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Time Business News
04-07-2025
- Entertainment
- Time Business News
Cast of The Outlaws: Meet the Talented Performers Driving the BBC Hit Series
The Outlaws, created by Stephen Merchant and Elgin James, is a standout BBC comedy-drama that fuses humor, crime, and emotional depth. Set in Bristol, the show brings together a mismatched group of strangers completing community service. The driving force behind its success is its dynamic, diverse, and brilliantly cast ensemble. At BritainWrites, we've explored each cast member in detail to help fans and new viewers alike understand why this ensemble works so well. From Hollywood icons to rising UK stars, this breakdown showcases what each actor brings to the table. Christopher Walken as Frank Sheldon Among the Cast of The Outlaws, Christopher Walken is the most internationally recognized name. He plays Frank Sheldon, a retired con artist attempting to repair his relationship with his daughter while serving community service. Walken's iconic delivery adds depth to a role that mixes criminal charm with emotional vulnerability. Known for: The Deer Hunter, Catch Me If You Can Character type: World-weary, cunning, regretful Unique fact: Walken's first lead in a British series Walken's portrayal adds global star power and a grounded, heartfelt presence to the show. Known for: The Deer Hunter, Catch Me If You Can, Pulp Fiction Role: A sly but soft-hearted former criminal Fun fact: This was Walken's first major role in a British TV series Walken's portrayal of Frank adds unexpected tenderness to the character, making him both comedic and touching. Stephen Merchant not only co-created the series but also stars as Greg Dillard, an awkward and painfully shy solicitor. Greg is sentenced to community service after a public indecency offense, and his personal journey is one of the most relatable in the show. Known for: The Office (UK), Extras, Hello Ladies Role: A lonely lawyer with social anxiety and deep insecurities Creator credit: Merchant also writes and directs multiple episodes Greg's storyline is often both cringe-inducing and deeply moving, and Merchant's self-deprecating performance hits the right balance. Rhianne Barreto plays Rani, a gifted student from a strict immigrant family. After being caught shoplifting, she's sentenced to community service. Her storyline explores rebellion, cultural expectations, and identity crisis. Known for: Hanna, Honour Character traits: Intelligent, impulsive, emotionally conflicted Performance: Barreto brings complexity to Rani's coming-of-age arc As the youngest in the group, Rani adds a generational contrast that enriches the dynamic of the cast. Gamba Cole plays Christian, a protective older brother using a false identity to escape gang affiliations. His calm demeanor hides a life filled with danger, loyalty, and difficult choices. Known for: Guerrilla, Hanna Background: Christian is on the run from a dangerous past Relationship arc: His bond with Rani adds emotional weight to the storyline Cole's understated performance adds credibility and emotional grounding to the show's more dramatic moments. Darren Boyd plays John Halloran, a disgraced businessman caught in a racism scandal. His struggle with public image, family expectations, and personal guilt provides an ongoing moral dilemma within the group. Known for: Spy, Killing Eve, Green Wing Character profile: Conservative, prideful, and forced to confront change Story impact: John's arc mirrors real-world issues of privilege and bias Boyd brings both satire and sincerity to a character audiences love to hate—and sometimes sympathize with. Clare Perkins takes on the role of Myrna, a former radical activist. Now older and haunted by her past, Myrna uses community service as a chance to make amends and rediscover purpose. Known for: EastEnders, Secrets & Lies Role traits: Fiercely intelligent, morally conflicted, idealistic Dramatic depth: Her internal struggle adds gravitas to the ensemble Myrna often challenges other characters' motives, making her a voice of conscience in the group. Eleanor Tomlinson plays Lady Gabby, a socialite and former reality star sentenced after a drunken scandal. Her entitlement and cluelessness offer comic relief but also develop into genuine character growth. Known for: Poldark, The Nevers Character shift: From influencer to introspective outsider Added value: Her arc surprises viewers with unexpected emotional depth Tomlinson's portrayal of privilege evolving into self-awareness is one of the show's most entertaining transformations. Jessica Gunning stars as Diane, the overly intense community service officer. Obsessed with rules and control, Diane provides consistent comedic energy while occasionally revealing her own insecurities. Known for: Pride, Back, White Heat Character tone: Comically strict, socially awkward, and a little delusional Standout scenes: Diane's patrols and interrogations are comedic highlights Gunning balances slapstick and subtle humor to deliver some of the series' funniest moments. Nina Wadia plays Shanthi, Rani's traditional and overbearing mother. She represents the generational and cultural pressures faced by Rani and delivers moments of both frustration and heart. Known for: Goodness Gracious Me, EastEnders Cultural influence: Shanthi brings immigrant family dynamics into sharp focus Narrative weight: Her confrontations with Rani are emotionally charged Wadia's performance adds authenticity and emotional complexity to Rani's backstory. Actor Character Notable Credits Character Summary Christopher Walken Frank Sheldon Pulp Fiction, Catch Me Aging conman seeking redemption Stephen Merchant Greg Dillard The Office, Extras Awkward lawyer hiding deep loneliness Rhianne Barreto Rani Rekowski Hanna, Honour High-achiever turned rebel Gamba Cole Christian Taylor Guerrilla, Hanna Ex-gang member protecting his sister Darren Boyd John Halloran Spy, Killing Eve Disgraced businessman facing backlash Clare Perkins Myrna Okeke EastEnders, Secrets & Lies Former radical with unresolved guilt Eleanor Tomlinson Lady Gabby Penrose Poldark, The Nevers Spoiled influencer seeking identity Jessica Gunning Diane Pemberley Pride, Back Overzealous officer with a quirky side Nina Wadia Shanthi Rekowski EastEnders, Goodness Gracious Me Strict mother with traditional values The success of The Outlaws depends heavily on its diverse and multi-layered cast. With a balance of comedic veterans, dramatic actors, and international stars, the series resonates across different demographics. Each actor brings authenticity to their role, and the ensemble chemistry keeps the plot engaging and believable. Filmed in Bristol, the gritty urban setting adds realism, while the diverse casting reflects contemporary British society. The Outlaws has received widespread acclaim for both performance and writing. The cast, in particular, has been praised for elevating what could have been a typical redemption story. IMDb Rating: 7.7/10 Rotten Tomatoes Audience Score: 92% Praise: Strong performances, believable character arcs, and smart humor Christopher Walken's presence draws global attention, while Stephen Merchant's dry wit and writing give the show a distinctly British flavor. Most original cast members returned for the third season, including: Stephen Merchant as Greg Christopher Walken as Frank Rhianne Barreto as Rani Gamba Cole as Christian Clare Perkins as Myrna Their ongoing character development adds new depth to the show's evolving narrative. Who is the most famous actor in The Outlaws? Christopher Walken is the most internationally recognized member of the cast, with a long and award-winning career in film. Is The Outlaws based on real people? No, the show is fictional. However, the characters are inspired by real-world social dynamics and stereotypes. Where was the series filmed? The series was filmed in Bristol, England, using real locations to enhance authenticity. Will the full cast return for Season 4? There's no official confirmation yet, but the positive reception of Season 3 suggests most of the cast may return. The cast of The Outlaws brings together actors from different genres, generations, and cultural backgrounds to create something uniquely entertaining. From Walken's seasoned charm to Barreto's raw emotion and Gunning's comedic timing, every role feels essential. Their performances turn a simple community service premise into one of the BBC's most exciting and human-centered shows. Whether you're here for the humor, the social commentary, or the performances, the cast of The Outlaws delivers something for everyone. TIME BUSINESS NEWS
The Independent
15-02-2025
- Entertainment
- The Independent
Christopher Walken: ‘I've been married for over 50 years. I live in a house. I'm a very normal person'
Everyone thinks they can do the Christopher Walken voice. That New York lilt. That round, honeyed purr, like a cat with plans. Try it yourself. Go on. Speak from the back of your throat. Elongate those vowels. What you shouldn't do, though, is try it in front of him. 'People come up to me in the street and they impersonate me to my face,' Walken says. 'You know, they speak the way I speak.' The actor, 81 and spry, looks knowingly down the lens of his Zoom camera. 'And I'm never sure what they're doing at first. I think, 'Why is he talking that way?' But then I realise.' He lets out an ambivalent whine. This sounds a little cruel, I tell him, while fully aware that I was speaking pure Walkenese to a colleague mere minutes before our interview. 'Oh, it happens all the time,' he sighs. Put aside the invasiveness, though, and I suppose it's a compliment. Abstruse, eerie, often impossible to pin down, Walken has existed outside of regular ol' superstardom for decades now – today he's, what, myth? A voice to be emulated. An image in a rap lyric. A dancer in a Fatboy Slim video. On-screen, he can be cool, psychotic, slippery, wise. An offbeat talker; a light mover. He's played an emperor in Dune, an ant in Antz, and murderers in many things. He was the King of New York. Few actors can say they feature in some of the greatest films of all time (Pulp Fiction; Annie Hall; The Deer Hunter) and some of the worst (Gigli; Kangaroo Jack; that one where Kevin Spacey turned into a cat). But then few are Christopher Walken. Except for on TV. Where, up until very recently, there were two. In Severance, the Apple TV+ Rubik's cube that's currently in the midst of its second, head-spinning season, employees of a mysterious biotech company have their lives split in half: one side of themselves exists in the world as we know it, with families, loved ones and hobbies; the other exists only within the walls of the workplace. Ne'er the twain shall meet – or even remember anything from the other's space. But for ostensibly platonic colleagues Burt and Irving (played with such sweet, mature longing by Walken and John Turturro, both of whom received Emmy nominations for their work in 2022), something ambiguous hangs between them – either a romantic attraction that already exists on the outside, or something they want to make real on the inside. 'John and I – we're not unlike a married couple in real life,' Walken laughs. The pair have known each other for close to four decades, first meeting at a party for the Yale Drama School sometime in the early Eighties (Turturro had just graduated; Walken was passing through). They've worked on films together, too – usually scrappy little comedies such as 1995's Search and Destroy or The Jesus Rolls, Turturro's strange quasi-sequel to The Big Lebowski from 2019. But even though Severance often keeps them apart – Burt retired at the end of season one, meaning his two lives have been reduced to one – it's the most they've worked together so far. 'We've had our ups and downs together,' Walken continues. 'And when you can finish off each other's sentences or laugh at each other's jokes, it counts for a lot when you're playing parts like these.' He smiles. 'You can tell when people like each other.' Walken is talking to me from New York, dressed in a black blazer and navy shirt, his hair grey, coiffed and tall, like he's been electrocuted. We're speaking before Christmas, our conversation taking place more or less with an Apple-branded dart blaster aimed at us: I've seen five episodes of the long-in-the-works second season at this point but have been forbidden to talk about their specifics. Today, viewers will know that Burt has been largely absent since the show's return, existing solely in the real world following his retirement. Irving, meanwhile, has been left heartbroken in the wake of discovering that Burt's 'outie' – as opposed to his workplace 'innie' – is married to a man who isn't him. They've been kept apart until this week's episode, which saw the pair finally meeting in the real world and Burt inviting Irving to eat dinner with him and his husband (a cryptic John Noble). It was a lovely reunion, albeit with strings attached. Their scenes remain some of the show's best: tender, romantic, unexpectedly, well, erotic. 'It's been different for me,' Walken says. 'Usually I'm up to no good in movies, but now I'm playing a nice, romantic person.' And gay, which is a first. Not that it's a big deal, he says. 'The truth is that I don't really make a distinction there. Straight? Gay? That's never been very interesting to me. People love each other.' He shrugs. It's the 'nice' part that he finds most surprising. 'Because it's much more up my alley than all those other parts I've played,' he says. Meaning the psychopaths. Remember when he pushed Michelle Pfeiffer out of a high-rise window in Batman Returns, or played the Headless Horseman in Sleepy Hollow? And that's just two of many. 'Oh, it started way back,' he laughs. 'One of the first things I did was Annie Hall, where I played this guy who wants to drive into traffic. Then I made The Deer Hunter, where I shot myself in the head. And then I just got identified with, you know, people who are troubled… to say the least.' Deeply unlike him, he insists. 'The facts of my life are that I've been married for over 50 years, I pay my bills, and I live in a house. I'm a very normal person.' He doesn't even get upset very often. Especially when he's on set. 'It's rare to work with someone you don't like,' he explains. 'It's happened once or twice, but it's rare. Actors tend to get along. We're like a tribe, a family. Every once in a while there's somebody you'd like to push down the stairs, but…' Now there's a bit of classic Walken villainy, I tell him. 'I swear it's only ever a passing thought.' Spend just a little time with him and you find yourself wanting to crack the Walken code. Not because he's got walls up, but because no one else is really like him – he's otherworldly, surprising, a little mystical. Sean Penn once remarked that attempting to define Christopher Walken is akin to 'trying to define a cloud'. And the privacy only adds to that. He's been a pop culture staple since the Seventies, but he retains a degree of mystery. Did you know that his name's not even Christopher? 'It's a Severance kind of thing,' he laughs. 'I'm Christopher, but to a small group of people, I'm Ronnie.' Those people include his closest friends and his wife, the former casting director Georgianne Walken, whom he married in 1969. The enigmatic Ronald Walken was born in Queens, New York, to a mother and father who'd emigrated from Scotland and Germany, respectively. The facts of his biography are often so wild that they sound made up. But Walken was a child actor from the age of five, did run away to join the circus, did tame lions, and was advised to make Christopher his stage name by a nightclub dancer in the early Sixties. Theatre beckoned soon after, followed by a run of film hits in the Seventies: he played an artistic lothario in the comedy Next Stop, Greenwich Village; Diane Keaton's unhinged brother in Annie Hall; the tragic Vietnam veteran of The Deer Hunter, for which he won a Best Supporting Actor Oscar in 1979. The latter propelled him to leading man status. He is marvellously haunted in the 1983 Stephen King adaptation The Dead Zone, as a schoolteacher struck by premonitions of the future, and a vision of paternal cruelty in the crime thriller At Close Range, released in 1986. Some of the greatest Walken roles, though, are the supporting gigs or tiny cameos that rapidly became his bread and butter: the sleazy record exec in Wayne's World 2, a sinister nightcrawler in Abel Ferrara's vampire tale The Addiction, the cranky exterminator in Mousehunt. There's a real softness to him at times, too. Look at Steven Spielberg's Catch Me If You Can. Come for Walken as the slick, deceptive father to Leonardo DiCaprio's fledgling conman, stay for the panicked vulnerability he lets peer out as the film goes on. 'My favourite part of being an actor, really, is the time I spend by myself, learning the scripts, studying them, learning lines,' he says. 'It takes me for ever to learn lines, so to stand in my kitchen with the script is kind of as good as it gets.' Unlike Burt in Severance, Walken's not tempted by retirement himself. 'Acting is all I do,' he says. 'If I stop, what would I do? There are people who play golf, who write books. They travel, have kids and grandkids. I don't have any of that, so I go to work. But when you look at the history of movies and theatre, very few actors ever say they're done.' I tell him I can only think of Sean Connery who officially retired, packing it all in after a bad experience on a film. 'But he was a big golfer,' Walken says. 'So he had something to do.' He taps his chin, thinking. 'I don't play golf.' Directors sometimes retire, he adds. 'Quentin said somewhere that he wasn't going to make any more movies, but I hope that's not true.' He's talking about Tarantino, who pledged a few years ago to make just one more film – bringing his filmography to a total of 10 movies – before throwing in the towel. The pair go back a while, Walken reciting two of Tarantino's most famous monologues on screen, first the speech about the Sicilian mafia in True Romance – which culminates in Walken blowing Dennis Hopper's brains out – then the ludicrous, scatological backstory of a military man's gold watch in Pulp Fiction. There's an old quote from Tarantino, from around the time of True Romance, where he said he felt 'embarrassed' that Walken had spent months fastidiously learning his lines until they were note perfect. 'It was almost intimidating that such a terrific actor would take my work so seriously,' he said. Walken remembers doing much the same for his Pulp Fiction role. 'I had the speech for about four months, and I think it was eight pages long,' he says. 'And no matter what else I was doing, I would spend an hour a day going over that speech and gradually learning it. And every time I got to the end of it, it would make me laugh. Because his dialogue is all there on the page.' They were introduced by a mutual friend, the actor Harvey Keitel. 'I was staying at the Chateau Marmont at the time, and Harvey said to me, 'There's this guy you've got to meet, he's brilliant,' and he brought Quentin over. And I remember he was kind of shy and he looked about 12.' Walken hoots. 'And I thought, you know, Harvey had discovered this Orson Wellesian teenager. Anyway, he's terrific.' He's always had an eye for young talent. He bonded with Penn while filming At Close Range in 1985, and then his girlfriend at the time, a pop star supernova named Madonna. 'I spent a lot of time with her because she'd be on the set, and I liked her very much,' he says. Soon after, he attended the pair's nuptials. 'It's the only wedding I've ever been to where people were jumping out of bushes with cameras and there were helicopters flying overhead,' he laughs. 'It was also the noisiest wedding I've ever been to.' Years later, and long after she and Penn had split, Madonna called Walken up asking him to appear in one of her music videos. She had the perfect part for him to play. 'It was the Angel of Death,' Walken smiles, wry and spooky. 'Because who else?'
Buzz Feed
28-01-2025
- Entertainment
- Buzz Feed
Christopher Walken's Quote About Never Owning A Cellphone Is Going Viral
Christopher Walken is 81-years-young. The octogenarian explained to the Wall Street Journal how he pretty much doesn't *do* technology, and that quote is going viral on social media. "I don't have technology. I only have a satellite dish on my house. So I've seen 'Severance' on DVDs that they're good enough to send me," he said. "I don't have a cell phone. I've never emailed or, what do you call it, Twittered." I love how he just said, "I don't have technology," as if technology is an attribute you can have. This isn't the first time he's talked about his lack of tech! In 2020, Walken explained that sometimes on movie sets he's given a cellphone as some sort of tracking device, saying, "Sometimes on a movie they'll give me a cell phone, but it's more so that they can find me… like a tracking collar. If I want to use it, someone has to dial it for me, that kind of thing." Anyway, the man is surely onto something. I would kill to be that naive! Bye!
The Guardian
28-01-2025
- Entertainment
- The Guardian
No phone, no watch, no problem: should we all be more like Severance's Christopher Walken?
Perhaps the buzziest show on TV is Severance, a twisty-turny workplace drama that is available to anyone with a subscription to Apple TV+. Of course, there are ways to watch Severance without an Apple subscription. The primary one is: be Christopher Walken, because then they will send you DVDs of it. Talking to the Wall Street Journal, Walken explained: 'I don't have technology. I only have a satellite dish on my house. So I have seen Severance on DVDs that they're good enough to send me.' The reason Walken receives DVDs is because he is actually in Severance, which dramatically raises the bar for people who would also like to watch it on DVD. Walken didn't stop there. 'I don't have a cellphone,' the actor went on. 'I've never emailed or, what do you call it, Twittered. I've never had a watch either. But if I need the time, I just ask somebody. Likewise, once in a while when I need to use a phone, I just ask if I can borrow one.' This last bit is key. Perhaps you thought the reason Walken didn't have a streaming subscription was age-related. After all, he is 81, and the time inevitably comes in someone's life when the flood of new technology simply becomes too overwhelming. For my grandmother, it was the microwave. At first glance it seems as if Walken's came at some point in the mid-1990s, when DVDs and emails became commercially available. But that isn't the case. Walken also says he has never owned a watch. Not a smartwatch; he has never worn any form of timepiece on his wrist. It is one thing shunning technology invented during your middle age, but quite another to shun things that were invented more than a century before you were born. Perhaps we should admit to ourselves that Walken has got it right. The great hand-wringing debate of the day is whether or not we are too in thrall to technology. We get jumpy if we leave our phones out of sight for more than 30 seconds, because they dictate our lives. They're how we communicate. They're how we navigate. They're where we store our memories. And, of course, they're how we tell the time. We've come to rely on them so much that they've become a burden. But not Walken. When he leaves his house, he's as free as a bird. He gets to go wherever his whims dictate. And if he gets into trouble along the way, guess what? People are nice. They'll tell him the time, or lend him their phone, or transpose digital media on to a physical format for him. This is exactly the way to live. I mean, it isn't the way I should live. Because I need to watch Apple TV+ for work, and when I've finished writing this piece I need to email it to my editor, and I need to know what the time is because I'm on a deadline. My whole life is a nonstop litany of things that Christopher Walken has never done. But you? You should totally do it. It's easy. If you want to live the simple, pure life that Walken does, you just need to embark on a 50-year career as a globally renowned star with a fairly substantial entourage of people who have a financial stake in your happiness and are willing to lend you their phone whenever you want because their livelihood depends on it. Be so instantly recognisable that strangers will be giddy at the opportunity to tell you time, and not so glumly anonymous that the request will be met by surly suspicion. That's achievable, isn't it?
Yahoo
28-01-2025
- Entertainment
- Yahoo
Christopher Walken makes surprise admission about how he watches Severance
Christopher Walken has revealed that he does not stream his own TV show and instead watches Severance on DVD, which the production team on the Apple TV+ show is 'good enough to send me'. The Dune star, 81, said in a new interview that his relationship with technology is minimal at best and that he has never even sent an email. Starring Adam Scott and Britt Lower as employees of a company called Lumon Industries, the psychological series sees staff undergo a procedure called 'severance', which divides their work and home lives completely in a daring experiment to find a balance. Walken stars as Burt Goodman, retired head of optics and design at Lumon, who develops a friendship with John Turturro's Irving Bailiff, which turns romantic. While Apple TV+ did not release any physical editions for the 2022 series, Blu-Ray sets for season one with 1080p resolution were released on 17 December last year. There have been no further plans or announcements regarding any similar physical copies for Severance. 'I don't have technology. I only have a satellite dish on my house. So I have seen Severance on DVDs that they're good enough to send me,' the actor told The Wall Street Journal when asked if he had studied the first season of Severance before filming for the second began. 'I don't have a cellphone. I've never emailed or, what do you call it, Twittered. I've never had a watch either. But if I need the time, I just ask somebody. Likewise, once in a while when I need to use a phone, I just ask if I can borrow one.' Walken described the onscreen relationship as a 'nice change'. 'It is romantic. Who knew that was coming? When I was getting started, there was once or twice when I was a kind of leading man. That was gone pretty quickly,' he said. 'So to play somebody's love interest at this point is a nice change,' Walken has talked about his lack of desire for technology of any kind before as well, confirming earlier this month he hasn't even watched all of the episodes because he doesn't have the 'equipment'. 'Not all of them. I can't. I don't have the equipment,' he told host Andy Cohen on Sirius XM's Andy Cohen Live. Asked if he at least has an Apple TV+ subscription, he said: 'I don't have anything.' Back in 2020, when promoting Wild Mountain Thyme, Walken had to explain to Stephen Colbert that he needed someone to set up the Zoom interview because 'I don't have a cellphone or a computer'. He added that mobile phones are like watches because 'if you need one, somebody else has got it'. He said he is given a cellphone sometimes on film sets, but it's more like a 'tracking collar'. 'Sometimes on a movie they'll give me a cell phone, but it's more so that they can find me,' he said. 'Like a tracking collar. If I want to use it, someone has to dial it for me, that kind of thing.' On the second season, which started releasing weekly episodes on Apple TV+ from 17 January, Walken explained that he didn't expect his role to continue on, and that it was a 'very special job'. 'I thought the first season was it. It was a very special job. It was mysterious, but funny and scary, which I've always felt was a good combination,' he said. The Catch Me If You Can actor added that the cast and crew involved in the show were a big draw for him. 'Then there was the fact of Ben Stiller. I was in a play with him 30 years ago, and his mother and father were friends of mine,' he said, referring to the series director. 'There's John Turturro. I've known him for 40 years and we were young actors together. When you know somebody for a long time, it shows. You can tell that these actors like each other.' In a five-star review of Severance season two, The Independent's Annabel Nugent called it 'strange, stylish and totally engrossing'. 'Severance easily could've buckled under the weight of its conceit, but has been held together by the very human connections at its heart,' she wrote. 'Thankfully, it is still one of the best shows on TV – certainly, one worth rushing home from the office to watch.' The first two episodes of Severance season two are available on Apple TV+. The next eight episodes will be released on Fridays until the series finale on 21 March 2025.
