Latest news with #Twisters
Yahoo
5 days ago
- Entertainment
- Yahoo
Superman (2025) Review
Superman is back! The Man of Steel is making his way back into theatres this week! As comic book films all too often go through nowadays, the film will likely be divisive, mostly between the lovers of the previous iteration of the franchise and those who are excited about the franchise's new direction, and it is a new direction, almost a 180-degree turn. But, after five previous supermen in the last 40 years filled with Film and TV projects, this refresh of the Superman franchise was, frankly, refreshing. The story in Superman hits the ground running. We are told that Metahumans have existed on Earth for 300 years, and we find Superman (David Corenswet, The Politician, Twisters) at the back end of a battle that he has lost. Conflict between two fictional nations resulted in Kal El's intervention, and this doesn't sit well with a number of interested parties. Among them is Supe's longtime rival, Lex Luthor, who seeks to remove Superman from the equation and replace him with his own brand of Metahumans. On Superman's side, as always, is his girlfriend and stalwart reporter Lois Lane (Rachel Brosnahan, The Marvelous Mrs. Maisel, The Amateur), backed by the crack team of journalists at The Daily Planet, including Editor Perry White (Wendell Pierce, The Wire, Treme), Jimmy Olson (Skyler Gisondo, Vacation, Santa Clarita Diet), Cat Grant (Mikaela Hoover, Guardians of the Galaxy, The Suicide Squad) and Steve Lombard (Beck Bennett, SNL, Sing). Also on Superman's side, but really more adjacent to our hero, is the superhero team known (at least by one member of the team) as The Justice Gang, consisting of The Green Lantern, Guy Gardner (Nathan Fillion, Firefly, Castle), Hawk Girl (Isabella Merced, The Last of Us, Madame Web) and Mr. Terrific (Edi Gathegi, StartUp, For All Mankind) who, while not directly aligned with Superman, definitely have a history with him and appear to have some common ground. 'But, after five previous supermen in the last 40 years filled with Film and TV projects, this refresh of the Superman franchise was, frankly, refreshing.' And yes, I may have buried the lede a bit for those who have seen the early trailers, Superman has other allies as well. Krypto, the Super Dog, makes his presence felt throughout the movie as an animal who feels very much like my own pain in the butt dog, only with superpowers and a team of robots who tend to the Fortress of solitude and aid Kal El when needed, a nod to Superman's relationship with robots in the comics. I won't spoil it for you, but watch the credits for who voices these robots. Standing against our heroes is the notorious Lex Luthor (Nicholas Hoult, Mad Max: Fury Road, The Menu) with his mysterious thug, Ultraman and his hand-picked ally, The Engineer (Maria Gabriela de Faria, The Exorcism of God). You'll also find a number of other familiar names to DC fans that are sure to get people excited. The way that Superman presumes that its audience doesn't need the whole origin story and allows you to join these characters in the progress of their journey was a pleasant change to most Directors, who want the ability to put their stamp on those iconic story points. It's not to say that aspects of Kal El's beginnings aren't referenced, they are. In fact, there are some changes in there that tell a different story about the last Kryptonian and his purpose on Earth, which might rub Superman purists the wrong way, but I enjoyed it as an original story point. 'The way that Superman presumes that its audience doesn't need the whole origin story and allows you to join these characters in the progress of their journey was a pleasant change…' David Corenswet's Superman felt like the largest fundamental change to what we have seen from Superman on the big screen. There was a more fleshed-out humanity in this version that had never been fully realized in any of the previous film versions. There was humour and vulnerability found in Corenswet's version of the character that had just been missing previously, and, with a character who is usually written to be invulnerable and infallible, was presented as slightly flawed and charming in the most refreshing way. The staff of the Daily Planet had what felt like a much different role in the film than in previous versions. Usually, you are dealing largely with Clark Kent, Lois Lane and Perry White, with some interjections from the young and naive Jimmy Olson. The chemistry between Kent, Lane, and White is there and wonderful, but this Jimmy Olson has some traits that I won't spoil, which is a fun departure from the Jimmys of old. Add to that the levity from Beck Bennett and Mikaela Hoover, and you have a fun Daily Planet on your hands. Superman's interactions with both the Justice Gang and Lex Luthor also lead you to a story that has been underway long before we joined it. Superman and Luthor know each other well, and the Justice Gang has clear opinions on what it is like collaborating with the Man of Steel when it happens to come up. The actors are playing off of each other well (and tell me that David Corenswet doesn't occasionally look like Nathan Fillion in the film), and it makes for a dynamic that will be the driver of the newly established DCU. With composers David Fleming and John Murphy, the Superman score is modernized while still paying homage to John Williams' original score. You hear his influences throughout the movie, but the music still very much exists in the sensibility of these composers, pushing the action, the love and the chaos perfectly when needed. The themes in a Superman film are generally easy to pare down but are so well blended together that, like most great films, the music is very much the story. One place where Superman doesn't shine is in its inconsistent effects. While some things look flawless, others I found to be quite clunky and the success of the good effects really tell on the stuff that isn't so great. You'll find it more in the areas where more effects shots were needed or more CG characters are present at once. It's by no means the worst effects I've seen in recent blockbusters, but the disparity between how well done certain things are compared to other things warrants some attention. 'With composers David Fleming and John Murphy, the Superman score is modernized while still paying homage to John Williams' original score.' The biggest thing that Superman gets right, though, is what the feeling of a Superman film should be. The first time I saw him take to the skies, I got goosebumps. It may be my favourite Superman flying effect in all of his existence. His relationship with his Earth parents, Ma and Pa Kent, brought me to tears, particularly his conversation with his Dad at his lowest moment. His relationship with his Kryptonian parents also remains incredibly important, as does how that relationship evolves throughout the film.\ Superman hits theatres on July 11, and I expect it to have a massive impact, being to the DCU what Iron Man was to the MCU. While it is certainly a unique Superman film when compared to the Donner or Snyder versions in the past, no part of it feels like anything but an authentic Superman movie, and that's thanks to James Gunn telling this story with a lot of heart and remaining true to who the hero is at its core. Gunn has created a fun film that doesn't take itself too seriously and hits all the right notes for this moviegoer. On a side note, stick around for mid-credit and post-credit scenes. I feel duty-bound to make sure you don't miss out. Solve the daily Crossword
Chicago Tribune
7 days ago
- Entertainment
- Chicago Tribune
‘Untamed' review: Eric Bana investigates a Yosemite murder as an agent for the National Parks Service
In Netflix's 'Untamed,' Eric Bana plays a rugged, no-nonsense special agent for the National Parks Service working the mystery of a woman's death in Yosemite. The six-episode series isn't doing anything new, which tends to get a bad rap these days. The streaming era has prioritized breaking from, or at least playing around with, TV norms, but these kinds of meat-and-potatoes offerings can be as satisfying as shows with wilder ambitions. That said, 'Untamed' suffers from some object permanence issues; nothing about it stayed with me after watching it. But while it was on in front of me? A good (enough) time. A lot of that has to do with executive producer John Wells, whose vast array of credits include everything from 'ER' to 'The West Wing' to 'The Pitt.' He doesn't have a recognizable style like fellow super-producers Shonda Rhimes or Ryan Murphy, but he understands television in ways that have become increasingly rare. Here he's working with show creators Ellie Smith and Mark L. Smith (the latter of whom was the screenwriter of 2024's 'Twisters'). The series opens with two climbers ascending the vertical rock face known as El Capitan. Suddenly, a woman's lifeless body comes hurtling past them from above, getting caught in their ropes and nearly taking them down with her. The circumstances of her death become the show's driving plotline. When Bana's Kyle Turner arrives at the summit on horseback, a park ranger says with a mixture of envy and annoyance: 'Here comes Gary Cooper.' Turner is haunted by past mistakes, a broken marriage, a dead son and a tendency to find solace at the bottom of a bottle. 'What's with you tonight?' someone says. 'You're extra serious even for you.' That sums up his personality. The ranger assigned to assist his investigation is a rookie and that's because Turner has burned through everyone else with his stubborn insistence on doing things his own way. When an Indigenous character shows up, it's because Turner (and Turner alone) has befriended him. These are common tropes that can be tedious in the wrong hands — the dead child has become overused as a shorthand meant to add sympathetic texture to a character's backstory — but 'Untamed' is made with enough talent and skill that these pieces feel right, instead of hacky. Credit that to Bana's performance, which doesn't belabor the guy's issues nor his stoicism. The Gary Cooper thing isn't too far off. Lily Santiago plays Naya Vasquez, the inexperienced park ranger with whom he's paired. She's from the city and therefore not thrilled with the idea of jumping on the back of a horse to explore the area for clues, but Turner won't budge. 'This park's the size of Rhode Island. It's got five separate highway entrances bringing over 100,000 people a week,' and going off the trails, on horseback, is better than going in his truck. That she will eventually come around to him, and he to her, is a foregone conclusion. Sam Neill and Rosemarie DeWitt round out the cast as the seasoned head park ranger who looks out for Turner and Turner's amiable ex-wife, respectively. The series' premise is better suited to a movie. But at six episodes, it doesn't overstay its welcome. The wide open spaces and the occasional appearance of (CGI?) wildlife are as picturesque as you'd expect — it's one of the show's selling points — although filming took place not in California-based Yosemite but in British Columbia. I suppose one soaring, mountainous forest looks like another. The park rangers are stuck wearing unflattering uniforms, but Turner has too much swagger for that and is outfitted in jeans and a sand-colored work shirt worn with the sleeves rolled up to his elbows. The show's subtitle might as well be 'Untamed: Eric Bana's Forearms' Where other shows try to leverage the sex appeal of their male lead by having him doff his shirt within the first 20 minutes, 'Untamed' takes a different tack, and I like it. Hollywood has never really understood the appeal of a good pair of forearms. Now's as good a time as any. 'Untamed' — 2.5 stars (out of 4) Where to watch: Netflix
Pink Villa
14-07-2025
- Entertainment
- Pink Villa
Superman Star David Corenswet Says Co-Star Rachel Brosnahan Made Him ‘Curse at Her' in Hilarious Blooper, Know What Happened
James Gunn's Superman is one of the most talked about films in recent times. While the movie is headed to break records at the box office, David Corenswet revealed a hilarious blooper from the sets, which made him curse at his co-star, Rachel Brosnahan. While speaking to People Magazine, the actor, who plays the role of Clark Kent in the latest release, shared that the Marvelous Mrs. Maisel actress's dialogue delivery shocked him. The co-stars have been quite admirable of each other. Previously, both Corenswet and Brosnahan revealed that they had a great time working together. David Corenswet curses at Rachel Brosnahan While sitting down for an interview with the media portal, David Corenswet revealed that he was thrown off by his co-star's dialogue delivery. Rachel Brosnahan, who portrays the role of Lois Lane in Superman, shocked the cast and the crew members with one particular line, which also made the actor feel hurt. The Twisters star revealed, 'She made me curse at her. The way she delivered one particular line made me sort of involuntarily say, 'Oh, f**k you,' which I think was a shock to all of us.' He further said that Brosnahan caught him off guard. Meanwhile, in the previous segment with the outlet, the Superman co-stars opened up about their feelings while working together. Corenswet said, 'I give her great credit. It's not easy to surprise your scene partner.' As for The House of Cards star, she stated, 'It was fun to watch him work. He is a fearless actor. I think he was playing with the different sides of his character all the time." Did James Gunn curse David Corenswet? It wasn't the first time that curse words were used on the sets when David Corenswet said f*** you to Brosnahan. Previously, in talks with GQ, the director, James Gunn, revealed that he asked the actor to 'shut the f*** up on the sets of the film. The co-head of DC said that David has a habit of asking a lot of questions, and that made him yell curses. The filmmaker further added, 'David totally gets it and does not take that personally.' Gunn concluded by saying that he shares a great bond with David Corenswet.
Business Insider
13-07-2025
- Entertainment
- Business Insider
James Gunn's 'Superman' soars, earning over $200 million worldwide during its opening weekend
Topping the weekend box office? This looks like a job for Superman. "Superman" earned $122 million at the domestic box office and $95 million internationally. So far, the DC reboot has amassed $217 million worldwide. Written and directed by James Gunn, "Superman" brings Clark Kent and his superhero alter ego back to the silver screen. David Corenswet plays the titular character this time around. Corenswet previously appeared in the 2022 horror film "Pearl" and the 2024 action thriller "Twisters." "I think he's the biggest movie star in the world," Gunn told The New York Times. "I just don't think people know it yet." The film also stars Nicholas Hoult as Lex Luthor and Rachel Brosnahan as Lois Lane. Based on the 1938 comic book character, Superman has become a pop culture phenomenon that has inspired numerous TV shows and a film franchise. Zack Snyder spearheaded the previous iteration, which starred Henry Cavill in the 2013 film " Man of Steel," which earned $125 million during its opening weekend. Snyder also directed DC's "Batman v. Superman: Dawn of Justice" and "Justice League." However, Snyder stepped down from "Justice League" in 2017, and Joss Whedon took over during post-production. In 2022, Warner Bros. Discovery appointed Gunn and Peter Safran co-CEOs and co-chairs of DC Studios. "Their decades of experience in filmmaking, close ties to the creative community, and proven track record thrilling superhero fans around the globe make them uniquely qualified to develop a long-term strategy across film, TV, and animation, and take this iconic franchise to the next level of creative storytelling," Warner Bros. Discovery CEO David Zaslav told The Hollywood Reporter at the time. In addition to the "Superman" reboot, fans can expect to get a DC "Supergirl" film starring "House of the Dragon" star Milly Alcock in 2026.
Mint
12-07-2025
- Entertainment
- Mint
David Corenswet on playing Superman: ‘At home, I'm still changing diapers and making breakfast'
Actor David Corenswet, who is the newest person to don the cape as the new Superman in James Gunn's latest 'Superman' reboot, has offered a candid and heartfelt glimpse into the contrast between his superhero persona and his everyday life as a husband and father. In a recent interview, Corenswet opened up about the reality of balancing one of the most iconic roles in cinematic history with the ordinary — and often messy — responsibilities of family life. 'I went to work and I played Superman and then I came home and got spat up on and changed diapers and woke up at 2 o'clock in the morning and tried to take the best care of my wife that I could,' he shared, painting a picture far removed from the glitz and grandeur often associated with superhero stardom. Despite the demands of leading a major Hollywood franchise, Corenswet stressed that his focus remains firmly rooted at home. 'I'm still going to be making breakfast, I'm still going to be frustrated when my insurance company bills me the wrong amount, or the car breaks down and I've got to figure that out,' he said. But above all, the 32-year-old actor, known for his work in 'Twisters', 'Pearl' and 'The Politician', said his thoughts are with his family. 'Mostly, what I'm thinking about is just being back at home with my kid,' he added. Corenswet's comments have struck a chord with fans, many of whom praised the actor for his grounded approach and vulnerability. As he prepares to take on the mantle of Superman — a symbol of strength, hope, and resilience — his off-screen persona reflects a more human, relatable kind of heroism. The new 'Superman' film, released in July 11, 2025 and marked the beginning of the DC Universe's reboot under James Gunn and Peter Safran. David will be joined by Rachel Brosnahan as Lois Lane, Nicholas Hoult as Lex Luthor, Edi Gathegi as Mr Terrific, Anthony Carrigan as Joey, Nathan Fillion as Green Lanter, and Isabela Merced as Hawkgirl. The film follows Superman's journey as he struggles to reconcile his Kryptonian heritage with his life on Earth and his adoptive human family.
