Latest news with #resortCollection
Vogue
4 days ago
- Entertainment
- Vogue
Ganni Resort 2026 Collection
'We are still who we are, but something has also changed.' Ditte Reffstrup was commuting between Copenhagen and Paris as she discussed her Ganni resort collection. The creative director seems to find navigating the clash between Danish and French cultures invigorating. 'There are so many things where we are so different, and at the same time, I think we are driving each other in a good direction. We really learn from each other.' Something similar could be said of the brand's new lineup which accommodates both those with the desire to hibernate and others with the urge to party with looks cozy (a Gannified toggle coat à la Paddington Bear) and dressy (a knee-length sheath in mocha-colored sequins with a shoulder bow flourish). These two garments were paired in the opening look of a collection that feels sophisticated, yet retains a sense of fun. Longer skirt lengths added polish, while kitten-heeled shoes inspired by Danish house clogs introduced an element of cool. Among the elements carried over from the fall 2025 collection were Peter Pan collars, one of which appeared on an otherwise utilitarian jacket in chocolate brown; floral jacquard denim; and a three-tier silhouette, as in a closing look that included a blazer, short circle skirt, and pants. 'I love this layering,' Reffstrup noted. A different, younger, kind of tripling up could be seen in a too-cute look where a sweater with a banana motif was tied around the shoulders of a mini dress with a pleated skirt puffed out by a ruffled leopard-print skirt worn under it. Reffstrup's father was a fisherman and the yellow Icelandic-style pullover in the collection is both classic and nostalgic for her. A 'story sweater' featuring a bunny rabbit and the slogan 'Have a Nice Day Please Recycle,' a gray-striped blouse with 'angel' sleeves, and a denim dress and jacket smothered with bows and rick-rack trim, are all examples of dopamine dressing. 'There's so much stuff going on [in the world],' said Reffstrup, 'but I really want to put a smile on people's faces.'
Vogue
18-06-2025
- Entertainment
- Vogue
Sergio Hudson Resort 2026 Collection
The 2025 Met Gala—which focused on the history of Black dandyism and tailoring—took place more than a month ago, but designer Sergio Hudson's entire new resort collection could have easily made an appearance on the star-studded red carpet. It's no coincidence either, given that Hudson was developing this sleek assortment while also working on looks for VIPs at this year's event (including everyone from Quinta Brunson to Stevie Wonder). 'I was designing this in the throes of working on the Met, so it's heavily inspired by that,' said Hudson. The thematic tie-in was an organic one for the designer, given his devotion to suiting and reinventing classic American sportswear. 'Tailoring has always been my thing,' he said. 'I've been putting women in ties for years. My mom did it when I was growing up, it's in my DNA.' Hudson does cut a good suit, and he's dressed many notables over the years, including former first ladies Michelle Obama and Dr. Jill Biden. For resort, he delivered double-breasted tuxedo coats with satiny lapels, and white tuxedo jumpsuits with detachable flower lapels. He also amped up the skirt suit by embellishing it with an intricate crystal pattern, and created slinky sequin column gowns so shimmering you don't need much else to accessorize them with. His most glamorous suggestion was the golden button-up shirt and matching floor-length skirt, created with an intricate technique that utilizes both Swarovski crystals and sequins. It may seem like shine overload, but he said his customers aren't afraid to dazzle and command a room. Having often dabbled in men's looks, Hudson is formally introducing a bespoke menswear line later this month. 'It'll be my first time actually selling it,' he said. Many of the men's looks he showed here were adapted versions of his womenswear looks. Models in his lookbook sport twinning red tuxedo jackets and houndstooth suits. Something your favorite power couple may be wearing very soon.
Vogue
11-06-2025
- Entertainment
- Vogue
Ralph Lauren Resort 2026 Collection
About midway through this lookbook, there's a sweater intarsia'd with the number 67 on the front. That's 67 as in 1967, the year Ralph Lauren launched his company, nearly half a century ago. Lauren is as responsible as anyone for shaping the world's understanding of American fashion. If his resort collection looks familiar, it's because he's been codifying these styles for decades. His tailoring is at once dressed-up and relaxed, in this case, it's double-breasted jackets and paperbag-waist pants, and he's long loved an unexpected mix, like the white tumbled cotton sundress with the vintage feel he favors that he tossed over a fine gauge navy turtleneck. Coming off a smashing fall 2025 collection, one in which he proved that even when he's being quoted left, right, and center, no one knows his work better than he does himself, Lauren was intent on simply refreshing his codes for resort. Still, there was still room for experiment and extravagance. Though at a glance you might guess it's taffeta, the race car yellow jacket worn with a floor-length black slip dress is actually made from an ultra-fine leather treated with a coated membrane that makes it water-repellant. And the lookbook-closing silvery-white strapless gown with its waterfalls of crystals and beads? That took 300 hours to complete.
Vogue
06-06-2025
- Entertainment
- Vogue
Antonio Marras Resort 2026 Collection
What makes Antonio Marras a unique presence in fashion is his ability to tell stories imbued with visceral authenticity.'Flying over Porto Conte with Antoine and Consuelo' is a journey that begins and ends in Alghero, the Sardinian city where the Marras family has its roots. 'This land is an inexhaustible source of richness, always offering stories we can draw from,' the designer said. Antoine de Saint-Exupéry—the famous French writer and aviator—spent the final months of his life in Alghero, and Marras's resort collection was born from imagining that his beloved wife Consuelo Suncín-Sandoval Zeceña de Gómez joined him there by air, flying the very same aircraft her husband used during his missions. A Salvadoran writer, painter, sculptor, and artist, she studied art in San Francisco. In Mexico, she met Diego Rivera; in Paris, she spent time with André Breton, Marcel Duchamp, Balthus, Max Ernst, and Picasso. Salvador Dalí was one of her dearest friends. In the United States, she opened her home to Ingrid Bergman, Jean Gabin, Greta Garbo, Marlene Dietrich, and Jean Renoir. She was the inspiration for The Little Prince, and in this collection, Marras imagined the wardrobe she would have packed for a journey to an island where the wind tousles your hair. Embodying the romanticism of a vaguely dandyish femininity, the collection takes shape through embroidered pinstripes, damask fabrics, and plaid cottons; rubberized flowers and aged-effect leathers; sculpted silhouettes, hidden pleats, and balloon volumes; faded denim, kimonos, and sheer fabrics. Faux furs are made of silk, knitwear is adorned with appliqués evoking a starry sky or worked in jacquard depicting a postcard of the dome of San Michele in Alghero, while patchworks of floral prints recall the island's wild flora. The colors reflect a landscape seen from above, where nature spreads across the warm tones of the earth and the airy blues of the sky; a bordeaux shade stitches it all together.
Vogue
06-06-2025
- Entertainment
- Vogue
Monse Resort 2026 Collection
Fernando Garcia and Laura Kim are gearing up to celebrate the 10th anniversary of Monse in September. Their tightly edited resort collection looked back at favorite Monse-isms, both their own and those of their customers. The focus was on 'topsy-turvy staples.' A two-in-one puffer jacket was constructed from separate jackets joined at the waist (the bottom jacket was thinner to eliminate bulk). This same approach was used on colorblocked cardigans, a deconstructed fair isle sweater, a classic businessman striped cotton poplin shirt, and a two-toned denim jacket with a suede collar. The outerwear was certainly one of the collection's strongest elements. A trench-style cropped jacket in chocolate suede or black leather came with a double lapel and could quickly become a staple in anyone's closet; while another trompe l'oeil style, this time a hoodie 'underneath' a blazer but with the hoodie's scrunched arms layered over the jacket's sleeves, was especially successful in a black leather and heathered gray construction. Elsewhere, there were party-ready pieces in the form of slinky sequined gowns and a studded mesh shirt and easy flared pant—all in shades of chocolate-copper, which added an unexpected allure. Studs were also used to embellish knits, including a colorblocked turtleneck which, if you looked closely, turned out to be two turtlenecks in one. 'We didn't have the front of one and the back of the other, so we just married them,' Garcia explained. 'That's usually how the best little experiments come to life. It ended up being one of my favorite pieces.'
