Latest news with #TheStudio
Yahoo
2 days ago
- Entertainment
- Yahoo
And the Emmy Nominations Should Go to…
The key races for the 77th Primetime Emmy Awards couldn't be more different. The comedy categories appear to be heading for another showdown between The Bear — once again prompting an obligatory 'Is it a drama or a comedy?' debate — and Hacks, with several returning shows still in the mix while the drama fields, which Shōgun dominated last year, are wide open. More from The Hollywood Reporter Hollywood Flashback: When 'Hollywood Squares' Won Big in 1975 'Wicked,' Sabrina Carpenter, SZA Among Winners at 2025 Nickelodeon Kids' Choice Awards 'Traitors' Stylist Teases "Way More Dramatic, Way More Theatrical" Season 4 Costumes While voters can, and in many cases should, absolutely go back to prior favorites like The White Lotus, Severance and The Last of Us, the THR television critics have recommendations on some familiar and some quirky and offbeat ways to fill out ballots. Voting for the nomination round closes on Monday, June 23, with nominations announced on Tuesday, July 15. The 2025 Emmys will air on CBS and Paramount+ on Sept. 14, with Nate Bargatze serving as host. Best Series After Max's Hacks upset The Bear in this race last Emmys, there was some speculation that FX might consider a jump in categories for the restaurant drama. Nope! So expect another deserved showdown. While voters will probably prefer looking at themselves in The Studio, a better field would include comic weepies Shrinking, A Man on the Inside and Somebody Somewhere, plus broadcast standby Abbott Elementary and Nathan Fielder's genre hybrid dazzler The Rehearsal. — D.F. Best Actor It is a crime that HBO's joyously funny, exquisitely empathetic Somebody Somewhere has yet to be nominated for a single Emmy; let's rectify that with a nom for Jeff Hiller's irrepressible Joel. Elsewhere, I'm a fan of Fielder's distinctive weirdness on HBO's The Rehearsal, Ted Danson's funny-poignant turn on Netflix's A Man on the Inside, Adam Brody's romantic chops on Netflix's Nobody Wants This, Seth Rogen's never-ending panic attack on Apple TV+'s The Studio and everything everyone is doing on FX's What We Do in the Shadows. — A.H. Best Actress This is where Hannah Einbinder belongs, right alongside Hacks co-star Jean Smart. Instead, she's miscategorized as supporting, which should leave room for Uzo Aduba's quirky The Residence performance, Stephanie Hsu's confident rom-com weirdness in Peacock's Laid, Kristen Bell's Nobody Wants This charm offensive and such returning favorites as Quinta Brunson (Abbott), Ayo Edebiri (The Bear) and Natasha Lyonne (Peacock's Poker Face). — D.F. Best Supporting Actor I expect we'll see several repeats in this category, including The Bear's Ebon Moss-Bachrach, Hacks' Paul W. Downs, Abbott Elementary's Tyler James Williams and Saturday Night Live's Bowen Yang, and I'd be happy for all of them. But I'd also love to find room for SNL breakout Marcello Hernández, Somebody Somewhere sweetheart Tim Bagley, Shrinking scene-stealer Ted McGinley and especially his co-star Harrison Ford — heard of him? — who was robbed of a nomination for season one. — A.H. Best Supporting Actress If Einbinder has to be here, she might as well win, especially since Liza Colón-Zayas of The Bear won the Emmy she deserved for this year at the Emmys in September. There are too many good contenders here, but I'd push for Lukita Maxwell (and Jessica Williams and Christa Miller) of Apple TV+'s Shrinking, Zosia Mamet of Peacock's Laid, Poorna Jagannathan of Hulu's Deli Boys, Janelle James of Abbott Elementary and the great Lou de Laâge, the best part of Prime Video's Étoile. — D.F. Best Series It's hard to think of a series more searingly of-the-moment than Andor, Tony Gilroy's anti-fascist statement by way of a Disney+ Star Wars brand extension. I'm also high on Max's The Pitt, the best and buzziest of this year's many medical dramas. But if a critic can dream, I'd also be thrilled to see HBO's Industry, sharper and bolder than ever in season three, and AMC's deliriously twisted Interview With the Vampire enter the race. — A.H. Best Actor My list starts with Zahn McClarnon of AMC's Dark Winds, a confident star turn that anchors the fine series. Noah Wyle's steady, yet emotionally volatile performance carried The Pitt, the second season of Severance took Adam Scott to new, darker places, and Diego Luna held together the disparate elements in Andor. A good list could also include Matthew Goode (Netflix's Dept. Q), Sterling K. Brown (Hulu's Paradise) and the reliable Gary Oldman (Apple TV+'s Slow Horses). — D.F. Best Actress If I had to sum up my faves in a single word, it'd be 'ferocious.' Bella Ramsey blew me away with their fury and vulnerability on HBO's The Last of Us. Britt Lower's high-wire act on Apple TV+'s Severance rewarded close repeat viewing. Marisa Abela took Yasmin to cold depths on Industry, and Melanie Lynskey and Sophie Nélisse burned up the screen with their shared rage on Showtime's Yellowjackets. — A.H. Best Supporting Actor A respectable list could include nothing but Severance (don't forget Zach Cherry) and The White Lotus (don't forget Patrick Schwarzenegger), but that would leave out such options as Gerran Howell (The Pitt), Kyle Soller (Andor), Ben Whishaw (Netflix's Black Doves) and Michael Emerson (CBS' Evil). — D.F. Best Supporting Actress The temptation to fill this extremely competitive category with people from The Pitt is strong, with Katherine LaNasa and Taylor Dearden especially close to my heart. But I'd be remiss to ignore the similarly wonderful work by The White Lotus' Aimee Lou Wood and Carrie Coon, Andor's Denise Gough and Genevieve O'Reilly, The Last of Us' Isabela Merced and Severance's Dichen Lachman. — A.H. Best Series Would it be reductive to describe the one-shot wonder Adolescence as 'this year's Baby Reindeer,' just because they're both wildly acclaimed, harrowing Netflix originals of British origin? Probably. Would it be inaccurate? Probably not, and deservedly so: Adolescence is a powerhouse of acting, writing and directing. But let's save some applause as well for FX's searing Troubles drama Say Nothing and its boldly horny cancer dramedy Dying for Sex. — A.H. Best Actor Stephen Graham tucking in that teddy bear in Adolescence wrecked me; give that man a hug, and a prize. Or hand it to Brian Tyree Henry, who can do no wrong in Apple TV+'s Dope Thief. Otherwise, most of my picks are great performances in so-so shows: Cooper Koch in Netflix's Monsters: The Lyle and Erik Menendez Story, Josh Rivera in FX's American Sports Story: Aaron Hernandez and Jimmy O. Yang in Hulu's Interior Chinatown. — A.H. Best Actress It's essential Cristin Milioti end her bizarre streak of Emmy nom snubbing. The Penguin is nothing without her. Michelle Williams (Dying for Sex) and Cate Blanchett (Disclaimer) will add star power in a weak category that should include Kaitlyn Dever (Apple Cider Vinegar), Lola Petticrew (Say Nothing) and Tamara Lawrance (Get Millie Black). — D.F. Best Supporting Actor In his first onscreen performance, the astonishing Owen Cooper of Adolescence has this category in the bag. Since Bill Camp has roughly 73 performances here, let's get him a nom for … something, without forgetting about Don Cheadle (Peacock's Fight Night), Diego Luna (Hulu's La Máquina), Rob Delaney (Dying for Sex), Wagner Moura (Dope Thief) or Ramy Youssef (HBO's Mountainhead). — D.F. Best Supporting Actress Sorry to bring up Adolescence again, but Erin Doherty's performance was a beast — intense but nuanced, layered and dynamic. Also worthy of praise are Jenny Slate's tenderness on Dying for Sex, Ruth Negga's hurt and determination on Apple TV+'s Presumed Innocent and Betty Gilpin's raw longing on Starz's Three Women. And while I thought Hulu's Good American Family was deeply misguided, I left impressed by Imogen Faith Reid's handling of a highly difficult role. — A.H. This story appeared in the June 18 issue of The Hollywood Reporter magazine. Click here to subscribe. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Irish Daily Star
2 days ago
- Entertainment
- Irish Daily Star
I'm hooked on Apple TV+'s new crime drama despite problematic episode
Apple TV+'s latest crime drama commits what I perceive is the ultimate sin for a debut series, yet I find myself urging folks to give it a watch. Smoke has dropped its first two episodes, joining the ranks of Apple TV+'s high-end, original drama lineup that already includes titles like Your Friends and Neighbors, The Studio, Stick, Dope Thief, Murderbot, and Prime Target from earlier this year. That's quite the crowd of newbies vying for your screen time. As someone who critiques films and TV professionally, I get some early access to shows pre-release. So, just so you know, at the time of penning this, I've devoured the initial five episodes out of the nine-part season. Smoke is a slow burn until it gets going (Image: Apple) Keep in mind, three of those aren't even out for subscribers until July. This detail is key because if I had only seen the currently streaming premiere, I'd probably advise you to skip Smoke altogether. An early critique hailed Smoke as "nine great hours of television.", reports Wales Online . Here's the kicker: the critic must've binged the whole lot, because if they'd only seen the first couple of episodes, their tune might be different. Heads up, I'm about to share what goes down right at the start of Smoke. But hey, it might just convince you to fast-forward through the first 10 minutes or so. The series chronicles troubled detective Michelle Calderone, portrayed by Jurnee Smollett, who must join forces with arson expert Dave Gudsen, played by Taron Egerton, as they pursue two elusive serial arsonists. They find themselves enmeshed in a "twisted game of secrets and suspicions" as they delve into the crux of the frightening offenses. Drawing inspiration from real occurrences and the esteemed Firebug podcast, enthusiasts of the podcast will recognize where the narrative's critical turning point is headed. Launching a fresh series as it strives to carve out its characters, locale, concept, and convince viewers of its legitimacy is no small feat, encountering several pet peeves. Voiceover narration should be more than mere exhibition; it must authentically complement the visual storytelling, rather than indulging in pretentious reflections mirroring the show's theme. Another concern lies with erratic flashbacks; presenting past or future scenarios prior to identifying the temporal sequence can work effectively. However, juggling timelines incessantly risks obscuring the story's true genesis. Smoke plunges headfirst into these pitfalls. We're introduced to Taron Egerton's character amidst flames, ensnared within a burning structure, as his superfluous voiceover ruminates on conflagrations—and then, suddenly, he awakens! Similarly, when the series unveils our other lead, her background unfolds through sporadic, disjointed glimpses into the past. Despite the presence of these clichés, which is surprising given that the episode is written by seasoned scribe Dennis Lehane, I'd still urge most viewers to stick with it. We've arrived at one of the worst things a review could disclose to potential viewers: you'll need to endure the first two episodes before deciding if this show is your cup of tea. By the climactic scene of the second episode and its jaw-dropping plot twist, I've transitioned from wanting to throw in the towel to being hooked on what comes next. Taron Egerton in Smoke (Image: Apple) Starting from episode three, Egerton's fire investigator character evolves beyond just being an awful stepdad, revealing layers the show is gradually unmasking. Detective Calderone becomes intriguing when he's actually probing the central crime of the story rather than mulling over an affair, and I'm itching to uncover what's up with Ntare Mwine's Freddy Fasano. The series' weekly release schedule might pose a problem here, as it might be more enjoyable as a binge-watch. Smoke isn't the standout show of the year. It doesn't even top Apple's new series roster for 2025 (that honor goes to The Studio, in case you're curious), but I find myself irresistibly drawn to its intrigue, eager to see how it all wraps up and recommending it to anyone in search of a twist-filled crime drama. Smoke is streaming on Apple TV+.
Wales Online
2 days ago
- Entertainment
- Wales Online
Apple TV+'s latest series does the worst thing for a new show but I can't help recommend it
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info *Warning - this article contains minor spoilers for the opening scene in Smoke, episode one* Apple TV+'s latest series does the worst thing a new show could possibly do, in my opinion, but I still can't help but recommend it. The first two episodes of Smoke are now available. It is the latest prestigious and original television drama series from the company. It comes after the likes of Your Friends & Neighbors, The Studio, Stick, Dope Thief, Murderbot and Prime Target all releasing earlier this year. That's a lot of new shows demanding your attention. As a film and TV writer and critic, I'm able to see shows before they're released. So, let it be known that as of writing, I have so far watched the first five episodes of the nine-part season. Three of those will not be available to subscribers until July. This is crucial, as had I only watched the premiere streaming now, I would most likely tell you not to bother at all with Smoke. (Image: Apple) An early review of Smoke claimed it is "nine great hours of television." That's the thing. The reviewer had clearly watched all nine hours, as had they only watched the first two, it would be described quite differently. Be warned, as I'm about to mention some aspects of what happens in Smoke's opening moments. However, it could lead you to realising you can skip the first 10 minutes or so. The series follows troubled detective, Michelle Calderone, played by Jurnee Smollett, who is made to team up with arson investigator, Dave Gudsen, played by Taron Egerton, as they track down two serial arsonists. Their investigation turns into a "twisted game of secrets and suspicions" as they try to track down those responsible for the alarming crimes. The series is inspired by true events and the acclaimed Firebug podcast. Those familiar with that podcast will already know where the biggest plot point leads. This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more Apple TV+ Get Apple TV+ free for a week TV fans can get Apple TV+ free with a seven-day trial and stream acclaimed shows like Severance, Ted Lasso and Slow Horses. Just remember to cancel before the trial ends and you won't pay a penny. £0 Apple TV+ Get Apple TV+ here Now, the worst way a new series which is attempting to establish its characters, setting, premise and convince viewers the premise is viable is one of a few things. At least it is for me personally. These include a voiceover. There really needs to be a good reason for this tactic. It cannot be just describing what should be shown or utilising flowery language about the show's theme. There's also intermittent flashbacks. You want to show a past or future event before telling the audience we are actually days later or before said event? Fine. But don't keep flashing between past and present as if you couldn't decide where the story should start. Smoke manages to do every one of these things. Taron Egerton's character begins trapped in a burning building, his voiceover pointlessly droning about fires then - he wakes up! When our other lead character is introduced, we get more intermittent flashbacks for her. However, despite all those tropes, which is surprising they are even present considering the episode is penned by an experienced writer in Dennis Lehane, I recommend most viewers to push on. We come to one of the other worst things that a review could tell a potential audience. You're going to have to make it through the first two episodes before knowing if this show is for you. By the final scene of the second episode and its huge plot twist, I've gone from wanting to give up, to needing to know what's next. (Image: Apple) From episode three, Egerton's arson investigator is more than just a terrible stepfather, there's a side the show is delicately peeling away to reveal. Detective Calderone is now interesting when actually investigating the story's central crime rather than reflecting on an affair, and I need to know just what is going on with Ntare Mwine's Freddy Fasano. The show's weekly release schedule could be an issue here, as perhaps it is better as a binge watch. Smoke is not the best show of the year. It's not even Apple's best new series of 2025 (The Studio, if you were wondering) but I still find myself attracted to its flames, needing to know how it all ends and recommending it to anyone who is after a twisty crime drama. Smoke is streaming on Apple TV+.
Yahoo
3 days ago
- Entertainment
- Yahoo
‘The Bear' Emmy odds: How many nominations will the series get?
This week, everyone's favorite summer-time, fine-dining panic attack, The Bear, returns for its fourth season. But in the awards world — thanks to eligibility windows — it's the third season of the FX series starring Jeremy Allen White and Ayo Edebiri that Emmys voters are having to consider. The ascendency of Hacks kept The Bear from claiming a second Best Comedy Series last year, but there were still a bevy of acting wins, taking five out of six within comedy, including White winning his second Emmy in a row for playing Carmy. More from GoldDerby How will the Grammys tackle the TikTokers? Alex Warren and Addison Rae look to turn chart success into Best New Artist bids Jensen Ackles on [Spoiler]'s surprise appearance on 'Countdown' and the 'Supernatural' reunion on 'The Boys' Marvel's 'Ironheart' reviews: Critics love Dominique Thorne - the show she's in, not so much But with The Studio's arrival on the scene and Only Murders in the Building still going strong, comedy categories at the Emmy Awards are more competitive than they've been in years. How will The Bear fare? Here are the series' best shots at scoring nominations when they're announced on July 15. Vulture recently reported on the supposed whisper campaign among industry insiders to unseat the highly dramatic The Bear as the dominant comedy series at the Emmys, a trend that could have led to the upset victory of Hacks at the 2024 edition of the award. And a look at the Gold Derby odds for the top prize suggests that those efforts may have doubled. The Bear currently sits in fourth place with combined odds for the category — behind Hacks, The Studio, and Only Murders in the Building. Nipping at The Bear's furry heels are the much beloved Abbott Elementary and another of the season's breakout hits Nobody Wants This. With episodes of The Bear days from debuting, a standout fourth season could give it a boost among voters. But, much like last year, the opposite is also true. The strongest Emmys streak that The Bear has going right now — outside of Chris Storer's directing — is White. The actor has claimed Lead Actor in a Comedy Series for The Bear's first two seasons and could make it a hat trick in 2025. But shockingly, White is currently sitting at third in the combined Gold Derby rankings, behind Seth Rogen for The Studio and current favorite Martin Short for Only Murders in the Building. Short, a three-time acting nominee for the Hulu series, hasn't won an Emmy since 2014. Could this be the year? Will anyone ever beat Deborah Vance? That is the question of the category as long as Hacks stays on the air and Jean Smart is being hilariously mean. Smart has won Lead Actress in a Comedy Series three times — every year that Hacks has been eligible. If anyone has a shot this year, the odds point to Edebiri, who previously won in 2023, when Hacks didn't air within the consideration window. Also in the running, just behind Edebiri, are Quinta Brunson for Abbott Elementary, Kristen Bell for Nobody Wants This, and Natasha Lyonne for Poker Face. The only regular cast member for The Bear sitting at the top of the odds for their respective category is Ebon Moss-Bachrach. The two-time winner ranks ahead of Harrison Ford (Shrinking), Paul W. Downs (Hacks), Ike Barinholtz (The Studio), and Tyler James Williams (Abbott Elementary). It should also be noted that Moss-Bachrach stars in The Fantastic Four: First Steps out this July, which will only help to raise his profile in the midst of voting. The reigning Comedy Supporting Actress winner, Liza Colón-Zayas, is currently sitting in the No. 2 spot behind her competition from The Bear's primary awards rival. Hacks' Hannah Einbinder has two previous nominations in the category, but has yet to take home a trophy. The odds puts her as the current favorite, with Catherine O'Hara (The Studio), Sheryl Lee Ralph (Abbott Elementary), and Jessica Williams (Shrinking) rounding out the top five. Jamie Lee Curtis is the heavy favorite to repeat in Comedy Guest Actress, but she'll have some tough competition from Julianne Nicholson's wild appearance on Hacks. The Studio brought some serious heat with its guest stars — including current number three in the ranking, Martin Scorsese — but it's Bryan Cranston who is poised to stand (or at least to be propped up) in the way of Jon Bernthal's path to two in a row. In the last two years, The Bear has dominated comedy directing, editing, sound mixing, and sound editing, never losing in any of the four categories. If there are any safe bets for The Bears' nominations, it's right here. Best of GoldDerby Everything to know about 'The Pitt' Season 2 Adam Brody, Seth Rogen, Jason Segel, and the best of our Emmy Comedy Actor interviews Kristen Bell, Tina Fey, Bridget Everett, and the best of our Emmy Comedy Actress interviews Click here to read the full article.
The Age
3 days ago
- Entertainment
- The Age
This overlooked sitcom skewered Hollywood better than The Studio
Hollywood loves little more than making stories about itself and this year, there have been two standouts in the genre: The Studio focused on the existential-financial crises of making movies, while the fourth season of comedy Hacks turned its crosshairs to the sorry state of late-night television. Both shows are sharp satires about whether success and creative integrity are oil and water in Hollywood, with plenty of bite aimed at a scared industry reluctant to take leaps as it faces a chasm. Loading In Hacks, veteran stand-up Deborah Vance (Jean Smart) lands her lifelong dream gig as a late-night host, but she and head writer/whiny millennial protégée Ava Daniels (Hannah Einbinder) immediately face cancellation, as the genre itself faces extinction in the age of streaming. Meanwhile, Seth Rogen pulled in every favour he could for The Studio, a sleek and star-studded satire for Apple TV+, with everyone from Martin Scorsese and Ron Howard to TikTok star Charli D'Amelio and Netflix co-CEO Ted Sarandos playing themselves. Co-created by Rogen with long-time collaborator Evan Goldberg, the comedy focuses on a Hollywood studio head (Rogen) trying to produce genuine art in a corporate industry focused on maximal profits and bankable IP. Both series are also love letters to Hollywood – their characters may be power-hungry and occasionally amoral, but they are talented and guided by a true love of art. But isn't that a generous depiction? What about the true hacks of Hollywood, the grifters who seemingly care about little but their own fame? Enter the namesakes of The Other Two – one of the past decade's most criminally under-seen satires, and a quick three-season watch on Max. Created by former SNL co-head writers Chris Kelly and Sarah Schneider, the show focuses on these two aimless 30-something siblings, former dancer Brooke (Heléne Yorke) and struggling gay actor Cary (Drew Tarver). When their 13-year-old brother Chase (Case Walker) becomes overnight pop sensation ChaseDreams after his (completely asinine, Friday -esque) song Marry U At Recess goes viral, the two ride his coattails. Brooke decides to girlboss without direction, eventually becoming his co-manager; Cary rides the success of ChaseDream's second single My Brother's Gay and That's Okay! to land more roles. Neither Brooke nor Cary are particularly talented or, necessarily, smart – The Other Two isn't the story of the compromised artist as in Hacks or The Studio. Instead, it's one of jaded people thrown an opportunity, trying to make a mark (and money) however they can. The show is particularly biting on self-branding masquerading as activism. Brooke dabbles in slacktivism to feel as though she's making a difference, while Cary equally positions his acting career as a battleground for LGBTQ representation. There are plenty of other nefarious sharks circling Chase, too, as manager Streeter (Ken Marino) and label exec Shuli (Wanda Sykes) work him to the bone. They sell his armpit pictures to Rolling Stone for $8 million, set up fake relationships for cross-promotion and wring out countless brand partnerships, including a mobile phone company (much like Ryan Reynolds), nail polish line (much like Harry Styles) and an oil pipeline (kinda like RuPaul, who has been criticised for allowing fracking on his land). And Chase's mum Pat – Molly Shannon, in a career best – may seem like a mid-western sweetheart, but she's just as shrewd, soon becoming a celebrity in her own right as an Ellen-like daytime talk show host with a not-so nice private side. But ChaseDreams isn't the Bieber brat you might expect. For the most part, he's relatively level-headed, even as his surroundings should distort him into an absolute nightmare. Instead, he's the straight guy in a surreal famescape, with the show more about clawing towards celebrity from the sidelines. Loading It's a position that Kelly and Schneider presumably know well from SNL, where each week they'd work with – or tiptoe around – a host's ego and persona. (Perhaps not incidentally, SNL castmate Bill Hader once called Bieber, who hosted under Schneider and Kelly's tenure, the worst-behaved host.) With rapid-fire dialogue reminiscent of 30 Rock – a writing style forged from SNL, where Tina Fey also came up – there's a real frantic, occasionally over the top energy to the show, mirroring Cary and Brooke's desperate reaches for power. And plots are delightfully ludicrous with the second and third seasons matching the general hysteria of the 2020s. While a critical darling, the show struggled to find an audience while airing. Some of its Simpsons -style predictions have given it a second life online, however, with several of its more ridiculous plot lines coming true in the past year. Back in May, supermodels Gigi and Bella Hadid's announcement that their father had a secret daughter was oddly reminiscent of a season two plot around the ultra-secret reveal party of the 'third Hadid sister' hosted by Vogue, where she stood in the corner underneath a white sheet. And while The Other Two didn't take Katy Perry to space (that was Jeff Bezos), Brooke went twice in one episode, when two consecutive men she's dating become billionaires, and their immense wealth suddenly renders Earth boring. Sound familiar? Naturally, the show's most prescient element was more meta: The Other Two, a satire of ego and resentment curdling people's values and behaviour, was marred by allegations that its creators Kelly and Schneider had created a toxic workplace environment, with the former accused of verbally abusing writers and overworking staff and the latter accused of enabling that behaviour. One insider told The Hollywood Reporter, 'There's a lot of Chris and Sarah in the show … I think a lot of their frustration comes from not being on camera… These are two people who started off as improvisers. This is a show about people who are hungering for fame.' The allegations were made public before the show's surprisingly sweet finale in 2023, but a statement from the creators said the show's end was already planned. Neither have publicly commented on the allegations, but sources told The Hollywood Reporter that a formal investigation cleared the two of wrongdoing during production. Max, Kelly and Schneider were all contacted for comment in this story. For better or worse, acidity corroded The Other Two into the dark, cynical and deeply funny show it is. While Cary and Brooke have redemptions written in, Kelly and Schneider haven't yet announced any follow-up projects. Meanwhile, several of the writers have gone on to great success, including recent Tony Award winner Cole Escola and Paul W. Downs and Lucia Aniello who form two thirds of the team behind Hacks… who also cameoed as themselves in The Studio. Like I said, Hollywood really loves going meta.
