Latest news with #YuvanAves
New Indian Express
14 hours ago
- New Indian Express
Butterflies storm north Tamil Nadu as intense rain hits Western Ghats
CHENNAI: In a vivid natural spectacle, millions of milkweed butterflies are sweeping Chennai, turning the city's skyline in many parts into a fluttering canvas of black and blue. This phenomenon, one of India's least understood yet most magnificent animal migrations, is tightly linked to the rhythm of the monsoons. To watch this, visit any beach in Chennai by noon to find thousands of butterflies moving in small groups. Triggered by the intense southwest monsoon rains lashing the Western Ghats, butterflies like the Blue Tiger and Common Crow are migrating northeast, away from their saturated breeding grounds to the eastern plains. These migrations are part of a rare bi-directional pattern and the butterflies return westward during the northeast monsoon. 'These movements are biologically significant, as the butterflies are escaping inundated habitats and likely heading to drier areas,' experts say. Naturalist Yuvan Aves said the butterflies are highly sensitive to environmental cues like wind speed, humidity and temperature, and this year's intense early rains and cooler temperatures may be amplifying the migratory wave. 'During years when intense monsoon is expected, usually the butterfly numbers are very high. This seems to be one such year. Recently Bengaluru experienced a similar mass migration in May, ahead of the monsoon's formal onset.' Interestingly, many butterflies leverage prevailing winds to glide over long distances. Increasingly, they are seen using roads, rail tracks and even flyovers as directional guides during their journey. These migrations, scientists believe, could serve as natural proxies to understand monsoon behaviour and help track climate shifts.
Scroll.in
05-07-2025
- Entertainment
- Scroll.in
‘Intertidal' by Indian writer Yuvan Aves longlisted for 2025 Wainwright Prize for Nature Writing
Indian writer and naturalist Yuvan Aves has been longlisted for the 2025 Wainwright Prize for Nature Writing for his book Intertidal: A Coast and Marsh Diary. He is the first Indian to be nominated for the award. The longlist comprises 12 titles. Over two years and three monsoons, Yuvan Aves paid scrupulous attention to the living world of a coastal city. The result was a diary of deep observation of the coast and wetland, climate and self. Set in beaches and marshes, and the wild places of the mind, Intertidal comprises daily accounts of being in a multispecies milieu. The shortlist will be announced on August 5, and the winner on September 10. Now in its 12th year, the Wainwright Prizes are named after nature writer Alfred Wainwright. The Prizes recognise books that shape a greener future and help readers see the natural world, and their place within it, more clearly. From personal journeys through wild landscapes to bold investigations into environmental challenges, these are the stories that connect people and planet. This year, the Prizes will be awarded in six categories
Hindustan Times
16-05-2025
- Entertainment
- Hindustan Times
Nature's right to exist, flourish and persist
You have said you are 'north-minded,' drawn to high altitudes and high latitudes, to snow, ice, and rock, to mountains. You debuted with Mountains of the Mind but then your trajectory descends and your latest book is on rivers. Why? Mountains and rivers live in an ancient dialectic; mountains lend their gravity to rivers, as it were, and rivers in return sharpen and cleave mountains. So, in a strange way, turning to rivers felt like a coming home! I have always and will always be drawn, as a writer, to the limitless terrain where nature meets culture; where the complex and eventually unmappable reciprocities of imagination and landscape shape one another, dynamically. Is A River Alive? asks its readers to imagine rivers as possessing lives, deaths and even rights, and to see what consequences flow from that, in terms of law, story, song and, of course, the aliveness of rivers themselves. I've never known a subject like this one –– so urgent, so ancient, so torrenting –– nor known a book which continues to flow through my life long after I have notionally 'finished' writing it. I feel deeply passionate about the ideas, rivers and people who run through its pages; among them Yuvan Aves, the young Indian writer, campaigner and naturalist with whom I am fortunate to have been friends for six years or so now, and whose home city of Chennai is at the core of the central section of the book. The publishers have called Is A River Alive your most personal and political book. Does this description resonate with you? It is certainly the most personal and political I've ever written. The former, perhaps, a function of being nearly 50; the latter of the emergency in which the Earth finds itself, in terms of the living world, and the need to re-imagine so many of our laws, customs, perceptions and practices from the understanding of humans as part of a web or flow, not as the summits of a pinnacle or pyramid. Thinking 'with' rivers, as I found myself non-trivially doing in the course of writing the book, proved a powerful, even radical experience. Which leads us to the question of whether rivers have rights. What does this mean for you and are you optimistic about it? There is nothing so powerful as an idea that changes the world, and the ideas at the heart of the young Rights of Nature movement have the potential to do so. Since Ecuador recognised, in its Constitution in 2008, the inalienable and fundamental rights of Nature (Pachamama) to exist, to flourish and to persist, and charged the state with the guarantee of those rights, and with enforcing the repair of damage should those rights be violated, the world has seen the spread in number and consequence of Rights of Nature cases and thinking, across and up and down jurisdictions. The Parliamentary recognition in 2017 of the Whanganui River in Aotearoa New Zealand as a 'living entity' with attendant rights, for instance, or the 2021 ruling in Ecuador that recognised the rights of an astonishing cloud-forest would be violated if gold mining were to occur there. These have been gong-strike moments, the noise of which has resonated around the planet, and I believe are part of the path to a truer, more just future. If you find the idea of a river having rights initially confronting, remember that in European and American law, corporations have both rights and legal personhood (the right to bring suit in court). Why should a company founded two days ago have rights, but not a river that has flowed for tens of thousands of years? It's a form of socially normalised madness. You have filed a petition seeking that the Los Cedros cloud forest, Ecuador, be recognised as the co-author of a song. Please explain the reasoning behind this? To me it is self-evident that a forest might co-author a song with human collaborators, and bizarre that not a single jurisdiction in the world allows for a natural being or entity (forest, river, animal) to be recognised as a 'moral author' of a creative work. We brought this case within the Ecuadorian legal system where, as mentioned, the Rights of Nature are recognised within the constitution, after writing a song in the Los Cedros cloud-forest and with the Los Cedros cloud-forest: indeed, the many voices of the forest (barbet, howler monkey, river, wind, fruitbat) are literally present as singers on the song. You can hear it on any of the main streaming platforms: search for Song of the Cedars, and you will find the forest named as one of the song's authors! You are passionate about the river Cam in your backyard, about the dumping of sewage in rivers across the UK, whose waters — as you put it, 'have become undrinkable, unswimmable, untouchable', but for this book you have explored other geographies, including India, Ecuador and Canada, to write about our polluted, but fiercely defended, rivers. Because these are all places in which rivers are being imagined otherwise. Rivers desperately need new stories telling about them –– and some of those stories are very old, and have been forgotten. The dominant story now is one of river as resource, not river as life-force. In India, in Canada/Nitassinan, in Ecuador, different forms of moral imagination are at work, or trying to be heard, and so I travelled there to meet people and places where radical revisions are being attempted to the natural contract. It was an honour to write about the rivers, marshes, lagoons and creeks of Chennai, and to do so in the company of –– and seeing through the eyes of –– Yuvan Aves and his fellow campaigners, who are trying to imagine and implement a just future for Chennai's many water-bodies, inspired by the Tamil word palluyir, meaning 'all of life'. In India, the paradox is especially sharp. We hold our rivers sacred yet are killing them in a multitude of ways. This is true also of the region you visited. You write that water was central to Dravidian culture which has eroded. How do you make sense of this? I struggled to make sense of it, in all honesty. This deep discrepancy between the religious recognition of rivers –– the Ganga, the Yamuna –– as sacred, and the ecological devastation of those same rivers is incomprehensible to me. If a river is divine, surely the imperative to keep its life flowing and its waters clear would be a beautiful and primary form of worship? You write that you found optimism difficult in Chennai, that you had never seen a river as close to death as Enmore Creek, or the Kosathalaiyar. Did you eventually find hope in the waterways of Chennai? Despair is a luxury and hope is a discipline. I watched Yuvan and his friends and colleagues struggling to drive change for the better, despite the threats and power levelled against them; in the face of such courage and moral clarity, what right would I have to sit back and say that I despair? As my indefatigable friend Rebecca Solnit puts it, 'You are not giving up, and neither am I. The fact that we cannot save everything does not mean we cannot save anything and everything we can save is worth saving.' And hope is a discipline because it requires vigilance, concentration and lucidity to imagine other, better possible futures –– and then to push onwards in search of their realisation. And though there were times and stretches of the Cooum or the Kosasthalaiyar in which the river seemed as close to death as any I have ever known, there were moments of illumination and possibility – not least accompanying the 'Turtle Patrol' overnight, as it walks the beach to secure the safety of thousands of Olive Ridley Sea Turtle eggs each night during the nesting season. As sun broke on the night I had walked with the patrol, the first turtle hatchling of the season broke through the surface of the sand in the hatchery, and we carried her towards the surf, and watched as ancient instinct drove that tiny, perfect creature to seek the water. Hope, right there! You co-wrote a ghazal with Yuvan for the Olive Ridley Sea Turtle. Tell us more, and about the turtles you saw along the Chennai coast, both dead and alive Yes! A praise-song to these extraordinary deep-sea voyagers, these mothers who have been hauling themselves ashore on the coasts of what we now call India for hundreds of thousands of years, to dig their nests and lay their eggs. We wanted to celebrate them in verse and song, so we co-wrote a ghazal for the sea turtle. It was later set exquisitely to music for a nine-voice choir called HOWL: again, if interested people can listen to the song by searching for Night Swimmer (Sea Turtle) and HOWL on the main streaming services. But you are right that, of course, the story of sea turtles and Chennai is now one of death as well as life. Trawler-strikes and net-entanglements threaten the lives of sea turtles during nesting season in particular, and Yuvan and I saw many dead turtles washed up on the tideline, their eyes picked out by ghost-crabs. This year (2025) has been especially catastrophic for turtle deaths, with well over a thousand washed up on the greater Chennai coast alone. It's absolutely crucial that the government strictly enforces the exclusion zone which requires trawlers to stay a certain distance offshore and legally requires trawler nets to be fitted with TEDs (Turtle Excluder Devices) to minimise bycatch deaths. You find ways to champion people, including those from neglected, relegated geographies. I recall your support for the campaign against tree-felling in Telangana in 2021. What prompts you to care for places and landscapes unseen, of uplifting people that few in positions of influence do? You are too kind to say so. If even a fraction of this is true, though, well, I am glad. I guess it is in my nature to want to help as many persons (human and more-than-human) that I can. I have a voice of some volume, and I can't imagine not trying to use it on behalf of those who have had their voices muted by power or circumstance. To be silenced is not the same as to be silent. I also fundamentally thrive on collaboration with others; the world is a 'mycelium', a webwork of relations in which we are all entangled –– collaboration is an extension of these countless mutualisms. Prerna Singh Bindra is a conservationist, author and PhD scholar at CambridgeUniversity. She is @prernabindra on X
