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Kuwait Times
23-06-2025
- Entertainment
- Kuwait Times
15 Kuwaiti artists celebrate Islamic aesthetics in ‘Noon'
KUWAIT: The Noon Art Group showcases 66 works blending Arabic calligraphy and Islamic ornamentation with contemporary vision, in an exhibition organized by the National Council for Culture, Arts, and Letters (NCCAL). — KUNA photos KUWAIT: A group of 15 Kuwaiti women artists brought the rich legacy of Islamic art to life through the debut exhibition of Noon Art Group, inaugurated on Sunday at the Museum of Modern Art. Organized by the National Council for Culture, Arts, and Letters (NCCAL), the event featured 66 works blending Arabic calligraphy and Islamic ornamentation with contemporary vision. The exhibit reflects a growing movement to preserve and reimagine Islamic artistic heritage, which remains one of the most profound expressions of spiritual and intellectual beauty. The exhibition not only celebrated the visual splendor of Islamic aesthetics, but also highlighted the pivotal role of Kuwaiti women in safeguarding and revitalizing this artistic tradition for new generations. At the heart of this initiative is Noon Art Group – a collective of women artists united by their passion for Islamic arts. Their journey began in 2017 during a series of workshops hosted by Kuwait's Islamic Arts Center. That shared experience eventually led to the formal founding of Noon in 2019 as a dedicated platform to showcase their evolving artistic voice. While the COVID-19 pandemic temporarily slowed their momentum, the group regrouped in 2024 with renewed commitment. 'We came together again with a shared vision to launch seasonal exhibitions grounded in the knowledge and techniques we've developed over the years,' the artists said. The June 2025 exhibit marks their first public showcase. Participating artists in the Noon exhibition include Mishaal Al-Tarabulsi (@mashael75), Sharefa Al-Asfour (@sharefa_alasfour_art), Khalida Al-Sinan (@ Abrar Al-Haleel (@abrar_kh17), Areej Al-Awadi (@areej_alawadi), Tayba Al-Asfour (@eng_ls4), Maryam Al-Asfour (@maryemls4), Areej Al-Salem (@areej_alsalem), Khawla Zamani (@kzamani), Zainab Al-Tarabulsi (@ Shaima Al-Jaafar (@shaima_aljaafar), Fatima Al-Qattan, Noora Al-Ghareeb (@nouraq8_89), Huda Al-Hunaidi (@hints_of_art), and Widad Al-Bannai (@amazing__calligraphy). Through their work, these artists reaffirm that Islamic art is not merely a visual heritage, but a living language of expression — woven into Kuwait's architecture, places of worship, visual arts, and everyday life. The Noon exhibition is both a tribute to tradition and a bold step forward in reimagining it — proof that when cultural heritage meets collective creativity, something enduring is born. — Agencies
Yahoo
20-05-2025
- Entertainment
- Yahoo
Shia LaBeouf's Theater Company From Hell: Cannes Doc Reveals Actor's Misconduct With Students and Hopes for Redemption
Leo Lewis O'Neil's documentary 'Slauson Rec' was one of the late additions to the Cannes Film Festival lineup, but it's certainly now one of the festival's buzziest titles following its premiere in the Cannes Classics section. The film, which received a two-minute ovation on Sunday, had been teased for weeks as a rollercoaster ride through an experimental theater company run by a famous (or infamous, according to some) actor. In a smaller theater inside the festival's Grand Palais on Sunday, however, the full two-hour-and-25-minute documentary was no trip to the theme park. More from Variety Cannes Film Festival President Iris Knobloch Awarded Commander of the Order of Arts and Letters by the French Culture Minister Wes Anderson Delights Cannes as 'Phoenician Scheme' Lands 6.5-Minute Standing Ovation, Leading Lady Mia Threapleton Overcome With Tears 'The Phoenician Scheme' Review: Wes Anderson Weighs In on the Art of the Deal and Assorted Other Funny Business What begins as a 2018 attempt to build a creative 'family' of players and stimulate the community of South Central Los Angeles played more like a descent into ego-driven insanity, complete with physical violence and harrowing screaming matches. LaBeouf turned up to the screening, in what was his first time seeing the film. He spoke with festival director Thierry Frémaux at the start, simply saying, 'I'm so grateful [O'Neil] still lets me around him and bring him ideas.' In the opening moments of the movie, LaBeouf sits for a present-day interview. 'I've done a lot of coming to terms with the failure that was my life, and the plastic foundation I had,' LaBeouf says. 'I left a lot of people in the wake of my personality defects.' The vibe inside the premiere seemed to mirror what the on-screen theater group lived through: cautious optimism and joy when LaBeouf is engaged about creating art, suffocating tension when he flies off the handle berating actors and crew members with sanctimonious lectures and laugh-out-loud disbelief when the star tries to justify his behavior in the aftermath. It's an endless loop of rage and regret, which caused nearly 30 audience members to trickle out of the auditorium during the screening. The emotional terror LaBeouf wreaks borders on the inhumane. A company member named Sarah, a fan of the actor's since he starred in the Disney Channel original 'Even Stevens,' lands a lead role in a drive-in play from LaBeouf's company during the onset of the coronavirus pandemic. As her mother sits dying in the hospital from some undisclosed infection, she chooses to remain in rehearsals for the chance to work with her mentor. After her mother passes and the play is two weeks from opening, LaBeouf fires her, saying the show simply works better without her in the part. In a similar scenario, a young company member named Zeke books a role on the Netflix original 'On My Block' parallel to the company's work. LaBeouf seemingly turns on him, nicknaming him James Dean and ratcheting up the criticism of his performance. It ends with Zeke quitting 45 days into rehearsals, and LaBeouf instigating a fist fight with him that leaves the aspiring performer with scrapes and bruises. An incident that is included in documentary shows another encounter with LaBeouf and Zeke. Footage shows LaBeouf slamming a table with his fist and yelling at Zeke: 'I don't give a fuck what you say to me… You've got it better than I ever had it. What the fuck is the attitude problem? I'm giving you everything I have, so stop fucking with me.' The actor then shoves Zeke against a wall. Director O'Neil revealed to Vanity Fair prior to Cannes that his involvement in the documentary started when he showed up to attend LaBeouf's acting class with a camera in hand. The director said LaBeouf asked him if he would film everything that took place at Slauson. O'Neil did just that over the next few years until the acting school was disbanded in November 2020 amid the COVID pandemic. LaBeouf was sued by singer FKA Twigs for sexual battery, assault and emotional distress a month after the school was disbanded. Given the footage in his documentary, O'Neil told Vanity Fair that he sent LaBeouf a trailer for the project seeking his sign-off on it. LaBeouf allegedly gave his full blessing for the movie to be made without any editorializing on his behalf; thus, scenes of alleged physical violence remain in the final cut. LaBeouf gave the following statement to Vanity Fair: 'I gave Leo this camera and encouraged him to share his vision and his personal experience without edit. I am aware of the doc and fully support the release of the film. While my teaching methods may be unconventional for some, I am proud of the incredible accomplishments that these kids achieved. Together we turned a drama class into an acting company. I wish only good things for Leo and everyone who was part of The Slauson Rec Company.' Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Oscars Predictions 2026: 'Sinners' Becomes Early Contender Ahead of Cannes Film Festival


Arab Times
18-05-2025
- Politics
- Arab Times
Of heritage, art & architecture
A few days ago, I wrote about the achievements of Sheikha Mai Al-Khalifa in Bahrain. I expressed hope that the National Council for Culture, Arts, and Letters (NCCAL) would reach out to her and invite her to visit Kuwait to give a lecture on her efforts to preserve her country's culture and heritage. She did this through the museums, archaeological sites, and homes that she either acquired or received as donations, and transformed into stunning historical works of art and architecture. Kuwait has long been proactive in heritage preservation, notably when it halted the demolition of some distinctive citizens' homes, particularly those along the coastal front. These homes were acquired by the state during the period when housing units were purchased following the country's wealth surge, which facilitated the modern reorganization of the capital. However, few of these homes and historical monuments have received the attention they truly deserve, especially when compared to the homes, museums, and monuments that Sheikha Mai Al-Khalifa has carefully preserved in Bahrain. Aside from the Red Palace and Yousef Sherin House, which was transformed into a Sadu House, Sheikh Abdullah Al-Jaber Palace (formerly the Diwaniya of Sheikh Khazal bin Murdaw), Al-Ghanim Palace (formerly the Diwaniya of Sheikh Khazal bin Murdaw), and Dickson House, the rest have been turned into diwaniyas run by their owners, and most of them lack the splendor and spirit they once held. What caught my attention on this topic was the interview conducted by Al-Qabas daily with Kuwaiti antiquities collector Fahad Al-Abduljalil. The interview revealed his ownership of a vast collection of rare artifacts in his home, including the oldest map to mention the name of Kuwait, drawn by the explorer Niebuhr in 1776, as well as the first copy of the Constitution of Kuwait. In these times, it is especially important to highlight such artifacts in a new light to showcase to the world our undeniable historical rights. There are many other private museums owned by collectors of antiques and antiquities, such as the Nawaf Al-Asfour Museum, the Khaled Al- Abdul-Mughni Museum, the Hani Al-Asousi Museum, the Saleh Al- Misbah Museum, and others. The National Council for Culture, Arts, and Letters could collaborate with these collectors by purchasing or borrowing their items and displaying them in state-owned historic houses and diwaniyas, reviving these spaces rather than leaving them in their current neglected state. We could work with the managers of these diwaniyas to designate specific visiting hours, particularly in the mornings and on weekends, for citizens, expatriates, and visitors to Kuwait, allowing everyone to experience and learn about our rich heritage. I hope the National Library and other archaeological sites will remain open outside of regular working hours, especially on holidays, so that everyone can visit and enjoy their treasures. In addition, I hope the NCCAL will continue to engage with officials from the Amiri Diwan to transform the historic Seif Palace, which served as the seat of government for over a century, into an open-air museum. The Seif Palace, originally established in 1904 during the reign of Sheikh Mubarak Al-Sabah, was renovated in 1961 during the tenure of Sheikh Abdullah Al-Salem. The palace showcases an Islamic architectural style, enriched with distinctive elements of Kuwaiti heritage. Please note: After writing this article, I received information that the relevant authorities have approved the acquisition of Dasman Palace to be converted into a historic monument. I believe the historic Al Seif Palace would be an ideal location to house the complete collections of Kuwaiti antiquities collectors. I also propose naming the exhibition halls after these collectors, in recognition of their valuable contributions to preserving Kuwait's heritage.


Arab Times
18-05-2025
- Entertainment
- Arab Times
NCCAL honors Kuwaiti women pioneers across medicine, arts, sports, and technology
KUWAIT CITY, May 18: The National Council for Culture, Arts, and Letters (NCCAL) celebrated a group of Kuwaiti women who have made significant contributions to society during a special ceremony held on Sunday. Titled "Success Story... Shining Models of Kuwaiti Women," the event honored individuals for their roles in various fields including medicine, innovation, arts, literature, media, sports, education, and community leadership. Aisha Al-Mahmoud, the Assistant Secretary General for Culture at NCCAL, addressed the gathering, explaining that the celebration was part of the national observance of Kuwaiti Women's Day, which takes place on May 16 each year. The event also aligned with Kuwait's designation as the "Capital of Arab Culture and Media for 2025." Al-Mahmoud emphasized that the ceremony not only served as a form of recognition but also aimed to highlight the inspiring stories of women who have excelled in diverse areas, thereby contributing to the nation's creativity and development. She pointed out that the NCCAL, as part of its cultural and national duties, believes that empowering women goes beyond laws and policies. It also involves public recognition of their achievements, documenting their contributions, and making their stories a source of inspiration for future generations. Al-Mahmoud underscored that the event reinforced the role of Kuwaiti women as essential partners in shaping the nation's future. Among those honored were renowned actress Hayat Al-Fahad, celebrated for her influential role in enriching the Kuwaiti and Gulf artistic scene, and director Ruqayya Al-Kout, recognized for her significant impact on the development of Kuwait's theatrical movement. Opera singer Amani Al-Hajji was acknowledged for her international representation of Kuwait in the arts, while media personality Aya Ibrahim was honored for promoting musical culture. The ceremony also recognized Ibtisam Al-Qoud, President of the International Organization for Women's Empowerment and Capacity Building, for her exceptional work in advancing women's issues. Dr. Abeer Al-Ameeri, Vice President of the Kuwait Society for Information Technology, was celebrated for her efforts in empowering women in the technology sector. Other honorees included Dr. Nahla Al-Maie, a pioneer in nuclear medicine, and inventor Hawra Shaaban, recognized for her achievements in scientific innovation. Visionary athlete Shamail Al-Mulla was also honored for her accomplishments in sports, particularly in shooting and running. In their speeches, the honorees expressed deep gratitude for the recognition, viewing it as a validation of their careers and contributions. They also emphasized the responsibility this honor brings, motivating them to continue their work and make further advancements in their respective fields.


Arab Times
14-05-2025
- Politics
- Arab Times
Epitome of Bahraini culture
I received an invitation from Sheikha Mai Al-Khalifa to deliver a lecture titled 'On Doctrine and Journalism' at the Ebrahim bin Mohammad Al-Khalifa Center in Bahrain. At first, I assumed it was a routine invitation to a familiar neighboring country I hadn't visited often, despite its proximity in distance, culture, and affection. However, less than an hour after our arrival, my perception completely shifted. During a visit that lasted just three days, I came to realize how the vision and dedication of one remarkable woman could reshape not only my impression but also that of my wife, of an entire nation. We witnessed firsthand how a dedicated and talented woman can contribute and accomplish so much for her country. Sheikha Mai Mohammad Al-Khalifa is, without a doubt, the princess of culture and the conscience of Bahraini heritage. This remarkable woman is known for her humility, calm voice, and unwavering sincerity. During our visit, I had the honor of meeting Sheikha Mai and her exceptional team, including Aisha Matar, Hassan Kamal, Ghassan Al-Shehabi, and Esmeralda Kabbani Al-Din. They welcomed us with genuine warmth and care, showing how a single visit could transform our perspectives and broaden our understanding on many levels. Sheikha Mai Al-Khalifa is widely respected among those passionate about heritage, culture, and tourism. Through her tireless efforts and the dedication of her outstanding team of volunteers, she has successfully placed Bahrain on the global cultural map and etched its presence into the memory of excellence. For nearly a quarter of a century, Sheikha Mai has worked tirelessly to protect the identity of her ancient homeland, ensuring it remains alive in the memory of current and future generations by preserving a significant part of Bahrain's rich heritage. Reclaiming the sea was vital to transforming Bahrain into a regional financial hub. Equally vital, however, was the presence of individuals like Sheikha Mai Al Khalifa, whose passion and dedication have helped preserve the character and history of her homeland. Sheikha Mai Al-Khalifa's remarkable efforts deserve deep appreciation and recognition. I know I will return to Bahrain many times and stay in one of its beautifully restored boutique heritage hotels. Three days were simply not enough to absorb the beauty and brilliance of the countless restoration projects and historic homes that Sheikha Mai has brought back to life, each a reflection of Bahrain's rich cultural legacy. Sheikha Mai Al-Khalifa's accomplishments mirror her character - respectful, elegant, calm, and meaningful. I hope that the National Council for Culture, Arts, and Letters will connect with Sheikha Mai Al-Khalifa. There is much to be gained from her extensive experience in various fields related to the core of the council's work.