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Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026
Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

Yahoo

time10-07-2025

  • Entertainment
  • Yahoo

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

Updated at 3:56 p.m. ET on July 9 The Victoria & Albert Museum's next fashion exhibition will take a surreal turn.'Schiaparelli: Fashion Becomes Art' will be staged at the Sainsbury Gallery from March 21 to Nov. 1, exhibition will chart the success of its founder, Elsa Schiaparelli, from the 1920s to the present day under the current ownership of Diego Della Valle and the creative direction of Daniel will be more than 200 objects in the show that span across Paris, London and New York, as well as World Wars I and II, including garments, accessories, jewelry, paintings, photographs, sculpture, furniture, perfumes and archive Bellini, chief executive officer of Schiaparelli, was joined by Daniel Slater, director of exhibitions at the V&A, and the museum's senior curator Sonnet Stanfill, at a press conference on Wednesday at the house's historic salon on Place Vendôme in Paris.'The V&A is one of the unique museums, which has always tried to blend tradition and innovation, and this is so linked to what Schiaparelli used to do herself,' Bellini years in the making, the show will not just build on the success of previous exhibitions, including a major retrospective at the Musée des Arts Décoratifs in Paris in 2022, but explore new areas including Schiaparelli's relationship with the U.K. and her clients, such as Wallis Simpson and Elsie de Wolfe, known as Lady Mendl. More from WWD EXCLUSIVE: Dinh Van to Mark 60th Anniversary With Christie's Retrospective in Paris Cos Heads to India, Plots Return to New York Fashion Week In 'Semele,' Heartbreak Is Dressed Up in Lace and Diamonds 'We're adding on to the existing scholarship, but telling the story in a very new way, in a very unique way,' Stanfill said. 'We like to describe ourselves as the world's leading museum of art, design and performance, and in fact, all of those elements, plus a chapter on photography, will be within the exhibition.'Slater noted that the show will also include works by some of the greatest artists of the 20th century, on loan from major institutions. Schiaparelli walked in artistic circles with the likes of Pablo Picasso, Jean Cocteau and Man Ray.'What was so exciting for us is that with a project on Schiaparelli, you almost reverse what is the normal narrative of fashion in art museums, where you have designers being inspired by art. What we have with Elsa, which continues in the house today, is one of the greatest designers who is actually inspiring some of the greatest art of the 20th century,' Slater said.'This is not to redo something that's formulaic. This is to entirely change the way in which fashion can be experienced in a fine art museum,' he added. 'We're trying to constantly build the next generation of creatives. And this is just yet another opportunity for us to do that.'Special pieces on display include the Skeleton dress from 1938, which covers the entire body in a black silk crêpe. In a 1939 interview, Schiaparelli said that she believes 'in a strict neatness about both day and evening clothes, their simple lines accentuated by an original touch. A neck line can make or spoil a dress; amusing pockets can add distinction to the simplest jacket.'Another standout piece that will feature is the Tears dress from 1938 made in collaboration with the Surrealist artist Salvador Dalí. Printed with a trompe-l'oeil motif, it creates the illusion of strips of flesh, prefiguring the punk movement by several decades. Born into an aristocratic family and raised in the luxurious confines of Palazzo Corsini in Rome, Schiaparelli was separated from her husband by the time she arrived in Paris from the U.S. in noted that the designer, who was self-financed at the time, opened a London salon in Mayfair in 1933, barely six years after founding her house. 'It's also important to see her, not only as an artist, but as a woman entrepreneur, and this is very inspiring also for today's women,' she said. Stanfill added that Schiaparelli was a founding member of the Fashion Group of Great Britain, the precursor of today's British Fashion Council.'Her clothes had a hard chic about them, which were in contrast to the quiet luxury of a lot of her contemporaries. So as a disruptor and as a breaker of fashion rules, she encouraged her clients to embrace a different way of dressing,' she said.'She was the most inventive in terms of use of materials of any of her contemporaries, in the sense that she urged her textile producers to bring her their newest and their best — so that could take the guise of woven glass, cellophane, new crinkled textures. She really loved unusual fabrics, and that will come across in the garments that we can display,' Stanfill also designed costumes for the silver screen and stage. She costumed Mae West in the 1937 film 'Every Day's a Holiday' and borrowed the actor's curvy silhouette for one of her perfume bottle designs. In 1952, she dressed Zsa Zsa Gabor in a pink gown in the film 'Moulin Rouge.' The designer is a recurring character in fashion history books. She famously feuded with Gabrielle 'Coco' Chanel, but had to shut her business in 1954 after accruing large was relaunched by Della Valle in 2012 and the house has spread the word about the history of its founder, starting with a book titled 'Schiaparelli and the Artists,' published in 2017 to mark the 90th anniversary of the brand. The exhibition will also include a selection of designs by Roseberry. 'The couture collection that we presented on Monday is really the beautiful translation of how we can dive into the archives, but also transport them into the future and see how Schiaparelli's contribution to fashion, art and culture can continue to survive through the lens of a new creative vision with passion and actually no boundaries,' Bellini said.'The more respectful we are, and the more inventive we are, the more vibration we create outside. It's extremely rewarding, and it allows us to take new steps,' she said. Best of WWD Fashion Meets Cinema: Jaws 50th Anniversary and Calvin Klein Spring 2019 RTW Show Retro Glamour: Giorgio Di Sant'Angelo's Summer 1973 Chic Straw Hat Statement The Story Behind Jackie Kennedy's Cartier Watch: A Royal Gift With 'Traces and Clues of Her Life' Revealed

Brigitte Macron's Bold Shoulder Detail Adds Sparkling Flair to Her Evening Gown for London Banquet With Emmanuel Macron
Brigitte Macron's Bold Shoulder Detail Adds Sparkling Flair to Her Evening Gown for London Banquet With Emmanuel Macron

Yahoo

time10-07-2025

  • Entertainment
  • Yahoo

Brigitte Macron's Bold Shoulder Detail Adds Sparkling Flair to Her Evening Gown for London Banquet With Emmanuel Macron

Brigitte Macron continued her tour of the U.K. alongside husband Emmanuel Macron, the president of France, with a banquet in London's Guildhall on Wednesday. France's first lady married subdued elegance with sparkling embellishments, favoring a gown with statement shoulders. Macron's floor-length gown was designed with a sleek column silhouette. The black dress included long sleeves and a rounded neckline, as well as shimmering embroidered caps at the shoulders. More from WWD Cos Heads to India, Plots Return to New York Fashion Week In 'Semele,' Heartbreak Is Dressed Up in Lace and Diamonds Kate Middleton, Queen Camilla and Brigitte Macron Embrace the French and U.K. Flag Colorscape for Windsor State Banquet When it came to the rest of her attire, Macron opted for simple pieces of jewelry. She favored silver earrings and bracelets to complement the silver embellishments on the statement shoulders of her formal dress. Macron's husband also wore formal attire for the occasion. The French president opted for white tie and tails for the London banquet. He also wore a red sash. France's first couple were joined by the Duke and Duchess of Gloucester, Lord Mayor of the City of London Alastair King and Lady Mayoress of the City of London Florence King for Wednesday's banquet. The Duke of Gloucester is a nephew of the late Queen Elizabeth II. The Macrons arrived in Windsor, England, on Tuesday, greeted by Prince William and Kate Middleton and Queen Camilla and King Charles III, the latter of whom are hosting the Macrons at Windsor Castle. On Tuesday night, the prominent members of the British royal family hosted a banquet in Windsor for Brigitte and Emmanuel Macron. The occasion was an opportunity to showcase unity through sartorial statements. The Princess of Wales wore a red gown by Sarah Burton of Givenchy. Queen Camilla styled a white dress courtesy of her go-to designer Fiona Clare and Brigitte Macron honored her home country of France wearing a custom royal blue Louis Vuitton dress. The Macrons visit to the U.K. marks the first official state visit made by France in 17 years. View Gallery Launch Gallery: Brigitte Macron Leads the Style Parade During French State Visit to the U.K. with Kate Middleton, Queen Camilla and More Best of WWD A Look Back at Fourth of July Celebrations at the White House Princess Diana's Birthday Looks Through the Years: Her Sleek Black Jacques Azagury Dress, Vibrant Colors and More Lauren Sánchez's Fashion Evolution Through the Years: From Her Days as TV News Anchor to Today

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