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Scottish Sun
3 days ago
- Entertainment
- Scottish Sun
I've spent £105k on surgery & flew from London to the Dominican Republic for bum implants – but they FELL OUT in the gym
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A SURGERY megafan has opened up on the horrors of her bum implant surgery that led her to spend £63,000 on corrective procedures. Chelsea Robinson Harrison, 29, flew from London to the Dominican Republic in 2019 to increase the appearance of her backside. Sign up for Scottish Sun newsletter Sign up 7 A surgery fan got candid on her bum implants that fell out whilst she was working out in the gym Credit: Olivia Attwood: The Price of Perfection 7 Chelsea Robinson Harrison, 29, after her first boob job at 18 Credit: Olivia Attwood: The Price of Perfection 7 Chelsea revealed all on her £105,000 surgery journey to Olivia Attwood Credit: Olivia Attwood: The Price of Perfection 7 She claimed that a gym workout caushed her bum implants to "come out" Credit: Olivia Attwood: The Price of Perfection The self-described businesswoman, model, and mother, who has spent £105,000 in total on plastic surgery, decided to have the surgery abroad because she had heard that doctors in the Caribbean country are particularly skilled in the procedure. However, after going under the knife and returning home, Chelsea's dream figure soon turned to a nightmare, when a gym workout caused her bum implants to 'come out'. On a recent ITV episode of Olivia Attwood: The Price of Perfection, Chelsea explained: 'Six years ago, I went to the Dominican Republic because I heard that they were the best at doing bum implants. 'But then, when I got back from there, I went to the gym. I was squatting in the gym, and I felt something. 'My leg went all tingly, and I felt something come out. My implant was hanging.' Chelsea recalled that her implant had come out from under her muscle and described the experience as 'horrendous'. She added: 'If I knew all the ins and outs, I would have never got the bum implants because that was the worst, absolute worst journey I've ever been through, and it wasn't worth it.' Since then, Chelsea has spent £63,000 on corrective procedures to fix the issue. But while the procedure put Chelsea off of bum implant surgery, she has by no means been deterred from undergoing other procedures. In the latest episode of Olivia Attwood's docuseries, Chelsea joined the Love Island legend as she underwent her fourth boob job for just shy of £8,000, which saw her receive two implants weighing almost 1kg each. Moment Olivia Attwood gasps 'oh my god' as Price Of Perfection star reveals incredible before and after surgery pics after £250k makeover Opening up on her journey into plastic surgery, Chelsea acknowledged: 'I was quite eager and as soon as I turned 18, I was booked straight away to get my boobs done.' When looking at old photographs of herself before getting breast implants, Chelsea sighed: 'I look so ugly there. There's just no definition anywhere, there's no boobs, there's no bum.' What are the risks of getting surgery abroad? IT'S important to do your research if you're thinking about having cosmetic surgery abroad. It can cost less than in the UK, but you need to weigh up potential savings against the potential risks. Safety standards in different countries may not be as high. No surgery is risk-free. Complications can happen after surgery in the UK or abroad. If you have complications after an operation in the UK, the surgeon is responsible for providing follow-up treatment. Overseas clinics may not provide follow-up treatment, or they may not provide it to the same standard as in the UK. Also, they may not have a healthcare professional in the UK you can visit if you have any problems. Source: NHS It was Chelsea's career as a glamour model that led her to compare herself to others in the industry, which made her feel her chest wasn't big enough to compete with her colleagues. She admitted: 'I kind of fell into lingerie modelling, but I felt like I wasn't competing with the other glamour models that I was seeing. 'I had no boobs, I had like an A-cup, so I wanted to look like everyone else.' There's always something else you need, you want, or something that could make you look better Chelsea Robinson Harrison Following this, she soon went on to have two additional breast implants before her most recent one, in a bid to get a 'fuller' and 'bigger' result. Chelsea said: 'All in all, I've definitely spent over £100,000, probably £105,000. It's been eleven years, and a pricey eleven years.' Chelsea's implants are the largest available at the London-based clinic that Chelsea visited, as she explained: 'It's a lot if you think about carrying two of those around.' Despite the struggles, Chelsea concluded: 'There's always something else you need, you want, or something that could make you look better. 'It's almost like adrenaline, and I feel like that's what you're chasing as well.' Olivia Attwood: The Price of Perfection is now available to stream on ITVX. Unlock even more award-winning articles as The Sun launches brand new membership programme - Sun Club 7 Chelsea recently underwent her fourth boob job Credit: Olivia Attwood: The Price of Perfection 7 She has spent £63,000 on corrective procedures to fix her bum implants Credit: Olivia Attwood: The Price of Perfection
Engadget
02-07-2025
- Entertainment
- Engadget
The Last of Us co-creator Neil Druckmann is stepping away from the show to focus on future games
Neil Druckmann, head of the PlayStation studio Naughty Dog and co-creator of The Last of Us, is stepping away from the HBO show based on the 2013 game and its 2020 sequel to focus his work on Naughty Dog's next game. On Instagram, the studio published the following statement from Druckmann: "I've made the difficult decision to step away from my involvement in The Last of Us on HBO. With work completed on season 2 and before any meaningful work starts on season 3, now is the right time for me to transition my complete focus to Naughty Dog and its future projects, including writing and directing our exciting next game, Intergalactic: The Heretic Prophet , along with my responsibilities as Studio Head and Head of Creative." He went on to thanks showrunner Craig Mazin (on the left in the above photo) as well as the cast and crew he worked with on the first two seasons and called working on the show a "career highlight" Druckmann was credited as executive producer and co-creator of the show and he directed one episode in each of the show's two seasons as well as contributing writing to several others. The bulk of the show itself was written by Mazin. Your Yahoo privacy setting is blocking social media and third-party content You can Allow your personal information to be shared and sold. Something went wrong. Try again. You can update your choice anytime by going to your privacy controls, which are linked to throughout our sites and apps. This page will now refresh. This comes after a fairly rocky reception for The Last of Us season two. The challenge of adapting the story of the second video game led to some decisions that didn't sit well with both fans of the games as well as those who were new to the world via the show. And, perhaps unsurprisingly, there was also an inordinate amount of online vitriol directed towards Druckmann and Mazin for some of the changes they made to adapt the game into a TV series. For my part, I thought season two was well-done, with continued excellent acting but issues with pace due in part to it only being seven episodes long. But I can also agree there are a number of fair criticisms to make about how the show was plotted — it probably stuck too closely to the timeline of the game, and the finale left things up in the air to what must be a frustrating degree for people who don't know the storyline from playing the games. As such, this is probably the right time for the show's creative team to get shaken up. Mazin still obviously has the rest of The Last of Us Part II to base the next season of the show on, and it's entirely possible he'll be working with Halley Gross on season three as well. She co-wrote several episodes of season two after co-writing the second game with Druckmann. That said, Druckmann co-wrote and directed one of the best episodes of the entire series (season two's "The Price") and did solid behind-the-camera work in season one's "Infected" as well. Not to mention the fact that he knows these characters better than basically anyone alive — it's plausible to wonder just how things will change without his influence going forward. On the other hand, this change might re-focus the show's creative team and help correct parts of season two where things just didn't land as fans had hoped. It's far too early to tell, but it'll be worth seeing if Mazin brings on anyone else to back him up — and if he does, if that person has experience with the game or is focused solely on the TV world. Someone with some distance from how the story was told in the games might be the right choice to help the show stand on its own. Regardless of what happens, it'll be a while before we find out how this all shakes out — as Druckmann said, there's no "meaningful work" done on season 3 yet, so we will probably have to wait until 2027 to see how these changes impact the show.
Express Tribune
11-06-2025
- Entertainment
- Express Tribune
Veteran actor Harris Yulin dies at 87 due to cardiac arrest
Acclaimed stage and screen actor Harris Yulin died on June 10, 2025, in New York City from cardiac arrest. He was 87. The news was confirmed by his family and longtime manager Sue Leibman. Born on November 5, 1937, in Los Angeles, Yulin enjoyed a prolific career across theater, television, and film. He made his New York stage debut in 1963 and his Broadway debut in 1980 in Watch on the Rhine. His Broadway credits include The Visit, The Price, The Diary of Anne Frank, and Hedda Gabler. Yulin's film appearances include Scarface, Clear and Present Danger, Ghostbusters, Training Day, and Multiplicity. He also played prominent roles on television, including arcs on Ozark, Veep, Frasier (earning him an Emmy nomination in 1996), and The Unbreakable Kimmy Schmidt. Off-Broadway and regional theater were also central to his career. Yulin starred in Death of a Salesman in Dublin and directed plays like The Glass Menagerie and The Trip to Bountiful, the latter winning four Lucille Lortel Awards. In recent years, he taught acting at Juilliard, Columbia University, and HB Studios. Before his death, Yulin was preparing to film American Classic with Kevin Kline and Laura Linney, directed by Michael Hoffman. Director Hoffman praised Yulin as 'one of the greatest artists' he had ever worked with, noting his 'immense technique' and 'humility.' Harris Yulin is survived by his wife Kristen Lowman, son-in-law Ted Mineo, nephew Martin Crane, and godchildren Marco and Lara Greenberg. He was predeceased by his daughter, actress Claire Lucido. A memorial will be held at a later date.
Yahoo
11-06-2025
- Entertainment
- Yahoo
The Last of Us Creative Team on How They Crafted Season 2's Most Crucial Episodes
Full Spoilers for The Last of Us Season 2 follow. At IGN Live today, The Last of Us Co-Creator and Executive Producer Craig Mazin was joined by several of the show's core creative team – including Ksenia Sereda (Cinematographer), Ann Foley (Costume Designer), Don Macaulay (Production Designer), Alex Wang (VFX Supervisor), Timothy Good (Editor), and David Fleming (Co-Composer) – to discuss the tremendous amount of work that went into the just-completed second season of the HBO series. As the panel began, Mazin remarked, 'The truth is that Neil [Druckmann] and I are vastly over-credited for the success of the show. We work really hard on it but these are the people that bring it to life and they deserve so much credit… All of it is necessary to make it what it is.' When the panel was asked to name their favorite episode from Season 2, nearly everyone named either episode two ("Through the Valley") or episode six ('The Price'), which made sense since they were such standouts - and segued nicely into the fact that these were the two episodes moderator Amelia Emberwing focused on for the conversation. "Through the Valley' of course had two monumental events, including the horde of infected attacking Jackson and, well… that other thing which we'll get back to. With footage of the massive attack sequence playing, Mazin noted that there were visual effects in basically every shot, saying, 'I think Alex had to touch nearly everything here.' Rewatching the attack on Jackson, Macaulay joked, 'All I can think about is the thousands of meetings we have,' saying they quite seriously probably had 10 meetings about how the barrels would be launched from the town gates into the horde. As he put it, 'Nearly every shot in this took 10-15 meetings. Craig loves meetings!' Even after all of that there was 'a lot of retrofitting on set. Lots of rooftops we weren't planning to do.' Foley said episode two was definitely the hardest part of the season for her as the costume designer because of how many actors and extras were in that episode working on multiple filming units - and that it was all taking place while they were also working on the Seraphite costumes for upcoming episodes. As she explained, this involved "65 people in three different areas.' Wang stressed that previs is crucial, and the many discussions they have about what Macaulay will build vs. what Wang will oversee being added digitally. It's a long process, with Wang noting, 'You're planning for success 6-8 months down the line' and that he's constantly in communication with Macaulay, the stunt team, and many more. Mazin joked that when he calls Wang in for one of his infamous meetings, 'His heart sinks because he knows he's about to go over budget again.' One reason the infected horde was so tricky was that it dealt with such a large army and as Wang explained, in the visual effects world, when you have a group that large 'repetition is usually okay,' since you have characters in the same costumes or creatures of the same type. Here though, Mazin wanted to sell that these were all originally different human beings who were different sizes and ages in different outfits before they were infected. As he put it, they nearly 'broke Wētā [FX]' over the specifics they asked for. Then there's Good and his crucial work as editor. He has to begin editing without the final effects in place, which can be tricky. And not just because, as he pointed out, in the early footage 'a Bloater isn't a Bloater, it's a green dot.' But after they may have cut of the episode they're happy with, 'we get the animation back and everything's changed. The motion's become faster than a human actor is able to do," so they have to re-edit to adjust. When it came to scoring the 'Through the Valley,' Fleming described it as particularly challenging, because Mazin asked him, 'How do we start this at 11 and then keep going up for the whole episode?' The idea was they were 'building up momentum so it just felt relentless relentless relentless. Then at the end, it was kind of the opposite with the pivotal scene with Joel.' When Fleming paused and said he'd been avoiding talking about how that episode ended for so long, Mazin couldn't resist chiming in: 'He died!' As Fleming explained, the original music for Joel's wrenching death scene was much busier but then 'Craig asked 'strip it back.' It was a less is more situation.' While praising the performances of Pedro Pascal, Kaitlyn Dever and Bella Ramsey, Good revealed that for Joel's death 'I actually edited it five times before I was ready to show it to Craig,' because he knew how important it was to get it right. As Joel's death scene played out, the panel couldn't help but become somber and when Mazin cracked, 'Let's talk about the golf clubs we picked out. They have lots of meaning" to release some tension, he then paused and added that actually, when it came to which exact club Abby would use to beat Joel with, 'There was a whole discussion!' The conversation then moved to episode six and its flashbacks to Joel and Ellie together set between Season 1 and 2. The sequence where Ellie climbs the dinosaur was shown and Mazin remarked, 'I love this in the game. I love that we got to do it!' He added that this was a funny situation where the actual dinosaur built for Ellie to climb 'was wobbling too much so then Alex stopped it from wobbling. But then it looked fake so we had to make it wobble [again] a little bit.' Discussing Joel and Ellie's clothes, Foley noted they did their best to match their looks in the game, though there might be slight changes occasionally for specific reasons. One such case was in the museum scene. In the game, Ellie is wearing a tank top in this sequence. However, on the show, they wanted to underline that Bella Ramsey was playing a more youthful version of Ellie in these flashback scenes, so they ended up making it a t-shirt because 'changing it from a tank to a t-shirt made it look baggier and make her look younger.' In general though, 'Joel and Ellie are in the same things they wear in the game because there's no reason to change it.' Ksenia Sereda said she was both excited and nervous about shooting the scene where Ellie and Joel go inside the space capsule, because 'the way it was done in the game was so brilliant,' including the close up on Ellie smiling, imagining going into space. Sereda joked the game provided 'the most expensive previs I've ever had to work with.' Mazin marveled how Sereda lit the screen so that all of the light changes on Ellie's face were done practically, without visual effects needed. Sereda explained how difficult it was, because 'the whole sequence is lit through this teeny tiny window on the side of the capsule. It was very challenging to find this whole look.' This sequence had particular significance to Mazin because 'This is the first thing that Neil ever showed me from the second game.' He elaborated that when he went to Naughty Dog to speak to Druckmann about turning The Last of Us into a TV show, the team were nearing the completion of The Last of Us Part II. When Druckmann showed Mazin the space capsule sequence, his response was, ''We're doing that!' In my mind, I was like, 'We need to do a good enough job for Season 1 that we're renewed [to do that].'" With Season 3 of The Last of Us now in the works, Mazin said he was eager to get back in the thick of it, turning to his fellow panelists and saying 'I can't wait to do that. I can't wait to do that with all of you.' He then proclaimed: 'Don, are we going to have meetings!!'
Scottish Sun
11-06-2025
- Entertainment
- Scottish Sun
Harris Yulin dead aged 88: Emmy-nominated Scarface star and Ghostbusters actor dies after heart attack
Yulin debuted Broadway in his 40s, but from then there was no turning back THE celebrated actor Harris Yulin who starred in Scarface and Ghost Busters, and was a Braodway legend, has died at the age of 88. He died in New York on Tuesday, as announced by his family and manager Sue Leibman. 2 2 Yulin was an icon of Broadway, treading the boards in Hedda Gabler, The Price, The Visit and Watch on the Rhine, among many other productions. More to follow... For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos. Like us on Facebook at TheSunUS and follow us on X at @TheUSSun
