Latest news with #textileart
CBC
01-07-2025
- Entertainment
- CBC
How this Toronto artist evokes Nova Scotia nostalgia
A Toronto-based textile artist has found inspiration in Nova Scotia and created what she's calling The Scenic Route. It's a punch-needle embroidery series that highlights summer road trips on the East Coast. The CBC's Cassidy Chisholm has more.
New York Times
01-07-2025
- Entertainment
- New York Times
The Beauty of Her Animal Heads Is in the Eye of the Beholder
When Lisa Laurén gets a request for an animal costume head, she said, 'it's kind of like I'm going on a play date.' Using her imagination, resources and hands, Laurén crafts animal heads that are vivid, colorful and eye-catching. 'I'm trying to condense somebody else's dream and make it into something,' Laurén said from the kitchen of her high-ceilinged apartment on a leafy street near the Spree River in Berlin. A clay fox head covered tightly with foil stood on a large tray, awaiting its next phase of creation. The animal heads are an offshoot of Laurén's main job as a freelance textile artist, a role that includes painting backdrops for staged productions and helping develop costumes for television, film and theater. She has worked for an array of clients including Netflix, Apple TV+, the Metropolitan Opera in New York, the Tate Museum in London, and the Museo Nacional Centro de Arte Reina Sofía in Madrid. Laurén has been making animal costume heads for theater, opera and artistic performances since 2011, when the Komische Oper Berlin commissioned her and a close collaborator, Benjamin Tyrrell, to make a set for a staging of Leos Janacek's 1923 opera, 'The Cunning Little Vixen,' in which many characters are forest animals. Want all of The Times? Subscribe.
Arab News
31-05-2025
- Business
- Arab News
Moroccan women embroider ‘art with purpose'
SIDI RBAT, Morocco: In a small village on the coast of southern Morocco, women gather in a house to create collaborative works of textile art, and also earn a living. Several hunch over large canvasses, embroidering their latest piece at the women-only workshop, in the village of 400 people. Some of their works have been shown internationally. 'This project has changed my life,' said Hanane Ichbikili, a 28-year-old former nursing student turned project creative director. 'And yet I had never held an embroidery needle before,' she told AFP. Just 19 percent of Moroccan women hold steady jobs, according to official figures, and in rural areas they are particularly affected by poverty, unpaid labor and a lack of opportunity. An artist with roots in both Morocco and France has tried to make a difference. Margaux Derhy founded the workshop in 2022 in her father's native village of Sidi R'bat, around 70 kilometers (45 miles) south of Agadir, to fulfil her 'dream to make art with purpose.' The project uses textiles and old photographs to explore her family heritage before they left the country in the 1960s, turning sepia-toned portraits and scenes into large silk-and-linen canvases. The North African country was a protectorate of France before gaining its independence in 1956. The project is more than just personal for Derhy — it also provides local women in the small fishing village employment. 'I wanted to be engaged on the ground,' said Derhy, adding that she hired 10 local women to work full-time for a monthly salary exceeding Morocco's private-sector minimum wage of 3,045 dirhams ($330). The women's hands glide over frames that were once used by Paris's prestigious Maison Lesage, the world-famous embroidery house that has worked with some of the greatest names in fashion. The creative process is collaborative, with Derhy drawing an outline and the team then gathering to choose the threads and color palette for each section. A canvas can take up to five months to complete. The finished works, priced at up to $5,620, have been shown in exhibitions in Marrakech, Paris and Brussels. Future exhibits are planned for Casablanca's L'Atelier 21 and Tabari Artspace Gallery in Dubai. The workshop has also helped to challenge perceived ideas about women in the village. 'At first, some of the women had to hide to come because it was frowned upon,' said Khadija Ahuilat, 26, who oversees operations. She said some people thought the project 'was nonsense, and a woman should stay at home.' 'But we managed to change that. I'm very proud to have contributed to this change, even if on a small scale.' Her mother, Aicha Jout, 50, a widow who once gathered mussels and raised livestock to support her family, is now one of the embroiderers. 'It changes a lot for me to be here,' she said. 'I love the idea of embroidering on pictures, but also of passing on the craft to other women.' Jout learned to embroider at the age of 12, and has trained the rest of her mostly single or widowed colleagues. 'There aren't really a lot of job opportunities here, so when the chance came I didn't hesitate for a second,' said Haddia Nachit, 59, one of the workshop's most efficient embroiders. Her nickname among the women is 'TGV' — after France's high-speed train. Seated next to Nachit, Fadma Lachgar, also 59, said the work allowed her to help her family. 'Resuming embroidery at my age, after 20 years of stopping, is a blessing,' she said.
Yahoo
31-05-2025
- Business
- Yahoo
Moroccan women embroider 'art with purpose'
In a small village on the coast of southern Morocco, women gather in a house to create collaborative works of textile art, and also earn a living. Several hunch over large canvasses, embroidering their latest piece at the women-only workshop, in the village of 400 people. Some of their works have been shown internationally. "This project has changed my life," said Hanane Ichbikili, a 28-year-old former nursing student turned project creative director. "And yet I had never held an embroidery needle before," she told AFP. Just 19 percent of Moroccan women hold steady jobs, according to official figures, and in rural areas they are particularly affected by poverty, unpaid labour and a lack of opportunity. An artist with roots in both Morocco and France has tried to make a difference. Margaux Derhy founded the workshop in 2022 in her father's native village of Sidi R'bat, around 70 kilometres (45 miles) south of Agadir, to fulfil her "dream to make art with purpose". The project uses textiles and old photographs to explore her family heritage before they left the country in the 1960s, turning sepia-toned portraits and scenes into large silk-and-linen canvases. The North African country was a protectorate of France before gaining its independence in 1956. - Creative process - The project is more than just personal for Derhy -- it also provides local women in the small fishing village employment. "I wanted to be engaged on the ground," said Derhy, adding that she hired 10 local women to work full-time for a monthly salary exceeding Morocco's private-sector minimum wage of 3,045 dirhams ($330). The women's hands glide over frames that were once used by Paris's prestigious Maison Lesage, the world-famous embroidery house that has worked with some of the greatest names in fashion. The creative process is collaborative, with Derhy drawing an outline and the team then gathering to choose the threads and colour palette for each section. A canvas can take up to five months to complete. The finished works, priced at up to $5,620, have been shown in exhibitions in Marrakesh, Paris and Brussels. Future exhibits are planned for Casablanca's L'Atelier 21 and Tabari Artspace Gallery in Dubai. The workshop has also helped to challenge perceived ideas about women in the village. "At first, some of the women had to hide to come because it was frowned upon," said Khadija Ahuilat, 26, who oversees operations. - 'A blessing' - She said some people thought the project "was nonsense, and a woman should stay at home". "But we managed to change that. I'm very proud to have contributed to this change, even if on a small scale." Her mother, Aicha Jout, 50, a widow who once gathered mussels and raised livestock to support her family, is now one of the embroiderers. "It changes a lot for me to be here," she said. "I love the idea of embroidering on pictures, but also of passing on the craft to other women." Jout learned to embroider at the age of 12, and has trained the rest of her mostly single or widowed colleagues. "There aren't really a lot of job opportunities here, so when the chance came I didn't hesitate for a second," said Haddia Nachit, 59, one of the workshop's most efficient embroiders. Her nickname among the women is "TGV" -- after France's high-speed train. Seated next to Nachit, Fadma Lachgar, also 59, said the work allowed her to help her family. "Resuming embroidery at my age, after 20 years of stopping, is a blessing," she said. kao/anr/fka/bou/srm/sco
SBS Australia
30-05-2025
- General
- SBS Australia
Indian-origin women weave floral memories through the ‘Gul Collective' initiative
Reflecting on a series of collaborative workshops of Gul Collective, Alisha Mehra and Anamika said that it was a space for connecting with personal and cultural histories. Alisha Mehra at the Gul Collective workshop Source: Supplied / Yamane Fayed Reminiscing about her memories of flowers and plants from the various places she calls home, Mehra said, 'The hibiscus flower has always been close to my heart — from my grandfather growing it in our garden, to offering it in prayers, or even tucking it into my hair. This project felt like reliving childhood memories.' Artist Anamika at Gul Collective Workshop Source: Supplied / Yamane Fayed Anamika, who has learned various traditional art forms including Madhubani, said, 'Gul Collective is about the connections between plants, flowers, memory, and culture. It was an opportunity to grow and refine my artistic skills.' The Gul Collective, an initiative of Arts and Cultural Exchange (ACE) in Parramatta, NSW, was established in 2023 to explore multicultural histories through traditional textile techniques. Multicultural women, inspired by plant stories from their lives and heritage, created textile-based artworks. Their work was exhibited at the Royal Botanic Garden in Sydney in May 2025. Find our podcasts here at SBS Hindi Podcast Collection . SBS Hindi 24/02/2025 13:56 SBS Hindi 16/06/2023 08:18
