Latest news with #TellMeEverything
Daily Mirror
5 days ago
- Entertainment
- Daily Mirror
'Masterpiece' crime thriller gets exciting update ahead of new season
No official release date has been shared as fans wait news on season 2. Fans of gripping crime dramas are in for a treat as the second series of a much-loved show is on its way. A Good Girl's Guide to Murder, which first hit screens in 2024, quickly became a fan favourite. The plot, based on Holly Jackson's successful novel, revolves around the disappearance and presumed murder of Andie Bell, with her boyfriend being the main suspect. However, years later, Pip, harbouring doubts, embarks on her own investigation for a school project. Now, ahead of the second season, some exciting news has been revealed. The BBC, Netflix, and ZDFneo have announced new cast members joining the second series of this popular drama, along with the return of some familiar faces. Four newly released images provide a sneak peek at Emma Myers (known for her role in Wednesday) reprising her role as Pip Fitz-Amobi, alongside three fresh faces joining the mystery in the upcoming series. While an official release date for the second series remains under wraps, brand new first look images have been unveiled, reports the Manchester Evening News. Misia Butler (KAOS) will be introduced as Stanley Forbes, a peripheral figure in the investigation whose connections might be more significant than they initially appear. Eden Hambelton-Davies (Tell Me Everything) will portray Jamie Reynolds, Connor's brother, a quiet yet well-liked local musician whose sudden vanishing sends ripples through the community. Viewers will also recognise Jack Rowan (Noughts And Crosses) who will take on the role of Pip's new neighbour, Charlie Green. The BBC has tantalised viewers with a glimpse into the next chapter of Pip's life: "After solving the Andie Bell case Pip's world has been transformed by her actions, and not always for the better. Pip is determined to fix the fallout - and stay away from any more investigations. But as Max Hastings' trial approaches, Connor's brother Jamie suddenly disappears and Pip finds herself in a race against time to find him." They added: "This new mystery will take Pip to unexpected places as she struggles with the idea of justice, straying even further from the 'good girl' she once was." The second series will feature new talents such as Anna Brindle (The Outs), Peter Sullivan (Around The World In 80 Days), Freddie Thorp (Fate: The Winx Saga), Lu Corfield (The Crow Girl), Stephanie Street (Breathtaking) and Freddie England. These newcomers join the established ensemble from the first series, including Zain Iqbal (Death, Whatever!), Henry Ashton (My Lady Jane), Asha Banks (My Fault: London), Yali Topol Margalith (The Tattooist of Auschwitz), and Jude Morgan-Collie (Here We Go). The show continues to captivate audiences, with glowing reviews still coming in. A fan exclaimed: "FIVE STARS! ! ! As someone who has read the entire trilogy and fell in love with its well-rounded characters, cozy setting, and carefully crafted plot so fast, it's safe to say that my expectations for the show were quite high." Another viewer praised: "An absolutely stunning story that follows the book perfectly, the acting cast was perfect and on the dot. Absolute masterpiece!" A Good Girl's Guide to Murder is available to stream on Netflix and BBC iPlayer.
Hindustan Times
6 days ago
- Entertainment
- Hindustan Times
A Good Girl's Guide to Murder Season 2: First look at Emma Myers' return as Pip revealed
The second season of A Good Girl's Guide to Murder is officially on the way, and fans are getting their first look at Emma Myers back in action as Pip Fitz-Amobi. On Monday, BBC, Netflix and ZDFneo revealed fresh casting details and a preview of what's ahead for the teen sleuth in season two. Emma Myers, best known for her breakout role in Wednesday, returns as Pip in the new season. Myers, best known for her breakout role in Wednesday, returns as Pip in a new chapter of the hit series adapted from Holly Jackson's bestselling novels. After cracking the Andie Bell case in season one, Pip's world has changed – and not entirely for the better. Also read: Emily in Paris season 5 to begin shooting in Venice in August: Report New characters shake up the small town of Kilton Several new cast members are set to join the unfolding drama. Misia Butler (KAOS) will play Stanley Forbes, while Eden Hambelton Davies (Tell Me Everything) appears as Jamie Reynolds, the missing brother of Connor (played by returning star Jude Morgan-Collie). Also joining the cast is Jack Rowan (Noughts and Crosses) as Charlie Green, Pip's new neighbour who becomes entangled in the chaos surrounding her latest case. Additional new faces include Anna Brindle (The Outs), Peter Sullivan (Around The World In 80 Days), Freddie Thorp (Fate: The Winx Saga), Lu Corfield (The Crow Girl), Stephanie Street (Breathtaking) and Freddie England. They'll appear alongside returning actors from season one, including Zain Iqbal, Henry Ashton, Asha Banks, Yali Topol Margalith and Morgan-Collie. Plot hints at darker themes as Pip is drawn back in Season two picks up after Pip's explosive investigation into Andie Bell's murder. But despite her resolve to stay out of trouble, she finds herself pulled into another mystery when Jamie Reynolds vanishes ahead of Max Hastings' upcoming trial. 'Pip is determined to fix the fallout,' the official synopsis reads, 'and stay away from any more investigations. But as Max Hastings' trial approaches, Connor's brother Jamie suddenly disappears and Pip finds herself in a race against time to find him.' As the case unfolds, Pip's beliefs about justice are challenged, and her journey leads her further from the 'good girl' persona she once clung to. A breakout success, now going global A Good Girl's Guide to Murder was a breakout hit when it premiered in summer 2024, becoming BBC iPlayer's top title among 16–24-year-olds and marking the highest-rated drama on BBC Three since its relaunch. Season two was commissioned by the BBC's Lindsay Salt and Fiona Campbell and is produced by Moonage Pictures (an ITV Studios company) for BBC iPlayer and BBC Three, in co-production with Netflix and ZDFneo. BBC Studios is handling international sales. The new season will debut on the BBC in the UK and on Netflix in most territories outside the UK and Ireland. In Germany, it will stream on ZDFneo, and in Australia, on Stan. FAQ: 1. Is there a season 2 of A Good Girl's Guide to Murder? Yes, season 2 is officially confirmed and will premiere on the BBC, with global streaming available on Netflix and ZDFneo. 2. Who actually killed Andie? In season one, it's revealed that Andie Bell was killed by Mr. Ward, her teacher, who tried to cover up the crime. 3. Is there a second part to A Good Girl's Guide to Murder? Yes, season 2 continues Pip's story as she investigates a new disappearance tied to unresolved events from season one. 4. What is the plot of A Good Girl's Guide to Murder 2? The second season follows Pip as she gets drawn back into a mystery when Connor's brother Jamie disappears just before Max Hastings' trial.
Korea Herald
05-07-2025
- Entertainment
- Korea Herald
Summer reads: What we are reading at The Korea Herald
Here are some summer reading recommendations from The Korea Herald. Kim Hoo-ran Culture desk editor "Tell Me Everything" by Elizabeth Strout Many of the main characters in Elizabeth Strout's previous novels converge in "Tell Me Everything,' the Pulitzer-winning writer's latest book. While the book starts with a declaration that this is the story of Bob Burgess, a lawyer inhabiting many of Strout's works, 'Tell Me Everything' takes its time, meandering through seemingly disparate episodes and memories before those little 'diversions' all come together to tell a shocking story. The narrator observes the characters closely from a distance with cool detachment. There is a no-nonsense, straight-to-the-point, terse tone to the novel that may have something to do with Maine, the setting of this and many other Strout novels. All of Strout's 10 books feature main characters who reappear in successive works, either independently or together, interacting at some level. A summer vacation might be an opportune time to read the author's other novels, all a study in relationships. Lee Sun-young Content desk editor "The Hole" by Pyun Hye-young 'The Hole' follows Ogi, a once-successful professor whose life is shattered by a car accident that kills his wife and leaves him almost completely paralyzed. With only his eyes to make sense of the world, he is at the mercy of his increasingly sinister mother-in-law. The novel builds an eerie, claustrophobic atmosphere, leaving much unsaid, which is exactly what makes it so unsettling. Now is an especially good time to read this book, as director Kim Jee-woon, known for his masterful work in 'I Saw the Devil,' 'The Age of Shadows,' and 'A Tale of Two Sisters' is currently developing a film adaptation in collaboration with a Hollywood production team. Park Ga-young Culture desk reporter "The Longest Night" by Luly This book by Luly, the winner of the 21st Munhakdongne Children's Literature Award, is written for children but resonates with a much wider audience, making it a perfect choice for the entire family. While children will find the story cute and captivating, adults may find themselves moved to tears by its tender portrayal of love and the bond between unlikely friends. The book follows Noden, the last white boulder rhinoceros, and a young penguin hatched from an abandoned egg, as they embark on a poignant journey across the desert in search of the sea, facing countless challenges. With its engaging narrative and warm illustrations, it is also an excellent resource for Korean learners looking for a book that is both accessible and rich in storytelling. An English edition is currently in preparation. Shin Ji-hye Content desk reporter "Nexus: A Brief History of Information Networks from the Stone Age to AI" by Yuval Noah Harari Bestselling historian Yuval Noah Harari takes us on a fast-paced journey through the history of how humans share and spread information. Harari's main point? Information is not just about truth — it's about connection. For thousands of years, humans have bonded over stories and these shared beliefs helped build tribes, religions, nations and empires. Whoever controlled the flow of information usually held the power. Now, it is not just humans telling the stories. AI is starting to decide what we read, watch and believe — and that could change everything. The real danger, Harari says, is not just that robots might take our jobs or go rogue. It is that we might lose our ability to shape our own stories — and with it, our sense of meaning and freedom. Kim Jae-heun Culture desk reporter "Media Technology, Emerging K-pop" by Lee Jong-im The COVID-19 pandemic changed how we connect, and this book dissects the role media and pop culture played in bridging isolation. From K-pop's explosive global presence to the rise of fan-targeted digital platforms, the book explores how intimacy between singers and fans has increasingly become a commodity. With sharp insight, the author traces how technology, once a tool for emotional connection, now drives hyper-commercialized fandom culture. A compelling read for those curious about the evolving dynamics of pop culture, technology and emotion in a post-pandemic world. Hong Yoo Culture desk reporter "Educated" by Tara Westover "Educated" is a powerful memoir by Tara Westover, who was born to survivalist parents in rural Idaho and grew up isolated from mainstream society. Denied formal education for much of her childhood, Westover taught herself enough to be admitted to Brigham Young University, eventually earning a doctorate from Cambridge. Her story is one of resilience, transformation, and the complex ties of family and identity. Told with raw honesty and poetic insight, the memoir challenges ideas of truth, learning and self-invention. With ongoing conversations around misinformation, ideological divides and the value of education, "Educated" remains as urgent and relevant as ever. Westover's journey reminds us of the power of learning not just to inform, but to liberate. Park Yuna Culture desk reporter 'Recipe for Daughter' by Gong Ji-young Korean novelist Gong Ji-young tells her daughter how she gets by in life by sharing 27 recipes woven with her own stories. Her recipes are never difficult to follow — such as bulgogi rice bowl, aglio e olio pasta, apple pie, spinach salad, tenderloin steak and bean sprout soup to cure a hangover. Whenever I need comforting, I open this book and randomly choose a recipe I am drawn to. Let's say it's an apple pie — prepare thinly sliced apples and spread evenly in a gratin dish. Sprinkle over ground cinnamon and crumble mixture by combining flour, butter and sugar. Bake in a preheated oven at 220 degrees Celsius for 15 minutes. 'As you gently blow on a hot bite of apple pie and take your first sip of warm tea, you will find yourself thinking — Oh! something good is going to happen to me!' the author writes to her daughter. Park Jun-hee Culture desk reporter "The Defining Decade: Why Your Twenties Matter — And How to Make the Most of Them Now" by Meg Jay My transition from being a teenager to my 20s was a big leap — from a student who sat in the very first row of the classroom to someone diving into self-discovery, exploring various career paths, trying to build a foundation for the future and even thinking about finding a partner to share it all with. Since much of our 20s are often a whirlwind of change, marked by uncertainty, an in-between feeling of not quite being a kid but not fully an adult either, the book offers 20-something readers something to think about their age. Hwang Dong-hee Culture desk reporter "The Age of the Filiarch" by Ysra (Lee Seul-ah) Author Lee Seul-ah introduces a brand-new type of family in her refreshingly original debut novel 'The Age of the Filiarch' — not a patriarchy, not a matriarchy, but a filiarchy — a made-up term from filia (Latin for 'daughter'), where daughters run the household. Sharp, witty and delightfully playful, this autobiographical novel follows a girl born into a family ruled by her grandfather. But over time, she rises to become the head of the house -- through her writing. She founds an indie publishing company, employing two people: her mom and dad. As the family's main breadwinner, she becomes both the financial and emotional center of gravity, sparking a quiet domestic revolution that's equal parts subversive and charming. Can this daughter-led transformation bring happiness to all? The novel made waves upon release, with English translation rights already sold. Lee is also set to make her screenwriting debut with a drama series adaptation currently in development. Lee Jung-youn Culture desk reporter 'Why Fish Don't Exist' by Lulu Miller The book begins with science but gracefully transforms into a warm, personal exploration of how to love oneself. Blurring the lines between novel, essay and scientific thesis, the book transcends genre and theme. Tracing the life of 19th-century scientist David Starr Jordan, the author uncovers both the brilliance and the dark contradictions of his work. As the story unfolds, it becomes clear that the journey is less about Jordan and more about the insights the author gains along the way. While the question in the title can be answered scientifically, the true meaning of the book lies beyond logic. It challenges the way we categorize the world for convenience, suggesting that such classifications may be arbitrary. It urges us to reconsider the boundaries we impose on ourselves and others, and offers the comforting idea that meaning can emerge from even destruction and loss. Lee Yoon-seo Culture desk reporter "Dopamine Nation" by Anna Lembke We've never lived in a time of such constant, instant gratification — driven by social media, binge-watching, online shopping and more. In "Dopamine Nation," psychiatrist and addiction expert Dr. Anna Lembke delivers a timely message about the risks of living on autopilot in this age of overindulgence. Blending neuroscience with real patient stories, she reveals how leaning into discomfort rather than avoiding it. This can help us feel more grounded, present and fulfilled. With practical strategies such as dopamine fasting and finding meaning through moderation, this book is a useful guide for anyone feeling lost in compulsive habits and searching for a more intentional way to live. Moon Ki-hoon Culture desk reporter "How Democracies Die" by Daniel Ziblatt and Steven Levitsky Skipped this when it first dropped in 2018 — a big mistake. Picked it up after Trump's comeback, and it turns out these Harvard professors were actually being optimistic. The authors warn that democratic backsliding often begins when voters see opponents not as rivals but as existential threats, and, in doing so, willingly vote away democracy itself. The biggest insight here is that democracies rarely fall to dramatic coups; more often, they erode from within, as elected leaders slowly dismantle norms and institutions. Feels like parts of the free world have already speed-run past some of the worst-case scenarios. Essential reading for understanding how we got here.
Chicago Tribune
04-07-2025
- Entertainment
- Chicago Tribune
Heidi Stevens: On long list of things being cut, art may seem inconsequential. It's not
In the past few months I've traveled to an extravagant, loveless wedding on the coast of Rhode Island, a midsize prep school outside Boston, a long, awful, gorgeous goodbye between two soulmates inside Graceful Shepherd Hospice, a retirement community in Maine, a beach-town rental on Cape Cod and a whole bunch of spots in Los Angeles, both gritty and glamorous. Not in person, obviously. All of my actual travel revolves, happily, gratefully, around my son's lacrosse team and my daughter's college schedule. My mind, on the other hand, travels (also happily, gratefully) in books. 'The Wedding People' by Alison Espach; 'Prep' by Curtis Sittenfeld (an oldie I was late to); 'We All Want Impossible Things' by Catherine Newman (one of the best books I've ever read); 'Tell Me Everything' by Elizabeth Strout; 'Sandwich' also by Catherine Newman; and 'The Seven Husbands of Evelyn Hugo' by Taylor Jenkins Reid, most recently. Stories are magic. They introduce me to new people and let me live in their heads and learn from their heartbreak and humor and terrible decisions and wisdom and fears and triumphs. Stories make my world bigger. They complicate easy narratives. They shrink my blind spots. They remind me to hope. 'The Sum of Us' by Heather McGhee taught me more about the United States than a lifetime of history classes. 'Mercy Street' by Jennifer Haigh gave me an entirely new lens through which to view reproductive rights. I think about 'A Heartbreaking Work of Staggering Genius' by Dave Eggers at least once a week. Books do that. Art does that. And it is, like so many things that sustain us, under attack right now. Hundreds of arts groups across the country received notice that their National Endowment for the Arts grants were being withdrawn or terminated in May, the same day President Donald Trump called for eliminating the NEA altogether, as well as the National Endowment for the Humanities and the Institute of Library and Museum Services. It would be tempting to write this off as a minor outrage in the grand scheme of outrages unfolding right now. The budget bill that passed Thursday slashes Medicaid, Affordable Care Act and rural hospital funding, earmarks $45 billion for migrant detention facility beds, rolls back clean energy projects and adds at least $3.3 trillion to the national debt over the next decade. Among other things. But if the first six months of this administration have taught us anything, it's that we can be appalled by more than one thing simultaneously. And a society that doesn't cultivate and support and sustain art is an appalling thought. Art matters. It connects us. It softens us. It moves us. 'Everyone — no matter their belief system or politics — deserves art,' Anne Helen Peterson wrote in her July 2 newsletter. 'You deserve art you love and you deserve art that pisses you off and you deserve art that makes you think. 'We also deserve art,' she continued, 'that's not subject to the whims of capitalism or individual taste; if we only fund art that's pleasing or inoffensive, we end up with a bleak art world composed of Justin Timberlake's 'Can't Stop the Feeling' from the 'Trolls' soundtrack on repeat forever.' Which would not only be deeply unpleasant, it would stunt our growth. Rebecca Makkai, author of the phenomenal, Pulitzer Prize finalist 'The Great Believers,' wrote a stirring defense of the arts on the same day as the $40 million, taxpayer funded military parade in Washington, D.C. It was headlined, 'Your Kid's Art Class is Paying for This Parade.' 'It's not as if there's a trail of crumbs straight from the NEA cuts to this parade,' Makkai wrote. 'But when your priority is to defund the things that give people a voice and to fund the things that scare people into silence, it's hard not to see them as two sides of one coin.' Precisely. Makkai, as it happens, is one of the authors whose name appeared on an AI-generated summer reading list published in a handful of major newspapers recently. The list, which had no byline, recommended 15 new titles, only five of which actually exist. My book- and newspaper-loving heart shattered a little bit that day. There's an awful lot working against our humanity right now. But there are so many reasons to defend it. There are so many reasons not to give in — to cruelty, to fear, to lazy thinking, to shortcuts that take us to dark places. Art narrates those reasons. Art illuminates those reasons. Art creates empathy. And it's hard to think of a more precious, endangered resource than empathy right now.
Yahoo
20-06-2025
- Entertainment
- Yahoo
Two new documentaries show what it takes to make it to the top of the media industry
– To the top. At the Tribeca Film Festival in New York last week, two new documentaries aired that, while wildly different, had something in common. Barbara Walters: Tell Me Everything and Call Her Alex, the two-part documentary about podcaster Alex Cooper now streaming on Hulu, both showed what it took to get to the top of the male-dominated media business—in two very different eras. Tell Me Everything traces the story of Barbara Walters, the first woman to co-anchor an evening news program in the U.S. She made her debut in that role on ABC in 1976, breaking the hardest glass ceiling for women in journalism and television. The film by director Jackie Jesko follows the barriers Walters continued to break, from her famous celebrity sitdown interviews to her late-in-life reinvention on The View, alongside her personal struggles. While she married, divorced, and had a child, her personal life often suffered, the documentary observes. 'Her job was the love of her life,' one talking head says on camera. 'She was an incredibly ambitious woman who loved the work, loved being on TV, she loved the thrill of the chase, she loved the competition,' says Jesko. 'She got a lot of joy out of it—and it doesn't always have to be a huge personal life that brings someone joy.' Jane Rosenthal, the cofounder and CEO of the company behind the Tribeca Film Festival, adds: 'We grew up with her—and you didn't realize what she was really doing as a woman, that she was the only woman in the room, the kind of fights that she had to have.' Still, other era-defining women in media, including Oprah Winfrey and Katie Couric, reflect in the documentary about how seeing Walters' path influenced their own choices. Couric says she knew she didn't want to sacrifice her family life for her career, after seeing Walters. Which brings us to the next Tribeca documentary. Alex Cooper, the host of Call Her Daddy and media mogul behind the Unwell network, has often been called the millennial or Gen Z Oprah. In Tell Me Everything, Winfrey remembers watching Walters to learn how to succeed as an on-air journalist. Without Barbara, there would be no Oprah. And without Oprah, there would be no Alex. Cooper built Call Her Daddy within Barstool Sports, another overwhelmingly male-dominated media company. Her new documentary traces her upbringing, an experience of sexual harassment in college that she now says motivated her to never be silenced again, and the rise of her podcast. Several decades after Walters' career, Cooper doesn't have to make the same trade-offs that Walters did. Her husband is her business partner. While Walters struggled with private insecurity about her appearance, another topic of Tell Me Everything, Cooper shares her most personal experiences and challenges with her audience. 'She didn't just build an audience, she built a movement,' Rosenthal said while introducing Call Her Alex. Rather than being beholden to someone else's platform—like a television network—Cooper has been able to build her own. Despite all these obvious differences, watching the films back-to-back, it's clear Cooper and Walters have a lot in common. 'I'm a competitive mother*******,' Cooper says. 'I'm hard on myself.' As much as the media industry has changed—the drive it takes to get to the top hasn't. Emma The Most Powerful Women Daily newsletter is Fortune's daily briefing for and about the women leading the business world. Today's edition was curated by Nina Ajemian. Subscribe here. This story was originally featured on
