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Bryce Dallas Howard admits she's never seen dad Ron Howard's ‘Happy Days'
Bryce Dallas Howard admits she's never seen dad Ron Howard's ‘Happy Days'

New York Post

time03-07-2025

  • Entertainment
  • New York Post

Bryce Dallas Howard admits she's never seen dad Ron Howard's ‘Happy Days'

Sunday, Monday, never-watched days. Bryce Dallas Howard admits that she's never seen the classic sitcom 'Happy Days' — even though it stars her father, Ron Howard. Sorry, Richie! The 'Jurassic World' actress, 44, made the confession during an appearance on Busy Philipps' QVC+ talk show, 'Busy This Week.' Advertisement 10 Dallas Howard admitted that she's never seen 'Happy Days.' ©ABC/Courtesy Everett Collection 'I mean, OK, I'm going to admit something, which is that I've never watched an episode of 'Happy Days,'' Dallas Howard said. Philipps, 46, responded in disbelief, 'What? Wait, I'm sorry. What?' Advertisement 'I am kind of the prototype here of the child who takes for granted the fact that…' Dallas Howard continued, pausing as she caught the shock on Philipps' face. 'I know!' 10 Dallas Howard is 'Happy Days' star Ron Howard's daughter. brycedhoward/Instagram As Philipps went on to mention, not only is Ron Howard (Richie Cunningham), 'The Help' star's father, but Henry Winkler, who played Fonzie on 'Happy Days,' is also her godfather. 'I love him so much, and I love my dad so much, and I love all of the 'Happy Days' folks,' Dallas Howard added. 'It would be so easy just to watch it, and I don't know why.' Advertisement Philipps said it 'almost feels impossible' that she has never watched the series, considering 'Happy Days' was always playing on the TV when the 'Freaks and Geeks' actress came home from school. 10 Henry Winkler (Fonzie) is also Dallas Howard's godfather. Getty Images 'I was watching 'Get Smart,'' Dallas Howard quipped. Philipps asked whether Ron, 71, and Winker, 79, knew she had never actually seen the show. 'Yeah, kind of, I think,' Dallas Howard responded, adding that neither of them has ever really asked her about it. Advertisement She also said that she doesn't think her siblings have seen the show either, noting that having a family member in it can sometimes feel 'a little weird.' 10 Howard also starred in 'The Andy Griffith Show' as Opie Taylor. Courtesy Everett Collection While she's never watched 'Happy Days,' Dallas Howard has seen another show that helped make her father a household name: 'The Andy Griffith Show,' in which he starred as Opie Taylor. 'I like to watch '[The] Andy Griffith Show,'' she said. 'Yeah, it's really cute and really sweet.' 'The Andy Griffith Show' aired from 1960 to 1968 on CBS. Howard was just 5 years old when the pilot premiered, per the Los Angeles Times. 10 Howard was just 6 when 'The Andy Griffith Show' premiered in 1960. Courtesy Everett Collection 'Happy Days' originally aired from 1974 to 1984 on ABC. Dallas Howard also mentioned that her son Theodore, 18 — whom she shares with actor Seth Gabel — is now older than her father was when he started 'Happy Days.' Though her dad started acting young, Dallas Howard told People that he and her mother, Cheryl Howard, refused to let her follow the same path. Advertisement 'I think if I had the chance to act younger, I would've taken it,' the 'Rocketman' actress said. 'But I wasn't allowed to. My parents were very firm on that boundary, that they were not going to support anyone who wanted to be a child actor.' 10 Howard shares daughter Bryce Dallas Howard with his wife, Cheryl Howard. brycedhoward/Instagram Instead, as a teenager, Dallas Howard gained experience in other industries, working as a waitress, babysitter, nanny, dog walker and more. 'I'm really glad that they did that because when I did start acting, it took a while to make a living. To be able to be like, 'Oh, OK. I can actually support myself with this,'' she concluded. Advertisement Still, Dallas Howard grew up on film sets, a fact she shared with The Independent in an interview published last month. 10 Dallas Howard grew up on film sets because of her father. Getty Images She was always told to steer clear of the actors and not to disturb them, so she spent time with the camera department, first assistant directors and the sound crew. It wasn't until high school that she even thought about pursuing acting herself. Now, Dallas Howard is known for her role as Claire Dearing in the 'Jurassic World' franchise. Advertisement She also portrayed Hilly Holbrook in 2011's 'The Help,' starred in 'Argylle' as Elly Conway (2024) and took on the role of Gwen Stacy in 'Spider-Man 3' alongside Tobey Maguire (2007). In an interview with Radio Times magazine published on June 10, the 'Deep Cover' actress shared the best advice she's ever received from her famous father. 10 Dallas Howard starred as Claire Dearing in the 'Jurassic World' franchise. ©Universal/Courtesy Everett Collection 10 She also portrayed Hilly Holbrook in 2011's 'The Help.' ©Walt Disney Co./Courtesy Everett Collection Advertisement 10 Dallas Howard played Gwen Stacy in 'Spider-Man 3' alongside Tobey Maguire. ©Sony Pictures/Courtesy Everett Collection 'He said once, 'If you're training to be a boxer, you're training how to throw punches. But you're also training how to take a hit,'' Dallas Howard recalled. 'If you're endeavouring upon anything, you have to learn how to take a punch, metaphorically, so you can keep moving forward,' she explained. 'Because if you just shatter, it's game over.'

Fubo Adds Weigel Broadcasting's Networks Including Top-Rated* MeTV and WCIU, the U Chicago
Fubo Adds Weigel Broadcasting's Networks Including Top-Rated* MeTV and WCIU, the U Chicago

Business Wire

time26-06-2025

  • Business
  • Business Wire

Fubo Adds Weigel Broadcasting's Networks Including Top-Rated* MeTV and WCIU, the U Chicago

NEW YORK & CHICAGO--(BUSINESS WIRE)--FuboTV Inc. (d/b/a/ Fubo) (NYSE: FUBO) and Weigel Broadcasting Co. announced today a multi-year agreement for distribution of seven networks including MeTV, America's #1 classic TV entertainment network, H&I and MOVIES! as well as WCIU, The U, the home of the WNBA's Chicago Sky, on the sports-first live TV streaming platform. Subscribers of Fubo's Pro and Elite channel plans can now stream Weigel's national entertainment networks while customers in the Chicago DMA also have access to WCIU-TV's local sports, news and entertainment programming. Share Subscribers of Fubo's Pro and Elite channel plans can now stream Weigel's national entertainment networks while customers in the Chicago DMA also have access to WCIU-TV's local sports, news and entertainment programming. WCIU, The U's sports coverage includes more than 30 games from the WNBA's Chicago Sky during the 2025 season. 'In partnership with Weigel Broadcasting, we are thrilled to bring Fubo subscribers even more entertainment programming, including some of the most-loved TV shows and movies of all time,' said Todd Mathers, executive vice president, content strategy and acquisition, Fubo. 'Our subscribers in Chicago can also follow the Sky's pursuit of a second WNBA championship this season, as well as local news and entertainment content, with the addition of WCIU, The U to their channel lineup.' 'Weigel is excited to add our entertainment networks and Chicago's WCIU, The U to the Fubo platform,' said Jim Hall, vice president, business development, Weigel Broadcasting Co. 'Giving viewers access to our programming, alongside the popular sports and general entertainment content that Fubo is well known for, is a win-win for their subscribers, our viewers and both our companies.' The Weigel networks launching on Fubo include: MeTV: MeTV, America's No.1 classic TV entertainment network, presents over 60 different programs every week, more than any other network featuring classic TV. MeTV shows include classics like M*A*S*H, The Andy Griffith Show, All in the Family, Perry Mason, Carol Burnett, Looney Tunes and Merrie Melodies animation, Gunsmoke, Adam-12, Leave It to Beaver, The Waltons, The Three Stooges, The Love Boat and dozens more. Plus, fans of all ages enjoy our original MeTV hosted horror movie show Svengoolie, our original weekday morning show Toon In With Me, and our original pop culture series Collector's Call. MeTV is 'Memorable Entertainment Television' for the whole family to enjoy. H&I: Heroes & Icons presents a wide variety of heroic characters showcased in iconic TV series, heroes who are aspirational, inspirational, or just plain fun. Western heroes, Justice heroes, bold and All-American heroes, H&I has them all! Featured series include NCIS, Walker: Texas Ranger, Nash Bridges, Black Sheep Squadron, The A-Team, MacGyver, Hawaii Five-O, Batman, Adventures of Superman, Wonder Woman, all five-live action original Star Trek TV series and more! MeTV+: MeTV+ is the companion network to MeTV, America's #1 classic television network. Offering everything viewers love about MeTV, plus more, MeTV+ is home to even more Memorable Entertainment Television favorites from our deep library. Weekdays tune in for timeless TV dramas including Police Woman, TJ Hooker, The Mod Squad, The Streets of San Francisco and the original Hawaii Five-O. Weeknights gather round for classic TV westerns including The Rifleman, The Big Valley, Lawman, The Restless Gun and Have Gun – Will Travel. Every weekend, we feature classic sitcoms, westerns, action and adventure series and even classic cartoons. Getting so much more Memorable Entertainment Television is always a plus on Me TV+! MeTV Toons: MeTV Toons is dedicated exclusively to the very best of classic animation, from Hollywood-era shorts to made-for-television favorites. MeTV Toons welcomes dozens of the world's most loved classic cartoons to this new destination, hearkening back to the glory days of cartoons on TV with familiar friends including Warner Bros. Discovery's most famous animated characters Bugs Bunny, Daffy Duck, Scooby Doo, Tom & Jerry, George Jetson, Top Cat, Yogi Bear, Popeye, Johnny Quest and Fred Flintstone, to name just a few. Alongside Warner Bros. properties, other beloved cartoon characters joining MeTV Toons include Teenage Mutant Ninja Turtles, Huckleberry Hound, Woody Woodpecker, Casper, Betty Boop, Speed Racer and many more. Catchy Comedy: Catchy Comedy is America's front row to fun, showcasing some of TV's greatest comedy series, headlined by the funny women and men who became audience favorites, household names and TV legends. Weekdays in daytime catch the ground-breaking and hilarious leading ladies of television comedy. In primetime, the legendary comedies from Norman Lear take center stage. In late nights, it's a celebration of TV's smartest and best written comedies. And every weekend, enjoy the Catchy Binge from our deep library of TV comedy favorites. Catch all the smiles, catch all the fun, catch all the laughs on Catchy Comedy. MOVIES!: The Movies! TV Network is America's classic movie destination. Showcasing our 'Reel Variety' from the Golden Age of Hollywood cinema, Movies! features a wide array of the best films from major studios including Warner Bros., Fox/Disney, Columbia/Sony and others, including hard to find independent films and niche distributors. Enjoy award winning and acclaimed action, suspense, western, comedy, drama, Film Noir and other genres, starring the biggest names on the silver screen including John Wayne, Marilyn Monroe, Elizabeth Taylor, Paul Newman, Al Pacino, Sidney Poitier, Elvis Presley, Meryl Streep, Humphrey Bogart and many more. Working with the best prints available, Movies! never edits films for time. Movies! Our name says it all! Story Television: Story Television is a broadcast TV network focused exclusively on history and world events, presenting real people, historic moments and riveting stories that span from across the ages to the present day. On Story Television, every moment is dedicated to compelling stories rooted in historical and factual events and the real people who dared to explore, experiment, and expand the world around them. Stories include those of military and combat, innovation, world events, American history, modern achievement, unexplained phenomena and biographical profiles. Story Television, every moment tells a story. WCIU, The U Chicago: WCIU, The U is Chicago's go-to local independent entertainment station, with well-known sitcoms, court programming, dramas and talk. WCIU, The U is also the broadcast home of the WNBA Chicago Sky, Illinois High School Association Championship Football and Basketball, and Game of the Week featuring girls and boys high school sports. *Source: Nielsen NNTV; Year-to-date 2025 (12/30/24-6/8/25); Live+Same Day; Panel Only; Program Average Total Day. Persons 2+ = Total Viewers About Fubo With a global mission to aggregate the best in TV, including premium sports, news and entertainment content, through a single app, FuboTV Inc. (d/b/a Fubo) (NYSE: FUBO) aims to transcend the industry's current TV model. Ranked among The Americas' Fastest-Growing Companies 2025 by the Financial Times, the company operates Fubo in the U.S., Canada and Spain and Molotov in France. In the U.S., Fubo is a sports-first cable TV replacement product aggregating more than 400 live sports, news and entertainment networks and is the only live TV streaming platform with every English-language Nielsen-rated sports channel (source: Nielsen Total Viewers, 2024). Leveraging Fubo's proprietary data and technology platform optimized for live TV and sports viewership, subscribers can engage with the content they are watching through an intuitive and personalized streaming experience. Fubo has continuously pushed the boundaries of live TV streaming, and was the first virtual MVPD to launch 4K streaming, MultiView and personalized game alerts. Learn more at About Weigel Broadcasting Co. Weigel Broadcasting Co. is a family-owned media company based in Chicago, Illinois. The company owns and operates national television networks, as well as local broadcast stations throughout the country. Weigel is a leader in broadcast television with MeTV, Memorable Entertainment Television, the number one rated classic TV entertainment network, as well as the Movies! Network in cooperation with the Fox Television Stations, the Catchy Comedy Network, the H&I - Heroes & Icons Network, the Start TV Network and the Dabl Network in association with the CBS Television Stations, the Story Television Network, and the MeTV Toons Network in collaboration with Warner Bros. Discovery. Weigel produces the original network TV programs Svengoolie, Toon In With Me and Collector's Call. Weigel's local stations include CBS, ABC, The CW, MyNet, Telemundo and Univision network affiliates and independent stations, offering a mix of entertainment programming, local news and professional and college sports broadcasts in 28 U.S. markets including New York, Los Angeles, and Chicago. Weigel is the creator of the nationally syndicated music format MeTV FM. For more information on Weigel, visit: Fubo Cautionary Note Regarding Forward-Looking Statements This press release contains forward-looking statements of FuboTV Inc. ('Fubo') that involve substantial risks and uncertainties. All statements contained in this press release that do not relate to matters of historical fact are forward-looking statements within the meaning of The Private Securities Litigation Reform Act of 1995, including statements regarding our business strategy and plans, partnerships, sports programming and live events, and distribution. The words 'could,' 'will,' 'plan,' 'intend,' 'anticipate,' 'approximate,' 'expect,' 'potential,' 'believe' or the negative of these terms or other similar expressions are intended to identify forward-looking statements, although not all forward-looking statements contain these identifying words. Actual results or events could differ materially from the plans, intentions and expectations disclosed in the forward-looking statements that Fubo makes due to a number of important factors, including but not limited to the following: our ability to achieve or maintain profitability; risks related to our access to capital and fundraising prospects to fund our financial operations and support our planned business growth; our revenue and gross profit are subject to seasonality; our operating results may fluctuate; our ability to effectively manage our growth; risks related to the transactions contemplated by our business combination agreement with The Walt Disney Company and Hulu, LLC; the long-term nature of our content commitments; our ability to renew our long-term content contracts on sufficiently favorable terms; our ability to attract and retain subscribers; obligations imposed on us through our agreements with certain distribution partners; our ability to license streaming content or other rights on acceptable terms; the restrictions imposed by content providers on our distribution and marketing of our products and services; our reliance on third party platforms to operate certain aspects of our business; risks related to the difficulty in measuring key metrics related to our business; risks related to preparing and forecasting our financial results; risks related to the highly competitive nature of our industry; risks related to our technology, as well as cybersecurity and data privacy-related risks; risks related to ongoing or future legal proceedings; and other risks, including the effects of industry, market, economic, political or regulatory conditions, future exchange and interest rates, and changes in tax and other laws, regulations, rates and policies. Further risks that could cause actual results to differ materially from those matters expressed in or implied by such forward-looking statements are discussed in our Quarterly Report on Form 10-Q for the quarterly period ended March 31, 2025 filed with the Securities and Exchange Commission ('SEC') and our other periodic filings with the SEC. We encourage you to read such risks in detail. The forward-looking statements in this press release represent Fubo's views as of the date of this press release. Fubo anticipates that subsequent events and developments will cause its views to change. However, while it may elect to update these forward-looking statements at some point in the future, it specifically disclaims any obligation to do so. You should, therefore, not rely on these forward-looking statements as representing Fubo's views as of any date subsequent to the date of this press release.

See 'The Andy Griffith Show' Cast Through the Years, 1960 to 2025
See 'The Andy Griffith Show' Cast Through the Years, 1960 to 2025

Yahoo

time15-06-2025

  • Entertainment
  • Yahoo

See 'The Andy Griffith Show' Cast Through the Years, 1960 to 2025

When The Andy Griffith Show premiered in 1960, no one could have predicted just how deeply it would embed itself in the American psyche—or how far its stars would travel beyond the sleepy little town of Mayberry. The show wasn't flashy, it avoided controversy and pretty much ignored what was happening in the real world. And yet, more than 60 years later, it's still with us. And whatever the reason for our continuing fascination, most of all it offers a subtle reassurance that a lot of us are chasing that things are going to be okay. Another thing is true: four of its cast members—Andy Griffith, Don Knotts, Ron Howard and Jim Nabors—left a wide-reaching impact that was far from limited to Mayberry. Rather than be a standard biography of The Andy Griffith Show and its stars, what follows is more like a walk through time. What did these four actors do during and after the series? How did their lives and careers evolve through each decade? From the early '60s through the 2020s, we track their lives and work in five-year intervals, not only to see how they grew individually, but how they stayed connected—through collaborations, reunions or simply the impact the show had on their individual careers. The years 1960 to 1964 marked the height of Andy Griffith's rise as a television sensation. The Andy Griffith Show premiered in October 1960, spun off from a backdoor pilot episode on The Danny Thomas Show titled 'Danny Meets Andy Griffith.' As Sheriff Andy Taylor, the easygoing lawman of Mayberry, Griffith stepped into the role that would define his career. Although he was already recognized for his earlier work on stage and in films like A Face in the Crowd (1957) and No Time for Sergeants (1958), it was The Andy Griffith Show that firmly cemented his status as a household name and cultural icon. Don Knotts became a breakout star as the hilariously nervous but lovable Deputy Barney Fife. He joined The Andy Griffith Show at its start in 1960, reuniting with Griffith after their earlier work together in No Time for Sergeants (1958), where Knotts had a small but memorable role. Bringing a vaudevillian energy and brilliant comic timing to Mayberry, he served as the perfect foil to Griffith's calm, straight-man presence. Viewers adored him, and critics agreed—his portrayal earned him four consecutive Emmy Awards for Outstanding Supporting Actor (1961 through 1964). During these years, Knotts focused almost entirely on his role as Barney, taking on very little outside work and pouring all his creative energy into one of television's most iconic sidekicks. Between 1960 and 1964, Ron Howard—billed as Ronny Howard—grew from a child actor into a household name, thanks to his role as Opie Taylor, the sweet-natured son of Sheriff Andy Taylor. Just six years old when the series began, Howard had already logged a handful of early credits, including a small role in The Journey (1959) and a memorable appearance in The Twilight Zone episode 'Walking Distance' (1959). But it was Opie who made him a television staple, endearing him to audiences with a natural charm well beyond his years. During this time, he also appeared in several films, most notably The Music Man (1962), playing lisping, shy Winthrop Paroo—a performance that earned him critical praise. Jim Nabors entered the spotlight toward the end of this period, making his first appearance as Gomer Pyle on The Andy Griffith Show in the episode 'The Bank Job,' which aired in December 1962. A nightclub singer and cabaret performer with a rich baritone voice, Nabors was discovered by Andy Griffith while performing at The Horn, a Santa Monica club known for comedic acts. Griffith was so taken with Nabors' shy, drawling stage persona that he cast him as the guileless, good-natured gas station attendant in Mayberry. Gomer quickly became a fan favorite, and Nabors was promoted to series regular during the 1963–64 season. Between 1965 and 1969, Andy Griffith remained the heart of The Andy Griffith Show, though the series—and his role in it—began to evolve. Don Knotts had departed at the end of Season 5 in 1965, and with Barney Fife gone, the show gradually became more of an ensemble, shining the spotlight on supporting players like George Lindsey (Goober), Howard McNear (Floyd), and others, while Jim Nabors had already left for his own spinoff, Gomer Pyle, U.S.M.C., in 1964. Behind the scenes, Griffith took on a larger role as executive producer, though his focus was more on winding the series down than building it up. In 1968, after eight successful seasons, The Andy Griffith Show ended its run, but CBS kept Mayberry alive through Mayberry R.F.D., with Griffith appearing in the first episode and a few transitional appearances before bowing out entirely. By the decade's end, he was eager to explore more dramatic territory, though the shadow of Mayberry was never far behind. Don Knotts successfully transitioned to a film career during this period, signing a multi-picture deal with Universal Pictures. Believing that Andy Griffith intended to end the show after five seasons, Knotts chose not to renew his contract and left The Andy Griffith Show in 1965. His first major post-Mayberry film, The Ghost and Mr. Chicken (1966), a comedy-mystery tailored perfectly to his persona, was a surprise box office success and confirmed his bankability as a leading man in family comedies. He followed it with a string of similarly styled films, including The Reluctant Astronaut (1967), The Shakiest Gun in the West (1968) and The Love God? (1969), each reinforcing his image as the jittery but lovable underdog. Knotts also returned to Mayberry briefly, guest-starring in the 1966 episode 'The Return of Barney Fife,' a performance that earned him his fifth Emmy Award. As Ron Howard entered his early teens, he remained a steady presence on The Andy Griffith Show through its final season in 1968. His portrayal of Opie evolved during these years—shifting from wide-eyed innocence to a more thoughtful, grounded character that reflected both his and the series' growth. Outside of Mayberry, Howard continued building his résumé with roles in both film and television. In 1965, he starred in Village of the Giants, a campy sci-fi teen comedy, and made guest appearances on shows like I Spy and Daniel Boone. Jim Nabors became a major TV star during this period, thanks to the phenomenal success of Gomer Pyle, U.S.M.C., which premiered in 1964 as a spinoff of The Andy Griffith Show and ran through 1969. As Gomer, Nabors brought his signature blend of wide-eyed innocence and Southern charm—along with his trademark 'Gollllllly!'—to a military setting, playing hilariously against Frank Sutton's blustery Sgt. Carter. The sitcom was a ratings juggernaut, consistently landing among the top 10 shows on television. Remarkably, Nabors never abandoned his musical roots—CBS regularly spotlighted his voice through guest appearances and musical variety specials. In 1969, at the peak of his popularity, Gomer Pyle ended by Nabors' own choice, as he sought to expand his horizons. That fall, he launched The Jim Nabors Hour, a variety show that blended comedy sketches with musical performances, which was his first major effort to move beyond Gomer while still embracing the qualities that made him beloved. Andy Griffith spent much of the early 1970s working to redefine his career beyond Sheriff Andy Taylor. He made a deliberate pivot toward dramatic roles, beginning with the 1973 TV movie Go Ask Alice, in which he played a stern, emotionally distant father—a stark contrast to his beloved Mayberry persona. That same year, he filmed the psychological thriller Pray for the Wildcats, which aired in January 1974, co-starring William Shatner and Robert Reed. Griffith's portrayal of a dangerously unhinged ad executive shocked audiences and critics, showcasing his dramatic range. He also attempted a return to weekly television with The Headmaster (1970–71), a CBS series in which he played the principal of an elite private school. Canceled after 14 episodes, it was quickly followed by The New Andy Griffith Show (1971), which awkwardly reunited him with former Mayberry castmates, yet failed to recapture the original show's magic or ratings. Throughout the early 1970s, Don Knotts continued to carve out his niche in family-friendly comedy. He starred in How to Frame a Figg (1971), a lighthearted satire of small-town bureaucracy and one of the last films under his Universal Pictures contract. In 1970, he launched The Don Knotts Show, a comedy-variety series that showcased his slapstick sensibility and knack for sketch comedy, though it only lasted one season. He also teamed up with Disney for several projects, most notably The World's Greatest Athlete (1973), in which he played the bumbling assistant to a college coach played by John Amos. Knotts filmed The Apple Dumpling Gang with Tim Conway in 1974 (it would be released in 1975), marking the beginning of one of his most enduring comic partnerships. This was a formative era for Ron Howard, marking his transition from child actor to teenage television star. He landed guest roles on series like The Bold Ones and Love, American Style—including a 1972 segment titled 'Love and the Television Set.' Written by Garry Marshall, it served as the backdoor pilot for what would eventually become Happy Days. Around this time, Howard enrolled at the University of Southern California's School of Cinematic Arts, where he began studying film and screenwriting, laying the groundwork for his future as a director. On the big screen, he played Steve Bolander in George Lucas's American Graffiti (1973), a nostalgic coming-of-age hit that reintroduced Howard to a new generation of moviegoers. By early 1974, Happy Days officially premiered, and Howard was suddenly a TV icon all over again—this time as clean-cut everyman Richie Cunningham. Jim Nabors spent the early '70s expanding his reach as an all-around entertainer. With Gomer Pyle, U.S.M.C. behind him, he launched The Jim Nabors Hour in 1969, which ran for two seasons, ending in 1971, but Nabors remained a fixture on television. He became a beloved regular on The Carol Burnett Show, where his recurring guest appearances turned into a tradition—Burnett famously called him her 'good luck charm' and made sure he appeared in the season premiere each year. Nabors also focused on his music career, releasing a steady stream of albums featuring gospel, easy listening and romantic standards. Between 1975 and 1979, Andy Griffith began embracing darker, more complex roles that stood in sharp contrast to his Mayberry image. A key example was the 1974 made-for-TV movie Winter Kill, in which he played a small-town police chief tracking a serial killer. Although it wasn't picked up as a series, it served as a prototype for several similar projects. Griffith reprised variations of that lawman role in TV pilots like Adams of Eagle Lake (1978) and Deadly Game (1977), each continuing his push into more dramatic territory. During the late 1970s, Don Knotts enjoyed a career resurgence, thanks in large part to his popular collaborations with Tim Conway in a string of family-friendly Disney comedies. Their pairing kicked off with The Apple Dumpling Gang (1975), a box-office hit that introduced audiences to their hilariously mismatched chemistry. They followed it with Gus (1976), a slapstick romp about a mule who becomes a football star, and reunited again for The Apple Dumpling Gang Rides Again (1979). This period marked Ron Howard's transition from beloved TV actor to budding filmmaker. He spent the second half of the decade starring as Richie Cunningham on Happy Days, which had become a full-blown cultural phenomenon by the mid-1970s. But behind the scenes, his creative ambitions were shifting. Howard took film courses and began directing short films, gradually building his confidence behind the camera. In 1977, he made his feature directorial debut with Grand Theft Auto, a car-chase comedy produced by Roger Corman. Howard not only directed but also starred in the film and co-wrote the script with his father, Rance Howard. Despite its modest budget, the movie was a box-office success and proved that Howard's talents extended well beyond acting In the latter half of the 1970s, Jim Nabors leaned further into his music and variety roots. He released a steady stream of albums during this time, focusing on easy listening, gospel, and patriotic standards—genres that resonated with his loyal fanbase. Nabors became a popular draw at venues ranging from Las Vegas showrooms to state fairs and concert halls. Between 1980 and 1984, Andy Griffith made meaningful strides in his long-standing goal of being recognized as a dramatic actor. He took on darker, more morally ambiguous roles in made-for-TV films like The Demon Murder Case (1983), where he played a skeptical defense attorney, and Fatal Vision (1984), a chilling true-crime drama in which he portrayed the father of a convicted killer. These performances helped reshape his public image and proved he could handle serious, layered material. At the same time, Griffith stayed active in lighter fare, including The Yeagers (1980), an unsold pilot that featured him in a more familiar, folksy role. He also lent his warm voice to commercials and public service campaigns. During the early 1980s, Don Knotts lent his voice to animated specials and made occasional TV guest appearances, including a 1982 episode of Fantasy Island and a handful of variety programs. But the most significant development during this period came in 1979—continuing into the early '80s—when he joined the cast of Three's Company as the flamboyant landlord Ralph Furley. Brought in after Norman Fell and Audra Lindley departed for the spinoff The Ropers, Knotts injected new life into the show with his trademark expressions, flashy wardrobe and nervous energy. This was the pivotal period when Ron Howard fully transitioned from actor to filmmaker. Though he remained on Happy Days through 1980, he departed the series at the end of Season 7 to focus on directing—having already demonstrated promise with his feature debut Grand Theft Auto (1977). In the years that followed, he directed several made-for-TV movies, honing his skills and attracting attention in Hollywood. His breakthrough came with Night Shift (1982), a fast-paced comedy starring Henry Winkler and a breakout performance by a then-unknown Michael Keaton. Produced by Howard's longtime mentor Garry Marshall, the film was both a critical and commercial success, establishing him as a rising director. He followed that momentum with Splash (1984), the romantic fantasy starring Tom Hanks and Daryl Hannah. In the early 1980s, Jim Nabors remained a beloved entertainer, even as his focus shifted further from scripted television and more fully into music and live performance. One of the most enduring traditions associated with Nabors during this period was his annual rendition of 'Back Home Again in Indiana' at the Indianapolis 500. Although he had first performed it in 1972, it became firmly cemented as a tradition in the 1980s, with Nabors returning year after year to deliver the song in his signature baritone—turning it into one of the race's biggest moments. The late 1980s marked one of the most successful career reinventions in television history for Andy Griffith. In 1986, he returned to weekly TV as the star of Matlock, playing Ben Matlock—a brilliant but unpretentious Southern defense attorney known for his folksy charm, relentless courtroom style and seersucker suit. Created by Dean Hargrove and produced by Fred Silverman, the character debuted in a two-hour NBC pilot movie before launching as a weekly series. Audiences quickly embraced Griffith in the role, which allowed him to channel the warmth of Sheriff Andy Taylor while adding a sharper, more assertive edge. Also in 1986, Griffith reunited with his original Andy Griffith Show castmates for the nostalgic TV movie Return to Mayberry, a ratings hit that momentarily brought Mayberry back to life. After Three's Company ended in 1984, Don Knotts remained active in television through guest appearances, variety specials and retrospectives celebrating his earlier work. He reunited with Andy Griffith in 1986 for a memorable guest role on Matlock, playing Les Calhoun—a quirky, meddlesome neighbor—in the episode 'The Captain.' The performance was so well-received that Knotts returned for several more guest spots on the show, bringing a dose of comic relief that complemented Griffith's more serious turn. That same year, he also reprised his role as Barney Fife (now the town's acting police chief) in the nostalgic TV movie Return to Mayberry, delighting fans in what would be his final official appearance as the beloved deputy. Following the success of Splash (1984), Ron Howard cemented his status as a top-tier director with Cocoon (1985), a sci-fi fantasy about seniors rejuvenated by aliens. The film was both a critical and box-office hit, earning two Academy Awards. He continued his upward trajectory with Gung Ho (1986), a comedy about cultural clashes in the auto industry, and Willow (1988), a George Lucas-produced fantasy epic. Though Willow received mixed reviews on release, it showcased Howard's growing confidence with large-scale productions and has since become a cult favorite. In 1986, he briefly returned to acting, reprising his role as Opie Taylor in the TV movie Return to Mayberry. In the late 1980s, Jim Nabors focused primarily on his music career, touring nationally and headlining venues in Las Vegas and Hawaii, where he had made his permanent home. Though acting roles became less frequent, he remained a familiar presence through talk shows, variety specials, and nostalgic tributes—especially those celebrating The Andy Griffith Show. While he occasionally stepped back from performing due to health concerns, Nabors continued to draw enthusiastic crowds In the early 1990s, Andy Griffith was firmly reestablished as a television star, thanks to the ongoing success of Matlock. The legal drama remained a dependable ratings performer on NBC until 1992, when the network unexpectedly canceled it. ABC quickly picked up the series, where it continued with new episodes through the mid-1990s. During this time, Griffith also lent his familiar voice to commercials and television specials, and made occasional appearances on talk shows and in classic TV retrospectives. Beyond his recurring role as Les Calhoun on Matlock, Don Knotts continued to stay active in entertainment during the early 1990s. He lent his voice to various animated projects and children's programming, and remained a welcome presence on talk shows, game shows and nostalgic specials. In 1991, he appeared in The Magical World of Disney special, The Legend of the Ruby Silver, and made cameos in other family-friendly productions. In 1991, Ron Howard directed Backdraft, a big-budget action drama about Chicago firefighters that combined emotional depth with impressive visual effects. He followed it with Far and Away (1992), an ambitious historical romance starring Tom Cruise and Nicole Kidman. Though reviews were mixed, the film performed well internationally and underscored Howard's expanding scope as a filmmaker. During this period, he also continued to build Imagine Entertainment, the production company he had co-founded with Brian Grazer in the mid-1980s. By the early '90s, Imagine had become a respected name in both film and television. Living full-time in Hawaii, Jim Nabors devoted himself primarily to live performances during the early 1990s, touring with his musical revue and continuing to release albums centered on inspirational, gospel and patriotic themes. In 1991, he returned to the Indianapolis 500 to sing 'Back Home Again in Indiana,' reviving the tradition that had become one of the race's most anticipated moments. With Matlock concluding its run in 1995, Andy Griffith shifted back into occasional acting roles, appearing in a mix of television movies and specials. In 1996, he starred opposite Naomi Judd in the heartwarming holiday TV movie A Holiday to Remember, and also made a memorable comic turn as a spoof villain in the Leslie Nielsen comedy Spy Hard. In 1998, he took on a dramatic role in the TV movie A Justice for All (also known as Crime in the Streets), continuing his exploration of morally complex characters. In the latter half of the 1990s, Don Knotts significantly slowed his on-screen activity but remained a familiar presence through select film and voice roles. He appeared in the comedy Big Bully (1996) and voiced the narrator in the animated musical Cats Don't Dance (1997). In 1998, he made a brief but memorable cameo as the TV repairman in Pleasantville, and in 1999, he voiced the character of Muff Potter in the animated film Tom Sawyer. On television, he guest-starred in a 1994 episode of Burke's Law and lent his voice to the animated TV movie Jingle Bells (1999), part of the Rankin/Bass holiday revival. The late 1990s marked a peak creative period for Ron Howard. In 1995, he directed Apollo 13, a gripping historical drama about NASA's ill-fated lunar mission, which earned widespread acclaim and was nominated for nine Academy Awards. He followed it with Ransom (1996), a high-stakes thriller starring Mel Gibson, which became a major box-office success. Howard spent the remainder of the decade developing and producing projects through Imagine Entertainment and closed out the '90s with EDtv (1999), a media satire about the rise of reality television. In the final years of the 1990s, Jim Nabors maintained a comfortable and respected career focused largely on music and nostalgia-driven appearances. Living quietly in Hawaii with his longtime partner, Stan Cadwallader, Nabors largely stepped back from the spotlight but remained a beloved public figure. He continued to sing at the Indianapolis 500 and toured selectively, performing at concert halls, patriotic celebrations, and special events. Between 2000 and 2004, Andy Griffith remained a beloved figure in American pop culture. Although he had won a Grammy Award back in 1997 for I Love to Tell the Story: 25 Timeless Hymns, the album continued to resonate with listeners into the 2000s, reflecting Griffith's deep faith and musical roots. On television, he made a rare dramatic appearance in a 2001 episode of Dawson's Creek, portraying a grieving grandfather in one of the series' more emotional installments. In 2003, The Simpsons playfully referenced his Matlock persona in a parody episode—though Griffith himself did not provide the voice. In the early 2000s, Don Knotts enjoyed a late-career resurgence, returning to sitcom television with a recurring role as quirky neighbor Mr. Wiggle on 8 Simple Rules for Dating My Teenage Daughter. He also reunited with longtime friend Tim Conway for stage shows and nostalgic appearances, including interviews and TV specials reflecting on their comedic legacy. In 2003, Knotts recorded his voice for Disney's Chicken Little, released after his death in 2005. Ron Howard entered the 2000s at the height of his directing career. In 2001, he helmed A Beautiful Mind, the acclaimed biopic of mathematician John Nash, which won Best Picture and earned Howard the Academy Award for Best Director. The film's success solidified his place among Hollywood's top-tier filmmakers. He followed with The Missing (2003), a dark western thriller starring Cate Blanchett and Tommy Lee Jones. Though less commercially successful, it was praised for its bold tone and direction. Meanwhile, through Imagine Entertainment, Howard produced the cult hit Arrested Development, which premiered in 2003, serving as executive producer and narrator. In the early 2000s, Jim Nabors had largely retired from show business, living quietly in Honolulu with Cadwallader. Following his earlier liver transplant, he focused on his health and personal life but remained a cherished public figure. In the final active years of his career, Andy Griffith made select appearances that reinforced his status as a beloved television icon. In 2007, he delivered a standout late-career performance in the indie hit Waitress, playing the gruff but tender diner owner—a role that introduced him to a new generation. He also lent his voice to documentaries and specials focused on faith, patriotism and classic TV. In 2005, Griffith was awarded the Presidential Medal of Freedom, honoring his lasting contributions to American culture. n his final years, Don Knotts remained a cherished figure, even as his health declined due to lung cancer and respiratory complications. His last major role was voicing Mayor Turkey Lurkey in Disney's Chicken Little (2005), a fittingly playful farewell for one of TV's greatest comic actors. Knotts passed away on February 24, 2006, at age 81. Tributes poured in, including from Andy Griffith, who remembered him as 'a wonderful man, a dear friend and a fantastic actor.' His legacy as a comedic legend remains enduring. Ron Howard's momentum as a filmmaker remained strong in the late 2000s. In 2006, he directed The Da Vinci Code, the blockbuster adaptation of Dan Brown's novel starring Tom Hanks. Despite mixed reviews, it grossed over $750 million worldwide and launched a successful film franchise. Howard followed with Frost/Nixon (2008), a critically acclaimed political drama that earned five Oscar nominations, including Best Picture and Best Director. During this period, he also continued producing acclaimed TV content through Imagine Entertainment, including Friday Night Lights and Arrested Development. Between 2005 and 2009, Jim Nabors remained largely retired, living quietly in Honolulu with Stan Cadwallader. Though no longer acting or recording, he continued his cherished tradition of singing 'Back Home Again in Indiana' at the Indianapolis 500. While far from the spotlight, he remained a treasured symbol of television's golden age, remembered fondly for his warmth, humor and remarkable voice. In his final years, Andy Griffith made only a handful of public appearances but remained a revered figure in American popular culture. In 2010, he appeared alongside Brad Paisley in the music video for 'Waitin' on a Woman." Though his health was declining, he occasionally took part in interviews and tributes celebrating The Andy Griffith Show and Matlock. That same year, he was awarded North Carolina's Order of the Long Leaf Pine, one of the state's highest civilian honors. Griffith passed away on July 3, 2012, at his home on Roanoke Island at age 86. His death marked the end of an era, with tributes pouring in for a man long regarded as the embodiment of decency, wisdom and humility. In the early 2010s, Ron Howard continued to thrive as both a director and producer. He directed The Dilemma (2011), a dark buddy comedy starring Vince Vaughn and Kevin James, which received mixed reviews. Behind the scenes, he remained active with Imagine Entertainment, producing acclaimed series like Parenthood and contributing to the streaming revival of Arrested Development. He also began work on major projects, including the adaptation of Dan Brown's Inferno and the Jay-Z concert documentary Made in America (2013). During this period, Jim Nabors enjoyed a quiet retirement in Hawaii, largely stepping away from public life. In 2011, he made one of his final high-profile appearances at the Indianapolis 500, performing his traditional song, which he'd been doing for nearly 40 years. In 2013, he publicly confirmed his longtime relationship with Stan Cadwallader, announcing they had married in Seattle shortly after same-sex marriage became legal in Washington. The news was met with widespread affection. Though no longer performing, Nabors' legacy endured through reruns of The Andy Griffith Show and Gomer Pyle, U.S.M.C., where his sincerity and warmth continued to resonate with generations of viewers. Jim Nabors died on November 30, 2017, aged 87. In 2015, Ron Howard directed In the Heart of the Sea, a visually ambitious maritime drama starring Chris Hemsworth. While it underperformed at the box office, it reinforced Howard's command of large-scale storytelling. He earned widespread acclaim with The Beatles: Eight Days a Week – The Touring Years (2016), which won the Grammy for Best Music Film. In 2018, Howard entered the Star Wars universe, stepping in to complete Solo: A Star Wars Story after the original directors' departure. Though reviews were mixed, Howard was praised for steering the film to completion under tight constraints. Throughout the 2020s, he remained prolific via Imagine Entertainment, producing high-profile films and series. He directed Hillbilly Elegy (2020) for Netflix—critically divisive but Oscar-nominated for Glenn Close—and expanded his documentary work with Rebuilding Paradise (2020) and We Feed People (2022). As of 2025, Howard continues to be a vital creative force, with a career spanning decades, genres and formats. Welcome back to Mayberry 15 Rare Photos from 'The Andy Griffith Show'—See Behind-the-Scenes Mayberry Moments 10 'Andy Griffith Show' Guest Stars You Might Have Forgot Were on The Show—Including Jack Nicholson! The Untold Story of Hal Smith's Otis on 'Andy Griffith': 'People Would Treat Him Like He Really Was a Drunk'

In Our View: CNN turns 45
In Our View: CNN turns 45

Yahoo

time12-06-2025

  • Entertainment
  • Yahoo

In Our View: CNN turns 45

In June 1980, 24-hour news began its journey. CNN was the first to do so. It was the effort Of Cincinnati-born media mogul Ted Turner. Before television stations were mostly deregulated, they were required to broadcast a certain few minutes of news and community happenings each day. Prior to CNN, Turner owned what became the super station. During those times, they played old movies, some Atlanta Braves baseball games, and old comedy shows that were free. It was a popular place to go for 'The Andy Griffith Show.' The initial idea of CNN came about because during the daily broadcast one of Turner's employees, Bill Tush, would bring his German Shepherd on set dressed in a necktie while Tush read the news. Tush had an idea of putting peanut butter on the roof of the dog's mouth. The camera focused on the dog named Rex while Tush read the news. The dog spent the five minutes, licking the roof of his mouth by sticking his tongue out. It ended up being the highest-rated segment of the then-fledging network. CNN was the go-to network in the 1980s for breaking news. Based in Atlanta, it was in an old country club clubhouse. It moved to downtown Atlanta in 1987 in a 17-story complex next to the Omni event center. Cable television news changed forever. The way we consume news changed. To get national news, you had to wait until the 6:30 network broadcast on the three national networks. Fast-forward to today, CNN is a shell of its heyday during their first 20 years. Turner sold all his assets, including CNN, to Time Magazine and AOL. Television news is now a competitive item. Consumers now have five-plus networks to get news. Some networks are tailored to fit that consumer's interest. That is not a good way to consume news. Watch all the different networks. Read a newspaper for more comprehensive coverage. Television news is not a big money maker. That's why some networks lean (far) right and some lean (far) left. News is available on Internet sources as well, but they are not always reliable. Choose your news from a reliable source. We'll let you readers decide which network or Internet site is best.

16-year-old Henry Buckley becomes the US' youngest male judge, recognised by Guinness World Records
16-year-old Henry Buckley becomes the US' youngest male judge, recognised by Guinness World Records

Time of India

time03-06-2025

  • General
  • Time of India

16-year-old Henry Buckley becomes the US' youngest male judge, recognised by Guinness World Records

Source: Guinness World Records In an incredible achievement for American civic engagement, 16-year-old Henry Buckley of Hingham, Massachusetts, has officially been declared the United States' youngest male judge. Sworn in as a Justice of the Peace only three days after turning 16 years old, Henry now stands on a record-breaking achievement certified by Guinness World Records . His success is both legally valid and symbolically potent, proving that age does not represent a bar to public service when approached with dedication and talent. US declared Henry Buckley as 'youngest male judge' at 16 One of the main reasons Henry's appointment was possible is Massachusetts's liberal legislation. In contrast to most states with stringent age requirements for public office, Massachusetts has no minimum age requirement for the position of Justice of the Peace. The major requirements are simple: the candidate must be a registered voter, be a resident of the commonwealth, and there has to be a vacancy. Henry, who fit all of these qualifications, jumped at the chance and went through a formal selection process, even though he was years younger than the average appointee. Henry's passion for public service was ignited early in life. Raised in a politically active family, he was close to his grandfather, a well-respected lawyer involved in state politics. But it wasn't only living individuals that influenced him. "I was inspired by The Andy Griffith Show. Andy Taylor was Sheriff and Justice of the Peace, and I wanted to replicate that in my own community," Henry explained to Guinness World Records. This combination of real-life and TV role models gave him a sense of responsibility and the motivation to make concrete contributions to his community. How Henry secured his Justice of the Peace role Although his age was a surprise, Henry's professionalism and determination impressed his community and state leaders. To be considered, he: Gathered four signatures for his application. Obtained a letter of reference from a respected member of his community. Turned in the completed application to the Office of the Governor. His appointment was subsequently ratified by Governor Maura T. Healey and referred to the Governor's Council, which approved his appointment unanimously. Once commissioned, he took oath and officially became a Justice of the Peace. Duties and responsibilities of a Massachusetts Justice of the Peace Massachusetts Justices of the Peace hold office for seven years, with the following duties: Notarizing legal documents Conducting civil marriages Taking depositions Maintaining public peace (if required) Although Henry was never called on to serve in law enforcement, his work was anything but ceremonial. He served purposefully by notarizing papers and even co-writing a Justice of the Peace guide utilized across the state. "I was under legal obligation to enforce public peace legislation," he said, "but I was never in a position to be forced into active enforcement." Henry's impact extends beyond his judicial role Henry's civic involvement went beyond the call of obligation. While in office, he testified in the Massachusetts state legislature regarding mental health reform and voting rights for children, topics he cares deeply about. His work as an advocate is part of a larger dedication to the public good and the rights of young voices in government. Even though Henry resigned from his seat in February to seek out wider opportunities, he is unwavering in his commitment to public service. He will pursue law school, following the course of leadership and activism that he set at age 16. "It's not just a title – to be a Justice of the Peace is an opportunity to lead and make a difference," he stated. "At a young age, I showed that our generation has what it takes to do big things. " Also Read | World's richest family 'The Waltons' wealth surpasses the GDP of Greece, Hungary and Iran

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