NDTV
GV Prakash Joins Ex-Wife Saindhavi On Stage In Chennai For A Romantic Duet
New Delhi: Composer-actor GV Prakash Kumar and ex-wife singer Saindhavi shared the stage for a tribute concert held in Chennai. The former couple came together professionally for a live performance dedicated to late lyricist Na Muthukumar. It was their first public appearance together since their divorce in 2024. What's Happening At the event, GV Prakash and Saindhavi performed the romantic track Yaar Indha Saalai Oram from the 2013 film Thalaivaa, originally picturised on Vijay and Amala Paul. The clip went viral in no time. Their jugalbandi received applause both online and offline. Emphasising professionalism, GV Prakash had earlier said, "We are extreme professionals, and we have respect for each other." GVPrakash & Saindhavi singing 'Yar Andha saalai Oram' song together at NaMuthukumar Tribute function ♥️🫶 — AmuthaBharathi (@CinemaWithAB) July 21, 2025 GV Prakash And Saindhavi Divorce The duo informed fans about their decision by issuing an official statement on social media. In a post shared in May 2024, the Soorarai Pottru music director wrote, "After much reflection, Saindhavi and I have decided to part ways after 11 years of marriage. For the sake of our mental peace and betterment while preserving our mutual respect for each other. We kindly ask the Media, friends and fans to understand and respect our privacy during this deeply personal transition. Acknowledging that we are growing apart, we believe this is the best decision for each other. Your understanding and support means a lot during this difficult time. Thank You." For the unversed, G V Prakash Kumar is the nephew of Oscar-winning musician AR Rahman. GV Prakash Kumar married his childhood sweetheart Saindhavi back in 2013. They welcomed a baby girl in 2020. GV Prakash Kumar made his singing debut with Rahman's music for the film Gentleman in 1993 while Saindhavi made her film debut in 2004 with the song Andangaka Kondakari from Anniyan.
News18
2 days ago
- Entertainment
- News18
Sudha Kongara On Release Date Speculations And Jana Nayagan Clash Rumours
Last Updated: Sudha Kongara commented on the rumoured release schedule conflict between her film Parasakthi and Thalapathy Vijay's Jana Nayagan. Sudha Kongara's much anticipated film Parasakthi, starring Sivakarthikeyan, is in the making. With rumours swirling about a potential box office clash with Thalapathy Vijay's Jana Nayagan, the director has finally cleared the air. The speculation has sparked curiosity among fans, eager to know how the two big releases will fare against each other. What Sudha Kongara has to say about the alleged clash and her thoughts on the project? Let's find out. At a recent Galatta event, Sudha Kongara addressed the rumoured Pongal release clash between Parasakthi and Jana Nayagan, saying, 'There are reports of Pongal clash between both films, but I honestly don't know. Only the producer will decide when Parasakthi can release." The clash between Thalapathy Vijay's Jana Nayagan and Sivakarthikeyan's Parasakthi has been making headlines. Jana Nayagan's makers have now confirmed a release date of January 9, 2026. Meanwhile, Parasakthi's release date remains under wraps, with speculation pointing towards a potential Pongal release in 2026. During the event, Sudha Kongara shed light on her decision to cast Sivakarthikeyan as the lead in Parasakthi, opposite Ravi Mohan's portrayal of the main antagonist. Praising Sivakarthikeyan's suitability for the role, the acclaimed director of Soorarai Pottru said, 'Siva is definitely the right actor who suits the character. His boy-next-door looks, the honesty and sincerity he has in him, these qualities are similar to my hero's personality, which made him the perfect choice." 'On the other hand, Ravi Mohan is in complete contrast to my character. It is a very different character, and every day working with him is difficult because he is a great person. Casting him goes against the grain," she added. Sudha Kongara's upcoming Tamil-language political drama, Parasakthi, promises to be a gripping tale inspired by the 1965 anti-Hindi agitations in Tamil Nadu. Co-written with Arjun Nadesan, the film boasts an ensemble cast, including Sivakarthikeyan in the lead role, alongside Ravi Mohan, Sreeleela, Atharvaa Murali, and others in pivotal roles. Initially, Sudha Kongara had planned Parasakthi with Suriya in the lead role, under the title Puranaanooru (Suriya43), featuring Nazriya Nazim, Fahadh, Dulquer Salmaan, and Vijay Verma in key roles. However, the project was shelved, only to be revived later with a new cast, including Sivakarthikeyan, and a different production company. Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Pink Villa
3 days ago
- Entertainment
- Pink Villa
Why Sivakarthikeyan was perfect fit for Parasakthi? Sudha Kongara reacts to rumors of clashing with Vijay's Jana Nayagan
Sivakarthikeyan starrer Parasakthi, directed by Sudha Kongara, is currently in production. As the movie is speculated to clash with the release of Thalapathy Vijay starrer Jana Nayagan, here's what the director has to say about it. What does Sudha Kongara have to say about the Jana Nayagan vs Parasakthi clash? Talking at an event for Galatta, Sudha Kongara said, 'There are reports of Pongal clash between both films, but I honestly don't know. Only the producer will decide when Parasakthi can release.' For those unaware, earlier there were reports that Thalapathy Vijay 's alleged final movie, Jana Nayagan, will clash with SK's Parasakthi. The makers of Jana Nayagan have confirmed that the film will be released on January 9, 2026. While an update on Parasakthi's official release date hasn't been made yet, it is speculated to be a Pongal release next year. Sivakarthikeyan and Ravi Mohan in Parasakthi Speaking at the same event, Sudha Kongara revealed why she chose Sivakarthikeyan as the lead, with Ravi Mohan playing the main antagonist. In her response, the Soorarai Pottru director said, 'Siva is definitely the right actor who suits the character. His boy next door looks, the honesty and sincerity he has in him, these qualities are similar to my hero's personality, which made him the perfect choice.' 'On the other hand, Ravi Mohan is in complete contrast to my character. It is a very different character, and every day working with him is difficult because he is a great person. Casting him goes against the grain,' she added. About Parasakthi Parasakthi is a Tamil-language political drama flick, directed by Sudha Kongara, who co-wrote it with Arjun Nadesan. The film is said to be based on the true story of the anti-Hindi agitations in Tamil Nadu that happened in 1965. With Sivakarthikeyan in the lead role, the movie features an ensemble cast of actors like Ravi Mohan, Sreeleela, Atharvaa Murali, and many more in key roles. Interestingly, the movie was initially planned with Suriya in the lead role, titled Puranaanooru (Suriya43). The film was supposed to have Nazriya Nazim Fahadh, Dulquer Salmaan, and Vijay Verma in key roles, but the cinematic venture was shelved with Kongara reviving it with a new cast and production company.
Time of India
30-06-2025
- Entertainment
- Time of India
Throwback: Karthi reveals brother Suriya's childhood crush was actress Gautami— ‘He liked her a lot'
Recently, Balakrishna's talk show Unstoppable with NBK featured actor as a guest. He talked candidly about everything in a segment, including his favorite food and his best performance to date. Tired of too many ads? go ad free now His brother Karthi, who joined them over the phone, was far more forthcoming, even though he wouldn't name his childhood crush. "I am a late bloomer" During the show, Suriya disclosed that his favorite dish was biryani and that he was pleased with his performance in Soorarai Pottru. "(I am a) late bloomer, sir," he said, refusing to give the name of the person he had his first crush on. It took some time to understand the crush and everything. Unable to let go, Balakrishna called Karthi to double-check the responses and inquire as to whether Suriya had been honest with him. Karthi agreed in jest when he said that Suriya had told him numerous lies, saying, "He has been like that since childhood." Karthi also made a joke about how his brother gets annoyed just by looking at him and that they don't even need an excuse to argue. "He likes one actress a lot," Karthi said in response to Balakrishna's "most important question," which was who Suriya's first crush was. Chikubuku Raile is a song. 'Yes, is it Gautami?' Balakrishna asked, realizing what he meant. Karthi gave a positive response. "Karthi, nuvvu katthi ra, Karthi kadu," said in Telugu by an apparently embarrassed Suriya. (Karthi, you're dangerous like a knife.) For those who haven't heard it, Gauthami and Prabhu Deva's special number from Shankar's 1993 film Gentleman is called Chikubuku Raile. Along with Suriya, other guests on Unstoppable with NBK have so far included Andhra Pradesh Chief Minister Nara Chandrababu Naidu, Dulquer Salmaan, and Meenakshi Chaudhary. Tired of too many ads? go ad free now Suriya remains one of the most popular and versatile actors in Tamil cinema as of 2025. He is set to play the lead in director 's eagerly anticipated period drama Puranaanooru, which explores Tamil heritage, following his highly praised roles in Jai Bhim and the National Award-winning Soorarai Pottru. Additionally, he plays a key part in Kanguva, a bold fantasy action movie that looks to be a visual extravaganza. In addition to performing, Suriya is still actively involved with 2D Entertainment, where he produces films with a lot of content and helps up-and-coming filmmakers in South Indian cinema.
The Hindu
26-06-2025
- Entertainment
- The Hindu
Interview: Cinematographer Niketh Bommi on his visual storytelling, from ‘Kuberaa' to ‘35'
Niketh Bommi, one of the most sought-after cinematographers in Telugu and Tamil cinema, prefers to let his work do the talking. He refrains from actively courting limelight. Currently in the spotlight for his work in director Sekhar Kammula's social thriller Kuberaa, Niketh is at first reluctant but eventually settles down for a conversation. 'I am not a sucker for large scale and grand visuals. If it happens organically, it's great,' he says. His filmography concurs with that statement. In Telugu, his work includes the thriller Yuddham Sharanam, buddy comedy Ee Nagaraniki Emaindi, family dramas Ante Sundaraniki and 35: Chinna Katha Kaadu. In Tamil, he drew attention with his work in the biopic drama Soorarai Pottru (Aakaasam Nee Haddu Ra in Telugu), and Dragon. The Tamil-Telugu thriller U-Turn, anthologies Pitta Kathalu and Putham Pudhu Kaalai, and Sarfira —the Hindi remake of Soorarai Pottru —are part of his oeuvre. 'It took me three or four films to understand what I really enjoy working on. When I listen to a story or read a script, I look for the emotion it intends to convey. Soorarai Pottru and Kuberaa had a large canvas, but the core emotions appealed to me.' Niketh is a Telugu who grew up in Chennai. An electronics and communications engineer, he was drawn towards cinematography while making short films with his friends. 'Digital filmmaking was underway and the 5D revolution had begun; it was an interesting space to explore. I used to take a billion images of myself,' Niketh recalls with a laugh. He joined the Mindscreen Film Institute, founded by ace cinematographer Rajiv Menon. He honed his skills under the tutelage of the dean, MN Gnanasekaran, and other teachers. 'Gnanasekaran sir's approach was simple. He would tell us that as long as we have an image, we are on the right track. It was a confidence booster; a starting point.' Niketh was more inclined towards corporate films and music videos than cinema. Ee Nagaraniki Emaindi, directed by Tharun Bhascker, which used the immersive experience of sync sound recording, was a turning point. 'Earlier, I had a technical approach towards the craft — where and how to use a long lens, a short lens, or how to add beauty to a frame. Tharun made me develop an emotional connection with the visuals. I developed love towards narrating fiction.' Niketh also began appreciating the collective experience of theatrical viewing, as opposed to his earlier preference of home viewing. 'I now buy 30-40 tickets and watch my films with friends and family. I remember how everyone enjoyed watching Dragon.' Niketh firmly believes that a craft shines when it does not distract the audiences from the storytelling, and this is possible when every department works in tandem. Storyboarding and rehearsals are his pre-production essentials, enabling better coordination with the direction, costume and production design departments. During Soorarai Pottru, extensive planning helped the team film challenging sequences inside an aircraft, train, and on the runway within a short time. For Kuberaa, the storyboards by artiste Nithya, he says, helped in effectively translating director Sekhar Kammula's ideas onto the screen. Distinct worlds of 'Kuberaa' Kuberaa warranted the delineation of three worlds — that of the billionaire (Jim Sarbh), the middle class (Nagarjuna), and the oppressed class (Dhanush), Niketh says, 'A lot of planning went into the costumes and the locations, both indoors and outdoors.' For Jim Sarbh's residence and office, Sekhar Kammula wanted opulent spaces with high ceilings. After recce in Hyderabad, Mumbai, and Dubai, the team identified a hotel in Thailand. 'The interiors of his house, the elevator, and the area where his chopper lands, were all filmed in Thailand. I did not have to do much since the colours were already part of the interiors,' says Niketh. Production designer Thota Tharani conceptualised a set for Jim Sarbh's office to aesthetically match the house. 'All I wanted was plenty of natural light to stream through the windows,' adds Niketh. The office set was constructed at Annapurna Studios, Hyderabad. Visual effects coordinator Ashok Mocharla, says Niketh, played a crucial role in ensuring that the VFX shots stayed mostly 'invisible'. 'Kuberaa has nearly 1400 VFX shots but many are tough to identify.' There are scenes in which 3D imagery of Mumbai's skyline is integrated into the frames. 'My task was simple. I had to appear on location, use the right lens and capture the emotions,' says Niketh modestly, crediting the costume department that included Kavya Sriram and Poorvaa Jain, among others, and the production design team, for ensuring a palette in synergy with the characters, their economic background, and the situations they are thrown into. He also credits colourist Suresh Ravi, who played a key role in ensuring tonal consistency while tracking colour grading on the edit table. Niketh and Ravi have collaborated for over 10 films. Nagarjuna's attire, in hues of blue, reflects the character's classy demeanour. 'He is a righteous man caught in a tricky situation but still spells class. He also had to look perennially tired. Somehow he and the team pulled it off; when I looked through the camera, it was all to the point,' says Niketh. Warmer tones were used for both Dhanush and Rashmika. Niketh describes filming the key sequences in the dumpyard as more 'annoying' than tough. 'It was crazy filming at an actual dumpyard in Mumbai for two to three days. We had permission to clear only a small area, the rest of it was all filth. I don't know how everyone pulled it off. Perhaps it is due to our respect towards Sekhar sir. For days afterwards, our socks would still carry that stench.' Talking of invisible CG, Niketh reveals that for certain scenes, subtle VFX ensured better emotional portrayals on screen. 'Long after we filmed the Tirupati sequences, when we felt that we could do with a few more close shots to work with on the edit table, we would film the actors against a green mat but Ashok and my associates would travel to get the relevant plates for the shots required. They were integrated seamlessly.' The soul of '35' In contrast to Kuberaa, mounted on a budget of over ₹100 crore, was the heartwarming drama 35. Niketh appreciates the conviction in director Nanda Kishore Emani's storytelling, and adds, 'I connected deeply to the mother-son story and I consider it a cute tribute to my own mother. I wanted to be a part of the film as soon as I listened to the story. Nandu had a lovely way of narrating it. From the Tirupati dialect to how he designed Saraswati's (Nivetha Thomas) character, and her bond with her husband — a bus conductor — had elegance and depth. The story centred on the relationships between four or five characters.' The warm tones in some frames of 35, Niketh explains after considerable thought, stems from what he imbibed while working with director Sudha Kongara during Soorarai Pottru. 'Sudha enjoyed the 6 am shoots. I began to like warm tones on screen thanks to her. We shot several sequences for Soorarai… and Sarfira in the morning hours, using the morning sun and the flares through the windows. That has now become an innate style in some of my films — Ante Sundaraniki, 35, and Dragon and Kuberaa to an extent. In 35, we filmed inside a small house and most of the story takes place during early morning or evening hours when the children and the husband are at home. The sunrise and sunset hours were conducive for the visuals. For a few scenes that required afternoon light, like the scene when Gautami visits Nivetha's home, our lighting replicated an afternoon scenario.' For some of the portions on the terrace, in an area surrounded by trees, the relatively cooler tone was natural as sun rays filtered through the leaves, and the occasional use of tungsten light sources added patches of warmth to the cooler frames. Niketh particularly mentions the temple scene involving a younger Nivetha Thomas. 'She had to look a decade younger. Ashok gave inputs on how to light specifically such that the actor's features can be worked upon during post production for de-aging. It has been a gradual learning process.' Next, Niketh is working on Pradeep Ranganathan's Dude.
