Latest news with #Sprints
Times
2 days ago
- Entertainment
- Times
Latitude review — a sophisticated, sedate shindig
'It's good to see so many softies here,' said Billy Bragg, gazing out across a Suffolk field with more than the average density of camping chairs and picnic blankets. With its lakeside stages and literary discussions, its gourmet food courts and art-dappled forest, Latitude has a well-earned reputation as one of the summer's most sophisticated weekends, and rarely has a festival line-up offered itself so politely to the lover of the gentler three-day camp-out. Some Mika with your Snow Patrol? An easy Sunday amble from Elbow to Air? This was a shindig right up your bridle path. • Read more music reviews, interviews and guides on what to listen to next Bragg had read the vale and delivered an hour of lilting country folk balladry, albeit 'still annoyingly political'. A stripped-down Sexuality was repurposed as a trans-solidarity anthem and Levi Stubbs Tears as a condemnation of the identity war's common enemy, 'male violence'. Later, Maribou State laid out a continental breakfast of sonic pleasantries: tropical pop, graceful strings, hypnagogic grooves and bongotronic freak-outs held together by the almost operatic R&B vocals of Talulah Ruby. So sedate was the occasion, in fact, that the comedy tent headliner Greg Davies detailing his distressing prostate issues was among the most punk parts of day one; even in the Second Stage tent, where the Dublin band Sprints howled through visceral post-punk rampages and one chap wandered about in a jacket made from dolls' heads, Feeder tipped their arena grunge cap to the night's headliner with a faithful sliver of Walking On the Moon. • The 20 best UK music festivals for summer 2025 Basement Jaxx stole the day by hosting an intergalactic disco-rave party from a spaceship bridge in a hole in their stage ramp, surrounded by space Valkyries, green-goggled soul queens and gigantic alien triffids. From the sci-fi funk larks of Romeo to a final gorilla invasion resembling a rave up on the Planet of the Apes — this was a blanket-trampling hoot. Sting's headline set, meanwhile, had the feel of a pop-reggae Ted Talk. Miked up so that he could roam the stage, his increasingly theatrical vocals had a flat, undynamic feel, sucking the sparkle from Every Little Thing She Does Is Magic and the air from Walking On the Moon. That said, he didn't scrimp on hits. Message In a Bottle, If I Ever Lose My Faith In You, An Englishman In New York and Fields of Gold ('about my house … well, more of a castle really') were early arrivals, often loosened up with extraneous reggae workouts or mecha-drum interludes. And plenty of Police tracks kept the night buoyant: a shoegazey Can't Stand Losing You, a field-lifting So Lonely and a restrained Wrapped Around Your Finger recast as a stalkerish sister-piece to Every Breath You Take, which was still received — bafflingly — as a smoochy lover's anthem. By a fun, if funkily distended Roxanne Sting had done enough to be crowned king of the softies.★★★★☆ Follow @timesculture to read the latest reviews
Zawya
21-07-2025
- Business
- Zawya
HiRemoters delivers up to 80% savings in cost through AI-powered remote hiring platform
Cairo, Egypt – HiRemoters, the AI-powered tech remote hiring platform engineered by Sprints, announced major growth milestones delivering cost savings of up to 60% in the GCC, 75% in Western Europe, and 80% in the United States for global clients seeking remote tech talent. HiRemoters is built by Sprints, one of the region's leading ed-tech companies. The platform leverages six years of Sprints' talent development expertise and a curated network of over 150,000 vetted top-tier tech professionals. Using AI-powered matchmaking, HiRemoters connects businesses with remote-ready talent, whether for individual roles or full-scale team builds. 'HiRemoters was launched after growing demand from global companies to access our top-tier, affordable tech talent,' said Bassam Sharkawy, Chief Strategy Officer and Co-founder of Sprints. 'One U.S. client built an LLM using AI developers from HiRemoters - that's the kind of caliber projects we are able to deliver.' Unlike traditional outsourcing models with hidden fees, HiRemoters provides full transparency and direct client-talent engagement. The platform offers complete customization for role definitions, compensation, onboarding, and timezone alignment while automating complex workflows including compliant contracts, 48-hour onboarding, and multi-currency payroll. HiRemoters also provides Employer of Record (EoR) services, enabling businesses to hire globally without establishing local entities. The platform handles legal, payroll, tax, and benefits administration while giving clients complete control over the employee lifecycle. "Our goal is not only to help businesses scale but to enhance the remote work experience for everyone," said Ayman Bazaraa, CEO and Co-founder of Sprints. "We're investing in advanced collaboration platforms and next-generation AI recruitment tools." The company continues expanding its technology infrastructure and global talent network while maintaining its commitment to continuous upskilling through the Sprints platform. About HiRemoters is a global remote hiring platform that enables companies to hire, onboard, manage, and pay top tech talent worldwide, without the need to establish local entities or navigate complex local regulations. Powered by AI, it delivers seamless payroll, compliance, and Employer of Record services, efficiently connecting businesses with pre-vetted professionals. Developed by Sprints, and backed by Disruptech Ventures, EdVentures, and Falak.
Irish Examiner
30-06-2025
- Entertainment
- Irish Examiner
Kate Nash says she would love to collaborate with Kneecap
Singer Kate Nash has said she would love to collaborate with Kneecap and added that it 'is really important' the band are using their platform for a political purpose. It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. I think there's an opportunity to educate people about England and Ireland's history 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. Moglai Bap and Mo Chara of Kneecap (Ben Birchall/PA) 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Before their performance on the West Holts Stage, several politicians called for Kneecap to be removed from the line-up and British Prime Minister Keir Starmer said their performance would not be 'appropriate'. During their set, band member Liam Óg Ó hAnnaidh said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. According to reports, Bobby Vylan is called Pascal Robinson-Foster, 34, from Ipswich. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Starmer said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. If you just want to be a pop band, just be a pop band. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart. Read More Glastonbury Festival 2025 ends after weekend of controversy and surprises
The Guardian
30-06-2025
- Entertainment
- The Guardian
Good for you! Braving the heatwave on Glastonbury's final day
Sunday at Glastonbury kicked off in wholesome fashion in the Kidzfield, with Michael Rosen speaking to a young audience, preceded by a children's disco party. Michael Rosen speaks to children about literature and language in the Kidzfield. Monster Maker 3000 host a disco party for children in the Kidzfield Big Top tent. For the last of the Guardian Live events, the Libertines had a chinwag with journalist Miranda Sawyer at the Astrolabe. Miranda Sawyer interviews Pete Doherty and Carl Barât of the Libertines for Guardian Live. Freewheeling cellist Abel Selaocoe and his group Bantu Ensemble played at the West Holts stage. Ammar Kalia was there reviewing for our live blog: 'A full-body barrage of enlivening sounds, rousing a bleary-eyed West Holts crowd to attention' was his verdict. Irish post-punk band Sprints perform on Woodsies. Later in their set they would bring on Kate Nash as a guest. Sprints play Woodsies at Glastonbury. The Libertines, fresh from their Guardian chat, warmed up the Pyramid stage for the tea-time Rod Stewart fans taking their places. Libertines on the Pyramid stage. As the thermometer ticked up again, hardcore punk enthusiasts Turnstile started an almighty mosh pit on the Other stage. Turnstile on the Other stage. Brendan Yates of Turnstile gets some air. We met some fans at the Pyramid stage for Rod Stewart's 'legends' set singalong. Three friends pose for a picture on the hill next to the Pyramid stage while Rod Stewart plays. Rosie from Romford cools off in the heat. Right Olivia, 23 from Liverpool. The crowd are abuzz as they head away from the Pyramid stage following Chic's triumphant performance. Festivalgoers leave the Pyramid stage after Chic. Prodigy served up an explosive performance to the Other stage. 'For all that Glastonbury don't do metal bands, they've basically got one with this hard-hitting, riff-spewing Prodigy setup,' said Ben Beaumont-Thomas on our live blog. Maxim out front and centre for the Prodigy. Meanwhile over at the Pyramid stage, Olivia Rodrigo closed proceedings in style, even bringing our Robert Smith for some Cure singalongs. 'It feels like more of an event than any other big set this year,' was Alexis Petridis's verdict. Amid the power ballads and pop, Rodrigo brought no small measure of raucous rock. Fans at the front for Olivia Rodrigo as she headlined the Pyramid Stage After she finished, crowds dispersed in search of more music in the dance areas of Silver Hayes and South-East corner. The Hive in Silver Hayes. Glastonbury festival late on Sunday evening.
Leader Live
30-06-2025
- Entertainment
- Leader Live
Kate Nash says she would love to collaborate with Kneecap
It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Before their performance on the West Holts Stage, several politicians called for Kneecap to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During their set, member Naoise O Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. According to reports, Bobby Vylan is called Pascal Robinson-Foster, 34, from Ipswich. Robinson-Foster is listed on Companies House as being the director of Ghost Theatre Records, which is operated by Bob Vylan. Sir Keir said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart.
