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Spectator
2 days ago
- Spectator
English? Middle class? Welcome to the Costa del Boden
It was when I saw two other women wearing the same red-and-white-striped Boden swimming costume as me that I realised what I had become. Twenty years ago, I wouldn't have been seen dead on a beach in Salcombe in a Boden swimming costume. I would have been topless on a riverbank in Provence, smoking a Gitane and reading Duras. These days, I don't have time to care, and I summon G.K. Chesterton as my guide: 'Don't ever take a fence down until you know the reason why it was put up.' I have children, a husband and dogs, and we have come – without really meaning to but by some centrifugal bourgeois force – to the Costa del Boden for our summer holiday. In short, we appear to be in favour of the fence. Where? Has yummy-mummy clothes-retailer Jonny Boden bought up part of the English coastline? Well, sort of. The Costa del Boden, otherwise known as the English middle-class coastline, pops up in more than a few places: Salcombe in Devon, Daymer Bay, Polzeath or Rock in Cornwall, Brancaster in Norfolk, and Seaview on the Isle of Wight. It is where the middle to upper classes holiday in this country. These aren't the middle classes the Telegraph writes about, now apparently priced out of their summer break by rising costs. Neither are they the net-zero middle classes who seek sustainable alternatives to overseas travel. No, these are the moneyed bourgeoisie who routinely spend at least a month of the summer on the English coast before heading to Corfu or France for a jolly in August. At any one of the yacht clubs, status is earned through routine longevity: if you have been coming for 'donkeys yahhs', so much the better. You'll also know everyone you run into – which is all any Sloane really wants; forget cultural exchange or the strange, salty nature of the Continent. All in all, robust, weather-beaten, 'Granny had a house here' boat-y top trumps is the thing. But one hardly needs to be robust to enjoy the Costa del Boden. It's all cloyingly lovely – too lovely, in fact. This isn't the risky carnival of Punch and Judy, the pier or, heaven forbid, dry sand. Far from it. At North Sands or Bantham Beach in Devon, the shoreline is jammed with labradors chasing tennis balls while mothers hare after little Ludos or Harrys togged out in – you guessed it – Boden long-sleeved swimsuits. Conversations I overheard while chasing my own little darling seemed to orbit around commuting, the merits of Bridie and Bert towels and VAT. If you fancy something to eat, you can have artisan pizza by the beach – sponsored, apparently, by Vivobarefoot-trainer tycoon Galahad Clark – or pick up a cortado from the coffee van (no cash, please, begs the sign). In Salcombe, bucket-and-spade shops have made way for an avalanche of boutiques designed to lure in the discerning middle-class female shopper; the brands With Nothing Underneath and Busby and Fox were doing a roaring trade when I stopped in for the briefest of rummages. Of course, if your children are older, the Costa del Boden is all about rummaging – or rather frisking. One friend, a regular on the Costa del Boden's Polzeath strip of coastline, tells tales of public-school teenagers – 'mainly Stowe, Radley and Marlborough, to be frank' – prowling the beach after dark 'like penguins' while their parents drink rosé until 'the police turn the floodlights on at midnight like magic nannies'. 'It's teen mecca,' another friend sighs, adding that Daymer Bay, where the Camerons have a house, is 'still sweet', but 'the teenagers just want to be where they know everyone from school'. All anyone wants, it seems, is to have a jolly good, socially cordoned-off, PLU time, whether procured with a fake ID or not. Ah, identity – that old conundrum. I got to thinking about it, as Carrie Bradshaw would have said, during my week on the Costa del Boden. I thought about how I must have appeared to others in my Boden swimming costumes and Aspiga dresses: invisible death by batik print and nautical stripe. I thought about how strong and persistent the desire to blend in is – and how brightly that desire burns in my seven-year-old daughter's eyes. But I shan't be sad. Chesterton wasn't, after all; he knew that fences were put up for a reason, and that nobody has a good time until someone is excluded. The Costa del Boden, erected to keep others out and let the right sort in, is surely the fence of which he speaks.
Elle
08-07-2025
- Entertainment
- Elle
10 Summer Mini Dresses And The Flat Shoes To Pair Them With, From Flip Flops To Sneakerinas
Summer is the season of ease, and nothing captures that carefree spirit quite like a mini dress. Light, breezy and endlessly versatile, the mini dress is a warm-weather staple that can be rolled up into hand luggage or worn to work. This season's mini dresses come in every mood, with nighties, shift and pleat skirt shirt dresses leading the way. But while the dress may be the star of the show, the right pair of flat shoes can completely transform the vibe - flip flops can emphasise chill factor, trainers practicality and knee-high boots make everything a bit more professional. This summer, stylish flat summer shoe styles are aplenty: jelly shoes, boat shoes and sneakerinas are proving themselves practical and directional. A good pair of summer flats are the unsung heroes of summer wardrobes, offering the kind of versatility and comfort that high temperatures (and long days) demand. Whether you're going for effortlessly cool, polished and pretty, or just want to survive a day of walking in comfort and style, we've rounded up 9 summer mini dresses and paired each with the perfect flat shoe. Think of it as your warm-weather outfit formula cheat sheet. Add colourful accessories, like a yellow sunhat or charm-laden anklet, to this beach-ready pairing of cotton mini and flip flops. Heading out out but aren't one for heels? Aeyde's metallic strappy sandals are the answer to your conundrum. Paired with Marlies Grace's cotton mini and you'll be the best dressed girl at the soirée, and the comfiest. If you're looking for a 'Euro Summer' 'fit that will take you 20k steps in the Mediterranean heat then look no further than the Speedcat Ballet (Dua Lipa's favourites) with If Only If's barely-there nightie. When the temperature is in the low 20s, mix up your styling by swapping in autumn boots with your favourite summer mini dress. It's giving Swinging Sixties. An outfit for that well-earned annual leave if we ever did see one, cotton dresses in bold hues are a match made in heaven with earthy espadrilles. Technically a romper, Peachy Den's embroidered mini is all kinds of nostalgic, particularly if you add a pair of childlike jelly sandals - an ensemble for the beach for sure. Skinny trainers are the silhouette of the season, and gingham the print. Put them together are you have a summer hit. Miu Miu said preppy style was back and who are we to not oblige? Shirt dresses are a great warm weather work dressing hack and Gimaguas' pleated skirt iteration feels fresh. When humidity hits, we know less is most certainly more. That's why we suggest pairing With Nothing Underneath's linen mini with some mesh flats. Daisy Murray is the Digital Fashion Editor at ELLE UK, spotlighting emerging designers, sustainable shopping, and celebrity style. Since joining in 2016 as an editorial intern, Daisy has run the gamut of fashion journalism - interviewing Molly Goddard backstage at London Fashion Week, investigating the power of androgynous dressing and celebrating the joys of vintage shopping.
Telegraph
26-04-2025
- Business
- Telegraph
In search of the perfect shirt, jumper or dress? These British brands are best in class
Say the word ' fashion ' to most people, and their minds immediately turn to trends. Whether they follow them, or are baffled by them, but mostly, it's the assumption that fashion begins and ends there. There is another side to the industry that doesn't play into that cycle of short-lived thrills. It's one driven by craft, utility and expertise, and it's populated by people devoted to perfecting their product of choice. These are the specialists: makers that focus on one category, and deliver on it really well. Their products are both perfectly designed and practical. They're a breath of fresh air in an age of cheaper-than-cheap ultra-fast fashion, and high-end brands challenging the upper limit of what customers are prepared to pay. There's an earnestness about their pursuits, and honesty in their transparent supply chain and modest margins. 'Take a brand like If Only If Nightwear,' says Ginnie Chadwyck-Healey, founder of The FairGround, a sustainable fashion marketplace. 'It's a nightwear brand only doing nighties. No pyjamas [except for children's]. Not even very many dressing gowns. They do what they do brilliantly, and they have as low as 10 per cent returns.' These companies have no choice but to be good at what they do, says Patrick Grant, host of the Great British Sewing Bee and author of Less: Stop Buying So Much Rubbish: How Having Fewer, Better Things Can Make Us Happier. 'If you have a particular knowledge around designing something, and you only sell it in [one] category, if you don't do a good job of it, you're not going to be around for very long.' Many of us aspire to shift away from fast fashion, reduce the churn of clothes in our wardrobes, and assemble a timeless capsule of forever pieces, but designer prices and lack of confidence in where to invest makes this challenging to realise. These brands occupy a middle ground between the high street and luxury. Yes, you need to think twice before you purchase, but there is something immensely satisfying about not only owning something obsessively designed, crafted with care and made to last, but also fairly priced for the materials and manufacturing involved. Perhaps that's how we should approach every new wardrobe addition. Consider this your guide of British fashion's best in class. Skip to: The women's shirtmaker The knitwear designer The luxury bag brand The dressmakers The modern cobbler The demi-fine jewellers The women's shirtmaker Pip Durell, founder of women's shirting label With Nothing Underneath, had her lightbulb moment while working as a junior stylist at British Vogue. 'We were shooting a lot of shirts because they're such a [useful] layering and styling piece, but the one thing everyone kept saying was that there's not that much good [women's] shirting on offer. Everyone does a shirt, but no one really focuses on a shirt.' Durell favoured men's shirts at the time, and was regularly fielding compliments on them. 'I thought it's interesting that everyone clearly likes an oversized fit. And then I thought, it's also interesting that there are companies which make shirts for men, and there are no specific companies that make them for women. How many women in this country wear a shirt? I imagine most of them at some point.' The Boyfriend khaki stripe in linen/cotton, £110 She founded With Nothing Underneath with a single cotton poplin style, The Boyfriend, in 2017, and the range has grown to include a number of different silhouettes and fabrics, among them a slouchy weekend style and a bib-front dress shirt. Durell's also added trousers and a herringbone blazer to her repertoire, but shirts are still the main event. The Oversized Celeste blue in cotton, £110 'Women are shopping [with] us in the same way men do their shopping, it's repeat purchases. They come to us and they know their shape – people tend not to deviate between the shapes.' Getting the price point right has been key to her success. The cotton poplin and seersucker styles start at £95; linen and brushed cotton cost £120. 'Our margins are not that big. We're making shirts in the same place with the same material as a lot of [other brands which] are charging three times the price. What people love is that they really do feel that it's a quality piece worth investing in, and then the price point isn't too hard to swallow either.' The Weekend mustard multi-stripe in cotton/linen, £110 Also try: Emma Willis is the British answer to French heritage house Charvet. Her keep-forever shirts are made according to traditional techniques in Gloucester. She's also founder of Style for Soldiers, a charity that supports severely injured servicemen and women in the Armed Forces. The knitwear designer 'I've always loved jumpers,' says Rachel Carvell-Spedding, founder of knitwear label Navygrey. 'I grew up on the northwest coast. It's cold. We weren't allowed to put the heating on unless we had a proper wool jumper on. So I'm very much a jumper person, a jumper obsessive.' It was a particular 25-year-old jumper of her mother's that inspired her to launch the Navygrey brand in 2019. 'It's this really great wool jumper, made in the UK, that I borrowed. It's navy, it goes with everything, it just has a really great feeling. I turned to it again and again and again, but I couldn't find one in the shops that was like this.' Lambswool The Easy in Nordic blue, £295 Carvell-Spedding, who had been working in education, embarked on a mission to recreate it in her spare time, doing deep-dives into wool, technique and design in her bid to create the same result was The Relaxed, Navygrey's launch product and still its bestseller. 'We've tweaked it just a little bit over the past five years. You learn and you tweak the yarn, and you do things, little techniques, if you get customer feedback, but fundamentally, the silhouette, the shape, the colour, it remains.' She attributes the sense of nostalgia imbued in her knits to the fact that they have the same kind of fit and feel as the jumpers worn by our parents and grandparents – made in the UK with quality wool – a standard that's hard to find on the high street today. 'It's quality and fibre coming together,' she says. Lambswool The Easy in oatmeal, £295 Carvell-Spedding has achieved this with carefully sourced yarns, some spun using exclusively British wool, made by knitters largely based in the UK, as well as a small factory in Portugal. That, and a relentless pursuit of perfection without the restrictions of budget. 'We're always trying to think, how do we get more wool into a garment so you have a shape? The tighter you knit, the more wool you need, so it becomes more expensive to make as you're using more raw material, but it gives a compactness to the knit, which makes it warmer, and gives it structure as well.' With prices from £215, it's not a cheap jumper, but it's also significantly less than a designer brand might charge. And if it's the last navy jumper you'll ever buy? A bargain. Lambswool The Relaxed in navy, £295 Also try: Herd, for more nostalgic knits made with British wool in a beautiful palette. For cashmere, Aethel marries Loro Piana yarn with a former Celine designer's skill. The luxury bag brand Stow London founder Carol Lovell has Instagram personality Tanner Leatherstein to thank for the hype surrounding her bags. With over 750,000 followers, @ is a leather craftsman who deconstructs luxury bags to establish whether the price tag is justified. He described the £390 Curve design as 'the very best value bag I have reviewed' using leather from a tannery that 'blew my mind' which also supplies the highest-end labels. Stow was born as a travel accessories brand in 2013 and enjoyed early success, but Brexit and the pandemic made for challenging conditions. It was Lovell's manufacturer in Ubrique, Spain (the epicentre of luxury leather goods), who mooted a shift to handbags about three years ago. They now co-own the business and the manufacturing operation, which enables numerous efficiencies: waste is kept to a minimum as bags are sold on a pre-order basis, and shipped directly from Spain; a leaner, greener model. The brand relaunched in October with the Curve as the hero style. Post shoulder bag in pale green pebbled leather, £265 'I'm absolutely gobsmacked by the response to the collection,' Lovell says. 'The black Curve bag, we cannot keep up with the orders. Obviously we're limited by the fact that we have the one factory, but we're also ensuring that we're not over-producing… [And we've found that] people are happy to wait six weeks for their order.' The reasonable prices play a part too. It's why Lovell refuses to discount. Instead, she's chosen to keep margins slim. Even so, she admits, 'I was nervous not offering 10 per cent off a first order – but judging by the sales, it is not putting people off.' Curve bag in chocolate suede, £390 And then there's the design of the bags themselves, not chasing trends, not 'paying homage' to current It bags, just beautiful in their own right. 'It is a very unique shape,' Lovell says of the Curve. 'It is something a little bit different to what else is out there. We felt it was timeless… We're doing what we know how to do best.' Also try: Edinburgh-based Strathberry, whose Nano Tote and Mosaic Nano bags also received a rave review from Leatherstein. The designs have been seen on the arms of the Princess of Wales, the Duchess of Sussex and Katie Holmes. The dressmakers One of the brands that you'll encounter most over the social season is Rixo. 'April, May and June are our biggest months of the year, by far,' says Henrietta Rix, who co-founded the label with her university friend Orlagh McCloskey from their living room a decade ago. 'The peak is wedding season. We are seen as more of a summer brand, so as soon as the sun comes out, people go into our stores and try two or three dresses on.' It helps that Rixo, still independent with no outside investment, has a clear aesthetic: both Rix and McCloskey share a love of vintage, bias-cut dresses, and playful, clashing prints, many of which are designed in-house. The offering also includes blouses, jackets and bags, but dresses remain the backbone of the business. Evie silk crepe de chine midi dress, £345 McCloskey, Rixo's creative director, is obsessive about design: with any given dress, she can tell you how she's made it possible to wear with a bra, or how a ruffle flatters an exposed upper arm, or how the fit elongates the body. They offer petite and extended sizing too. No wonder, then, that they have huge waiting lists and celebrity fans including Margot Robbie, Holly Willoughby, Kylie Minogue and Taylor Swift. The hazard with anything popular, of course, is that other people will buy it too, so look for Rixo's exclusives. 'Some of those might be a trial buy,' Rix explains. 'They're just 50 units, so really limited edition, where we're like, 'We've done all the work, we think it's beautiful, but [wholesale] merchandisers might think it's a bit scary.'' Regine cotton maxi dress, £325 Rixo's appeal is not universal, Rix admits, but it's still broad. '[Our woman is] someone who has that feminine, bohemian spirit about them,' she says. 'She just wants to feel really good about herself.' That, in a dress, is a pretty powerful asset. Also try: St Clair for romantic floral dresses in the softest cotton; Mondo Corsini – a favourite on Chadwyck-Healey's The FairGround for its easy, pared-back linen dresses in just-interesting-enough silhouettes. The modern cobbler Jane Frances' minimalist designs and ultra-soft leathers have won her a loyal following, since founding her London-based label Dear Frances in 2016. Born and raised in Sydney, she studied footwear design in Italy and her dedication to the craft was honed by a year-long stint at a Milan shoe factory. It was an atypical move, as most graduates would have gone to work at a brand, she acknowledges. 'But that was where I really had my training ground.' It's also where the vision for her brand came to life. 'There was a gap in the market, that blending of those two worlds of tradition and modernity – bringing a modern eye and a distinct point of view, but always remaining true to the traditional techniques and the craftsmanship of Italian shoemaking.' Drew tasselled leather loafers in cognac, £490 This vision has been realised in a string of hit designs. Sleek, round-toed ballerinas, softly squared tasselled loafers, knotted leather slides. Everything is road-tested by her personally. 'I'm the 'fit foot', so I'm road testing them all the time, any time we have a new style, or even if it's just a new fabrication on a silhouette.' Not that she suffers from blisters – the leather is so soft it's not an issue. The much imitated Balla Mesh ballerina style is the label's best known design. 'I really love this idea of being able to see the shape and the movement of the foot through shoes.' This spring Frances has added a heeled version and a boot to the mesh line-up. Felice shoes in black mesh and leather, £460 Dear Frances shoes are not cheap, starting at £350, but its customer has exacting taste and is prepared to pay for a product that ticks every box. 'She is a mature woman who's very independent, very confident,' Frances says. 'She values comfort and style in equal measure, one is not more important than the other – not an easy balance to get right in shoes. So that's what we're always aiming to do.' Also try: Penelope Chilvers, for sturdy riding boots and espadrilles; Grenson for British-made lug-sole loafers and fisherman sandals; Camilla Elphick for her signature Lover flats and elegant mid-heel slingbacks. The demi-fine jewellers When sisters Christie and Rosanna Wollenberg opened their store in London's Holland Park last year, it felt like a kind of homecoming, being just ten minutes' walk from the flat where they founded their brand, Otiumberg, eight years prior. Name pendant in 9-carat gold, from £300 Back then, the term 'demi-fine' – to describe gold-plated jewellery, known as gold vermeil – wasn't as familiar as it is now. 'We just wanted to find pieces that felt refined, high quality, that weren't Freedom at Topshop or inaccessible [fine] jewellery,' Rosanna recalls. Tiny diamond initial tag pendant in 9-carat gold, from £280 It started organically, with a pair of oval huggies that Christie had made in the Middle East while working there for Louis Vuitton – her background is in luxury fashion, while Rosanna worked in arts and branding. 'Our friends were like, 'Where did these come from?' We just built it from there,' Rosanna says. 'We were doing it alongside our jobs for a fair few years to make sure that it actually resonated. I think we've always been the customer, so it felt very intuitive.' Roscida drop hoops in sterling silver, £125 The number of brands doing the kind of wear-all-the-time jewellery for which Otiumberg has become known has mushroomed in the intervening years, with quality varying wildly. They've still maintained a point of difference, both in the elegance of their designs and their high standards – only working with 14-carat gold vermeil on sterling silver, solid sterling silver and solid 14-carat gold. 'We wanted to stand the test of time from an aesthetic standpoint, so it's very modern and sculptural and timeless,' Christie says. Chaos ear cuff in 14-carat gold vermeil, £130 A little celebrity support has helped too: Anne Hathaway has ordered pieces online; Keira Knightley and Julianne Moore have worn it, as has Emma Watson, who was photographed wearing it on the cover of British Vogue. This spring, they launched their very first campaign star, the model Laura Bailey, who lives locally to the store. 'She came in, then she sweetly emailed us the next day, and said, I'd love to work with you,' Christie recalls. Wave cuff in sterling silver, £80 They're also able to engage with the customers in a more direct way. 'Jewellery is such an emotional thing,' says Rosanna. 'It's very good vibes in the store, they're looking for a 40th birthday present, they're treating themselves – it's always something to remember… The joy that people get when receiving or buying jewellery is wonderful to see.' Roscida heart hoops in 14-carat gold vermeil, £160 Also try: Tilly Sveaas, for her signature T-bar necklaces; Alighieri, for Hatton Garden-made pieces inspired by Dante Alighieri; By Pariah for Michelle Obama-approved stacking rings carved from natural gemstones.
Telegraph
26-03-2025
- Entertainment
- Telegraph
The problem with Meghan's fashion shop is that it's just... boring
It was hard to conjure up a thrill of excitement – or even horror – when a story from Meghan Markle popped up on Instagram yesterday. The screen-recorded video featured a look at her new shoppable edit of clothes and accessories, accompanied by the caption: 'Many of you have asked, so here you go! A little shopping to start the week.' The 32-piece 'hand-picked and curated collection' is hosted on ShopMy, a platform launched in 2020 to bridge the gap between influencers and brands. It allows followers to shop pieces worn or selected by their favourite social media figures, enabling the latter to create shoppable posts, custom collections of products and gift guides while earning commission on each sale. 'This is a savvy move by her team to monetise her undeniable influence and use her Instagram as a shop front,' explains Lucy Owen, founder of agency Lucy Owen Talent. 'It allows the community who want to emulate her style to literally shop it. It's also a clever bit of PR as much of her edit is from 'mid market' brands that feel much more attainable than pieces she has worn in the past.' The problem is, it all feels a little… boring. The edit is textbook quiet luxury: a sea of ecru cashmere, chambray shirts, neutral linen and classic denim, plus a smattering of tan and black accessories and subtle gold jewellery. There are some winners in there – a blue-striped linen shirt from great British brand With Nothing Underneath, £120, among them. And, as Owen points out, there's a high-low mix, like the cross-section of brands she donned for her recent Netflix series, With Love, Meghan. A Uniqlo trench, £99.90, sits comfortably alongside Saint Laurent leather sandals, £595. Tribute mules in smooth leather, £595, Saint Laurent The Boyfriend Linen, £120, With Nothing Underneath But even for a Meghan apologist who lives in neutrals and loves nothing more than a crisp white shirt and a great pair of jeans, it's hard to feel excited by it. It's possible that after years of 'stealth wealth' style and mocha mousse-flavoured minimalism, we're reaching beige saturation point. Or perhaps it's because Meghan's foray into influencer culture feels like yet another wave in an ongoing surge of bland monetisation – its sartorial focus almost irrelevant, even for the most devoted fashion fans. In some ways, it does feel like Meghan is at last giving the people what they want. Among the many foibles of her Netflix series was an air of inauthenticity – the set itself was not the Sussexes' own Montecito mansion but an $8 million farmhouse nearby, for example – despite its many claims to the contrary. In theory, the new ShopMy venture delivers the insider access 'many' fans have been desperate for. And there's no denying Meghan's influence. According to a report from brand performance platform Launchmetrics, Loro Piana earned $1 million (£772,175) in 'media impact value' (the monetary value assigned to marketing strategies across print, digital and social media channels) after she wore the brand in With Love, Meghan. But, judging by the sales of the 32-piece edit so far, the online shop might not have the same effect. Perhaps unsurprisingly, a $100 (£77) white T-shirt Meghan selected from Malibu-based brand Bleusalt is still in stock online in every size. Similarly, a £1,072 'raw silk' dress from LA brand Heidi Merrick is available in all but two sizes. Even the more accessible pieces in the curated collection – notably the Uniqlo trench – can still be purchased online. Trench coat, £99.90, Uniqlo Ivory silk noil, 1,072, Heidi Merrick It's a far cry from the 'Kate effect', which sees sales and demand for pieces worn by the Princess of Wales skyrocket immediately, causing sellouts across the price spectrum, from Jenny Packham to Zara. There's an unfortunate irony to the fact that while Catherine has attempted to step away from the fashion spotlight – Kensington Palace announced that it would no longer share the details of her clothes earlier this year – Meghan is keen to step into it. Even so, Meghan stands to generate a considerable income given that her 2.6 million Instagram followers are would-be shoppers. According to ShopMy, product commission earned by creators typically ranges from 10 to 30 per cent, depending on the brand or retailer behind each piece. Assuming that Meghan is at the highest end of that commission rate, the potential is huge; each sale of that Heidi Merrick dress, for example, could earn more than £320. And there's likely plenty more in the pipeline. 'Meghan certainly won't be waiting to be granted 'Icon' status on ShopMy,' says Owen. 'This top-tier ranking comes with exclusive benefits and opportunities for the creator. I'm sure collaborations with brands are on the vision board, for example.' Let's hope future fashion ventures bring something new to the artfully laid table.
The Guardian
07-02-2025
- Entertainment
- The Guardian
What to wear to watch the Super Bowl
Bomber jacket, £45, Beyond Retro. Earrings, £139, The Hoop Station. Jumper, £47, & Other Stories. Fine white polo, £20, John Lewis. Ring, £65, Daisy Jewellery. Trainers, £89.99 by Adidas from Office. Trousers, £29.99, Zara Composite: PR Overshirt, £79, Hush. Red polo top, £55, Cos. Necklace, £120, Tilly Sveaas. Cap, £52, Rowing Blazers. Bracelet, £128, Monica Vinader. Shoes, £59.99, Zara. Jeans, £42, River Island Composite: PR Jacket, £65, Dickies. Sunglasses, £84, Quay. Shirt, £120, With Nothing Underneath. Bracelet, £29, Whistles. Bag, £130, Marks and Spencer. Trainers, £65, by Adidas from Schuh. Trousers, £29.99, Zara Composite: PR
