Latest news with #Tamasha
India.com
7 hours ago
- Entertainment
- India.com
Like Ranbir Kapoor, Kussh Sinha admits working with Sanjay Leela Bhansali was tough: 'I had enough...'
Like Ranbir Kapoor, Kussh Sinha admits working with Sanjay Leela Bhansali was tough: 'I had enough...'| Exclusive Filmmaker Kussh S Sinha, son of veteran actor Shatrughan Sinha and brother to actress Sonakshi Sinha is all set to make his directorial debut with the film Nikita Roy. Despite hailing from a prominent film family, Kussh's journey into filmmaking was far from easy. Before stepping into direction, he gained hands-on experience by working behind-the-camera in various fields such as photography, production, and visual development. After studying film direction at the School of Visual Arts (SVA) in New York, he went on to assist renowned filmmaker Sanjay Leela Bhansali on the sets of Saawariya (2007). Kussh Sinha, like Ranbir Kapoor, had to quit midway while assisting Sanjay Leela Bhansali? Ranbir Kapoor, before marking his Bollywood debut with Saawariya, worked as an assistant director to Sanjay Leela Bhansali on the sets of Black (2005) . At a 2021 event, the Tamasha actor recalled that Bhansali was extremely strict, sometimes to the point of being physically and verbally harsh. He recounted, 'When I assisted Mr. Bhansali on Black, he used to really treat me as an assistant director. I used to be kneeling down for hours, he used to hit us, he used to abuse us… that only hardens you and prepares you for the world.' The actor further revealed that intense pressure and emotional strain ultimately led him to step away from the project. Kussh Sinha recalls working with Sanjay Leela Bhansali Similarly, Kussh who started his career as an assistant director to Sanjay Leela Bhansali, also faced intense pressure during his collaboration with the acclaimed filmmaker. In an exclusive interview with Kussh stated, 'Mr Bhansali had a way of working. During Saawariya, I went there as an assistant director, I do believe that at that point I might have said some things, maybe some things that I shouldn't have let them happen, but I was very young at that time.' He admitted that working with Bhansali was challenging and not suited for thin-skinned. Kussh recalled, 'So, yeah, it was tough environment, I would say you definitely have to understand yourself as a person, whether you can handle that tough environment or not.' The reason why Kussh Sinha didn't work Sanjay Leela Bhansali anymore… Kussh eventually had to walk away from the sets of Sawaariya due to internal-team conflict. 'I could manage that environment, but frankly there was an issue at some point which when I decided that I had enough, because there was some inter-team conflict. It was getting out of hand. So again, I could handle it, but it depends on person-to-person.' He said. Although Bhansali gave a hard time to Ranbir when he worked as an AD, Kussh still remarked that he received a terrific launch in the industry because of him. 'Ranbir was an AD with him. When he worked with him, he became a star at some degree because of him, I wouldn't say all of it because of Bhansali, but definitely that launch, that entry, that larger-than-life-persona the visual that Mr Bhansali presented him with that some of added into Ranbir's entry into films.' He said. About Nikita Roy Meanwhile, Kussh Sinha's directorial debut Nikita Roy is all set to release on July 18. Originally scheduled for June 27, the release was postponed due to heavy traffic of movies this weekend, including Kajol's horror-thriller Maa and Akshay Kumar's multi-starrer mythological drama Kannappa. Written by Pavan Kirpalani, Kussh Sinha's mystery thriller stars Sonakshi Sinha, Arjun Rampal and Paresh Rawal in key roles.
India.com
8 hours ago
- Entertainment
- India.com
Imtiaz Ali Backs Diljit Dosanjh Amid Sardaar Ji 3 Row, Calls Him ‘Son Of The Soil'
Mumbai: Renowned filmmaker Imtiaz Ali showed support for his 'Amar Singh Chamkila' actor Diljit Dosanjh amidst the ongoing controversy regarding his movie, "Sardaar Ji 3" starring Pakistani actress Hania Aamir. While appearing as a guest on NDTV 's Creators Manch, the 'Tamasha' maker was asked about Diljit's decision to release "Sardaar ji 3" abroad. Reacting to this, Imtiaz shared, "I can't say much on the row, but since I know Diljit, I can say that us mein deshbhakti ka jazbaa poora bhara hua hai (He is a patriot at heart). He is a son of the soil. You can see at all his concerts, he shows up with the Indian flag." He added that Diljit is not someone who fakes things. "Fakeness ke saath woh kuch nahi karta hai (He doesn't fake things). No one asked him to do it. At the end of all his concerts, he says, "Main hoon Punjab", with the Indian flag," he shared. Shedding some more light on the 'Sardaar Ji 3' row, Imtiaz went on to reveal, "I don't know the details, but casting someone isn't the decision of the actor. I don't know how it went, but I know that uske andar desh prem bahut zyada hai (He loves his country too much). Jo log dekh paayenge unke andar ke sach ko, unko ye samajh mein aa jaayega (People who can see the truth, will understand)." Meanwhile, The Federation of Western India Cine Employees had sent a letter to the filmmaker, asking him to cut all ties with Diljit. "Your involvement risks sending a deeply conflicting message, especially given your influence as a director known for socially resonant themes... "We, therefore, strongly appeal to you to reconsider your collaboration with Diljit Dosanjh and withdraw from associating with any artist who has been officially boycotted by FWICE. Upholding the dignity of our industry and the nation must remain paramount over professional or commercial interests," the letter read.
Indian Express
a day ago
- Entertainment
- Indian Express
‘I would love to sing for Shah Rukh Khan': Shashwat Singh on collaborating with Pritam and Anurag Basu for Metro… In Dino, and the irreplaceable void left by KK
As expected from the creative synergy of Anurag Basu and Pritam, the music of Metro… In Dino has captured hearts and set the internet abuzz. Among its standout tracks, 'Zamaana Lage' has emerged as a fan favourite, playing on loop, dominating reels, and evoking a wave of nostalgia for the iconic voice of KK, who immortalized the soundscape of Life in a… Metro. In an exclusive conversation with SCREEN, singer Shashwat Singh, who lends his voice to 'Zamaana Lage,' reflects on the magic of working with maestros like Pritam and AR Rahman, the creative chemistry with Anurag Basu, the often-overlooked art of crediting lyricists, and his heartfelt dream of one day singing for Shah Rukh Khan. Q: Let's start from the beginning. What's your earliest memory connected to music? And who were your biggest musical influences growing up? Shashwat: The earliest memory is of my mother singing to me. She has a beautiful sweet soprano voice. Her voice is the first inspiration of my life. Growing up I heard everything that my family was listening to. But the one composer who inspired me and my entire generation the most was AR Rahman sir. Q: Your playback debut with 'Wat Wat Wat' from Tamasha was not only powerful, but it was with none other than AR Rahman. What was it like to start your journey under his guidance? Also, how do you feel seeing the song go viral almost a decade later, especially on reels and social media? Shashwat: I call him my mentor. I studied music for the first time in his college. I learnt reading and writing music, music theory, some piano and some opera style western classical singing, music theatre etc. So starting my career with the principal of my music school, who is a legend in the world, was nothing less than perfect. It's a blessing from above. 'Wat wat wat' changed the trajectory of my music career and I'm forever in awe of that song because of how intelligently it has been made and used in the beautiful frames of Imtiaz Ali. Thanks to social media people finally understood the meaning of those lines by Irshad Kamil and that amazing music by Rahman sir. It took a decade but it got what was long due. Q: I noticed you've collaborated or lack of a better word provided 'additional vocals' for songs featuring Arijit Singh. What has that experience been like, especially working alongside such a well-recognized voice? Shashwat: With all due love and respect, I don't think it's right to call my performance on these songs as 'additional vocals'. I am a primary artiste on these songs and not an additional singer. All the songs I have sung are my songs. I have never recorded with him (Arijit) inside the studio, So it's always a surprise for me when a song releases with multiple voices. Q: You're right, my bad. I have also noticed that you have worked with some of the biggest names in the industry. AR Rahman, Pritam, Amit Trivedi, and Sachin–Jigar. What sets each of them apart in the studio? Are there any interesting similarities you noticed, say between a Rahman and a Pritam? Shashwat: They are all different from each other. They all have different ways of approaching music. Thank god for that. I think the zeal they all posed towards their art is the common factor that keeps them at it. Q: Who are some of your favourite contemporary lyricists today? Is there someone whose writing you feel has a poetic or magical touch? Shashwat: There are quite a few lyricists today whose work I deeply admire. Among the contemporaries, Amitabh Bhattacharya stands out. His writing has a unique blend of wit, emotion, and poetry that consistently resonates. Irshad Kamil and Kumar Paaji continue to deliver beautifully crafted lyrics, while Kunal Vermaa and Shelly bring a fresh sensitivity to their work. I'm also excited by the newer voices like Siddhant Kaushal and Shloke Lal, in particular, are showing a lot of promise and have already penned some really poetic lines. That said, for me, the timeless magic still flows from the pens of Gulzar Saab and Javed Saab. Their words have that rare, almost otherworldly touch that continues to inspire. Also Read | Lyricist Sameer lashes out at makers of Animal for not giving due credit to composer in pre-teaser: 'Even sound recordist's name is there' Q: You've been part of projects involving both Anurag Basu and Pritam, a director-composer duo with a legendary track record. What was that creative atmosphere like? How involved were they with the musical process? Shashwat: I'm sure they both were fully involved. Recording 'Zamaana Lage' was a truly musical and immersive experience for me in the studio. It's a challenging song with a lot of depth and poetry. I always followed the brief that Pritam Da gave me. It's important to note that a song like this is never the result of a single person's effort. It's a collaborative journey that requires constant involvement and fine-tuning from the dadas and the entire team in the studio. Q: Speaking about 'Zamaana Lage,' Metro…In Dino is a sequel to Life in a… Metro, which had an iconic soundtrack sung by the legendary KK. Did you feel any pressure stepping into a musical legacy like that. Shashwat: No. It's a matter of respect and not pressure. No one can fill the void KK has left behind. I remember him during every single stage performance of mine and sing a few of his songs because that's how much my band and I admire what he has done in his career. Metro being the mammoth project it is, it definitely holds a lot of importance for me and everyone involved in this project. We always want to do justice to the music we are a part of and 'Zamaana Lage' got so much love from the audience that it makes me happy and proud that my name is a part of this legacy project. Shared post on Time Q: You also lent your voice to 'Sugar Baby', which sparked quite a bit of online debate. When a song faces intense social media scrutiny, how do you personally deal with that kind of attention, both positive and critical? Shashwat: Did it? I don't even know that people had a problem with it. I have four lines in the song. They are fantastic and I had a blast recording the song in Mumbai and Goa on different occasions. Q: You've already worked with some of the most legendary composers and lyricists. But is there anyone, maybe a composer or writer, you haven't worked with yet but dream of collaborating with? Shashwat: Vishal Bharadwaj. I love the sukoon his melodies hold and its best expressed in his own voice. There is a new artiste, Savera, I really enjoy his style. I would want to work on a song with him one day. Q: There's been an ongoing conversation in the industry about lyricists not getting proper credit in song promotions. What's your take on this issue, and what do you think needs to change? Shashwat: Is it? The world I'm in, there the lyricists get proper credits for writing a song and they also get royalties from all of the super hits they write. I know more lyricists with fancy cars and flats than fellow singers. I think every person involved in the creative part of the making of a song should be credited and paid for. Hopefully with ISAMRA and other such bodies, the basics of this industry get fixed soon. Q: Lastly, is there an actor you haven't sung for yet, but would love to? Who's your dream face for your voice? Shashwat: I would love to sing for Shah Rukh Khan. My dream face in the league of actors for my voice would be, Ranbir Kapoor. I have sung for him many times. I feel he is the most gifted one out there when it comes to lip syncing to a song with the right emotions, expressions and even the way he syncs to the breathing of the singer of the song. The truth is, I want to sing for all our superstars.
Hindustan Times
21-06-2025
- Entertainment
- Hindustan Times
12 years of Raanjhanaa: 5 films capturing same chaos of love and obsession
Twelve years ago, on June 21, 2013, Raanjhanaa was released to the public, telling an emotional story of naiveté, obsession, and loss that many could relate to. The film examines the various shades of unrequited love and teenage passion, with Dhanush's explosive Hindi cinema debut, a haunting score by A.R. Rahman, and Aanand L. Rai's grounded directing serving as its anchors. In honour of the film's 12th anniversary, we take a look back at five more films that share the same Raanjhanaa vibe—an intense emotional journey marked by untidy longing and honest vulnerability. Raanjhanaa Stream Bareilly Ki Barfi, Highway, and Piku now on OTTplay Premium— heartwarming journeys filled with charm, self-discovery, and unforgettable characters. As a modern-day adaptation of Great Expectations, Fitoor explores issues of social class and the psychological wounds caused by unrequited love. The film stars Katrina Kaif as the icy, otherworldly Firdaus, and Aditya Roy Kapur plays the role of an artist whose obsession with the eerie Kashmir backdrop and artistic images leads him to fall in love. It tackles the same themes as Raanjhanaa—the way love can turn into an obsession and the trauma that people carry with them into adulthood. Tamasha How can we cope when the pressures of conforming to society stifle our true selves? Two individuals, Ved (Ranbir Kapoor) and Tara (Deepika Padukone), who meet in Corsica and develop feelings for each other's unrestrained selves, are the means through which this is examined in Tamasha by Imtiaz Ali. Similar to Kundan in Raanjhanaa, Ved also grapples with the conflict between conforming and fully embracing life. Romance is depicted in both films as a path to self-discovery rather than merely a romantic pursuit. Cocktail At its heart, Cocktail is about friendship, love, and the hazy space in between. Relationships are unpredictable, as shown in the stories of Meera, Veronica, and Gautam, portrayed by Diana Penty, Deepika Padukone, and Saif Ali Khan, respectively. Similar to Raanjhanaa, it explores the complexities of love and asks if it is ever sufficient on its own. Love is depicted as unpredictable, fragile, and chaotic at times. Manmarziyaan One of the most direct spiritual descendants of Raanjhanaa is Manmarziyaan by Anurag Kashyap. Rumi, played by Taapsee Pannu, is conflicted between Robbie's (Abhishek Bachchan) level-headed wisdom and Vicky's (Vicky Kaushal) impulsive, poisonous love. The film exposes the tumultuous emotional turbulence that frequently characterises contemporary love, thanks to a scathing screenplay by Kanika Dhillon. Vicky is just like Kundan: a real, flawed, and obsessed person. OK Bangaram This Tamil romantic comedy features Dulquer Salmaan and Nithya Menen as a contemporary Mumbai couple negotiating a live-in relationship, and it was directed by Mani Ratnam. The emotional tug of war between commitment and independence is delicately woven into the second half of Raanjhanaa; despite its seemingly lighter tone, OK Bangaram manages to portray this conflict. It's about a love that finds its way through life while holding on to its dreams. Raanjhanaa reflected on more than simply romantic relationships; it also explored themes of sacrifice, identity, and the challenges of first love.
Pink Villa
20-06-2025
- Entertainment
- Pink Villa
'If Deepika Padukone wanted the movie so bad...': Kannappa's Madhoo reacts to actress' exit from Sandeep Reddy Vanga's Spirit
Sandeep Reddy Vanga's Spirit, starring Prabhas, is making headlines even before its production. The movie came under controversy when Deepika Padukone walked out, reportedly due to her demands related to work-life balance and paycheck. Deepika's sudden exit from Spirit sparked a debate in the film industry, with several celebrities sharing their views. Lately, Phool Aur Kaante actress Madhoo Shah has lent her support to the Piku actress. Madhoo backs Deepika Padukone: 'I applaud today's women who question' In a recent chat with News18 Showsha, actress Madhoo talked about Deepika Padukone 's decision to leave Sandeep Reddy Vanga's movie. The actress mentioned that everything in life is negotiable, and it was her personal decision. "I applaud today's women who question, because it makes it easy for the people who are following them. It is not about having conflicts and constantly fighting. Everything in life is negotiation, and one must know their worth," said Madhoo. Soon to be seen in Kannappa, the actress highlighted that Deepika is a new mother, and if she wanted it deliberately, she would have adjusted. Madhoo expressed, "Deepika is a new mother; she needs time, and she asked for it. The person on the other side didn't accept, so that didn't work out. If Deepika wanted the movie so bad, and was willing to make other arrangements, she would have accepted it—but she did not, and that's her personal choice." Deepika Padukone's exit from Sandeep Reddy Vanga's Spirit Reportedly, Padukone had demanded 6 to 8 hours of work per day. She had also asked for a higher salary and a share of the profits. The demands didn't sit well with Sandeep Reddy Vanga, resulting in the Tamasha actress's exit from the project. Vanga later announced that Triptii Dimri would play the female lead opposite Prabhas in the movie. The upcoming cop action drama is currently in the pre-production stage and will be released in 2026. On the other hand, Deepika Padukone signed the Atlee- Allu Arjun movie, which is planned on a budget of around Rs 700 crore. Stay tuned to Pinkvilla for more updates.
