Latest news with #TexasChainSawMassacre
Daily Record
02-07-2025
- Entertainment
- Daily Record
Pirates of the Caribbean star Bob Elmore dies aged 65 as co-stars pay tribute
Texas Chain Saw Massacre and Pirates of the Caribbean actor Bob Elmore has sadly died aged 65. Actord and stuntman Bob Elmore has sadly died aged 65. The Chainsaw Massacre star's death was announced by his co-star Caroline Williams. She shared the news n social media, writing: "My dear Bob Elmore has passed..." Elmore starred as the Executioner in Pirates of the Caribbean: At World's End, having also worked on Pirates of the Caribbean: The Curse Of The Black Pearl, reports the Mirror. His cause of death has not yet been confirmed, but he had been booked into work next year. Horror Realm Convention confirmed that he was booked for 2026 writing on Facebook: "Awful news coming out that Bob Elmore has passed away. "We were fortunate to have him as a guest at Horror Realm a few years back. He was actually booked for 2026 but we have not announced any guests yet. We are sorry we won't have a chance to be with him one more time. Our condolences to Bobs family. R.I.P. Bob." We'll be bringing you the very latest updates, pictures and video on this breaking news story. Get all the big headlines, pictures, analysis, opinion and video on the stories that matter to you.
Daily Record
30-06-2025
- Entertainment
- Daily Record
'Most disturbing horror movie of all time' based on true events now available to stream
The Texas Chainsaw Massacre is often considered to be one of the most disturbing horror movies of all time - and it's now available to watch on Amazon Prime for those brave enough Decades after its initial release, the divisive horror film 'The Texas Chainsaw Massacre' is now available for streaming, igniting fiery debates among viewers. While some label it a "nightmarish" masterpiece, others take serious issue with its content. Shockingly, since its 1974 debut on the big screen, 'The Texas Chainsaw Massacre' – an indie flick masterminded by Tobe Hooper and Kim Henkel – continues to provoke sharp divisions within the horror community. Drawing inspiration from the chilling true-crime exploits of Ed Gein, the film has gained a notorious reputation for its ghastly murders and grizzly collection of human souvenirs. Its promotional hook claimed it was based on 'true events', enticing audiences into cinemas with the hope of delivering more than your average fright. The intention was to mirror the turbulent political atmosphere of the 70s, but the film largely became infamous for eliciting sheer terror among viewers. Following a troupe of friends embarking on a trip to an ancestral property, they soon encounter deranged psychopaths. Each friend becomes a grotesque target, meeting their ends through barbaric means, including – as the title unambiguously suggests – a chainsaw, reports the Mirror US. A viewer expressing their opinion on Rotten Tomatoes remarked: "The Texas Chain Saw Massacre is a gripping, visceral experience that captures the raw realism of arthouse cinema. It's terrifying in its authenticity, drawing unsettling parallels between the treatment of animals and the victims in the film." One movie buff reviewed it online: "An absolutely amazing slasher film, especially for the time it was made in. The way this movie is shot feels like a documentary; it feels very authentic and real, which adds to the horror a lot more. "However, some of the scare does get taken away from the movie because of how goofy the Sawyer family is, which adds a little bit of comedy, but there's nothing wrong with that for me. Really good movie. 10/10." Despite facing bans across numerous countries and being pulled from several cinemas following audience complaints over extreme violence, The Texas Chainsaw Massacre has carved its name into horror history, spawning a franchise that includes sequels, remakes, comics, and even video games featuring the iconic Leatherface. Another viewer said: "A nightmarish experience from start to end, this horror classic isn't airtight all the way through, but it truly has an impeccable atmosphere and terrific camerawork. That scene around the kitchen table is probably some of the most frightening sequences I have ever seen in my life." Today, critics look back on the flick as revolutionary, impacting not just the horror genre, but also paving the way for an entirely fresh subgenre of terror films. Its ingenuity is often honoured for contributing to the rise of the slasher film and introducing power tools as symbols of horror used by countless intimidating villains in cinema. For those eager to delve into a film often deemed "disturbing" and form their own opinion, The Texas Chainsaw Massacre is now available for streaming on Amazon Prime.
Vancouver Sun
07-05-2025
- Entertainment
- Vancouver Sun
NorthwestFilmFest and Rainbow Visions: A joyful Blur of Texas Chainsaws, Alberta film, Cruising and Andy Kaufman
Action — and how! Canada's oldest and ever-evolving documentary film festival NorthwestFilmFest is back with a brilliant lineup, covering just about anything you might want to point a camera at. Opening with a Blur double feature and closing on a one-two punch of Texas Chain Saw Massacre gushing love, space, ecological issues, the war in Ukraine, and cinematic portraiture, including an Andy Kaufman doc, are all on the weird and wild docket, rolling Thursday through May 15 at Metro Cinema. Then, snugged right up to the tail end, May 16 -18 is NWFF's punchy queer sibling, Rainbow Visions Film Festival , features more docs and plenty of classic narrative fiction films, like the much-lauded doc The Secret of Me, William Friedkin's Cruising and a reprise of local documentary Flashback. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Individual tickets are available, as well as festival passes for each or a combo pass covering both — head to to find it all, including a detailed schedule with ticket links. Longtime festival director Guy Lavallee was enjoying voice-stifling laryngitis, so we had to skip our lengthy annual state-of-the-world chat. Still, he managed to enthuse and inform… Q: First up, NWFF. How many submissions for year 43 — and what else is new? A: We did a very slight re-brand this year, going from NorthwestFest — or, under its full name, the NorthwestFest International Documentary Festival — to NorthwestFilmFest. Why? We're getting more and more submissions each year, especially from Alberta-based filmmakers. But we were severely limiting our ability to program these films by restricting them to docs. By simply adding the word 'Film' to the title, it tells filmmakers and audiences what kind of festival this is. It now also has a nice rhythm with our genre festival, NorthwestFEARFest. Opening up the parameters a bit resulted in a roughly 65 per cent increase in submissions, with films submitted from 70 countries. Q: Your very global fest has an understandably wide range of topics. A: At the end of the day, our core programming is really all about films that mean something to us, and that we think will mean something to audiences. So you've got pop culture covered by showing films about the Dateline NBC news 'sting' phenomenon, To Catch a Predator with Predators and board game fanatics with The Hobby: Tales From the Tabletop. We've got films about beloved actors and performers, like gregarious leading man George Segal, brilliant and misunderstood cult comedian Andy Kaufman in Thank You Very Much, and the first and only deaf woman to ever be nominated for — and win — an Oscar with Marlee Matlin: Not Alone Anymore. There's a whole bunch of films about some of the major issues of the day, including librarians who have become the first responders in the fight against the new book-banning trend in the United States with The Librarians; the fight to save reproductive rights in Zurawski V Texas; a look at the toll captivity takes on elephants — including one particularly well-known local one in Lucy: The Stolen Lives of Elephants. Plus, the story of the activists who have been trying for decades to Free Leonard Peltier, and the continued endangerment of resident orca whales in The Snake and the Whale. We've managed to snag a number of bona-fide crowd pleasers, including the inspirational story of astronaut Sally Ride in Sally; Speak — a peek behind the scenes of youth speech competitions; Micro Budget, an outrageous mockumentary in the vein of The Office; and the rousing Haida basketball film Saints and Warriors. Q: Does Trump's incomprehensible film tariff announcement give you concern? A: I try to keep my politics to myself when representing the film festival, because we want to make sure everyone knows they are welcome to attend. But in this case, I'm just going to be honest. Even for him, this is beyond stupid. What exactly are you proposing a tariff gets applied to? A film is not a good, it's an intellectual property. I'm convinced more and more he doesn't actually understand what a tariff is. Q: Tell us about the opening and closing-night double features. A: For opening, we were looking for something a little different, and this Blur opportunity — Blur: To the End — just fell into our laps. With this double feature, audiences will get to see an absolutely fantastic behind-the-curtain doc about one of the UK's all-time biggest bands, followed by the full concert Live at Wembley. Filmmaker Alexandre O Philippe's films have long been staples of this festival. With closing night's Chain Reactions, he takes a film that's been part of our cultural lexicon for 50 years and has other artists and filmmakers talk about how what Texas Chain Saw Massacre has meant to them — artistically, creatively, culturally — in these beautifully unhurried monologues. Stephen King, Patton Oswalt, Karyn Kusama and more discuss and dissect the film in ways you may never have thought of before. The film is an incredibly thoughtful work of art, and we're thrilled to have Philippe in attendance for the screening. And it felt borderline criminal to not then screen Tobe Hooper's 1974 classic afterwards, so we're showing it. Q: Can you talk more about the local content — Pride Vs. Prejudice, Dark Match, Stolen Lives? A: When we saw the support last year for some of the locally made films, coupled with the fact that our Alberta film submissions quadrupled this year, we knew there was an audience. I like to have a theme, and so we partnered with AMPIA to screen all three of this year's Edmonton Film Prize finalists. The ceremony itself takes place May 7, and on May 12 we'll be screening all three, complete with Q&As with the filmmakers. The following evening, we're presenting a tremendous package of Alberta Made Shorts, many of which will have the film teams in attendance. Q: What should we look for at Rainbow Visions? A: We've stolen one of our most popular features from FEARFest: the retro screening. We're ramping it up this year, with a brand new, 4K restoration of Lisa Choldenko's classic, High Art; a family-friendly screening of 2007's effervescent musical, Hairspray; a Saturday night screening of 1981's glorious camp classic, Mommie Dearest; and we revisit 1980's most controversial film, William Friedkin's gritty crime thriller, Cruising, a film once very much maligned by the gay community — even causing nationwide protests upon its release — has very much been re-examined and newly appreciated over the years, partly because 45 years later, it is such a time capsule of a very specific time, place and culture that just doesn't exist any more. For the newer films, I can't speak highly enough about Sabbath Queen or Parade, and I'm super stoked to be able to present an encore screening of Flashback, the doc about Edmonton's legendary, influential, iconic '80s nightclub. The filmmakers will be here for a Q&A, we'll have a DJ going, some makeup demos going on in the lobby. It's going to be an absolute blast! And our major headliner screening on Saturday night, an absolutely hilarious, charming, crowd-pleasing coming-of-age comedy called Griffin in Summer. With supporting turns from such heavyweights as Melanie Lynskey and Owen Teague, it's young star Everett Blunck, who absolutely steals the show with his star-making performance. I absolutely adore this movie. It's going to be an amazing year! PREVIEW NorthwestFilmFest/Rainbow Visions When May 8-15/May 16-18 Where Metro Cinema (8712 109 St.) Tickets $10-$16/show, $22/double feature; passes $99/$79-$129/combo at fgriwkowsky@ @ l Bookmark our website and support our journalism: Don't miss the news you need to know — add and to your bookmarks and sign up for our newsletters here. You can also support our journalism by becoming a digital subscriber. Subscribers gain unlimited access to The Edmonton Journal, Edmonton Sun, National Post and 13 other Canadian news sites. Support us by subscribing today: The Edmonton Journal | The Edmonton Sun.
Edmonton Journal
07-05-2025
- Entertainment
- Edmonton Journal
NorthwestFilmFest and Rainbow Visions: A joyful Blur of Texas Chainsaws, Alberta film, Cruising and Andy Kaufman
Article content Action — and how! Canada's oldest and ever-evolving documentary film festival NorthwestFilmFest is back with a brilliant lineup, covering just about anything you might want to point a camera at. Article content Article content Opening with a Blur double feature and closing on a one-two punch of Texas Chain Saw Massacre gushing love, space, ecological issues, the war in Ukraine, and cinematic portraiture, including an Andy Kaufman doc, are all on the weird and wild docket, rolling Thursday through May 15 at Metro Cinema. Article content Then, snugged right up to the tail end, May 16 -18 is NWFF's punchy queer sibling, Rainbow Visions Film Festival, features more docs and plenty of classic narrative fiction films, like the much-lauded doc The Secret of Me, William Friedkin's Cruising and a reprise of local documentary Flashback. Individual tickets are available, as well as festival passes for each or a combo pass covering both — head to to find it all, including a detailed schedule with ticket links. Article content Longtime festival director Guy Lavallee was enjoying voice-stifling laryngitis, so we had to skip our lengthy annual state-of-the-world chat. Still, he managed to enthuse and inform… Q: First up, NWFF. How many submissions for year 43 — and what else is new? A: We did a very slight re-brand this year, going from NorthwestFest — or, under its full name, the NorthwestFest International Documentary Festival — to NorthwestFilmFest. Why? We're getting more and more submissions each year, especially from Alberta-based filmmakers. But we were severely limiting our ability to program these films by restricting them to docs. By simply adding the word 'Film' to the title, it tells filmmakers and audiences what kind of festival this is. It now also has a nice rhythm with our genre festival, NorthwestFEARFest. Article content Article content Opening up the parameters a bit resulted in a roughly 65 per cent increase in submissions, with films submitted from 70 countries. Q: Your very global fest has an understandably wide range of topics. A: At the end of the day, our core programming is really all about films that mean something to us, and that we think will mean something to audiences. So you've got pop culture covered by showing films about the Dateline NBC news 'sting' phenomenon, To Catch a Predator with Predators and board game fanatics with The Hobby: Tales From the Tabletop. We've got films about beloved actors and performers, like gregarious leading man George Segal, brilliant and misunderstood cult comedian Andy Kaufman in Thank You Very Much, and the first and only deaf woman to ever be nominated for — and win — an Oscar with Marlee Matlin: Not Alone Anymore. There's a whole bunch of films about some of the major issues of the day, including librarians who have become the first responders in the fight against the new book-banning trend in the United States with The Librarians; the fight to save reproductive rights in Zurawski V Texas; a look at the toll captivity takes on elephants — including one particularly well-known local one in Lucy: The Stolen Lives of Elephants. Article content Plus, the story of the activists who have been trying for decades to Free Leonard Peltier, and the continued endangerment of resident orca whales in The Snake and the Whale. We've managed to snag a number of bona-fide crowd pleasers, including the inspirational story of astronaut Sally Ride in Sally; Speak — a peek behind the scenes of youth speech competitions; Micro Budget, an outrageous mockumentary in the vein of The Office; and the rousing Haida basketball film Saints and Warriors. Q: Does Trump's incomprehensible film tariff announcement give you concern? A: I try to keep my politics to myself when representing the film festival, because we want to make sure everyone knows they are welcome to attend. But in this case, I'm just going to be honest. Even for him, this is beyond stupid. What exactly are you proposing a tariff gets applied to? A film is not a good, it's an intellectual property. I'm convinced more and more he doesn't actually understand what a tariff is. Article content Q: Tell us about the opening and closing-night double features. A: For opening, we were looking for something a little different, and this Blur opportunity — Blur: To the End — just fell into our laps. With this double feature, audiences will get to see an absolutely fantastic behind-the-curtain doc about one of the UK's all-time biggest bands, followed by the full concert Live at Wembley. Filmmaker Alexandre O Philippe's films have long been staples of this festival. With closing night's Chain Reactions, he takes a film that's been part of our cultural lexicon for 50 years and has other artists and filmmakers talk about how what Texas Chain Saw Massacre has meant to them — artistically, creatively, culturally — in these beautifully unhurried monologues. Stephen King, Patton Oswalt, Karyn Kusama and more discuss and dissect the film in ways you may never have thought of before. The film is an incredibly thoughtful work of art, and we're thrilled to have Philippe in attendance for the screening. And it felt borderline criminal to not then screen Tobe Hooper's 1974 classic afterwards, so we're showing it. Q: Can you talk more about the local content — Pride Vs. Prejudice, Dark Match, Stolen Lives? A: When we saw the support last year for some of the locally made films, coupled with the fact that our Alberta film submissions quadrupled this year, we knew there was an audience. I like to have a theme, and so we partnered with AMPIA to screen all three of this year's Edmonton Film Prize finalists. The ceremony itself takes place May 7, and on May 12 we'll be screening all three, complete with Q&As with the filmmakers. The following evening, we're presenting a tremendous package of Alberta Made Shorts, many of which will have the film teams in attendance. Article content Q: What should we look for at Rainbow Visions? A: We've stolen one of our most popular features from FEARFest: the retro screening. We're ramping it up this year, with a brand new, 4K restoration of Lisa Choldenko's classic, High Art; a family-friendly screening of 2007's effervescent musical, Hairspray; a Saturday night screening of 1981's glorious camp classic, Mommie Dearest; and we revisit 1980's most controversial film, William Friedkin's gritty crime thriller, Cruising, a film once very much maligned by the gay community — even causing nationwide protests upon its release — has very much been re-examined and newly appreciated over the years, partly because 45 years later, it is such a time capsule of a very specific time, place and culture that just doesn't exist any more. For the newer films, I can't speak highly enough about Sabbath Queen or Parade, and I'm super stoked to be able to present an encore screening of Flashback, the doc about Edmonton's legendary, influential, iconic '80s nightclub. The filmmakers will be here for a Q&A, we'll have a DJ going, some makeup demos going on in the lobby. It's going to be an absolute blast! Latest National Stories
Calgary Herald
07-05-2025
- Entertainment
- Calgary Herald
NorthwestFilmFest and Rainbow Visions: A joyful Blur of Texas Chainsaws, Alberta film, Cruising and Andy Kaufman
Article content Action — and how! Canada's oldest and ever-evolving documentary film festival NorthwestFilmFest is back with a brilliant lineup, covering just about anything you might want to point a camera at. Article content Opening with a Blur double feature and closing on a one-two punch of Texas Chain Saw Massacre gushing love, space, ecological issues, the war in Ukraine, and cinematic portraiture, including an Andy Kaufman doc, are all on the weird and wild docket, rolling Thursday through May 15 at Metro Cinema. Article content Article content Then, snugged right up to the tail end, May 16 -18 is NWFF's punchy queer sibling, Rainbow Visions Film Festival, features more docs and plenty of classic narrative fiction films, like the much-lauded doc The Secret of Me, William Friedkin's Cruising and a reprise of local documentary Flashback. Article content Article content Longtime festival director Guy Lavallee was enjoying voice-stifling laryngitis, so we had to skip our lengthy annual state-of-the-world chat. Article content A: We did a very slight re-brand this year, going from NorthwestFest — or, under its full name, the NorthwestFest International Documentary Festival — to NorthwestFilmFest. Article content Why? We're getting more and more submissions each year, especially from Alberta-based filmmakers. But we were severely limiting our ability to program these films by restricting them to docs. By simply adding the word 'Film' to the title, it tells filmmakers and audiences what kind of festival this is. It now also has a nice rhythm with our genre festival, NorthwestFEARFest. Article content Article content Opening up the parameters a bit resulted in a roughly 65 per cent increase in submissions, with films submitted from 70 countries. Article content Article content Q: Your very global fest has an understandably wide range of topics. Article content A: At the end of the day, our core programming is really all about films that mean something to us, and that we think will mean something to audiences. Article content We've got films about beloved actors and performers, like gregarious leading man George Segal, brilliant and misunderstood cult comedian Andy Kaufman in Thank You Very Much, and the first and only deaf woman to ever be nominated for — and win — an Oscar with Marlee Matlin: Not Alone Anymore. Article content There's a whole bunch of films about some of the major issues of the day, including librarians who have become the first responders in the fight against the new book-banning trend in the United States with The Librarians; the fight to save reproductive rights in Zurawski V Texas; a look at the toll captivity takes on elephants — including one particularly well-known local one in Lucy: The Stolen Lives of Elephants.
