Latest news with #ZV-E10II
Engadget
14-07-2025
- Engadget
Canon R50 V review: An affordable vlogging camera that lags behind its rivals
Canon has released 20 cameras since launching the RF mount in 2018, but it had one gaping hole in a key market: vlogging. Now, the company has patched that with the launch of the $700 R50 V that's aimed at creators on a budget and designed to take on Sony's ZV-E10 II. The R50 V has the same 24-megapixel APS-C sensor as the R50, but adds vlogging-friendly features like 4K 60p video, C-Log3 for extra dynamic range, a livestreaming button and a side tripod socket for vertical video. It's cheaper than the $1,100 ZV-E10 II and even costs a bit less than the older ZV-E10. After some lengthy testing, however, I found that it was missing some key features compared to its Sony rivals, particularly those that make vlogging easier for beginners. Canon's EOS R50 V is a solid budget vlogging camera thanks to the excellent video quality, but it's missing important features compared to its rivals. $699 at Amazon Explore More Buying Options $699 at Best Buy Like other vlogging cameras, the R50 V is stripped down both in terms of size and controls. It has a polycarbonate body rather than metal, which reduces toughness and weatherproofing but helps keep it light at just 323 grams. The grip is also smaller than the R50's, so it's not ideal to use with large lenses. One key feature missing from the R50 is an electronic viewfinder. That's also the case with the ZV-E10 II, but the lack of one can make it challenging to shoot in bright sunlight. On top of that, the rear display is low-res and isn't particularly bright. However, it fully articulates and flips around for vloggers. The R50 V is designed to be controlled via the touchscreen, so it has fewer manual controls than other Canon mirrorless models. It does have top, rear and back dials to set primary functions like iris and shutter speed. However, you need to use your thumb to control both of those which makes operation a bit awkward. The front rocker is designed to control zoom on supported Canon lenses like the new 14-30mm f/4-6.4 IS STM PZ, which was released at the same time as this camera. It also has livestream and color buttons dedicated to creators, plus there's a mode dial with six different video settings. Canon's EOS R50 V has decent handling designed for creators but it lacks manual controls for photography (Steve Dent for Engadget) The menu system is typically Canon with color-coded pages for each category (video settings, autofocus and more). However, key settings can also be adjusted from the Quick (Q) menu using the touchscreen when vlogging. Functions in that menu can of course be reprogrammed to your preferences. The R50 V has both microphone and headphone inputs along with microHDMI and USB-C ports. It uses Canon's smaller EP-17 battery that delivers an hour of video shooting or 300 shots to a charge, both far less than the ZV-E10 II (113 minutes and 600 shots). It has just a single SD card slot, but fortunately it's the faster UHS-II type. Finally, there's a very handy feature for content creators: a tripod socket on the side to make it easier for solo vloggers to shoot vertical video. Video and vlogging is the R50 V's primary strength compared to R50. It can shoot both supersampled 4K 30 fps and 4K 60 fps video, with C-Log3 and 10-bit quality. However, the 4K 60 fps setting requires a fat 1.56x crop, which reduces quality as well as bokeh. Sony's ZV-E10 II, by contrast, only requires a 1.1x crop for 4K 60 fps video. The Z50 V also lacks in-body stabilization. That means the R50 V relies strictly on optical lens shake reduction or electronic stabilization. To be fair, that's to be expected in this price range and the ZV-E10 II is also missing in-body stabilization. The electronic system does a good job removing jolts from handheld video and can even smooth out walking if you try to move fluidly, but it can make footage look soft if movements are excessive. The 'Enhanced' electronic mode, which applies a small crop, is designed to make handheld shots look 'locked off' like you're using a tripod. The R50 V offers good image quality and key creator features like a fully articulating screen. (Steve Dent for Engadget) Background blur and product showcase-type buttons are also noticeably missing compared to the ZV E10 II. That's too bad, because creators use those features often to quickly focus on objects or blur the background behind a subject — without them, you're forced to set those things manually. Rolling shutter distortion is fairly noticeable on this camera with a scan rate around 30ms, compared to just 16ms for the ZV-E10 II. This means sudden pans or jolts can result in 'jello effect' video. Meanwhile, video autofocus is rapid and reliable, even if your subject moves around. The AI-powered face and eye detection locks on firmly, and can also reliably track animals and vehicles. Canon took a page from Panasonic and Fujifilm with the addition of a color button on the R50 V. It lets you quickly select shooting modes like standard BT.709, C-Log, HLG and PQ. Another setting offers filmic looks with modes like Portrait, Fine Detail, Faithful and Monochrome. And the last 'color filter' mode allows for tinted video with shades like teal and peach, though the results looked a bit cheesy to me. With a built-in cooling fan, the R50 V is more resistant to overheating than most small cameras. When recording standard 4K at 30 fps, I was able to shoot for 60 straight minutes with no sign of overheating. The issue doesn't, er, crop up at 4K 60p either since that mode uses a reduced portion of the sensor. Canon R50 V review: An affordable vlogging camera that doesn't measure up to its rivals Overall, video quality is a strong point, with sharp detail when using the 4K 30 fps oversampled mode. Colors are rich and accurate, and skin tones pleasing with a hint of warmness that Canon is known for. The 10-bit C-Log3 footage retains extra detail in shadow and highlight areas, providing outstanding dynamic range for such an inexpensive camera. However, 4K 60p video is considerably softer, and the 1080p 120 fps ultra slo-mo setting lacks sharpness even by HD standards. Low-light capability is average for an APS-C camera, with noise clearly visible starting at ISO 3,200 or 6,400. Beyond that, it becomes intrusive and harder to get rid of using noise reduction tools. Though photography isn't this camera's raison d'etre , the R50 V performs decently in that regard. It can shoot fairly quickly for a small camera, with burst speeds of 15 fps with the electronic shutter or 12 fps with mechanical shutter. However, it can't sustain those speeds for very long due to the small buffer that holds just 36 RAW images. Autofocus is again a strong point, tracking subjects with ease and keeping photos sharp. As with video, AI-powered face and eye detection is quick and reliable for people, animals and vehicles. Rolling shutter is an issue with photos as it is with video, but since the R50 V has a mechanical first-curtain shutter, you only need the electronic mode for photos when silence is required. The lack of in-body stabilization means you'll need to have a steady hand to take sharp shots at low shutter speeds, or you'll want to shop for lenses with optical stabilization if that's an issue. Photo quality is identical to the R50 since it shares the same sensor. For normal shooting, I saw color-accurate photos with skin tones leaning on the warm side, as is typical with Canon's color science. JPEGs strike a good balance between sharpening and noise reduction, while RAW files allow a decent amount of room to tweak images. As with video, low-light performance isn't amazing, so I wouldn't go past ISO 6,400 unless it's too dark to film otherwise. With a 24-megapixel APS-C sensor, the R50 V squares off against Sony's ZV-E10 II (Steve Dent for Engadget) Canon's R50 V is a pretty good first try for a vlogging camera, hitting the mark in key areas like video quality and usability. However, its rival, Sony's ZV-E10 II, beats it in nearly every area, offering even better video quality, higher photo resolution, faster autofocus, smoother electronic stabilization and neat features missing on the R50 V — like the product showcase. That said, Canon is targeting a more budget-minded buyer as the R50 V costs just $700 (body only) compared to $1,100 for the ZV-E10 II. Vloggers constrained to that budget will still get a great camera that easily beats a smartphone when it comes to the final product. If you do have an extra $400 to spend, though, I'd recommend the ZV-E10 II instead.
Mid East Info
04-07-2025
- Mid East Info
Sony's Ultimate Travel Tech Guide for a Smarter Summer - Middle East Business News and Information
Whether you're off to a sunny beach destination, a tropical forest, or a buzzing city, having the right tech can make or break your trip. Traveling with Sony will ensure you get the best experience wherever your adventures take you. From enjoying total peace on long flights with the latest WH-1000XM6 noise-cancelling headphones, to their cooling REON Pocket Pro when you're out and about in the city. Capture your memories with the ZV-E10 II vlog camera and blast your favorite tunes on the go with the portable sleek ULT FIELD 1 speaker. So, pack your bags, charge up, and get ready to experience summer like never before with Sony by your side. WH-1000XM6 Headphones for the Busy Traveller Featuring Sony's most advanced noise cancelling technology yet, the WH-1000XM6 headphones are perfect for blocking out distractions on your next vacation or staying focused during business calls abroad. They offer superior call clarity and a foldable, travel-friendly design for easy packing. With up to 30 hours of battery life, adaptive sound control, and intuitive touch controls, the WH-1000XM6 delivers an immersive listening experience wherever you go. The WH-1000XM6 retails at AED 1,699, SAR 1,699, QAR 1,699, BHD 169.900, OMR 169.900, or KD 139.9. Stay Warm or cool with the REON Pocket Pro Sony's REON POCKET PRO is the most advanced model in its wearable cooling and warming series. Worn around the neck, it features dual independent thermo-modules for double the cooling area and heat absorption compared to previous models. A newly developed fan delivers twice the airflow, while the upgraded battery allows for up to 34 hours of use. With smarter, alternating temperature control and improved endurance, it sets a new benchmark for personal climate comfort. Available in UAE for AED 799, KSA for SAR 899, Qatar for QAR 799, and Bahrain for BHD 74.9. ZV-E10 II Vlog Camera to capture all the little moments Light yet mighty, the Sony ZV-E10 II Vlog Camera is built for creators on the go, combining portability with powerful features. Priced at AED 4,399, it boasts a 26MP Exmor R™ CMOS sensor for sharp, detailed content and precise subject tracking with Real-Time Eye Autofocus perfect for dynamic vlogs. Its long-lasting battery, fast Wi-Fi connectivity, and dedicated Product Showcase setting make it ideal for seamless content creation and easy sharing. Whether you're exploring a new city or capturing daily moments, the ZV-E10 II is the perfect travel companion for every adventure. ULT FIELD 1 – Your perfect travel companion Waterproof, Dustproof, and even shockproof! Bring the ULT FIELD 1 Speaker along to play your favorite tunes on this getaway. With its long battery life and powerful bass, you'll be sure to attract all the right vibes wherever you go. Available in Black, Forest Grey, Off-White, and Orange, the speakers retail for AED499.
Yahoo
26-03-2025
- Yahoo
Canon goes all in on vlogging with the PowerShot V1 compact and R50 V mirrorless cameras
Engadget has been testing and reviewing consumer tech since 2004. Our stories may include affiliate links; if you buy something through a link, we may earn a commission. Read more about how we evaluate products. Canon is expanding its vlogging lineup in a big way with two new models, the R50 V mirrorless and PowerShot V1 compact, both designed to take on cameras in Sony's vlogging lineup. The PowerShot V1 has an interesting new 1.4-inch sensor that's considerably larger than the ones on most compact cameras. The R50 V, meanwhile, matches features from Sony's ZV-E10 II but at a considerably lower price. The PowerShot V1 was already announced and released in Japan, but it's now set to come to North America. It effectively competes with Sony's ZV-1 II 1-inch sensor compact but has a much larger 1.4-inch 22.3MP sensor that's roughly the same size as Micro Four Thirds, but with a horizontal aspect ratio better suited for video. That larger size, along with the 17-52mm (3.1x zoom) f/2.8-4.5 lens, should make it superior to its rival in low light while also offering shallower depth of field. I've only had the PowerShot V1 for a day, but it's heavy for a compact camera at 426 grams (15 ounces) and fairly thick. There aren't many manual controls other than the top mode dial, a rear setting dial for burst, exposure compensation and other functions, a lens dial for aperture, a camera/video switch and a zoom dial, along with several buttons. It has a 3-inch, one-million-dot fully articulating rear display but no electronic viewfinder, just like the ZV-1 II. It can shoot 4K 30 fps supersampled video using the full sensor width, 4K 60p video with a 1.4 times crop or 1080p at 240 fps. Also supported is Canon C-Log3 with 10-bit 4:2:2 capture to improve dynamic range and allow for easier grading. Optical along with digital enhanced stabilization are available and to allay overheating it comes with a built-in cooling fan that allows unlimited shooting times at all resolutions. Like the ZV-1 II, the PowerShot V1 supports several shooting modes aimed at creators. Those include a "close-up demo mode" that's equivalent to Sony's "product showcase," allowing the camera to quickly focus on an object you hold in front of the camera. Another is "smooth skin mode" for beauty-style shooting, plus "movie IS mode" for vloggers that stabilizes any jolting movements like walking. The PowerShot V1 uses Canon's Dual Pixel II autofocus system with subject detection and face/eye tracking and includes a "subject tracking IS" mode that automatically adjusts cropping to center the subject in the frame. You can use it as a 1080p webcam via the USB-C port, while connecting to your smartphone for live streaming. For photography, it sports a physical mechanical shutter and can shoot bursts at up to 30 fps with autofocus in electronic shutter mode. A welcome feature is a built-in ND filter (equivalent to three stops of light reduction) that will allow creators to add more bokeh on sunny days. Other features include support for a smallish LP-E17 battery and a single UHS-II card slot along with microphone, headphone and microHDMI connectors. However, the PowerShot V1 isn't cheap at $900. It's set to arrive in April 2025. The R50 V is Canon's first true mirrorless vlogging-specific camera and is clearly designed to go up against Sony's ZV-E10 II. It's slightly taller than the PowerShot V1 but has largely the same dimensions otherwise, and weighs just a bit more if you include the new 14-30mm (21-45mm full-frame equivalent) f/4-6.3 power zoom lens. It has a nice array of manual controls including a primary control dial on top, a zoom rocker for supported lenses and an unusual mode dial that lets you select multiple custom video and vlogging modes including Movie Auto Slow Shutter, Slow/Fast Motion Recording and Movie IS Mode. For vloggers it has a fully-articulating 3-inch display but again, no electronic viewfinder. The R50 V comes with a 24MP APS-C sensor like the EOS R50, while also including features from Canon's Cinema EOS system like C-Log3 capture and 10-bit 4:2:2 video. It can capture supersampled 4K 30 fps video using the full sensor width, 4K 60p video with a crop or 120 fps 1080p video. It's not a bad camera for photographers either, letting them shoot 12 fps bursts using the first-curtain shutter or 15 fps with the electronic shutter, all with continuous autofocus enabled. Like the ZV-E10 II it lacks in-body stabilization but does offer optical stabilization with supported lenses, along with electronic stabilization. For situations that require extra shake reduction, the optical and electronic stabilization modes can be combined and there's an enhanced IS mode for abrupt movements like walking. The R50 V has vlogging-friendly modes like a product showcase-type function along with focus breathing correction. You get Canon's latest Dual Pixel II autofocus system that includes face and eye detection as well as subject tracking for people, animals and vehicles (along with an auto mode). A dedicated button allows you to livestream instantly with four modes supported: UVC/UAC, HDMI, Camera Connect, and Live Switcher Mobile multi-camera. It comes with a single UHS-II card slot and an LP-E17 battery, along with microphone, headphone, microHDMI and USB-C ports. The R50 V will cost $650 for the body only or $850 with the new RF-S14-30mm F4-6.3 IS STM PZ lens (sold separately for $330). Canon also announced the $1,700 RF 20mm f/1.4L VCM full-frame lens, the latest in its fast hybrid cinema-friendly series that includes the RF24mm f/1.4, RF 35mm f/1.4 and RF 50mm f/1.4 models. As mentioned, I've only had the R50 V and PowerShot V1 cameras for a short time but you can expect a full review of both models shortly.
