Latest news with #architecture
Irish Times
9 hours ago
- General
- Irish Times
Designed for Life: Architecture and Design in Cork City 1900-90 by Tom Spalding
Designed for Life: Architecture and Design in Cork City 1900-90 Author : Tom Spalding ISBN-13 : 978-1782050193 Publisher : Cork University Press Guideline Price : €40 In his novel A Land Not Theirs (1986) David Marcus writes that 'All the way up to the statue of Fr. Mathew was one immense conflagration … a gigantic furnace.' Carried out by British troops in December 1920 in a reprisal for an IRA ambush near the then Victoria (now Collins) Barracks, this burning of Cork destroyed five acres of the city's significant streets and properties. It is typical of Tom Spalding's tone of mild speculation that he dares to wonder if, perhaps, the fires were good for the city. The rebuilding and restoration which followed opened up the new science of town planning in Cork and introduces Spalding's survey, its densely packed material focused on a single century of urban development. Essentially, it explains where communities live and work and why, and sometimes why not. No stranger to aspects of Cork's built history, Spalding's chapters offer compelling evidence garnered over decades of archival research, observation and local and personal affection. They should be read as a guide to the management of any Irish city; the occasionally repetitive detail only reinforces its universality. This review must declare an interest as one of the minor anecdotal sources; Spalding's use of such interviews is admirably woven into a progress through all the controversies from brewery to shrine, municipal estates and slum clearances, the old Sunbeam-Wolsey factory and the new Opera House. It is a delight to find the little things recorded: the stained glass in an avenue of houses, an outbreak of Beaux Art or Art Deco, the retention of a snug in a popular pub, the stone embroideries of a monument. These endorse the dedicated investigation of an environment still familiar and the named architects, engineers, speculators and civic and church authorities who caused it to be made. READ MORE Throughout this book Spalding's restrained enthusiasms divert into commentary, as with the class-defining significance of the parlour (lower) rather than the sittingroom (middle to upper) while his academic detachment is punctured by the frequent ironies in his documentation of contradictory certainties. Guided by the title Designed for Life, what elevates this survey above all is Spalding's regard for the people of the city through the years of change and, still, decay. For such a weighty volume, it is somehow hard to put down.
Forbes
11 hours ago
- Business
- Forbes
In Leeds, Shopping Comes With A View
Leeds Corn Exchange is a striking former grain market turned thriving independent retail hub. David Nikel Tucked between the better-known tourist destinations of Manchester and York, the West Yorkshire city of Leeds doesn't always top international travel itineraries. But for those who make the journey, there's a surprise waiting in the heart of the city: a shopping district that blends ornate 19th-century architecture with cutting-edge design in a way that few places in the U.K. manage. Strolling through downtown Leeds reveals a patchwork of eras, from the cast-iron and mosaic elegance of the Victoria Quarter to the soaring glass canopy of Trinity Leeds. Independent boutiques thrive within the historic Corn Exchange, while flagship brands anchor pedestrianized streets steps away. Leeds invites you to look up while you shop. Leeds owes much of its retail charm to the city's rapid expansion during the 19th century, when the textile industry brought wealth and ambition to Yorkshire. As mills and factories transformed the region, the city center became a showcase of Victorian architecture, much of which still defines the shopping experience today. Designed to protect shoppers from the unpredictable northern weather, the covered arcades of Leeds combined function with style. Glass ceilings, decorative tiling, and intricate ironwork created elegant spaces that elevated everyday commerce. The Victoria Quarter is an historic shopping arcade in downtown Leeds. David Nikel Far from being relics, these arcades have been carefully restored and adapted for modern use. The Grand Arcade, Thornton's Arcade, and Queen's Arcade each offer their own distinct atmosphere, but the standout is the Victoria Quarter, where intricate stonework and an impressive stained-glass window create a setting as impressive as the boutiques within. Anchored by a Harvey Nichols store set within a restored former theatre, the Victoria Quarter is home to luxury fashion brands and contemporary art galleries, all framed by exquisite 19th-century design, fully restored and glazed over in the late 20th-century. Just across the street, Victoria Gate continues the theme in a striking modern form. Inspired by the lines and craftsmanship of the original arcades, its bold geometric facade and sweeping interiors host a John Lewis department store, serving as a modern counterpart to the grandeur of its Victorian neighbor. Leeds Corn Exchange: A Circular Icon Reinvented If the arcades are a tribute to Victorian elegance, Leeds Corn Exchange is a bold example of how historic architecture can evolve. Completed in 1864 as a trading hall for grain merchants, the building was designed by Cuthbert Brodrick, the same architect behind Leeds Town Hall. Its domed roof and circular interior made it a marvel of its time, both structurally and stylistically. The coffee shop is a natural social space at the heart of Leeds Corn Exchange. David Nikel After falling into disuse in the late 20th century, the Corn Exchange has undergone a thoughtful revival. Today, it operates as a hub for independent retailers and artists. Indie Makers and The Great Yorkshire Shop are among the stores selling local wares and souvenirs, while Fabulous Planning is a family-run stationary shop with a focus on notebooks and planners. Shop Japanese gifts and fashion at Giant Kitten or pick up some deli items for a leisurely lunch at The Cheesy Living Co. The curved balconies and central atrium create a naturally social space, the perfect spot for the popular coffee shop and a weekend market. Old Meets New At Leeds' Kirkgate Just a short walk from the arcades and the Corn Exchange lies Kirkgate, one of the oldest streets in Leeds and a reminder of the city's commercial roots. The area is anchored by Kirkgate Market, a sprawling indoor market that has been in operation since 1857 and famously served as the launchpad for Marks & Spencer, which began as a penny stall here in 1884. Today, the market is a lively mix of fresh food vendors, street eats, textiles, and budget-friendly household goods. It offers a different pace from the more polished arcades and shopping centers, but that contrast is part of its charm. Big Names At Trinity Leeds When it opened in 2013, Trinity Leeds marked a new chapter for the city's retail scene. Leeds Trinity is dominated by this soaring glass dome. David Nikel Designed to unify several previously disconnected shopping streets, the development reimagined the traditional mall by blending indoor and outdoor spaces beneath a dramatic glass canopy. The result is a striking architectural statement that feels both contemporary yet still connected to the streetscape around it. Its open-air walkways, sweeping roof structure, and public art including a giant leaping horse sculpture create a sense of scale and movement. Trinity houses a wide range of high street brands, a food hall, bars and a boutique cinema, positioning itself as a day-to-night destination. Unlike many modern malls that could be anywhere, Trinity feels rooted in the city with the tower of Holy Trinity Church visible through the glass roof. It complements the older arcades rather than competes with them, proving that thoughtful design can help a city grow without losing its character. MORE FROM FORBES Forbes Why London's British Museum Remains A Must-See Despite Controversies By David Nikel Forbes Why Joining Britain's National Trust Is A Travel Bargain By David Nikel Forbes The Coolcation Trend Is Heating Up, And The Numbers Prove It By David Nikel
Associated Press
18 hours ago
- Business
- Associated Press
dion seminara architecture Introduces Fully Integrated Architectural and Design Services in Brisbane
Brisbane homeowners benefit from dion seminara architecture's fully integrated model combining architecture, interiors, landscape, and custom design. 'Our clients appreciate having one team guiding the entire design journey'— Dion Seminara BRISBANE, QUEENSLAND, AUSTRALIA, June 28, 2025 / / -- Dion Seminara Architecture has announced a comprehensive suite of integrated services designed to streamline the design process for Brisbane homeowners. By combining architecture, interior design, landscape planning, and indoor-outdoor integration into a cohesive offering, the firm provides a tailored approach that puts lifestyle at the centre of every design decision. 'At dion seminara architecture, the best designs come from truly understanding how our clients want to live,' said Director Dion Seminara. 'Our integrated model gives clients the ability to shape their entire environment, inside and out, with one coordinated team.' The firm's holistic approach begins with a deep dive into the client's lifestyle. By understanding daily routines, values, frustrations, and long-term goals, the team ensures every element of the design is tailored to how the homeowner actually lives. Whether that means spaces for weekend brunches in bed, seamless entertaining zones, or calming private retreats. This collaborative process extends into the firm's suite of extra services, which support their core architectural offerings: - Interior Design: Material selection, lighting, furniture layout, and detailed finishes that complement the architectural intent. - Landscape Design: Outdoor zones, planting, pathways, and pool integration that enhance liveability and street appeal. - Indoor/Outdoor Design: Solutions that blur boundaries between interior and exterior spaces for year-round comfort and connection. - Custom Building Products: Bespoke details and elements that reflect the client's personality and elevate everyday function. Each of these services can be incorporated as part of a full architectural project or selected individually based on the needs of the client. The flexibility of this integrated model allows for clearer communication, improved efficiency, and a unified vision throughout the design and construction process. 'Our clients appreciate having one team guiding the entire design journey,' said Dion. 'It removes confusion, speeds up coordination, and delivers more considered outcomes.' dion seminara architecture has over 30 years of experience delivering architect-led residential projects across Brisbane and Southeast Queensland. From new homes to renovations, the firm's holistic design approach ensures that architecture, interiors, and outdoor environments work together to reflect how people truly want to live. Dion Seminara dion seminara architecture +61 7 3899 9450 [email protected] Visit us on social media: LinkedIn Instagram Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
Associated Press
18 hours ago
- Business
- Associated Press
dion seminara architecture Offers Partial Architectural Services and Flexible Design Packages for Queensland Homeowners
dion seminara architecture offers flexible entry-point services and tiered design packages to guide Brisbane homeowners at every stage of their project. 'Not every project starts the same way. Our partial services are about offering the right help at the right time.'— Dion Seminara BRISBANE, QUEENSLAND, AUSTRALIA, June 28, 2025 / / -- dion seminara architecture is proud to announce its flexible partial service offerings for clients seeking targeted, expert guidance at any stage of their home design journey. With a suite of tailored options, including Pre-Purchase Design Advice, Floor Plan Audit & Review Service, and the Home Design Advisory Service, the firm is making high-quality architectural insight more accessible than ever. 'These services meet clients where they are,' said Dion Seminara, Director and Registered Architect. 'Not every project starts the same way. Our partial services are about offering the right help at the right time.' The Pre-Purchase Design Advice service helps buyers make informed property decisions before committing to a purchase. The Floor Plan Audit & Review Service provides architectural feedback on plans, identifying opportunities, constraints, and improvements. The Home Advisory Service supports homeowners considering renovation, helping them assess design potential, lifestyle fit, and compliance issues. In addition to these flexible services, dion seminara architecture offers tiered design packages to suit a range of project scopes and client needs: • Silver Package – Masterplan Concept Service: Includes site sketches and high-level design concepts to explore feasibility and layout possibilities. • Gold Package – Detailed Design Development: Builds upon the Silver Package with more refined plans, design documentation, and 3D visuals. • Platinum Package – Full-Service Architecture: Provides end-to-end project delivery, including documentation, approvals, contract administration, and site support. Each package can be customised with optional inclusions such as interior design, landscape design, sustainability consulting, and project management. 'These options give our clients flexibility without sacrificing quality,' said Dion. 'Whether they need a second opinion on a floor plan or a fully integrated home design, we have the expertise and structure to support them.' dion seminara architecture has over 30 years of experience delivering residential architecture across Brisbane and Southeast Queensland. The firm is known for its client-centred, architect-led approach that prioritises lifestyle, clarity, and long-term value. Dion Seminara dion seminara architecture +61 7 3899 9450 [email protected] Visit us on social media: LinkedIn Instagram Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
Telegraph
18 hours ago
- Telegraph
Venice is humanity's greatest stage for vulgarity and excess
To get into the elevated mindset appropriate for dealing with a city of legendary beauty, look at this superb passage of Victorian prose: There rises, out of the wide water, a straggling line of low and confused brick buildings, which, but for the many towers which are mingled among them, might be the suburbs of an English manufacturing town. Four or five domes, pale, and apparently at a greater distance, rise over the centre of the line but the object which first catches the eye is a sullen cloud of black smoke brooding over the northern half of it, and which issues from the belfry of a church. It is Venice. For John Ruskin, who in 1849 wrote those words in his magnificent architectural guide to the city, The Stones of Venice, it was a place both of immense beauty, but also of immense ugliness. Both were a consequence of Venice's history of great mercantilism. In medieval times, the rich had built awesome Gothic churches (which Ruskin loved) to the glory of God; from the renaissance onwards they built sumptuous Baroque palazzi and the occasional church (which Ruskin detested) to the glory mainly of themselves. Even before Venice became a byword for the wonders of antiquity it had become a stage for vulgarity, where the rich went to show off. Its long history invited such behaviour: another 19th-century English aesthete, Walter Pater, referred in his 1873 book The Renaissance to 'that feverish, tumultuously coloured life of the old citizens of Venice'. In recent years, certainly since the dawn of the 20th century, it has become a place where the opulent go in order to be seen in the finest surroundings, the architectural magnificence of which they are far less discriminating than Ruskin to appreciate properly. However, it shows them and their friends off in an environment of elevated taste and sophistication, and with an ultra-romantic tinge, with as much feverishness and tumultuous colour as they wish. So it is no surprise that the world's leading merchant of our times, Jeff Bezos, proprietor of Amazon, should have chosen La Serenissima for his wedding this weekend to Lauren Sánchez, the broadcaster and writer. The details of this event might boggle the minds of those not used to the excesses of the mega-rich: Sir Elton John (who apparently can nip in from his apartment in the city) and Lady Gaga as the cabaret; a brace of grand pianos being shipped in by gondola; regiments of security guards; alleged block booking of the Cipriani, one of the city's most luxurious hotels, at £2,700 per room per night; bringing an estimated economic benefit of around $30 million for the city's entrepreneurs. It may be small change for Mr Bezos, but many grateful traders await a symphony of ringing cash registers. Doubtless he and his bride chose Venice for romantic reasons, but they perpetuate a tradition of excess dating from Roman times. The city's wealth was generated from ports established in the lagoon in the 5th and 6th centuries. Soon the Venetian government was regularised. The first properly documented doge, or ruler, Orso Ipato, was elected in 726, his rule ending when he was murdered by his opponents. He was the first of many doges to be killed, and some lasted only a few months, even if allegedly dying from 'natural causes'. By the 15th century the doges made little pretence of moral example, not least because many obtained their position through bribery. Some had dubious pasts. Michele Steno, who ruled from 1400 to 1413, was very nearly executed as a youth for insulting the incumbent doge. By medieval times the city was a serious maritime power, creating some Bezos-style magnates of that age. It became a major entrepôt between the advanced trading nations of Europe, and Byzantium and Asia, a vast version of the multiplicity of Amazon warehouses one sees globally now. Just as Mr Bezos is now the planet's top merchant, economic historians reckon that by about 1300, Venice was the richest city on earth. The fruits of those riches are the appropriate backdrop to the Bezos/Sánchez nuptials. In the 15th century successive doges used the spoils of war with Turks and Egyptians to line their, and their supporters, pockets, establishing valuable monopolies. They engaged in increasingly ostentatious displays of wealth. By the early 16th century lucrative public offices were bought and sold, rather than being awarded on merit. Financial scandals and insolvencies became routine, as did the creation of a class of the grotesquely rich, and some great families conspired against others. Doubtless Mr Bezos hopes and believes that his own newly-minted chumminess with the Trump dynasty will be more enduring. Although Venice has been the scene for many fine parties over the centuries – indeed I have had the pleasure of going to a couple – perhaps the Bezos wedding might prove the most extravagant since the coronation in 1597 of Morosina Morosini-Grimani, dogaressa to Marino Grimani and immortalised by Tintoretto. Doges' wives were not normally crowned and, indeed, only one more ever was, 97 years later. Yet in the spirit of competition that so often infused the Venetian rich, Grimani decided that his wife's coronation should be the finest ever. There were processions of gondolas and a series of feasts for ambassadors, various European royalties and ecclesiastical dignitaries – the leader of whom, the papal nuncio, conferred an ornamental golden rose blessed by the Pope on the dogaressa, on His Holiness's orders. One can imagine just such things, or the modern equivalents, happening this weekend. The palazzi and churches were the product, over centuries, of the city's plutocratic dynasties trying to outdo each other in their opulence. Spending in this way, rather than re-investing and innovating, were indicative of the city's decadence (Ruskin saw it illustrated by the move from 'Godly' gothic to heathen baroque in the 16th and 17th centuries) and economic decline. From being a great trading centre, Venice had, by the 18th century, become notable mainly for its tourism – a key stop on the 'grand tour' undertaken by many young European, and later American, aristocrats and grandees. The main point of the city became either cultural or sybaritic pleasure, with its people generally undertaking low-paid work in what we now call service industries rather than arranging profitable shipments of goods. The massive tourist trade – with between 25 and 30 million people a year – is literally wearing out the city, in its perilous waterbound state: but that is unlikely to worry Mr Bezos, his bride and their partying friends this weekend. The problem is that the ancient structures have endured centuries of physical impact on their foundations, and the Bezos gang are merely following in an ancient tradition. It is only a shame that the great Venetian painters of old, such as Bellini, Titian, Tintoretto or Canaletto are not around to capture in oils the events of this weekend. But for the costumes, they would instantly recognise a climate of extreme wealth, serviced by a class for whom riches are only a dream, just as in centuries past. There are numerous examples of indulgent behaviour by the rich in Venice that long precede this weekend's. One of the most outrageous practitioners was Luisa, Marchesa Casati Stampa di Soncino, who rented the Palazzo Venier dei Leoni on the Grand Canal that is now the Guggenheim Collection. In the Marchesa's day, the house had gold verdigris staircases, a menagerie and an aviary (which included albino blackbirds) and peacocks trained to sit on windowsills. Naked under her fur coat, she would cruise in her private gondola with her pet cheetah, ocelot or borzoi, and then take them for nocturnal walks through St Mark's Square (the cheetah was sedated as a precaution). At her balls and parties she would dress in extravagant costumes, sometimes as a sun goddess, or as the Queen of Sheba, and have Nubian servants covered in gold. She once drugged a boa constrictor and wore it as a necklace, as one does.
