Latest news with #DiorHomme
Yahoo
10 hours ago
- Entertainment
- Yahoo
Jonathan Anderson's Dior Redesigns Regency Romance for the iPhone Generation
If Anthony Bridgerton time-traveled to 2025, what would he wear? What if Mr. Darcy lived in a Lower East Side loft instead of his Pemberley estate? How would Little Women's Laurie dress if he were a creative director nepo baby? The latest Dior Homme collection indicates that J.W. Anderson might have the answer. The Irish designer's highly anticipated first runway show as creative director for Christian Dior is finally here, debuting on June 27 at the Hôtel des Invalides during Paris Fashion Week for the Men's Spring/Summer 2026 season. And though we won't get to see his vision for womenswear until this fall, there are plenty of hints as to what's in store from the French fashion house's new era. According to a press release from the brand, the collection references 'history and affluence' as Dior design codes get updated for a new generation: 'Amid all the youthful spontaneity, style is paramount, allowing empathy to redefine elegance." The Dior Homme collection's first look says it all: Baggy cargo shorts with balloon-like proportions—capped off by tube socks and fisherman sandals—lent a summer in Bushwick aesthetic, while a 19th-century white necktie and high collar worthy of a Jane Austen drawing room brought a bit of bodice-ripping charm to the ensemble. It's Regency Era romance for the iPhone generation—and a fancifully modern introduction to the world of Dior, according to Jonathan Anderson. The Zoomer boyfriend meets Brontë sisters vibe didn't stop there. Fancy dress party vests (in pink, white, and even lavender) paired with army fatigues, cable knits, and boxing sneakers (laces untied, of course). A strong case for more brocade and tweed in fashion emerged. And it was easy to imagine a modern-day Heathcliff wandering the moors wearing Look 19's cropped jacket, ab-hinting tuxedo shirt, and tasseled loafers (looking at you, Jacob Elordi!). Also, the men wore capes—so many capes!—in every luxurious fabric and pattern imaginable. Anderson also lent a bit of prep flair to his new Dior with Ivy League touches. Jaunty suspenders, office blue oxfords, and even the dreaded Nantucket Red chinos made appearances on the runway. And perhaps most memorably, a pair of colorful sweaters draped over two models' shoulders, prompting the question: Who knew cable knit could be so sexy? It was an inspired debut from the genius behind Loewe's tomato and puzzle bag, and a promise of what's to come in the months ahead—soft boy summer, anyone? Whether the Regency Era references will continue at Anderson's womenswear debut in September remains to be seen. Although I think we can all agree that an empire waist dress by Anderson in the style of Elizabeth Bennet would fly off the shelves. Romance isn't dead, at least in the world of fashion. Read the original article on InStyle
The Hindu
11 hours ago
- Entertainment
- The Hindu
Jonathan Anderson for Dior was a calculated, slightly dishevelled debut
The most eagerly anticipated show of Paris Fashion Week landed quietly but assuredly with Jonathan Anderson's debut for Dior Homme. Front-row seats at the Hôtel National des Invalides were filled by fashion powerhouses and cultural icons alike: Rihanna and A$AP Rocky, Sabrina Carpenter, and Daniel Craig, all lending star wattage to the occasion. After being named artistic director of Dior womenswear just weeks prior, Anderson becomes the first designer since Christian Dior himself to oversee everything: menswear, womenswear, and haute couture at the LVMH flagship. This was not a show trying to impress with scale. It whispered its point, trusting you were listening. The Dior tailoring —impeccable, still — was softened, made breathable. Jackets retained their lines, but with a shrug. Trousers came with a drop down crotch and relaxed, more exhale than exclamation. This was Jonathan Anderson doing what he does best: filtering heritage through instinct, turning formality into something that breathes. 'It's like pulling your favourites from a wardrobe,' says Akshay Tyagi, Mumbai-based celebrity stylist. 'It's got a bit of edge. It's got panache. But it's also easy and chill.' That balance is the essence of what Anderson delivered. Past meets present The official Dior press note framed it as 'a spontaneous, empathetic collusion of then and now… a reconstruction of formality' and that was clear. Donegal tweeds, regimental neckties, and 18th-century-style waistcoats were reinterpreted, not just revived. Diorette charms, delicate florals, and embroidery hinted at Monsieur Dior's love for Rococo romanticism and British culture, but were deployed with a kind of self-aware restraint. 'There's a youthful energy here,' says Dheeraj Reddy, Mumbai-based fashion creator. 'The reconstructed suit shorts, oversized bow ties and flowing capes were sharp but whimsical.' Dheeraj points to the cropped blazers and structured shopper bags as future must-haves. Meanwhile, the military jackets brought back a touch of Kris Van Assche-era (artistic director for Dior Homme from 2007 to 2018) structure, but less rigid. Arson Nicki, a US-based fashion commentator, calls it 'the strongest debut at a couture house in quite some time.' He cites the first look — imperial collars, bar-jacket silhouettes, sculpted cargo shorts, and fisherman sandals — as a thesis in itself. 'It was unmistakably Dior, but also recognisably Jonathan Anderson,' he adds. 'Anachronistic and of-the-moment; challenging and immediate.' Still, one could not ignore the elephant — or rather, the heatwave — in the room. Europe has been burning through summers in recent years, which made Anderson's use of heavy outerwear — full-length capes, trench coats, and tailored layers — feel at odds with the spring/summer label. Strip it down, though, and there is plenty that works: tailored striped shorts, cropped waistcoats, and a standout white jumpsuit that looked like it was plucked from naval history. The white jumpsuit with the black tie and backpack, which could be a hit among GenZ, was a sleek fashion moment—it echoed the union suit, a one-piece undergarment worn by sailors and workers in the 19th and early 20th centuries. Anderson's version, minimalist and sharply cut, felt like a modern-day wink to that utilitarian history. Less costume, more quiet reference. It is safe to say the collection flirted with commercial polish, occasionally wavering between clarity and contradiction. There were shades of Hedi Slimane-era Dior Homme in there — boyish, skinny, insouciant — but Anderson's voice stayed intact. A first show does not have to solve it all. Anderson's Dior debut was a careful tune-up. A calculated start for a new chapter —one that may speak louder with time. And in a market that is shifting fast towards quiet luxury, modular dressing, and stylistic fluidity, this collection feels future-proof.
Elle
a day ago
- Entertainment
- Elle
Sabrina Carpenter Bids Farewell To Her Signature Curtain Bangs - And Signals A New Preppy Look
There are likely a few things that spring to mind on the topic of Sabrina Carpenter this summer. Perhaps you are already humming the tune to the singer's new brainworm, 'Manchild', which is fast cementing itself as the single of summer '25. Maybe you cast your mind to her trademark make-up routine, which is centred around a classic overlined lip and, more recently, the viral Prada banana balm. Or, most likely, you think of her signature curtain bangs and bombshell waves which have, until now, defined the singer's aesthetic. As she stepped out in Paris for the Dior Homme spring/summer 2026 show, however, Carpenter it seems had eschewed her classic sweeping fringe hairstyle and embraced an altogether new look. Gone were the wide curls for which she is now synonymous and in their place she wore her lengths in a vintage-inspired side parting which was clipped in place with a tortoiseshell barrette and soft, subtle waves sweeping beneath. This hairstyle was certainly a departure from her voluminous waves and Taking a break from her current Short n' Sweet Tour, Carpenter - a muse of the brand - attended what marked the debut of Jonathan Anderson's helm at Dior. For the occasion, the singer wore an uncharacteristically conservative yet chic ensemble which complemented her new beauty aesthetic. The grey wool blazer is instantly recognisable as the Monsieur Dior's legendary Bar jacket, and was paired with a pleated skirt and peep-toe shoes. Musicians have used their sartorial choices and beauty routines to hint at new albums, potential tours or send messages to eagle-eyed fans since the dawn of social media. Could this new dramatic transformation signal a departure from the sensual lyrics of 'Espresso' and 'Taste' and into a new musical realm? Perhaps. Or maybe the singer is simply embracing a preppier wardrobe and hairstyle as we hit peak-summer. Whatever the motive, Carpenter's new look is serving serious summer hair and style inspiration. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Amelia Bell is the Multiplatform Beauty Director for ELLE UK and Harper's Bazaar, developing beauty strategy, writing, editing, and commissioning, and leading beauty content across both sites. Amelia has a particular interest in wellness and longevity, exploring the skin-mind connection, and decoding the latest treatments, tweakments and runway trends. She also has bylines for Women's Health, Refinery29, British Vogue, Harrods Magazine, and more.
Cosmopolitan
a day ago
- Entertainment
- Cosmopolitan
Sabrina Carpenter Got Rid of Her Curtain Bangs
Hey, Sabrina Carpenter, have you ever tried... this one? And by "this one," I mean a side-parted, pressed, and blown-out hairstyle without her usual curtain bangs? Well, yes, she has!! In a hair transformation that has blown up our beauty editor group chat, "Manchild" hater Sabrina Carpenter attended Jonathan Anderson's debut Dior Homme Menswear show in Paris and was almost unrecognizable without her usual fringe and bouncy curls. Instead, she opted for a more pared-back, classic look: a side part, secured with a tortoise barette, and flipped in ends. This departure kinda tracks, though. The popstar just announced her new album, Man's Best Friend, out August 29, with an alternate cover that references an image of 1960 image of Marilyn Monroe. And idk about you, but this side part and the accompanying cinched waist on her tailored blazer feel very MarMo coded, no? This look is so luxuriously soft. Sabrina's actually Redken's Global Ambassador and is a fan of their Acidic Bonding collection to keep her hair strong and healthy amidst coloring and constant heat styling. Makes sense: Her hair looks smooth as butter rn. We're so used to always seeing Sabrina's hair look the same—so much so that fans were utterly convinced she was wearing a wig the entirety of the Short 'n Sweet Tour because it always looked so fluffy and bouncy. But maybe this marks the beginning of a new hair era for Sab. Beth Gillette is the beauty editor at Cosmopolitan, where she covers skincare, makeup, hair, nails, and more across digital and print. She can generally be found in bright eyeshadow furiously typing her latest feature or hemming and hawing about a new product you "have to try." Prior to Cosmopolitan, she wrote and edited beauty content as an Editor at The Everygirl for four years. Follow her on Instagram for makeup selfies and a new hair 'do every few months.
Cosmopolitan
a day ago
- Entertainment
- Cosmopolitan
Sabrina Carpenter looks straight outta y2k after ditching her voluminous hair and signature curtain bangs
Sabrina Carpenter to curtain bangs is water to a river. It's oxygen to life, it's... you get the gist. The star is just known for her iconic signature style. Normally, it's teamed with insanely voluminous and bouncy curls that Dolly Parton herself could not compete with (IMO). But today [Friday 27th June], Sabrina stepped out at the Dior Homme show at Paris Fashion Week – Menswear Spring/Summer 2026, looking completely different. With sleek, straight hair and a side-parting that Lauren Conrad circa 2006 would have been proud of, she looks totally different to her normal look. We are kind of obsessed. Teamed with her fitted skirt suit, she's serving sophistication, albeit with a y2k twist. It's not the first time she's experimented with a side-parting though, back in January this year she rocked one with voluminous waves, coiffed to high heaven by hairstylist, Scott King. If this is Sabrina soft launching her side-fringe era, we are so here for it. I mean, with a new album on the horizon, it feels natural to change up your image too, right? And, as a teen of the noughties, I am here for the return of the side part as it slowly creeps back into the zeitgeist, with celebs like Anya Taylor-Joy and Zendaya sporting them on the red carpet this year too. Now, pass me the tail comb! Follow Keeks on Instagram Keeks Reid is the Beauty Director at Cosmopolitan UK. While she loves all things beauty, Keeks is a hair fanatic through and through. She started her career in beauty journalism in 2013 as editorial assistant at Blackhair and Hair magazines working her way to Acting Editor of Blackhair magazine at 23 years old. She spent much of her career working in trade hairdressing media at Hairdressers Journal, Salon International and the British Hairdressing Awards. Which is why she is a regular contributor to Cosmo's Curl Up franchise. Now, alongside her Cosmo work, she presents, creates content on social media and works with a range of beauty companies; from magazines and websites to beauty brands and salons.
