Latest news with #SydneyOlympics
Yahoo
09-07-2025
- Sport
- Yahoo
Wimbledon technology change ‘has turned officials into glorified butlers'
A former Wimbledon line judge said the tournament has 'de-skilled' her ex-colleagues and turned them into 'glorified butlers' by replacing their expertise with technology. Pauline Eyre, 58, officiated at 16 Wimbledon tournaments between 1988 and 2003 including Centre Court finals and high-profile matches such as Serena Williams playing her sister, Venus. Ms Eyre, who is from north London, said she felt 'some of the joy has been lost' from the tournament after it replaced line judges with an electronic line-calling system this year. Some former line judges have returned to this year's tournament in the role of 'match assistants', who sit either side behind the chair umpire and assist with ball changes. Discussing the new role, Ms Eyre told the PA news agency: 'Rather than being very skilled professionals who were wearing this fancy uniform, which was a nice bit of advertising for Ralph Lauren, you've now got a few of them just sitting and doing nothing. 'They look like glorified butlers. They're taking players to the toilet, they're standing and watching ball kids changing the balls. 'They've been completely de-skilled, which seems to be what happens when you get machines to do things – you just de-skill people who are perfectly capable of doing the job and you then don't give them roles that are as well-paid.' Ms Eyre said spectators liked to see players 'not arguing against a machine, but dealing with adversity', adding: 'Those lovely moments are part of the joy of Wimbledon.' Discussing the rise of AI and electronic systems in wider society, Ms Eyre said: 'It's just people losing their livelihoods. 'It's not that they are being replaced with another livelihood that's as good, you just need fewer people and more of the machines.' Wimbledon's electronic line-call system faltered again in Taylor Fritz's semi-final on Tuesday. Swedish umpire Louise Azemar-Engzell called 'stop' in the opening game of the fourth set on Court One when 'fault' was incorrectly announced after a Fritz forehand landed well inside the baseline. Responding to the incident, Wimbledon organisers said: 'The player's service motion began while the BBG (ball boy or girl) was still crossing the net and therefore the system didn't recognise the start of the point. As such the chair umpire instructed the point be replayed.' Discussing the role of chair umpires, Ms Eyre said of the officials: 'If you just had a machine calling the score – there's nothing then for the players to rail against, there's nobody there to explain things to players. 'There's nobody there to show compassion to a player.' Ms Eyre is taking a comedy show, called Anyone For Tennis, about her experiences of being a line judge for 20 years to the Edinburgh Fringe. The former line judge, who officiated at the 2000 Sydney Olympics and the US Open, added: 'I was a little girl who dreamed of playing at Wimbledon and I got to be part of it. 'I didn't have the talent to play at Wimbledon, but I did get a chance to be really key to its success.' Wimbledon organisers said on Sunday they were confident of avoiding further issues with the technology after a major error in Sonay Kartal's fourth-round defeat to Anastasia Pavlyuchenkova in the women's draw. On that occasion, the new system failed to call 'out' when a shot by Kartal bounced well behind the baseline. After an investigation, organisers admitted the technology was turned off in error on a section of the court. Britain's leading duo Jack Draper and Emma Raducanu have each complained about the accuracy of the system, which is widely used on the tour but has only just been introduced in SW19.
West Australian
03-07-2025
- Entertainment
- West Australian
Swimming great Leisel Jones reveals three words that kept her alive when she wanted to ‘end it all'
Australian swimming great Leisel Jones has revealed she is struggling with high-functioning depression and the 'dark moment' she contemplated taking her own life just days ago. In an emotional and vulnerable post on social media, the three-time Olympic gold medal winner shared the three powerful words that kept her alive when she 'wanted to end it all'. On Wednesday, Jones posted two photos, the first of her sitting on stairs with her tear-stained face in her hand, the second was of her in an elevator after an hour-long walk along the beach. 'Stay until tomorrow', she wrote, was one of her favourite sayings. 'Yesterday was one of my worst days and I wanted to end it all. I think I have been battling high functioning depression for a little while now and have just gone back to work with a psych. In the dark moments I promise myself to just stay until tomorrow and it's amazing what the next day can bring.' She revealed that just 24 hours later she had a far better day. 'Today was spectacular. I had some free time after work and went on an hour long walk along the beach. No goals. No plans. Just enjoy the sunshine and the view. I was really missing my walking buddy @iammeagennay but walking by myself was enough. It changed my whole perspective on things. 'So if life has felt like a kick in the c..t lately, promise me you'll stay until tomorrow.' Jones' candid words have been praised by Lifeline Australia, which commented on her post to say that her revelation could help many others struggling with depression. 'Thank you for your vulnerability and courage in sharing this, Leisel. Your words will no doubt bring comfort to many who are quietly battling their own struggles. Lifeline is always here for you.' Jones' celebrity friends were also quick to show their support. Fellow swimmer Giaan Rooney wrote, 'This post will help so many others darling, but just as importantly, I hope it helps you see how truly loved you are, how the world is a better place for having you in it & how many are in your corner - so much love to you always.' Comedian Dave Hughes agreed that a beach walk could do wonders. 'Australia loves you, but that doesn't matter. You loving life is all that matters. But not even that. Let's just be still.' Peter Helliar also offered his perspective, writing that sometimes noticing the little things could make you feel better. 'Even tiny things like the way opening curtains to let light in your room can feel, the way fresh air can rejuvenate, seeing a friend,' he wrote. 'We spend time waiting for big life changing moments but there are so many tiny life affirming moments around us everyday. I'm trying hard to recognise how those moments make me feel. Thanks for sharing and I hope you continue to find your moments.' Jones was the first Australian swimmer to attend four Olympic Games, launching her spectacular career at just 15 at the Sydney Olympics and then going to the 2004 Athens Olympics, where she was part of the gold-medal winning women's 4x100m relay. She also won gold for the 100m breaststroke and the 4x100 medley relay at the 2008 Beijing Olympics and had a glittering career that included many other swimming achievements. Since retiring from the pool she has become an author and media commentator. Lifeline: 13 11 14. If you or someone you know needs help, phone SANE Australia Helpline on 1800 18 SANE (7263).
Sydney Morning Herald
25-06-2025
- Entertainment
- Sydney Morning Herald
The untold story of Frank Roberts, Australia's own Rocky Balboa
Listing the career highlights of Rhoda Roberts AO would take more space than this page allows. She's never been content to wear just one hat: the broadcaster, writer, actor, director and producer has been the Indigenous cultural adviser for the Sydney Olympics, Indigenous head of programming at the Sydney Opera House, creative director of the Sydney New Year's Eve celebrations and much more. Her portrait is even held by the National Portrait Gallery. Despite all this, she says, 'I wouldn't call myself a leader.' So what do you call someone who helped found the likes of the Festival of the Dreaming, the World Indigenous Art Orchestra and the Aboriginal National Theatre Trust? She shrugs off the question. 'You often hear people saying, 'Oh, my agent didn't call me', or, 'I was going to write that book, but I didn't get the grant'. Well, my motto is, if you work in this industry, just do it. If it doesn't exist, create it.' The sheer breadth of Roberts' creative output comes partly from necessity. 'Working in the arts, the reality is you have to be multi-skilled to stay in the industry.' Creating space for First Nations voices has been at the heart of much of her work. One of the reasons she is so committed to providing platforms for Indigenous stories is that many people today are finding their own historical connections to cultures they know very little about. Through ancestry websites and other technologies, someone who has never had lived experience with Indigenous communities can discover that they're part of that kinship. Roberts is a Widjabul Wia-bal woman who grew up in Lismore. The white side of her family is from Ireland, 'but I wouldn't identify as Irish, even though I'm very proud of that Irish ancestry because I didn't grow up in County Tyrone. I don't know the country. I know the stories and elements, but I didn't grow up in that region.' By forging new connections across Australia's cultural landscape, Roberts equips audiences with the tools not just to understand each other, but to rethink their own position and heritage within the history of the land. 'That's why I'm so proudly passionate about Indigenous art and culture, festivals, theatre, because we're bringing something different to the stage that should be part of the Australian vernacular.' It's also the motivation behind her latest project, a one-woman show based on the life of a family member who rose to international fame but hasn't achieved the historical recognition he deserves. In My Cousin Frank, Roberts takes to the stage to chart the life of Francis Roberts, the boxer who was Australia's first Indigenous athlete selected for the Olympic Games. 'We had this incredible individual. This is our Rocky,' Roberts says. 'Against all odds he made it to the Olympic Games. I mean, he couldn't even travel as an Australian citizen because it was before 1967.' For the 1964 Tokyo Games, Frank had to obtain a British passport. He dined with Emperor Hirohito, but wasn't even recognised as a citizen in his homeland. Rhoda Roberts was still a girl then, and Frank was just 'the boxing cousin'. She remembers him with dreadlocks in the early 1970s, but as time passed 'Honest Frank' fashioned himself into 'a dignified gentleman. That's how his teammates and everyone responded to him. He was truly a gentleman.' Roberts was inspired by Frank's ethos. 'I remember being a bit in awe. He just had this belief in being a good human, really. And giving people opportunity. He was really aware of being a great parent, where you really try to do better. And I think that's what he did, he tried to do better all the time.' My Cousin Frank isn't merely the story of an individual, but puts Frank's narrative within the larger network of family and community in which he lived. It makes for a welcome contrast to the heroic myth-making – 'one man who defied the odds to do things his way' – that often accompanies biographies of sportspeople. TAKE 7: THE ANSWERS ACCORDING TO RHODA ROBERTS Worst habit? Always feeling compelled to say yes. Greatest fear? Never finding justice for the missing and murdered, with my sister's loss (the 1998 murder of Rhoda's twin Lois remains unsolved). The line that stayed with you? My dad's advice: always remember something you heard that changes how you see everything, and pass it on. Never forget that silence can also have an impact, because you are listening more deeply. Biggest regret? Not spending more time really listening when I was young. Favourite book? Uncle Bruce Pascoe's Dark Emu. Such truth that has unpacked history, science and cultivation and given our culture value and us a new self-worth. The artwork/song you wish was yours? Someone's Always Watching You by Aboriginal artist Digby Moran. What I love is it maps the estuaries of our Bundjalung waterways. There are many of his works, especially those fine diamond and chevron markings he did with toothpicks and highlighted old implements such as a stone axe showcasing the specific art style of our Bundjalung territories. If you could time travel, where would you choose to go? Northern NSW pre-occupation of Australia to observe our incredible ancestors. Roberts says that approach is partly due to her own position ('I'm coming from a First Nations Indigenous perspective, a female perspective, dealing with a very male-oriented sport') and partly because Frank's story stretches to places far beyond his sporting successes. Frank grew up on the Aboriginal settlement Cubawee, near Lismore, but the year he represented Australia in Tokyo was the same year his childhood home was bulldozed. 'The first elite Indigenous athlete to join an Olympic team was my cousin Francis. And yet when he returns, he's treated as a second-class citizen. His home is reduced to rubble because the local council don't agree with the Aboriginal 'eyesore'. We were always and still are considered a problem,' Roberts says. The historical policies and practices Frank faced have their place in My Cousin Frank, Roberts says, because their effects are still felt. 'History is not past because it shapes you. It's always in your presence. The historical stories we're told in high school through to the creation truth-telling we were told by our grandparents shaped us ... We're all moving on, but let's acknowledge it instead of having this cultural amnesia.' Her cousin's story wasn't written to inspire guilt or shame in audiences, Roberts says, but to instil pride. 'I want them to walk away going, 'My goodness, here's our Rocky Balboa'. Out of a shanty. If this guy was from South Africa, he'd be celebrated worldwide. But he's from rural Lismore, from Cubawee.' She's also been sure to include plenty of laughs. 'I swear to god, if more blackfellas got into comedy we would take over because there's always the cousin, the uncle, there's always the auntie with the scathing but satirical little comic timing at any event. We have a great humour, but it's only been possibly the last decade or so that Australians have actually seen that humour.' Loading Like sport, humour is one of the great connectors, Roberts says. This year, certain corners of the country were getting their knickers in a twist over Welcome to Country ceremonies. Roberts herself was one of the originators of the modern practice and was responsible for coining the term. 'Why someone would fear a ritual by an Aboriginal, I have no idea, but we've seen it from leaders in this country down through to people who've never met a blackfella. How do we fix that? I think it's through humour and kindness, telling stories and showing that we love this country.' The love Indigenous Australians feel for their country is typically missing from the mainstream narrative, she says, but it's everywhere. 'Always been ours. We love it. That's why we've never left, we've never emigrated en masse. We've gone through natural disasters, poverty, genocide, you name it. But we've never left and we never will.'
The Age
25-06-2025
- Entertainment
- The Age
The untold story of Frank Roberts, Australia's own Rocky Balboa
Listing the career highlights of Rhoda Roberts AO would take more space than this page allows. She's never been content to wear just one hat: the broadcaster, writer, actor, director and producer has been the Indigenous cultural adviser for the Sydney Olympics, Indigenous head of programming at the Sydney Opera House, creative director of the Sydney New Year's Eve celebrations and much more. Her portrait is even held by the National Portrait Gallery. Despite all this, she says, 'I wouldn't call myself a leader.' So what do you call someone who helped found the likes of the Festival of the Dreaming, the World Indigenous Art Orchestra and the Aboriginal National Theatre Trust? She shrugs off the question. 'You often hear people saying, 'Oh, my agent didn't call me', or, 'I was going to write that book, but I didn't get the grant'. Well, my motto is, if you work in this industry, just do it. If it doesn't exist, create it.' The sheer breadth of Roberts' creative output comes partly from necessity. 'Working in the arts, the reality is you have to be multi-skilled to stay in the industry.' Creating space for First Nations voices has been at the heart of much of her work. One of the reasons she is so committed to providing platforms for Indigenous stories is that many people today are finding their own historical connections to cultures they know very little about. Through ancestry websites and other technologies, someone who has never had lived experience with Indigenous communities can discover that they're part of that kinship. Roberts is a Widjabul Wia-bal woman who grew up in Lismore. The white side of her family is from Ireland, 'but I wouldn't identify as Irish, even though I'm very proud of that Irish ancestry because I didn't grow up in County Tyrone. I don't know the country. I know the stories and elements, but I didn't grow up in that region.' By forging new connections across Australia's cultural landscape, Roberts equips audiences with the tools not just to understand each other, but to rethink their own position and heritage within the history of the land. 'That's why I'm so proudly passionate about Indigenous art and culture, festivals, theatre, because we're bringing something different to the stage that should be part of the Australian vernacular.' It's also the motivation behind her latest project, a one-woman show based on the life of a family member who rose to international fame but hasn't achieved the historical recognition he deserves. In My Cousin Frank, Roberts takes to the stage to chart the life of Francis Roberts, the boxer who was Australia's first Indigenous athlete selected for the Olympic Games. 'We had this incredible individual. This is our Rocky,' Roberts says. 'Against all odds he made it to the Olympic Games. I mean, he couldn't even travel as an Australian citizen because it was before 1967.' For the 1964 Tokyo Games, Frank had to obtain a British passport. He dined with Emperor Hirohito, but wasn't even recognised as a citizen in his homeland. Rhoda Roberts was still a girl then, and Frank was just 'the boxing cousin'. She remembers him with dreadlocks in the early 1970s, but as time passed 'Honest Frank' fashioned himself into 'a dignified gentleman. That's how his teammates and everyone responded to him. He was truly a gentleman.' Roberts was inspired by Frank's ethos. 'I remember being a bit in awe. He just had this belief in being a good human, really. And giving people opportunity. He was really aware of being a great parent, where you really try to do better. And I think that's what he did, he tried to do better all the time.' My Cousin Frank isn't merely the story of an individual, but puts Frank's narrative within the larger network of family and community in which he lived. It makes for a welcome contrast to the heroic myth-making – 'one man who defied the odds to do things his way' – that often accompanies biographies of sportspeople. TAKE 7: THE ANSWERS ACCORDING TO RHODA ROBERTS Worst habit? Always feeling compelled to say yes. Greatest fear? Never finding justice for the missing and murdered, with my sister's loss (the 1998 murder of Rhoda's twin Lois remains unsolved). The line that stayed with you? My dad's advice: always remember something you heard that changes how you see everything, and pass it on. Never forget that silence can also have an impact, because you are listening more deeply. Biggest regret? Not spending more time really listening when I was young. Favourite book? Uncle Bruce Pascoe's Dark Emu. Such truth that has unpacked history, science and cultivation and given our culture value and us a new self-worth. The artwork/song you wish was yours? Someone's Always Watching You by Aboriginal artist Digby Moran. What I love is it maps the estuaries of our Bundjalung waterways. There are many of his works, especially those fine diamond and chevron markings he did with toothpicks and highlighted old implements such as a stone axe showcasing the specific art style of our Bundjalung territories. If you could time travel, where would you choose to go? Northern NSW pre-occupation of Australia to observe our incredible ancestors. Roberts says that approach is partly due to her own position ('I'm coming from a First Nations Indigenous perspective, a female perspective, dealing with a very male-oriented sport') and partly because Frank's story stretches to places far beyond his sporting successes. Frank grew up on the Aboriginal settlement Cubawee, near Lismore, but the year he represented Australia in Tokyo was the same year his childhood home was bulldozed. 'The first elite Indigenous athlete to join an Olympic team was my cousin Francis. And yet when he returns, he's treated as a second-class citizen. His home is reduced to rubble because the local council don't agree with the Aboriginal 'eyesore'. We were always and still are considered a problem,' Roberts says. The historical policies and practices Frank faced have their place in My Cousin Frank, Roberts says, because their effects are still felt. 'History is not past because it shapes you. It's always in your presence. The historical stories we're told in high school through to the creation truth-telling we were told by our grandparents shaped us ... We're all moving on, but let's acknowledge it instead of having this cultural amnesia.' Her cousin's story wasn't written to inspire guilt or shame in audiences, Roberts says, but to instil pride. 'I want them to walk away going, 'My goodness, here's our Rocky Balboa'. Out of a shanty. If this guy was from South Africa, he'd be celebrated worldwide. But he's from rural Lismore, from Cubawee.' She's also been sure to include plenty of laughs. 'I swear to god, if more blackfellas got into comedy we would take over because there's always the cousin, the uncle, there's always the auntie with the scathing but satirical little comic timing at any event. We have a great humour, but it's only been possibly the last decade or so that Australians have actually seen that humour.' Loading Like sport, humour is one of the great connectors, Roberts says. This year, certain corners of the country were getting their knickers in a twist over Welcome to Country ceremonies. Roberts herself was one of the originators of the modern practice and was responsible for coining the term. 'Why someone would fear a ritual by an Aboriginal, I have no idea, but we've seen it from leaders in this country down through to people who've never met a blackfella. How do we fix that? I think it's through humour and kindness, telling stories and showing that we love this country.' The love Indigenous Australians feel for their country is typically missing from the mainstream narrative, she says, but it's everywhere. 'Always been ours. We love it. That's why we've never left, we've never emigrated en masse. We've gone through natural disasters, poverty, genocide, you name it. But we've never left and we never will.'
Yahoo
31-03-2025
- Sport
- Yahoo
Georgia Tech coach Nell Fortner, who led US women to Olympic gold in 2000, announces retirement
Georgia Tech head coach Nell Fortner, back, argues a call with an official during an NCAA college basketball game against North Carolina State in the quarterfinals of the Atlantic Coast Conference tournament Greensboro, N.C., Friday, March 7, 2025. (AP Photo/Chuck Burton) FILE - Georgia Tech head coach Nell Fortner watches from the bench during an NCAA basketball game against Mississippi State on Wednesday Dec. 4, 2024 in Atlanta. (AP Photo/Stew Milne, file) FILE - Georgia Tech head coach Nell Fortner watches from the bench during an NCAA basketball game against Mississippi State on Wednesday Dec. 4, 2024 in Atlanta. (AP Photo/Stew Milne, file) Georgia Tech head coach Nell Fortner, back, argues a call with an official during an NCAA college basketball game against North Carolina State in the quarterfinals of the Atlantic Coast Conference tournament Greensboro, N.C., Friday, March 7, 2025. (AP Photo/Chuck Burton) FILE - Georgia Tech head coach Nell Fortner watches from the bench during an NCAA basketball game against Mississippi State on Wednesday Dec. 4, 2024 in Atlanta. (AP Photo/Stew Milne, file) ATLANTA (AP) — Nell Fortner announced Monday she is retiring following 15 seasons as a college basketball head coach, including the last six at Georgia Tech. Fortner also was the first coach and general manager for the WNBA's Indiana Fever from 1999-2003 and coached the United States women's national team to gold medals at the 1998 world championships and the 2000 Sydney Olympics. Advertisement Fortner won 272 games at the college level and earned coach of the year honors in three conferences. She was named Big Ten coach of the year in 1997 following her one season at Purdue and then coached eight seasons at Auburn, from 2004-12, where she was named Southeastern Conference coach of the year in 2009. Fortner then moved to Georgia Tech, where she led the Yellow Jackets to this year's NCAA Tournament and was named Atlantic Coast Conference coach of the year in 2021. The Yellow Jackets finished 22-11 with a 74-49 loss to Richmond in the first round of the NCAA Tournament. Georgia Tech announced assistant LaSondra Barrett will serve as interim coach. 'After a lot of deep thought and contemplation following the conclusion of our season, I have decided to retire from coaching,' Fortner said in a statement released by Georgia Tech. 'This was not an easy decision, nor one that I made lightly, especially after returning to the NCAA Tournament this season and having so many special players and coaches coming back next season.' Advertisement Fortner referred to Georgia Tech as 'a gold mine, as an institution and athletics department.' She said the program was in good position to compete for ACC and national championships. 'That makes it very hard to step away. But for me, after spending much of the last 30-plus years on the sideline, I just feel that it's time,' she said. The decision came less than two months after Fortner was awarded a three-year extension, through the 2029-30 season. At the time, Georgia Tech was 18-4 and No. 17 in the AP Top 25. Fortner led Georgia Tech to a 110-75 record in six seasons with NCAA Tournament appearances in 2021 and 2022 before this season. Advertisement Overall, Fortner's college record is 272-192. 'Nell Fortner will be greatly missed by the entire Georgia Tech community,' Georgia Tech athletic director J Batt said. 'She's not only been an incredible leader of our women's basketball program, but she's been a great sounding board for me." Batt said Georgia Tech will conduct a national search for a full-time replacement. ___ AP March Madness bracket: and coverage: Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here.
