Latest news with #Tenet
Wales Online
10 hours ago
- Entertainment
- Wales Online
Prime Video adds sci-fi thriller that's odd mix of Inception and Fight Club
Prime Video adds sci-fi thriller that's odd mix of Inception and Fight Club Some fans have been left stunned by the Ben Affleck film Hypnotic trailer Prime Video's latest addition is an 'preposterous' action thriller that has left some viewers astounded with its 'mind blowing' conclusion. The film, titled Hypnotic, is now accessible for streaming on the retailer's service, and it's crucial not to confuse it with a different movie of the same name that's exclusively available on Netflix; they're entirely separate works. Distinctive on Amazon's premier subscription platform is the version starring Ben Affleck in the central role. In this thrills-packed narrative, Affleck embodies Detective Danny Rourke, a man on a relentless search for his vanished daughter. As Rourke delves into a sequence of reality-altering crimes, he embarks on a descent down a metaphorical rabbit hole. Teaming up with Diana Cruz, a supremely talented psychic, he faces both the hunt and the haunting by a deadly phantom – the singular individual he surmises to hold the clue to locating his child. The film is described as an unusual mix of Inception and Fight Club (Image: Ketchup Entertainment ) The cinematic piece has garnered comparisons to a bare-bones version of Inception by fans and critics alike, with noted movie reviewer Mark Kermode proclaiming it 'preposterous' from beginning to end, reports Surrey Live. Article continues below Another retrospective opinion on the 2023 flick reads quite differently: "(The film) channels the energy of Inception, Tenet, even Now You See Me to some extent. It's far from Affleck's highest-rated movie, that's for sure, but it's brilliantly trippy and I thought it was a good dash of fun." The film has found some supporters among viewers, with one arguing that it showcases an original concept with a unique delivery style, drawing comparisons to films like Inception and Fight Club. They commented: "The idea was somewhat original, especially in its delivery. It's similar to Inception with twists like Fight Club. This film was entertaining, it holds your attention, although some people will guess the plot twist from the beginning but it keeps you guessing." Get Prime Video free for 30 days This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more £8.99 £0 Amazon Get Prime Video here Product Description TV lovers can get 30 days' free access to tantalising TV like The Boys, Reacher and Clarkson's Farm by signing up to Amazon Prime. Just remember to cancel at the end and you won't be charged. Another fan shared a similar sentiment, praising the movie as a gripping thriller that culminates in a mind-blowing climax. They wrote: "Hypnotic is a gripping thriller with a mind blowing climax. I was pleasantly surprised. From the very first scene, the film grabbed my attention and refused to let go. Affleck delivers a compelling performance, effectively conveying a range of emotions that resonated with me. The antagonist, despite limited screen time, makes a significant impact, leaving a lasting impression." This viewer further commended the climax, saying: "The true highlight of the film, however, is the climax. The final 20 minutes are filled with twists and turns that completely blew my mind. I was left eagerly anticipating a potential sequel. Hypnotic is a thrilling ride that I highly recommend to anyone who enjoys suspenseful cinema." Many fans praise the film's ending (Image: Ketchup Entertainment ) Article continues below Additionally, another viewer expressed their surprise at how much they enjoyed the film, stating: "I expected this to be mediocre because I didn't hear much about it when it was released. I decided to watch it because I think Ben Affleck is probably an underrated actor. "At the end of the day it was a good thriller. It held my attention. It is suspenseful and very good acting, and the female lead , Alice Braga is also an excellent actress. I would recommend this film to anybody. Surpassed my expectations." Hypnotic is streaming on Prime Video.
Arabian Post
2 days ago
- Business
- Arabian Post
TIME100 Most Influential Company G42 Partners with Tenet for Comprehensive Brand Rollout and Landmark Supercharged Event
Award-winning global design, branding and growth marketing agency Tenet spearheads comprehensive brand rollout for global AI leader G42, marking a major milestone with the spectacular Supercharged 2025 event that showcased the historic US-UAE AI Campus announcement. Abu Dhabi, UAE — July 01, 2025 – Tenet, a globally recognized branding and growth marketing agency, today announced a major milestone in its comprehensive brand rollout partnership with G42, the UAE-based artificial intelligence powerhouse recently named to TIME's prestigious 100 Most Influential Companies of 2025. ADVERTISEMENT The partnership reached a defining moment with the flawlessly executed Supercharged 2025 event on June 25 at ADNEC, Abu Dhabi, where G42 convened its global ecosystem to explore the most urgent questions and boldest possibilities of the AI-enabled world. Elevating a Global AI Leader's Brand on the World Stage As artificial intelligence reshapes the global economy and society, G42 has emerged as a defining force in responsible AI development. The company's inclusion in the TIME100 Most Influential Companies list recognizes its pivotal role in advancing AI infrastructure globally, including the groundbreaking US-UAE AI Campus—a 5-gigawatt facility spanning 10 square miles in Abu Dhabi, unveiled in the presence of UAE President His Highness Sheikh Mohamed bin Zayed Al Nahyan and US President Donald Trump. Shantanu Pandey, Founder and CEO of Tenet, reflected on the partnership's significance: 'Working with a TIME100 company that's literally building the future of AI infrastructure is both a privilege and a responsibility. G42's vision to power responsible, inclusive AI for humanity required a comprehensive visual language and brand experience that could match the scale of their ambitions. From the smallest digital asset to the grand environmental design of Supercharged, every element needed to reinforce their position as a global AI leader.' From Strategic Vision to Spectacular Execution Tenet was entrusted with executing G42's comprehensive brand rollout across every conceivable touchpoint. This ongoing initiative encompasses: Complete visual identity implementation across physical and digital environments Digital asset creation for internal and external communications Environmental design and sophisticated wayfinding systems Event visual ecosystem design for Supercharged 2025 Brand design elements spanning from corporate communications to experiential touchpoints The Supercharged event served as the perfect platform to showcase G42's most significant achievements, including their partnerships with OpenAI, Oracle, NVIDIA, SoftBank Group, and Cisco for the Stargate UAE project – a next-generation AI infrastructure cluster that will provide best-in-class infrastructure and nation-scale compute capabilities. Where Visionary Content Meets Flawless Visual Execution Supercharged 2025 wasn't just another tech conference – it was a demonstration of how strategic design thinking can amplify the most important conversations of our time. The event featured: Virtual keynote by OpenAI CEO Sam Altman on the future of artificial intelligence and global collaboration High-level participation from technology leaders including Microsoft's Vice President Immersive showcases from G42's portfolio companies spanning molecular biology to space exploration Panels exploring critical domains including energy transitions, healthcare breakthroughs, sovereign cloud infrastructure, AI governance, and digital trust Introduction of G42's 'Intelligence Grid' concept powering responsible AI development Every visual element – from immersive wall designs to sophisticated stage backdrops – worked in harmony to create an environment where groundbreaking ideas could unfold naturally. The production quality was stunning, but more importantly, it was purposeful, reinforcing G42's commitment to building a better future through artificial intelligence. 'What made Supercharged extraordinary wasn't just the scale of announcements or the caliber of speakers—it was the collaborative spirit that permeated every aspect,' added Shantanu Pandey. 'The visual design worked seamlessly with the content, the technology served the message, and every detail reinforced G42's commitment to inventing a better everyday through AI.' Also published on Medium. Notice an issue? Arabian Post strives to deliver the most accurate and reliable information to its readers. If you believe you have identified an error or inconsistency in this article, please don't hesitate to contact our editorial team at editor[at]thearabianpost[dot]com. We are committed to promptly addressing any concerns and ensuring the highest level of journalistic integrity.
Buzz Feed
2 days ago
- Entertainment
- Buzz Feed
Christopher Nolan's 'The Odyssey' Has A Wildly Stacked Cast, And My Inner Film Nerd Is Screaming
Okay, I'm already spiraling and the movie isn't even out yet. Over the past few months, Christopher Nolan has been slowly assembling the cast for his next project, The Odyssey —and if you're anything like me (aka someone who's still emotionally wrecked from Cooper crying out "Murph" in Interstellar), this already feels like a big deal. We're talking Tom Holland and Zendaya reuniting on screen (!!!), and Matt Damon looking like he just emerged from a wilderness survival show. Nolan hasn't revealed much—because of course he hasn't—but the whispers are already enough to make any Nolan girlie (MEEE) lose her mind just a little. But before we spiral any further, let's take a look at this absolutely stacked cast. So far, 19 cast members have been announced—yes, you heard that right. Nineteen. While not all their roles have been revealed yet (classic Nolan mystery mode), we do know that Matt Damon is stepping into the role of Odysseus and Tom Holland will be playing Telemachus. Just that duo alone is enough to make my brain short-circuit, but wait, there's more. We're also getting Zendaya, Anne Hathaway, Robert Pattinson, Lupita Nyong'O, Charlize Theron, Jon Bernthal, Benny Safdie, Himesh Patel, Elliot Page, Bill Irwin, Samantha Morton, John Leguizamo, Cosmo Jarvis, Mia Goth, Corey Hawkins, Will Yun Lee, and Jesse Garcia. Like… how is this even real? +11 A few stars have started to drop little hints, and yes, we're clinging to every word. Jesse Garcia, fresh off Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip, told Cinemablend that the movie is 'huge' in every sense of the word. In his words: 'It's epic on all aspects. It's huge. There's gonna be a lot of stuff in this movie that hasn't been captured on film before. So it's gonna be a spectacle.' Matt Damon has finally said something about The Odyssey, and while it's short, it's very on brand. Per The Hollywood Reporter, when asked about the film, he simply said: 'I literally have an odyssey in front of me.' Classic Damon. He didn't spill any plot details, but that one line is doing a lot. Given Nolan's track record of going big— Interstellar, Tenet, Oppenheimer —and Damon's history of surviving space and war under Nolan's direction, we know this is going to be massive. John Leguizamo recently dropped a behind-the-scenes nugget in an interview on MSNBC's Morning Joe. He said: 'Dude, you know the thing is, okay he's got a crazy budget, it's not small, but he runs like an indie film because he's not doing it by committee, he's not doing it by what the studio says.' So basically: massive budget, but full creative control? Only Nolan could make a giant studio epic feel like a passion project. That's all we know for now, but if history's any indication, Nolan's about to break our brains (and possibly our hearts) in the best way possible. The Odyssey is set to hit theatres on July 17, 2026, and yes, I've already marked my calendar, cleared my schedule, and emotionally prepared myself for another round of existential crisis. See you in line.
Indian Express
5 days ago
- Entertainment
- Indian Express
F1: Brad Pitt, Joseph Kosinski reminds what going to the movies is all about
In a world too eager to draw lines between 'cinema' and 'content,' there's something liberating about watching a film that unapologetically blurs them. F1: The Movie is that film. It screeches into the cultural conversation like a perfectly timed overtake — sleek, loud, emotionally resonant, and utterly commercial. But most importantly, it reminds us why we fell in love with going to the movies in the first place. Yes, it's a popcorn flick. But perhaps, it's time we act as if it's a bad thing. There's a particular kind of snobbery that often trails behind the phrase 'popcorn movie.' It suggests something frivolous, temporary, even intellectually disposable. As if real cinema can only happen in quiet conversations, long takes, or prestigious festival halls. But anyone who's ever clutched their armrest during a climactic car chase or felt goosebumps rise as the score swelled in a packed auditorium knows that what commercial cinema offers is no less sacred. As I walked out of my IMAX show of F1, heart racing, breath caught somewhere between awe and adrenaline, I was entertained, sure, but I was also revived. It was a visceral reminder that spectacle, when done with care and vision, is not the enemy of art. It is art. When we talk about blockbusters – real, heart-thumping, stadium-filling blockbusters – we have to start with Tom Cruise. The man has never pretended to chase awards. The Academy's recent decision to honour him with a career-first Honorary Oscar is less about a golden statue and more a belated acknowledgment of something much bigger: Cruise doesn't just make movies. He fights for them. He was one of the first global stars to urge people back to theatres when the COVID-19 pandemic was at its peak –– even flying to London to support Christopher Nolan's Tenet. That was less about promotion and more about preservation. Cruise, more than a star, has always been a patron of the big screen. His last major commercial success, Top Gun: Maverick, was described by Spielberg as the film that 'saved Hollywood's a**.' That wasn't hyperbole, it was history. But Cruise didn't do it alone. Director Joseph Kosinski, who returned after the elegant dogfights of Maverick, now turns his eye to the tarmac. In F1, Kosinski cements his place as the next great architect of big-budget cinema –– one who understands that spectacle without soul is just noise. Kosinski doesn't just choreograph speed, he composes with it. His action sequences aren't stitched together in the edit, they're scored like symphonies. There's rhythm. Tension. Payoff. Somewhere along the way, 'popcorn movie' became shorthand for something unserious. But what if that label isn't an insult, but an invitation? I've argued against this kind of cinema myself. I've scoffed at Minecraft making millions. I've raised eyebrows at Animal dominating the box office. But then, F1 hit me like a memory I didn't know I'd misplaced. It brought me back to Ta Ra Rum Pum, a racing drama that might not rank high in Bollywood's pantheon but, for me, was where it all began. I rooted for Saif Ali Khan's RV. I sang the title track. I felt something. Maybe I've always had a thing for racing films. Or maybe racing films just know how to tap into something primal: motion, momentum, meaning. There is a strange, beautiful alchemy that happens in a dark theatre. The communal gasps. The silence that falls before the final lap. The vibration of engines that you feel in your ribcage. That can't be replicated on a phone. It's not supposed to be. F1 is a reminder of why we gather in the dark –– why we still need those towering screens and that cavernous sound, and why the theatrical experience isn't dead, just dormant, waiting for the right ignition. And F1 is nothing if not a push-start for cinema. Let's retire the old dichotomy: that art belongs at Cannes and commerce belongs at the box office. History has proven otherwise. From Jaws to Titanic, The Dark Knight to Avatar, and now Maverick to F1—blockbusters can have brains, and heart, and soul. F1 doesn't just make the case for popcorn movies. It makes them personal again. It proves that emotional depth and mass appeal aren't contradictions—they're co-drivers. Beneath the rubber, the smoke, the turbocharged glitz, there's philosophy. Time. Obsession. Mortality. A meditation on the human need to chase, to risk, to move. Blockbusters like F1 don't dumb us down. They lift us up. They unite us, move us, and yes, sell us popcorn. And maybe – just maybe – that's exactly what movies are meant to do.
India.com
5 days ago
- Entertainment
- India.com
THIS Panchayat Season 4 Star Almost Bagged Christopher Nolans Film But Lost It After Audition, She Is...
2 / 6 Veteran actor Neena Gupta from Panchayat Season 4 is the very actor who almost landed a role in Christopher Nolan's film. Yes, you read that right! Known for her striking contribution to Bollywood and international cinema, did audition for a role in the Hollywood film Tenet, directed by Christopher Nolan. She auditioned in Los Angeles for the role of Priya Singh, but ultimately, the part went to someone else. Neena Gupta Hollywood Films: She has apperared in several international films, including Gandhi (1982) and Merchant Ivory productions like The Deceivers (1988), In Custody (1993), and Cotton Mary (1999).
