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Time of India
5 days ago
- Sport
- Time of India
Soccer: Club World Cup serves as 2026 dry run amid heat and pitch concerns
NEW YORK: The inaugural 32-team Club World Cup wrapped up on Sunday with plenty of lessons learned for organisers FIFA , with the tournament in the United States, won by Chelsea , acting as a preview of the 2026 World Cup. A record 48 teams will descend on co-hosts United States, Canada and Mexico next year for the quadrennial spectacle, with 104 matches on the schedule, up from just 64 the last time the tournament was held in 2022 in Qatar. In anticipation, FIFA expanded the Club World Cup this year to more than four times its original size with 32 teams, in a format that mimicked what fans can expect next year. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like This Sticky Sweet Treat Is Healthier Than You Think – 15 Reasons to Add It to Your Diet! Learn More Undo "It's a dry run for FIFA," said Alan Rothenberg , the former president of U.S. Soccer who was responsible for overseeing the World Cup the last time it was held in the U.S., in 1994. "There were some mistakes early on and some issues early on but presumably they have now learned their lesson on how to stage a tournament in multiple cities in this vast country of ours. So I think it's going to make it a lot smoother from here on out for '26 because they now have experience." Live Events Organisers faced criticism from players, fans and coaches for a range of issues from pitch conditions to scheduling to heat, with some games played to packed stands and others to sparse crowds baking in temperatures of 85 degrees Fahrenheit (29°C) and higher. Global players' union FIFPRO said the heat, in particular, should "serve as a wake-up call", with organisers pressured to schedule matches earlier in the day to accommodate the extraordinary scale of the tournament. Chelsea midfielder Enzo Fernandez described the temperatures as "very dangerous" to play in. "Every criticism that we receive is a source for us to study, to analyse, to see what we can do better," FIFA President Gianni Infantino told reporters ahead of the final. "Of course, the heat is definitely an issue. It's an issue all over the world." Infantino said that the tournament in 2026 would use stadiums with roofs and climate control to accommodate more of the daytime games. Of the 16 World Cup stadiums, Atlanta, Dallas, Houston and Vancouver have roofs. "We need to look at what we can do better. We introduced cooling breaks. It's obviously very important we water the pitch. We can see how we can do things better in America as well as in Canada for next year, in Vancouver," said Infantino. FIFA is taking greater operational control over the 2026 tournament compared to previous editions, said Rothenberg, who is now chairman of Premier Partnerships, a division of Playfly Sports. "I don't think they did (Club World Cup) as an experiment but it turns out to be a great experience for FIFA going forward," said Rothenberg, whose forthcoming book "The Big Bounce" explores soccer's popularity in the U.S. 'HISTORIC EVENT' Global soccer's governing body has put boots on the ground in the U.S. in preparation for the World Cup, setting up field offices in Miami and at New York's Trump Tower. U.S. President Donald Trump was on hand to deliver the trophy at MetLife Stadium on Sunday to Chelsea, after the Premier League side thrashed Paris St Germain 3-0 in front of an enthusiastic crowd From January until the end of next year's tournament, FIFA will maintain a 485,000 square-foot broadcast centre in Dallas. A smaller version was used in the parking lot at MetLife Stadium in New Jersey for the Club World Cup. "This is not a test run - we're going to have a lot of learnings from '25 but this is a historic event for us," Oscar Sanchez, head of host broadcast production, told reporters. "It's massive - but 2026 is humongous." MetLife Stadium, which hosted Sunday's final, is set to host the 2026 World Cup's showpiece, with ongoing research to optimise pitch conditions in East Rutherford, New Jersey. Despite efforts, including transporting Bermuda grass overnight in refrigerated trucks, Club World Cup venues received criticism from coaches and players for pitch quality. "We'll report post this tournament and take lessons forward to 2026," said Blair Christensen, pitch venue manager. "These guys here that work on the pitch with me they are far sharper and better than they were 35 days ago and we'll take that forward to next year as well."
The Star
5 days ago
- Sport
- The Star
Soccer-Club World Cup serves as 2026 dry run amid heat and pitch concerns
NEW YORK (Reuters) -The inaugural 32-team Club World Cup wrapped up on Sunday with plenty of lessons learned for organisers FIFA, with the tournament in the United States, won by Chelsea, acting as a preview of the 2026 World Cup. A record 48 teams will descend on co-hosts United States, Canada and Mexico next year for the quadrennial spectacle, with 104 matches on the schedule, up from just 64 the last time the tournament was held in 2022 in Qatar. In anticipation, FIFA expanded the Club World Cup this year to more than four times its original size with 32 teams, in a format that mimicked what fans can expect next year. "It's a dry run for FIFA," said Alan Rothenberg, the former president of U.S. Soccer who was responsible for overseeing the World Cup the last time it was held in the U.S., in 1994. "There were some mistakes early on and some issues early on but presumably they have now learned their lesson on how to stage a tournament in multiple cities in this vast country of ours. So I think it's going to make it a lot smoother from here on out for '26 because they now have experience." Organisers faced criticism from players, fans and coaches for a range of issues from pitch conditions to scheduling to heat, with some games played to packed stands and others to sparse crowds baking in temperatures of 85 degrees Fahrenheit (29°C) and higher. Global players' union FIFPRO said the heat, in particular, should "serve as a wake-up call", with organisers pressured to schedule matches earlier in the day to accommodate the extraordinary scale of the tournament. Chelsea midfielder Enzo Fernandez described the temperatures as "very dangerous" to play in. "Every criticism that we receive is a source for us to study, to analyse, to see what we can do better," FIFA President Gianni Infantino told reporters ahead of the final. "Of course, the heat is definitely an issue. It's an issue all over the world." Infantino said that the tournament in 2026 would use stadiums with roofs and climate control to accommodate more of the daytime games. Of the 16 World Cup stadiums, Atlanta, Dallas, Houston and Vancouver have roofs. "We need to look at what we can do better. We introduced cooling breaks. It's obviously very important we water the pitch. We can see how we can do things better in America as well as in Canada for next year, in Vancouver," said Infantino. FIFA is taking greater operational control over the 2026 tournament compared to previous editions, said Rothenberg, who is now chairman of Premier Partnerships, a division of Playfly Sports. "I don't think they did (Club World Cup) as an experiment but it turns out to be a great experience for FIFA going forward," said Rothenberg, whose forthcoming book "The Big Bounce" explores soccer's popularity in the U.S. 'HISTORIC EVENT' Global soccer's governing body has put boots on the ground in the U.S. in preparation for the World Cup, setting up field offices in Miami and at New York's Trump Tower. U.S. President Donald Trump was on hand to deliver the trophy at MetLife Stadium on Sunday to Chelsea, after the Premier League side thrashed Paris St Germain 3-0 in front of an enthusiastic crowd. From January until the end of next year's tournament, FIFA will maintain a 485,000 square-foot broadcast centre in Dallas. A smaller version was used in the parking lot at MetLife Stadium in New Jersey for the Club World Cup. "This is not a test run - we're going to have a lot of learnings from '25 but this is a historic event for us," Oscar Sanchez, head of host broadcast production, told reporters. "It's massive - but 2026 is humongous." MetLife Stadium, which hosted Sunday's final, is set to host the 2026 World Cup's showpiece, with ongoing research to optimise pitch conditions in East Rutherford, New Jersey. Despite efforts, including transporting Bermuda grass overnight in refrigerated trucks, Club World Cup venues received criticism from coaches and players for pitch quality. "We'll report post this tournament and take lessons forward to 2026," said Blair Christensen, pitch venue manager. "These guys here that work on the pitch with me they are far sharper and better than they were 35 days ago and we'll take that forward to next year as well." (Reporting by Amy Tennery in New York, additional reporting by Fernando Kallas, Miguel Lo Bianco and Kurt Hall in New YorkEditing by Toby Davis)
The Guardian
22-02-2025
- Entertainment
- The Guardian
Grosse Pointe Blank and Miami Blues director George Armitage dies aged 82
George Armitage, director of 90s indie hits Grosse Pointe Blank and Miami Blues, as well as Hit Man, the 70s blaxploitation remake of Get Carter, has died aged 82. His former agency Gersh confirmed the news to Deadline. Armitage started out in TV, working on the celebrated TV soap opera Peyton Place, then broke into features via Roger Corman's micro-budget studio New World in the late 1960s. He subsequently specialised in crime films: Grosse Pointe Blank, which starred John Cusack and Minnie Driver, was his biggest commercial hit, and his final directorial credit was the Elmore Leonard adaptation The Big Bounce in 2004. Born in Connecticut in 1942, Armitage moved to California with his family in 1956, and got a job in the mailroom at 20th Century Fox. He quickly moved into production, and became an associate producer on Peyton Place in 1967. He was keen, however, to work on something more cutting edge, and after getting to know Corman was assigned a project with the concept: 'Everybody over thirty died.' Armitage wrote the script that became Corman's 1970 post-apocalyptic satire Gas! Or It Became Necessary to Destroy the World in Order to Save It. Corman then gave him sexploitation thriller Private Duty Nurses to direct, and a year later he was asked to write and direct Hit Man, which Armitage said later he wasn't initially told was a reworking of the Michael Caine thriller. Armitage also said he was reluctant to make the film as a black director would have done it better, but agreed to direct it after Corman felt the leading actor, Bernie Casey, was too inexperienced to take the job on. In 1976 Armitage wrote and directed action thriller Vigilante Force for Corman; it was about a group of mercenaries who take over a small town, and starred Kris Kristofferson and Jan-Michael Vincent. Aside from the 1979 TV movie Hot Rod, inspired by his teenage experiences in California, Armitage concentrated on writing for the next decade; his next opportunity to direct came via his former Corman compadre Jonathan Demme, who passed the Charles Willeford adaptation Miami Blues to him. Starring Alec Baldwin, Fred Ward and Jennifer Jason Leigh, Miami Blues was an indie hit and led to John Cusack, who had optioned Grosse Pointe Blank from writer Tom Jankiewicz, asking Armitage to direct. Released in 1997, Grosse Pointe Blank starred Cusack as a psychologically troubled hitman who returns to his hometown and attends his high school reunion; Armitage later said he insisted on cutting the script, which Cusack and his collaborators Steve Pink and DV DeVincentis had rewritten, down to 100 pages, but his improvisatory directing style allowed the cast to restore much of it. Armitage followed it up with The Big Bounce, which starred Owen Wilson and Sara Foster; he said he was disappointed with the result after cuts were made in postproduction – as was Leonard, who called it the worst movie ever made. The Big Bounce was Armitage's final credit; he subsequently acted as an uncredited mentor and script doctor on other people's projects. Armitage is survived by his son Brent Armitage, also a film-maker.
