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Malay Mail
12-07-2025
- Entertainment
- Malay Mail
‘Too raw for today's tastes': Ipoh band Muck on 30 years of music, loyalty and the city's rock legacy
IPOH, July 13 — In an age where the popularity of American rock is fading and music trends evolve at lightning speed, one indie group from Ipoh has defied the odds. Meet Muck — a Malaysian underground rock band that has endured for over three decades. Formed in 1994, the band was born out of casual jamming sessions among four friends, and has grown into one of the longest-surviving acts in Malaysia's underground music scene. Ipoh indie rock band Muck's lineup (from left) features Fairuz, the bassist and vocalist; Myo on drums; Meor Shahrus Amir, better known as Ducktoi, on lead guitar and vocals; and Kujoi, guitarist and vocalist. — Picture courtesy of Muck Muck is made up of four passionate musicians: Meor Shahrus Amir, better known as Ducktoi, on lead guitar and vocals; Myo on drums; Kujoi on guitar and vocals; and Fairuz, who handles both bass and vocals. 'It all started just for fun,' Meor told Malay Mail in an interview. Although the four came from different schools and were playing in separate bands at the time, they were regulars at local shows in Ipoh during the early 1990s. 'There were so many shows back then. We were always attending gigs, and eventually, the idea of performing ourselves became more appealing. 'So we started jamming daily and that's how Muck was born,' he added. Why Muck never left Ipoh While many aspiring musicians head for bigger cities like Kuala Lumpur to pursue bigger opportunities, Muck chose to remain in their hometown. 'Ipoh had a thriving scene for rock music in the late 90s,' Meor said. 'Metal and hardcore shows would attract more than 2,000 people. The local community was very supportive even though there were no smartphones.' He recalled how fans and musicians alike would gather without needing social media to promote events. 'We'd gather at a place, and everyone would show up. It felt different, more real and connected,' he said. But Meor acknowledged that things have changed. 'Even for free gigs, it's hard to get 100 people now. People prefer online content or YouTube,' he said, reflecting on how the internet has reshaped how music is consumed. Despite the shrinking live audiences, Meor believes the tools for recording and producing music have never been more accessible, even in a smaller city like Ipoh. 'In terms of recording and putting out an album, it's very much doable here now. You don't need to be in a big city anymore,' he said. The 'hardcore', the 'collectors', and the 'friends' Despite the drop in physical sales and gig attendance, Muck has managed to retain a loyal fanbase, one that Meor jokingly categorises into three different groups. 'First, there are the true followers — they come to shows and buy our merch. 'Then there are merch collectors who don't show up at gigs but still support us. And lastly, there are friends who back us no matter what,' he said. But when it comes to younger listeners, Meor was candid. 'New generation listeners? Not many. Maybe a few. Our sound is too raw or 'weird' for today's tastes,' he said. A sound of their own Although Muck is often described as an indie rock band, Meor said that their music stands apart. 'First-time listeners may find it a bit offbeat or dissonant. All our songs are played using different tunings, which is part of what makes our music unique. 'Our sound is also heavily influenced by American college rock and 90s alternative rock,' he said. Despite performing over 1,000 shows, Muck only released their first full-length album, Local Trash Heroes, in 2016 — 22 years after the band was formed. Muck's lead guitarist and vocalist Ducktoi holds up a copy of the band's first full-length album, 'Local Trash Heroes', alongside one of their split releases. — Picture by John Bunyan The album, mastered by renowned American producer Jack Endino — who has worked with international acts such as Nirvana, Mudhoney and Soundgarden — remains their only full-length release to date. 'Yeah, it took us two decades to finally release a full album. Before that, most of our songs were published through split albums, which were collaborations with two or three other bands,' he said. 'We've done split releases with UK bands and toured independently across Indonesia — especially in Bandung, Semarang, and Jogja — as well as in Singapore. 'Some of our songs are in Malay, particularly on our 2021 split album with bands from Singapore and Indonesia. For that release, we made it a rule that each band had to contribute at least one Malay-language track,' he added. Meor also shared that the band is currently working on Ubat Sakit Kepala Volume 2, another split album, potentially featuring bands from Japan, Sweden, Norway, Taiwan, and Indonesia. Although Muck has yet to collaborate with mainstream Malaysian acts, Meor noted that the band has opened for major international names such as Korn, Soulfly, and Butterfingers at large festivals. Proudest moment Meor said the band's proudest moment was when Unesco recognised Ipoh as a Creative City of Music. 'That's when we felt our work had made a real impact. 'The recognition even mentioned the 'Ipoh Sound' — a term used to describe our distinct musical style, something you don't typically find in big cities like Kuala Lumpur or elsewhere,' he said. He added that another major milestone for the band was the creation of their own independent label, which has played a key role in promoting the local music scene. 'Through our label, we've also organised gigs and festivals, produced our own merchandise, and helped other bands release their music,' he said. Secret to success and advice for next generation Meor said that the secret to their longevity and success lies in balancing personal life with passion. 'We treat it as a hobby, not a career. Everyone has their own job and family,' he said. 'We only perform when invited. The lineup has remained the same for over 30 years. No egos, no drama, just mutual understanding and flexibility.' Meor added that staying humble and building meaningful connections is crucial in the music industry. 'Be approachable. Meet organisers, attend events, and build relationships. Many of our gigs came through friends or people we've connected with over the years,' he said. Three decades in, Muck hasn't chased trends or fame. They've stayed grounded — and that might be the loudest statement of all. For younger musicians hoping to make their mark, Meor had simple advice: stay true to yourself and focus on originality. 'Create your own sound so people can recognise you for who you are. Don't give up. Just keep doing what you love, there will always be people who connect with your music.'
ABC News
19-06-2025
- Entertainment
- ABC News
Music ephemera a rare glimpse into Tasmania's underground culture
Music posters and handbills spanning 30 years of live performance in Hobart have been donated to Libraries Tasmania. They offer a rare glimpse into underground music culture in Tasmania from the 1990s onwards, focusing on when bands largely relied on street advertising rather than the internet to promote shows. Acting heritage librarian Alex Tassell said memorabilia, such as music posters, band T-shirts and DIY music releases, was "really valuable" because it was ephemeral and often not kept for preservation purposes. Musician and library worker Julian Teakle donated the posters. He said they held huge sentimental value, but public access to documentation of Hobart's underground music scene was important. Mr Teakle can recall looking for expired local music advertisements when doing poster runs, starting in the 1990s, for his own bands and gigs he had organised. As he put posters up, he would take down expired local music posters for keeping. "I put a lot of hard work into this gig." He accumulated more than 150 items, some gathered on the streets of Hobart and others given to him by friends. Mr Teakle shared the advertisements on social media, on his page Goulburn Street Archive, but after decades of collecting, he questioned what to do with the physical posters and handbills. The items are now rare because they were not made to last. "I didn't want it to stay in my garage and get gradually damaged … I didn't want the silverfish to get them," Mr Teakle said. To ensure free access for current and future generations, he donated the collection to Libraries Tasmania. He said preservation of the posters was important to understanding street culture and life in Hobart. His donation to the library is now called the Teakle Poster Collection. "History isn't all about the big things, it's about what people were doing on a day-to-day basis." Mr Teakle said "All that is represented by some of these gigs is the poster, there's no other documentation. It is more than music documented on the posters and handbills Mr Teakle collected. Many of the venues where performances took place have ceased to exist. Venues such as Round Midnight, the Doghouse, which later became the Goulburn Hotel, and the Brisbane Hotel appear in the collection. Mr Tassel, who played in bands in Hobart, can remember sticky floors, stale beer and local characters in venues. He said people could respond quite emotionally to seeing library collection items that evoked memories. "I know so many people who were around this sort of music, who are really excited to see this sort of stuff," Mr Tassel said. The collection also preserves the work of local artists. Illustrations by internationally successful Tasmanian cartoonist Simon Hanselmann are on several posters. In 2022, his cartoon series Megg, Mogg and Owl had its animated debut on streaming service Hulu, featuring the voice of actor Macauley Culkin. Hanselmann's early designs are reminiscent of his current style. Not all posters and handbills in the collection feature the work of known artists; many are made with creative use of a photocopier and marker pens. "There's great variety," Mr Tassell said. "It's really the DIY thing of people [making] their own posters." The musicians and artists who created the posters and handbills now held by Libraries Tasmania likely never imagined they would be enclosed in archival-grade sleeves and made available for public access decades later. The memorabilia is part of a growing collection of cultural ephemera kept by the library. Band T-shirts, restaurant menus and stage show posters can also be found. Mr Tassell was particularly interested in donations that documented Tasmania's underground music scene. "I'm always happy to look and chat about things people may have and if there's a place for it in our collection," Mr Tassell said. Mr Teakle continues to find posters and handbills stashed away at home that he is donating to Libraries Tasmania. "There's a huge sentimental value, I look at these posters and they're pivotal moments of my life," Mr Teakle said. "But I know that as this is a public collection, I can access them at any time."
