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PAR® Technology Leads the Way in Tier 4 Enablement for Altria Group Distribution Company's 2026 Digital Trade Program
PAR® Technology Leads the Way in Tier 4 Enablement for Altria Group Distribution Company's 2026 Digital Trade Program

Yahoo

time12 hours ago

  • Business
  • Yahoo

PAR® Technology Leads the Way in Tier 4 Enablement for Altria Group Distribution Company's 2026 Digital Trade Program

Retailers can stay ahead with PAR Retail's fully qualified, ready-to-deploy platform NEW HARTFORD, N.Y., July 23, 2025--(BUSINESS WIRE)--PAR Technology Corporation (NYSE: PAR) today announced that PAR® Retail, a leading provider of technology solutions purpose-built for convenience retail, is currently qualified to support retailers at Tier 4 participation in Altria Group Distribution Company's (AGDC) 2026 Digital Trade Program (DTP). Tier 4 is the highest level of AGDC's 2026 DTP, offering retailers the highest potential to build loyalty and drive store traffic through enhanced digital engagement. To qualify, retailers must meet criteria, including Loyalty ID (LID) segmentation, Personalization+ (P+) participation, and the ability to deliver targeted communications to age-verified adult tobacco consumers, all of which are core capabilities of PAR Retail's platform. "Tier 4 of AGDC DTP gives retailers a powerful edge—access to more competitive prices, exclusive offers, and engagement streams in an increasingly competitive industry," said Jake Kiser, General Manager of PAR Retail. "We're proud to be ready today with the capabilities to get them there." Key Tier 4 Capabilities Delivered by PAR Retail: LID Segmentation: Delivering personalized offers based on purchase history, location, and product category. Personalization+ Execution: Integrating AGDC's Loyalty Offer and Content Delivery APIs to deliver and report on P+ offers. Digital Communications to Age and Identity Verified Consumers: Enabling retailers to send digital communications to segmented P+ audiences, with support for these channels built into the platform. PAR Retail is fully 2026 AGDC DTP Tier 4 ready, giving its retailers a competitive edge in a fast-paced industry. By anticipating market shifts and driving innovation, PAR helps retailers stay ahead. For example, when LID segmentation is activated, PAR Retail customers have seen loyalty members eligible for tobacco offers more than double, demonstrating that the platform doesn't just meet standards, it delivers measurable results. "PAR Retail doesn't just help you check the box on tobacco programs," said Kiser, "Our platform is purpose-built to work together—loyalty, offers, data, and compliance—so retailers can focus on growing their business as a whole, not managing complexity." For more information about how retailers can maximize their participation in AGDC's 2026 DTP and unlock Tier 4 benefits, visit About PAR® Technology PAR Technology Corporation (NYSE: PAR) is a leading foodservice technology provider, powering a unified, purpose-built platform engineered to scale and adapt with brands at every stage of growth. Designed with flexibility and openness at its core, PAR's solutions—spanning point-of-sale, digital ordering, loyalty, back-office, payments, and hardware—integrate with others, yet deliver maximum impact as a unified system. With intentional innovation at the forefront, PAR's solutions streamline operations, drive higher engagement, and strengthen guest experiences in over 130,000 restaurants globally and 26,000 national c-store retailers. To learn more, visit or connect with us on social media. View source version on Contacts Christopher R. Byrnes (315) 743-8376cbyrnes@ Sign in to access your portfolio

S4C's linear TV viewing figures down
S4C's linear TV viewing figures down

BBC News

time6 days ago

  • Entertainment
  • BBC News

S4C's linear TV viewing figures down

Fewer people are watching linear TV on Welsh-language channel S4C, according to its latest annual report. Figures from BARB Audiences show the channel's average weekly TV audience in Wales fell slightly to 306,000 in the year to 31 March 2025, down from 310,000 the year before. However, its digital engagement was growing, with 14% of viewing taking place online, via BBC iPlayer, Clic, and YouTube. In response to changing habits, S4C said it would focus more of its budget on developing multi-platform content. While the weekly audience remains higher than the 300,000 recorded in 2021/22, it is well below the 324,000 reached in 2022/23. The report described the figures as relatively stable when compared with other UK linear channels, despite the overall decline in traditional TV viewing. Across the UK, S4C's weekly audience fell to 454,000, down from 602,000 in 2021/22, with peak-time viewing between 19:00 GMT and 22:00 also dropping to an average of 17,000. It said one of its biggest successes was Y Llais - the Welsh language version of singing contest The Voice - which has attracted new, younger audiences and new Welsh half of its audience was under the age of 45, which was the same for its dating series Amour a coverage took seven of the top ten most viewed report revealed that 440,000 people watched the match between the Wales men's football team and Iceland in the Nations League in November. There was a notable rise in the number of people watching S4C programmes on BBC iPlayer, which now accounts for 10% of the channel's total viewing hours. Combined with its own platform Clic, S4C content was streamed digitally for 3.8 million hours - an increase of 300,000 on the previous year. Cleddau set a new record for the highest number of viewing sessions for a Welsh-language drama on iPlayer. The broadcaster said this shift underlines the need to invest in its digital presence. However, questions remain over how public service broadcasters like S4C are funded. Since 2022, all of S4C's public funding has come from the licence fee, an arrangement set to continue until at least March 2028. S4C also receives around £7.5m a year of additional funding from the UK government, which will rise with inflation. In its annual report, the broadcaster said it needed to evolve from being a traditional Public Service Broadcaster to a Public Service Media also explained how it needs to move from "linear or digital" considerations, in order to commission content for distribution across a multiple platforms. Geraint Evans, S4C's Chief Executive, said it was a "privilege" to deliver his first report after a year of enhancing viewer services, growing digital presence, and "reinforced our internal identity and ways of working".Delyth Evans, S4C's new chairwoman, said she was "proud" of the continued partnership with the production sector to deliver inspiring, high-quality Welsh content, and "looks forward to building on that success".

Express Rail Link, Meru Utama extend partnership to boost passenger experience with digital assets
Express Rail Link, Meru Utama extend partnership to boost passenger experience with digital assets

Malay Mail

time15-07-2025

  • Business
  • Malay Mail

Express Rail Link, Meru Utama extend partnership to boost passenger experience with digital assets

KUALA LUMPUR, July 15 — Express Rail Link Sdn Bhd (ERL) and Meru Utama Sdn Bhd, operating under the VGI Airports brand, today signed an agreement to extend their strategic partnership, focusing on boosting passenger experience and digital engagement throughout ERL services. The renewed agreement ensures the collaboration continues until 2030, with an expanded focus on delivering high-quality digital content and advertising solutions. New additions to the asset roster include in-train digital screens and additional digital platforms at stations, providing passengers with dynamic and engaging content during their travels. This initiative underscores the companies' shared vision of using technology to enhance passenger experiences and develop innovative advertising opportunities. (From left) ERL acting chief executive officer Yeow Wei-Wen, Meru Utama general manager Herman Lim, ERL alternate director Muhammad Hariz Mohd Nadzmi, Meru Utama director Aznur Azizuddin, Ancom Nylex Berhad executive director Datuk Hasnul Hassan, and executive chairman Datuk Siew Ka Wei pose for a group picture after the concession signing ceremony at ERL Office, KL Sentral station on July 15, 2025. — Picture by Yusof Mat Isa The signing ceremony, held at the ERL office at KL Sentral station, saw ERL alternate director Muhammad Hariz Mohd Nadzmi and Meru Utama director Aznur Azizuddin inking the renewed partnership. The event was also attended by Ancom Nylex Bhd executive chairman Datuk Siew Ka Wei, executive director Datuk Hasnul Hassan, ERL acting chief executive officer Yeow Wei-Wen and Meru Utama general manager Herman Lim. Yeow expressed enthusiasm about the partnership and said they are thrilled with the renewed collaboration. 'We are delighted to continue our partnership with Meru Utama, whose expertise in digital media has been instrumental in transforming our communication channels. This extension marks a new chapter in our journey to deliver smarter, more connected rail services. 'By leveraging innovative digital solutions, we aim to enhance passenger engagement, improve service efficiency, and strengthen our brand presence in today's fast-evolving digital landscape,' he added. Echoing similar sentiments, Lim highlighted the success of the ongoing collaboration and remained optimistic for further growth with the renewed partnership. 'Our partnership with ERL over the past two years has been highly successful, demonstrating our strong commitment to supporting ERL's objectives while creating valuable opportunities for brands to engage with passengers. 'Under this exclusive concession agreement, the partnership currently runs until 2030, with an option for a further five-year extension through to 2035,' he added. Highlighting the rising demand for digital out-of-home advertising, Lim said the company has significantly increased its investment in digital assets. 'Thanks to this extended partnership with ERL, we now feature digital screens not only in the stations but also onboard the trains, enabling brands to connect with their audiences seamlessly throughout the entire journey. 'To kick-start this new partnership, Meru Utama is committed to investing over RM1.5 million to upgrade the in-train digital assets this year,' he said.

Best Copyright-Free Music (2025): Epidemic Sound Awarded Top Music Platform by Expert Consumers
Best Copyright-Free Music (2025): Epidemic Sound Awarded Top Music Platform by Expert Consumers

Associated Press

time11-07-2025

  • Business
  • Associated Press

Best Copyright-Free Music (2025): Epidemic Sound Awarded Top Music Platform by Expert Consumers

New York, New York--(Newsfile Corp. - July 11, 2025) - Expert Consumers has recognized Epidemic Sound as the top platform for copyright-free music in 2025, naming it as the best choice for content creators, marketing professionals, and production teams navigating today's fast-paced media landscape. As video continues to dominate digital engagement, there has been a recent spike in demand for high-quality, copyright-cleared music. Content creators are posting at record rates on platforms such as YouTube, Instagram, TikTok, Twitch, and podcasts. The need for music that is both legally easy to use and creatively diverse is growing along with the industry. This need is met by Epidemic Sound, a powerful, specially designed music platform that streamlines soundtracking without sacrificing creative standards. Three separate subscription tiers - Creator, Pro, and Enterprise - are the foundation of Epidemic Sound's product line. Users get unlimited access to the company's vast music and sound effects library at each tier, with licensing levels tailored to suit various use cases, ranging from private social media posts to advertising campaigns and movie production. One channel per platform may be monetized under the Creator plan, which also enables personal content and includes licensing for blogs, podcasts, and social media platforms. The Pro subscription gives access to Epidemic Sound's AI voiceover tool, allows monetization across three channels per platform, and expands licensing to commercial and client work. The Enterprise plan provides more extensive licensing, support from a curation team, and access according to particular requirements, and is designed for large-scale production systems. Epidemic Sound's direct licensing structure plays a key role in reducing copyright worries for creators. By linking social accounts to an active subscription, users can publish confidently, knowing that all music used remains cleared - even if the subscription is later discontinued. This system provides long-term protection and helps prevent copyright-related disruptions during distribution and monetization. The platform's catalog was cited as a unique selling point. With more than 50,000 tracks in pop, jazz, electronic, hip-hop, ambient, and classical genres, Epidemic Sound offers variety and nuance without coming across as generic. Since tracks may be searched by theme, energy, or mood, producers can quickly locate music that complements their story. Frequent catalog updates ensure that creators have fresh options, while an intuitive tagging system supports quick discovery and workflow efficiency. The Pro and Enterprise plans also include access to instant voiceovers based on real professional voice artists, as well as custom voice replicas. With voiceover credits renewed monthly, Epidemic Sound's voiceover tool scales production for teams creating content at scale. These tools are supported by monthly credits and offer custom voice replicas, streamlining production for teams that require voice content at scale. As content creation becomes more professionalized across industries, tools like Epidemic Sound have become core to production workflows. Small teams, independent filmmakers, social media managers, and even educational content creators increasingly require access to music that can be used globally without complex legal negotiations. Epidemic Sound's model offers a practical solution to this widespread demand. The platform is not designed for music distribution or remixing. Its content is intended to support audiovisual and podcast projects, not to be used as standalone music releases. This focus on embedded media use allows the company to maintain a clear policy and ensures that its music is used in accordance with licensing terms. Expert Consumers also noted the transparency and diversity of Epidemic Sound's artist compensation model. The company pays artists upfront for the tracks they create, splits all music streaming royalties 50/50, and provides an additional Soundtrack Bonus to ensure artists are compensated fairly, separate from traditional performance rights organizations. This approach fosters a mutually beneficial ecosystem where creators and musicians can collaborate indirectly through the platform. With content consumption at an all-time high, the risks of copyright flags, takedowns, and monetization issues are also growing. Epidemic Sound's approach is simple, scalable, and creator-focused, making it an ideal answer for an ever-changing media landscape. In naming Epidemic Sound the top copyright-free music platform of 2025, Expert Consumers cited the platform's ease of use, high-quality audio library, clear licensing structure, and growing importance in global content production. The full review is available at Expert Consumers. About Epidemic Sound Epidemic Sound is on a mission to soundtrack the world-because sound makes the story. We believe that soundtracking should be effortless, and the music and sound effects world-class. That's why we've redefined the experience for global brands and creators while simultaneously revolutionizing opportunities for our exceptional artists-giving them unparalleled global reach and industry-leading creative and financial support. With the world's only 100% IP-owned, worry-free catalog of music and sound effects powered by innovative software, integrations, and AI solutions, Epidemic Sound is the world's leading soundtracking platform. About Expert Consumers: Expert Consumers provides news and insights related to consumer products and services. Contact: Drew Thomas ( [email protected] ) To view the source version of this press release, please visit

Inside Traveloka's Southeast Asia Playbook
Inside Traveloka's Southeast Asia Playbook

Skift

time10-07-2025

  • Business
  • Skift

Inside Traveloka's Southeast Asia Playbook

After 13 years in business, Traveloka isn't just growing, it's doubling down. On Southeast Asia. On relevance. On being the travel app that knows the region better than anyone else. Southeast Asia is a fragmented, complex travel market, but for Indonesia-based Traveloka, it's also the biggest opportunity. The numbers tell the story. Southeast Asia has 650 million people. About 60% are under 35, with a median age of 30. Mobile internet reaches 71% of the population. All this represents millions of first-time travelers with money to spend. 'Southeast Asia in general is a very exciting market. It's a region with a growing young, digitally engaged middle class population,' explained Traveloka President Caesar Indra in an exclusive interview with Skift. 'These populations are those who are very excited to travel, and a lot of them are also first-time travelers.' But the region is also tricky for outsiders, as it's not one market. Each country has different payment methods, travel habits, and cultural preferences. Traveloka learned this early and built localization into its core strategy – it's 'in our DNA,' he said. 'We now have more than 6

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