Latest news with #editor
Yahoo
17 hours ago
- Entertainment
- Yahoo
IN CASE YOU MISSED IT: Anna Wintour quits Vogue
The 75-year-old British editor has been at the helm of the American edition of the iconic magazine since 1988 but will now bow out. While the formidable editor-in-chief is stepping away from the glossy fashion bible, she will reportedly stay on at publishing house Condé Nast in an overseeing capacity. Fashion Week Daily broke the news on Thursday, reporting, "Anna Wintour is stepping down from her role at American Vogue.' "Wintour - who's led American Vogue as editor-in-chief for 37 years - announced the news in a staff meeting on Wednesday morning.'
Telegraph
a day ago
- Entertainment
- Telegraph
There will never be another Anna Wintour at Vogue. She's made sure of it
Anna Wintour's departure from American Vogue, the citadel she turned into a nation state, complete with its own Manolo wearing Praetorian Guard and increasingly partisan politics, has been predicted ever since I've been writing about fashion. More than 30 years. The difference is that had she swept off a decade or so ago – to become US ambassador to the UK under President Obama, as she was reported to have very much wanted – her reign at Vogue would have been viewed as an incontrovertible success. Like her or loathe her, worship her every move or find many of her choices and causes questionable, US Vogue under her watch, was for many years, both financially and creatively, a masterwork. She has been a brilliant Vogue editor. The stampede to replace her would have made the rush for the BA lounge in T5 look passive. In the end however, the news comes as a slightly damp squib and, true to current Condé Nast form, a fudge. Yes, the 75-year-old is stepping down from her role as editor-in-chief, but she remains chief content office for Condé Nast and global editorial director for Vogue. Her successor at the magazine will, like all the other Condé Nast 'editorial content directors' report into her. The rumoured $2 million a year salary (plus unlimited expenses, accounts at The Ritz in Paris, the town cars purring outside the Condé Nast office at all hours, first class flights, clothing allowance, favourable mortgages etc) that came with her job, will be as distant a memory as Marie Antoinette's infamous diamond necklace. There are no more editor-in-chiefs at Condé Nast. The fun, the glory, the glamour and the heady creative independence of those jobs has gone, along with the characters who once inhabited them – the nonchalantly stylish Carine Roitfeld and then Emmanuelle Alt, who successively edited French Vogue; the ultra elegant and wily Franca Sozzani who ran Italian Vogue for three decades, the shrewd, intelligent Alexandra Shulman who edited British Vogue for 25 years – Wintour saw them all off, as well as Edward Enniful, who at one time it was supposed, would ultimately succeed her. They've been replaced by far less expensive Wintour acolytes, plucked from the world of influencers or lower down the masthead. Nothing wrong with that in theory – at least it reflects the economic realities of Condé Nast, which despite the many 'innovative' announcements of its chief executive officer Roger Lynch, continues to lose money. In practice, the results are frequently lacklustre. The people who always made Vogue count – not the readers silly, but the players in the fashion, film, theatre and other industries who would have killed to be in its pages, can now go directly to their followers on social media. Vogue's most active presence is on Instagram, where its tone veers between preachy 'activism' and crude popularism. Meanwhile Condé Nast itself appears to be suffering from one long existential crisis. Is it even still a publishing house (the one that brought us Vanity Fair, Glamour, GQ, World of Interiors, House & Garden, Tatler and numerous international editions of Vogue), or, as it lately suggests, an events company that makes money from rubber-neck red carpet products such as Vogue World? In the midst of Condé Nast's descent into the banal, the most frequently asked question asked about Wintour's embattled tenure has been 'why is she still bothering?' One theory is that she wanted to surpass Edna Woolly Chase's 37 year tenure as US editor-in-chief. In the event she has only equalled it. Or perhaps she felt she had some 'reputational' issues to finesse. In 2020, at the height of the Black Lives Matter protests, demonstrators with placards massed outside Wintour's picturesque red brick downtown townhouse to protest against what they saw as Condé Nast's (and her) long history of elitism and racism. The case for the prosecution against Wintour has been going on since she was first appointed editor of the then genteel and cosy British Vogue in 1988. Her brusque manner, Stakhanovite work ethic and immunity to the cold (she wore micro minis throughout her two pregnancies there) inspired the moniker 'Nuclear Wintour'. Many of the ideals, values and people she has championed in her magazine – fur, P Diddy, Mike Tyson, more fur, Kanye West, Harvey Weinstein, John Galliano and Asma al-Assad – seem tone deaf, especially viewed with hindsight. There are numerous witnesses to her rudeness. You don't inspire a culture defining book and a film (The Devil Wears Prada) by being bland. Equally there are plenty who testify to her kindness, whilst her ability to fundraise – delicately arm twisting the rich to hand over $300,000 a table for her Met Ball whilst elegantly kneeing them in the accounts department for a donation to the Democratic party – is spectacular. She's an operator of the highest order, drawn, since she was a London teenager, sniffing out the most expensive labels and most beautiful folk, to power. The late André Leon Talley, once an editor at large at US Vogue and her personal dresser and advisor until they fell out, wrote 'Anna has mercilessly made her best friends people who are the highest in their chosen fields'. Wintour publicly apologised for her alleged sins after the BLM debacle, vowing to right the wrongs. Condé Nast is now more inclusive of skin colour and (a little more) inclusive of body type. On an unforgivable downside, in its general confusion about what it's meant to be (you'd have thought the clue was in the name), Vogue, particularly online and on social media, has become a fetid hotbed of blatantly uninformed, anti-Israel propaganda, identity politics and keffiyehs. I know of at least one Jewish digital content editor who left a job she initially loved under Wintour because the perceived attitude of her team, which she felt powerless to challenge, became unbearable. Other Jewish editors still in the company are deeply unhappy – feeling unheard and unsupported by the powers that be. What does this have to do with Wintour? It's happening under her watch. For the past decade, she has been ever more promoted within the company until her purview reaches just about every nook and cranny. 'Anna knows what's on every page,' one European director of editorial content told me. She authorises every editor's foreign trips and keeps an eye on their public exposure, which perhaps explains why, unlike in the days of Roitfeld or Alt, no one in that company has anywhere near the profile she does. Her successor at American Vogue is unlikely ever to be another Wintour – the new structure there simply won't allow it. Names in the running include Chioma Nnandi, the charming, self-effacing British journalist and long time Wintour protege, currently editorial content director of British Vogue. Sarah Moonves, who edits W Magazine, to industry acclaim (and who, in 2019, helped organise its buyout from Condé Nast where it was floundering) is another. Laura Brown, the popular, ebullient Australian former editor of US In Style, now a social media personality, or Eva Chen, another Wintour mentee, who has a huge job at Instagram, would both be quite the catch too, in the unlikely event Condé Nast could match their current earnings. But will any of them want it? 'Après moi, le deluge,' is one description of Wintour's legacy strategy that keeps repeating itself over the past decade. In 'stepping back' from her editorship, yet simultaneously maintaining a vice-like grip on all the others, it seems one prophecy about her that may come true.
Yahoo
a day ago
- Entertainment
- Yahoo
Anna Wintour stepping back as US Vogue's editor-in-chief
Dame Anna Wintour is stepping back as editor-in-chief of American Vogue after 37 years. The British-born fashion magnate, 75, is leaving the role she has held longer than any other editor, but will retain senior positions at its publisher. Dame Anna will continue as Vogue's global editorial director, as well as chief content officer for its parent company Conde Nast. She was made a dame by the late Queen Elizabeth II for services to fashion and journalism in 2017, and was made Companion of Honour by King Charles earlier this year. Dame Anna announced to staff on Thursday that a new role, head of editorial content, would be introduced at American Vogue. According to an account published by the company, Dame Anna told staff she wanted to help "the next generation of impassioned editors storm the field with their own ideas" as she announced her departure from the editor-in-chief role. She said she would continue with many of her responsibilities, and that "it goes without saying that I plan to remain Vogue's tennis and theatre editor in perpetuity". Raised in London, Dame Anna was the editor of British Vogue before she took the helm at its US sister publication in 1988. She is credited with giving American Vogue a new lease of life, turning it into one of the world's top fashion publications and was credited with overhauling its output, including featuring less well-known models and mixing inexpensive clothes with couture. Over her long career, Dame Anna has become one of the most recognisable and influential figures in the fashion industry. Outside of her work with Vogue, she has also organised the Met Gala, a New York fundraiser which attracts high-profile celebrities, since 1995. She is known for her trademark bob and dark glasses. Last December, she told the BBC's culture editor Katie Razzall the signature shades were a "prop", and "they help me see and they help me not see". Dame Anna's tenure as editor-in-chief of US Vogue is also widely rumoured to have inspired the tyrannical but revered character of Miranda Priestly in the Devil Wears Prada - a novel by a former assistant of Wintour, Lauren Weisberger. Earlier this year, King Charles asked Dame Anna whether she would stop working - to which she said she replied "firmly no". Get our flagship newsletter with all the headlines you need to start the day. Sign up here. 'The glasses are a prop': Anna Wintour on her style and being told 'no' I will not stop working, Anna Wintour tells King
Malay Mail
a day ago
- Entertainment
- Malay Mail
Anna Wintour steps down as US Vogue editor after 37 years, continues global role
NEW YORK, June 27 — Magazine legend Anna Wintour stepped down as editor of US Vogue on Thursday after 37 years during which she was often hailed as the single most influential figure in the fashion world. Wintour, 75, was famous for making Vogue's front covers an authoritative statement on contemporary fashion, and for her total control over the glamorous pages inside. She will no longer run day-to-day editing of the fashion bible, but magazine group owner Conde Nast was quick to scotch suggestions of retirement. She will continue to hold senior roles at the group and remain Vogue's global editorial director. British-born Wintour came to public renown as the inspiration for 'The Devil Wears Prada,' a hit 2003 novel and 2006 movie, for which Meryl Streep earned an Oscar nomination for her role as tyrannical magazine editor Miranda Priestly. Wintour announced at a staff meeting in New York that US Vogue would seek a new head of editorial content. In remarks reported by the New York Times, she called it 'a 'pivotal decision' but stressed she would not be moving out of her office. 'I'll be turning all my attention to global leadership and working with our team of brilliant editors around the world.' Fashion flagship Wintour was made a British dame in 2017 and in February this year became a companion of honour—an elite recognition. At the ceremony in London in February, Wintour removed her trademark sunglasses to receive the award and said she had told King Charles III that she had no plans to stop working. Wintour, who was raised in the UK by a British father and an American mother, reigned over Vogue in the heyday of glossy magazines. US Vogue was a staid title when she took it over in 1988 and transformed it into a powerhouse that set trends—and often make or break designers, celebrities and brands. She took the title to a global audience, with huge budgets to spend on models, design, photographs and journalism funded by lavish advertisements and high subscription rates. Vogue remains fashion's flagship magazine but, like many print publications, has struggled to adapt to the digital era. Known to some as 'Nuclear Wintour' for her decisive leadership, such as axing work without discussion, she was also a fixture in the front row at catwalk shows with her unchanging bob haircut. A 2015 documentary 'The September Issue' about the monthly magazine featured her ice queen image and steely ambition but also revealed a warmer human side. Wintour has for many years also run the Met Gala, an extravagant Manhattan charity event that attracts an A-list of dressed-up stars from the worlds of fashion, film, politics and sports. She is a fanatical tennis player and fan—frequently appearing at Grand Slam finals—and a major fundraiser for Democrat politicians including Barack Obama and Hillary Clinton. Joe Biden awarded her the Presidential Medal of Freedom, the top US honor, before leaving office in January. As Conde Nast's chief content officer, she will continue to oversee publications including Vogue, Wired, Vanity Fair, GQ, Conde Nast Traveler and Glamour. For many years, Wintour declined to comment on 'The Devil Wears Prada,' which was written by one of her former assistants, Lauren Weisberger. But when it was turned into a musical and opened in London in 2024, she told the BBC that it was 'for the audience and for the people I work with to decide if there are any similarities between me and Miranda Priestly.' Explaining her sunglasses, she told the outlet that 'they help me see and they help me not see. They help me be seen and not be seen. They are a prop, I would say.' — AFP
LBCI
2 days ago
- Entertainment
- LBCI
Anna Wintour steps down as editor of US Vogue after nearly 40 years: US media
Magazine legend Anna Wintour is stepping down as editor of fashion bible U.S. Vogue after 37 years in the post, U.S. media reported on Thursday. Wintour, 75, who took the helm at the influential publication in 1988, announced her departure at a staff meeting, but she will stay on as group owner Conde Nast's global chief content officer and as editorial director at Vogue, People magazine reported. AFP
