Latest news with #YehDuniyaAgarMilBhiJaaye
Indian Express
2 days ago
- Entertainment
- Indian Express
Euphoria pays tribute to Guru Dutt with a cover of his iconic song from Pyaasa, watch video
The band Euphoria just released a cover of the song 'Yeh Duniya Agar Mil Bhi Jaaye' from Guru Dutt's Pyaasa, and the video is a heartfelt throwback to the underlying story behind the song. Palash Sen takes the place of Dutt and plays the role of the detached man, who has lost all hope and aspirations. While fans would have hoped for a new song from the iconic band, this tribute is being appreciated as it gives them the chance to listen to the band after a gap of several months. As mentioned before, Palash takes centre stage as he walks around a home that houses a broken family arguing over material possessions. The video highlights the elder generation being coerced to give away their belongings, while the youngest of the household remains unaware of the state of his family and hence is the only one who is content. Palash brings to life the beautiful lyrics penned by Sahir Ludhianvi, as the band tries to do justice to the original composition. Also Read | Kishore Kumar asked wife Ruma Devi to quit singing and stay at home, reveals son: 'She was singing with Lata Mangeshkar…' Sung originally by Mohammed Rafi, 'Yeh Duniya Agar Mil Bhi Jaaye' portrays a disillusioned individual who does not feel any connection with the world he inhabits. Palash Sen, on the other hand, is in a situation which depicts the aftermath of his death and how his legacy and estate are reduced to numbers and divided among those who remain. While it is not feasible to be able to match the vocals of Rafi, Palash does a bang-up job and delivers a fitting tribute to the song, the singer, and the actor. Also Read | Guru Dutt@100: Here's looking at the man behind the artiste Initially an English rock band, the members of Euphoria decided that they would bring Western musical practices to Hindi and Punjabi lyrics to create an experience unlike any other. Their debut album Dhoom was a movement in itself and helped pave the way for all independent Indian artistes that came after them.
Hans India
6 days ago
- Entertainment
- Hans India
Guru Dutt: A fine specimen of introspective artistry
As India commemorates the 100th birth anniversary of Guru Dutt in 2025, the spotlight returns to one of the most enigmatic and influential figures in Indian cinema. Born on July 9, 1925, Guru Dutt's legacy transcends time, genre, and geography. His films were not just entertainment—they were poetic reflections on the human condition, marked by emotional depth, visual innovation, and philosophical introspection. Guru Dutt's cinematic journey, though tragically brief, was revolutionary. Films like Pyaasa (1957), Kaagaz Ke Phool (1959), and Sahib Bibi Aur Ghulam (1962) explored themes of alienation, artistic struggle, and societal decay with a sensitivity rarely seen in mainstream cinema. His protagonists—often misunderstood poets or disillusioned dreamers—mirrored the existential angst of a newly independent nation grappling with identity and modernity. Technically, Dutt was a pioneer. His collaboration with cinematographer V.K. Murthy introduced dramatic lighting and expressive framing that gave his films a noir-like intensity. His use of CinemaScope in Kaagaz Ke Phool was a bold experiment in visual storytelling, decades ahead of its time. Equally powerful was his musical sensibility. Songs like 'Yeh Duniya Agar Mil Bhi Jaaye' and 'Waqt Ne Kiya Kya Haseen Sitam' remain cultural touchstones, blending lyrical melancholy with haunting melodies that continue to resonate. In today's era of spectacle-driven cinema, Guru Dutt's introspective artistry offers a counterpoint—a reminder that film can be both personal and profound. His influence is visible in the works of auteurs like Satyajit Ray, Mani Ratnam, and Anurag Kashyap, and his films are now studied globally for their emotional and aesthetic richness. As retrospectives, exhibitions, and digital restorations mark his centenary, Guru Dutt's voice echoes louder than ever. He was not just a filmmaker—he was a philosopher of the screen, a poet of shadows, and a visionary who saw cinema as a mirror to the soul. Amarjeet Kumar, Hazaribagh
