Latest news with #WillAnderson
The Guardian
20-06-2025
- Entertainment
- The Guardian
Hotline TNT: Raspberry Moon review – love lights melodies through the fuzz
The third album by these New York-based indie-rockers rings some crucial changes. First, bandleader Will Anderson is in love, which alleviates some of the gloom that pervaded earlier records. And while the lyrics don't amount to much on the page, when sung in unaffected deadpan and robed in artfully embellished shoegazey noise, Anderson's elliptical poetics carry a compelling weight. Second, and more importantly, Anderson invited his bandmates into the studio to record Raspberry Moon. Where previous albums had been one-man affairs, with Anderson overdubbing layer upon layer of guitar and synth on his lonesome, the presence of other musicians in the room has shaken up the paradigm. Their trademark walls of fuzz remain, but Raspberry Moon also fields tracks such as Break Right, on which the happy/sad melodies flourish with space to breathe, and the lush Lawnmower, which is practically unplugged (save for a keening thread of feedback in the distance) and utterly lovely for it. Other tracks hew closer to the Hotline blueprint, but with renewed sophistication. Their sound remains rooted in 90s indie-rock's fusion of noise and tune (the closing track even shares its title with a landmark Dinosaur Jr LP), but Anderson's articulacy within this soundworld is impressive. The Scene may recall the corrosive buzz of Sugar and the tremolo swoon of My Bloody Valentine, but Anderson's mastery of dynamics is thrilling. And the way he weaves acoustic and distorted guitars and blasts of needling feedback into something as beguiling as Julia's War is evidence of a unique talent operating in a crowded field.
Gulf Weekly
19-06-2025
- Entertainment
- Gulf Weekly
The next phase
American rock band Hotline TNT drop their third studio album Raspberry Moon tomorrow, June 20. The 11-track project is expected to deliver a tone of gratitude, featuring open-hearted love songs to oneself, other people and situations, and celebrate being at peace both, within and with one's surroundings. The theme is also reflected in the way the body of work came together, as it is the first to be fully written and recorded by all the band members. Since its establishment in 2018, frontman Will Anderson has been writing and recording all of the ensemble's music. However, he revealed, in an interview, that the creating process for the new music has also included his bandmates: guitarist Lucky Hunter, bassist Haylen Trammel and drummer Mike Ralston. Will also stated that he never intended for Hotline TNT to be a 'one-man band operation', and that he believes it was an unfortunate matter of circumstance to have done so with the previous two records. Released last month, the third single off the album titled Break Right is the first to be written and produced collaboratively with the rest of the group. 'Some songs hide their meanings behind a facade of metaphors, PR quotes and half-measures. Break Right hides nothing,' Will said. 'This is the sound of TNT becoming a band. Every effect has been unplugged, every sample has been deprogrammed and every emotion has been laid bare. You've never heard a Hotline song quite like this before,' he added.
Yahoo
18-06-2025
- Entertainment
- Yahoo
Hotline TNT's Will Anderson Talks New York Band's Growing Success: ‘I Feel Like I'm About to Blow Your Minds'
Hotline TNT has become synonymous with the burgeoning music scene in the Queens neighborhood of Ridgewood, New York. But for the indie-rock band's latest album, Raspberry Moon, it decamped far from the city to Appleton, Wisconsin. 'It was a full circle for a lot of reasons,' frontman and onetime Wisconsinite Will Anderson tells Billboard from his Ridgewood home, his pet chihuahua perched on his bed behind him. 'Being back in my home state definitely was part of the appeal.' More from Billboard Young Singer Wins Over 'AGT' Judges With Ed Sheeran Cover Ozzy Osbourne's DNA Will Be Sold in Limited Edition Liquid Death Cans Kneecap Launch London Billboard Takeover Ahead of 'Witch-Hunt' Court Appearance For more than a decade, Anderson, 36, has been something of a transcontinental indie-rock journeyman: After one of his former bands, the Vancouver-based Weed, earned some buzz in the mid-'10s, he kept making music as a hobby in Minneapolis – while he pursued a graduate degree to become a guidance counselor – before eventually landing in New York City shortly before the pandemic began. Anderson had already been releasing music under the Hotline TNT moniker for a couple years, but the project blossomed as live music got back up and running in 2021. Fans quickly gravitated to Hotline TNT's debut album, 2021's Nineteen in Love, and Anderson grew his following by picking up coveted support slots for buzzy indie bands like Snail Mail, Momma and Horsegirl. But when Hotline TNT made its Third Man Records debut with its second album, Cartwheel, in late 2023, it exploded. The set of anthemic shoegaze and power-pop gems earned raves from indie-rock tastemakers and catapulted Hotline TNT to the forefront of the genre – even if Anderson wryly shrugs off the success as 'right place, right time.' Which brings the story back to Appleton. When it came time to make another record, Anderson chased down Amos Pitsch, best known for fronting the punk band Tenement, to record it with him at his studio in the Wisconsin town. And in a first for Hotline TNT, whose studio recordings had previously been the work of Anderson alone, the band's touring quartet made the record together, across two sessions totaling a week. So while Raspberry Moon mostly sounds like the Hotline TNT fans already know and love, it pulses with the energy that only a full band can bring to the studio – and has a smattering of adornments, courtesy of Pitsch, that differentiate it from Hotline's previous work. For Anderson, all these small changes added up. 'If you get into a time machine and change one little thing, it could have ripple effects, you know?' he says. 'That's the whole thing. This is very much a snapshot of what happened in this timeline.' How did coming up with other young bands from the region, like Snail Mail and Momma, help Hotline TNT break out a few years ago? Early on, when we played with Snail Mail and Momma, that was a pretty important cosign that made other people took notice – and this was kind of before even we were on streaming services. You initially released exclusively on YouTube, as one long track. Why? It comes up over and over again: 'Why did you do that?' I push back against the narrative that it wasn't accessible – because it was on YouTube. This is, like, the number one most accessible free platform; you don't have to have an account, anything like that. Yeah, it wasn't presented in the way that people are used to consuming music – like, 'I want my Spotify playlist' or whatever – but it's still there. You can still listen to it anytime you want, for free. The choice was aesthetic more than anything. I wanted to present the album in a way that I had curated, basically, which was 'I want the songs to be listened to in this order.' I kind of liked the idea of making it a little bit harder for people to skip around to their favorite songs. Then you signed with Third Man Records. How have they supported you, with and now ? Well, that was the end of the YouTube strategy. [Laughs.] No, they've been great. As you can probably guess, I was pretty hesitant to have anyone besides myself handling the release strategy – or, I mean, there wasn't really a strategy [before], it was just like, I'm doing things the way I want to do it. Getting involved with, for lack of a better word, music industry people, has been a growing process for me. But, overall, they've made it pretty painless. They let me handle the creative side of things: 'Cool, here's a budget. Go do your thing.' I think it's gone pretty well. I love working with them. I hope we can keep doing it for a long time. You're managed by Rusty Sutton and Libby Webster of The Glow Management, which also represents Wednesday and MJ Lenderman – and in Raspberry Moon's liner notes, you thank 'everybody in the Wendesday and Lenderman extended universe.' When did you start working with Rusty? Right before Cartwheel came out. We met him through playing with Jake [Lenderman] and [Wednesday's] Karly [Hartzman]. We're definitely a different lane than those guys, but hopefully we can carve our own path. When I need Rusty's help, he's there for me. He's guided me through a lot of difficult situations, and I appreciate him a lot. You did a big tour supporting Wednesday in early 2024, right after dropped. How did you adjust to playing bigger rooms? That's been easy for me. Not to toot my own horn, but every time we play a big show, I feel like I thrive in those moments. Especially if we're a support band, I feel like I'm like, 'You guys don't know who we are. I'm about to blow your minds. I'm gonna change your night. We're gonna be way louder than the headliner.' If there's heads to convert, that's kind of my favorite setting. I want us to be the headliner, don't get me wrong. But in the meantime, this is how we're gonna play in front of 1,000 people – I have a bit of an antagonist in me that's like, 'You don't think we're gonna be capable, but we are. So, check this out.' Tell me about the decision to record as a full band, rather than on your own. It was just a matter of circumstance, really. It's harder than one might think to find people who are down to tour as much as we do; these four people, including me, were down to do it. They deserve to be a part of every aspect of the band, whether it's recording or songwriting or touring. It's not fair to be like 'Alright, guys, thanks for your work. Now I'm gonna do all the creative stuff with the record.' What do Amos and Tenement mean to you, and what did he add to this record? I met Amos [when he was] playing in a different band, Technicolor Teeth. They were kind of my favorite live band that I had ever seen. I saw them twice, and they blew my mind both times. Tenement I didn't come to till later, but I love all the Tenement records and everything Amos has done. He's got the Midas touch, in my opinion. I wanted to see what happened when he got involved. After we finished tracking everything, I told Amos, 'I want you to go through the whole album and add whatever you hear, on your own.' So a lot of the stuff you hear on this album, we weren't even in the studio. We obviously wrote all the songs and recorded all the guitars and drums and everything, but then, any piano you hear, vibraphone, there's some soaring vocal harmonies – that's all Amos. I kind of wanted him to be like a fifth member of the band for this recording project, and I think he delivered. What's next for Hotline TNT? A lot of touring. Just started demoing for the new album. I know it sounds like, 'Oh, you're already back in the studio?' Like, yeah. I mean, what else are we gonna do? That's the job. It'll take a while for us to have another album, for sure, but I'm already thinking about it and excited about it – but I'm excited to see how this one goes. What's been on Hotline TNT's playlist? Currently, we're all really hooked on this band The Tubs. Really obsessed with both their albums, but the new one [2025's Cotton Crown] especially captured our attention in a major way. We listen to a lot of ML Buch, a lot of Daryl Johns. And then all the classics: Red House Painters, Teenage Fanclub, early My Bloody Valentine. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
USA Today
13-05-2025
- Sport
- USA Today
Texans DE Will Anderson wants to be with Houston 'for the rest of my career'
Texans DE Will Anderson wants to be with Houston 'for the rest of my career' Another lifer wants to stick around NRG Stadium. Last offseason, All-Pro cornerback Derek Stingley Jr. said he wanted to spend the entirety of his career with the Houston Texans after a dominant third season. The Texans helped make that goal a potential reality by picking up his fifth-year option and making him the highest-paid defensive back on a three-year, $90 million extension. Entering his third season, Pro Bowl defensive end Will Anderson Jr. hopes the same path is in store for him with the AFC South franchise. "I want to be here the rest of my career," Anderson to KPRC 2 Sports' Aaron Wilson. "As long as I can be here that's where I want to be." Anderson, who's eligible for a contract extension next offseason, might be the next to get paid by the franchise after back-to-back stellar seasons. He's lived up to the billing as the No. 3 overall pick since he arrived in Houston from Alabama, surpassing J.J. Watt's rookie sack record with 7.5 en route to winning the NFL's Defensive Player of the Year honors in 2023. Last season, Anderson was on pace for a 17.5-sack season, but an ankle injury sidelined him for several games. He still managed to finish with 11 sacks, 16 tackles for loss and 19 QB hits. His 11 sacks ranked among top 10 last fall and were second only behind All-Pro Danielle Hunter. Hunter inked a new one-year extension this offseason, keeping him in Houston through 2026. Stingley's deal will have him on staff through 2029, while Jalen Pitre's new three-year extension will keep him in coverage through 2028. Anderson's breakthrough season could help him follow in their footsteps, something he considers to be "earned" with time. "They deserve it," Anderson said of his defensive teammates' extensions. "They work really hard, they put a lot of hard work into their craft and you see it on Sunday. I'm excited to be a part of that team building." The Texans return to practice this week for the start of veteran minicamp.
Associated Press
05-03-2025
- Business
- Associated Press
Complete Solar to Present at Cantor Fitzgerald Technology Conference, March 11, 2025, in New York
Integration of SunPower Successfully Complete Management to Reconfirm Positive Operating Income Profit Guidance for Q1 OREM, Utah, March 05, 2025 (GLOBE NEWSWIRE) -- Complete Solaria, Inc. d/b/a Complete Solar ('Complete Solar' or the 'Company') (Nasdaq: CSLR), a solar technology, services, and installation company, announced it will be presenting at the Cantor Global Technology Conference, on Tuesday, March 11th, 2025 in New York. Complete Solar's Founder and Board member, Will Anderson, as well as its Chief Financial Officer, Dan Foley, and VP of Investor Relations, Sioban Hickie, will be holding one-on-one meetings with investors. This event is only available to Cantor clients. 'We look forward to meeting with investors in person to discuss our successful integration of SunPower and achievements in cost reduction,' said Will Anderson, Founder and Director, Complete Solar. 'The company is executing on plan, and we are excited to share our progress with investors as we remain confident in our ability to achieve operating income profit in the first quarter of 2025. We are a true bright spot in the solar industry.' About Complete Solar With its recent acquisition of SunPower assets, Complete Solar has become a leading residential solar services provider in North America. Complete Solar's digital platform and installation services support energy needs for customers wishing to make the transition to a more energy-efficient lifestyle. For more information visit Forward-Looking Statements This press release may contain forward-looking statements within the meaning of the federal securities laws. In some cases, you can identify forward-looking statements because they contain words such as 'will,' 'plan,' 'target,' 'expect,' 'focus,' 'forecast,' 'look forward,' 'opportunity,' 'believe,' 'estimate,' 'continue,' 'anticipate,' and 'pursue' or the negative of these terms or similar expressions. Forward-looking statements in this press release include, without limitation, our expectations regarding our Q1'25 financial performance, including with respect to our expectations as to when we achieve breakeven operating income. Actual results could differ materially from these forward-looking statements as a result of certain risks and uncertainties, including, without limitation, changes in the applicable competitive or regulatory landscapes, the ability to implement business plans and forecasts, and other risks and uncertainties applicable to our business. Readers should carefully consider the foregoing factors and the other risks and uncertainties described in the 'Risk Factors' section of our annual report on Form 10-K filed with the Securities and Exchange Commission (the 'SEC') on April 1, 2024, our quarterly reports on Form 10-Q filed with the SEC, and other documents that we have filed with, or will file with, the SEC. Forward-looking statements in this press release speak only as of the date they are made. Readers are cautioned not to put undue reliance on forward-looking statements, and Complete Solar assumes no obligation and does not intend to update or revise these forward-looking statements, whether as a result of new information, future events, or otherwise. Company Contact: Sioban Hickie
