Latest news with #Pomellato


Elle
2 days ago
- Entertainment
- Elle
Pomellato Unveils Its Most Dazzling High Jewelry Collection Yet
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. Few brands can boast of hosting an evening inside Milan's iconic Pinacoteca di Brera gallery—but Pomellato certainly can. Last Friday, the renowned Milanese jeweler held an unforgettable gala beneath the Italian sunset to unveil its latest high jewelry collection, Collezione 1967. The exclusive guest list included actresses America Ferrera, Laura Harrier, and Philippine Leroy-Beaulieu. More than a mere debut, Collezione 1967 serves as a bold manifesto of Pomellato's enduring commitment to Italian craftsmanship, centuries-old goldsmithing techniques, and a legacy of creative freedom. Comprising 75 pieces, the collection delves into the maison's rich heritage, offering a journey through the decades. The 1970s usher in a 'chain revolution,' referencing a time in Milan charged with youthful rebellion. The 1980s chapter sees Pomellato 'breaking the rules of design,' leaning into the exuberant expressionism born from the era of Italian power dressing. Finally, a 'chromatic vision' defines the 1990s, with 37 vibrant pieces showcasing the decade's dynamic relationship with color and form. The collection uniquely showcases the house's signature rose gold and cabochon (polished but not faceted) gems—hallmarks of its distinctive style. With careful attention to these iconic codes, in-house gem master Stefano Cortecci reimagined the brand's rich history through a modern lens. Chain-link bracelets, multicolored jewel-encrusted rings, and pavé zipper necklaces reinvigorated timeless designs. Guests were first welcomed at Pomellato's headquarters for an exclusive preview of the collection, before heading to the storied halls of the Pinacoteca di Brera for the evening's main event. To mark the occasion, the brand kicked off the evening with a runway show, pairing each piece with a designer look. My personal favorite? A link necktie that perfectly complemented a low-cut catsuit with padded shoulders. The look was completed with a Duetto ring, adding an unexpected pop of color. The night concluded with a dinner prepared by two-Michelin-starred chef Antonio Guida—a fitting finale to a picture-perfect Italian outing. While the high jewelry pieces from Collezione 1967 aren't available for purchase, you can still shop some of my favorite Pomellato designs below.


Al Bawaba
7 days ago
- Entertainment
- Al Bawaba
Hande Erçel shines in Milan at Pomellato collezione 1967 launch
ALBAWABA - Hande Erçel stuns in black suit at Pomellato Milan launch. Collezione 1967, Pomellato's most recent fine jewelry collection, was presented to the public in a sophisticated setting that exemplified the enduring beauty of Italian craftsmanship. It was the Turkish actress Hande Erçel who genuinely caught attention with her breathtaking beauty and composure at the renowned event that was hosted in Milan. The event was attended by an exclusive lineup of international stars. Hande Erçel, who is well-known for her impeccable style and seamless sense of fashion, drew attention to herself by wearing a timeless black suit with a masculine-inspired design that easily combined strength and sophistication. The outfit consisted of a jacket with a single button and an open neckline that was meticulously fitted, and it was combined with black pants that were straight-cut and sharp. Her appearance was heightened by the addition of a few pieces from the Collezione 1967 collection. These pieces included diamond and sapphire jewelry that shimmered beneath the lights, providing the perfect amount of glamour to her whole ensemble. Pomellato Instagram profile Hande opted for a sleek, pulled-back haircut and a soft, modest makeup look, which allowed the dramatic jewelry items to shine while also showcasing her innate beauty. Her presence infused the night with a feeling of contemporary femininity that was self-assured, polished, and unmistakably fashionable. The collection known as Collezione 1967 honors the year that Pomellato was established and was created as a tribute to the pioneering spirit of the brand. The pieces, which are characterized by bold, massive gold chains, vibrantly colored gemstones, and creative settings, combine heritage and modernity in a manner that is reminiscent of Hande herself, who exemplifies the characteristics of a new generation of global style icons. alemdergisi Instagram profile It is clear that Erçel is becoming an increasingly influential figure in the world of fashion and luxury, as seen by her participation in the event. Not only does her partnership with Pomellato represent a turning point in her professional life, but it also exemplifies the progression of the brand's identity, which is one that celebrates strong, independent women who place a great value on artistic creativity, heritage, and bold self-expression. Hande Erçel was without a doubt one of the stars that garnered the most attention throughout the evening because she dazzles appearance and daring sense of style.


Tatler Asia
18-06-2025
- Entertainment
- Tatler Asia
Fine jewellery in the age of personal expression
Crystal Melody Above Swarovski Ariana Grande x Swarovski Capsule Collection What unfolds when melody meets luminosity? The Ariana Grande x Swarovski Capsule Collection captures just that with 16 pieces infused with sparkle and playfulness. Think treble clef-shaped earrings, heart pendants that draw the gaze, and tiaras encrusted with crystal. Striking yet graceful, glamorous yet wearable—this is Ariana's signature energy reimagined as jewellery. A stellar pick for days when your collection calls for something to dazzle. The King reborn Above Boucheron Chardon necklace from the Untamed Nature collection Torque necklaces once adorned monarchs, embodying prestige and presence. Boucheron breathes new life into the style with the Chardon necklace, part of its Untamed Nature collection. Drawing on a thistle brooch dating back to 1878 from the maison's archives, this modern heirloom took more than 1,110 hours to craft by hand. White gold and pavé diamonds converge in an ode to flora, paying homage to founder Frédéric Boucheron's enduring fascination with the botanical world. Sparkling nightingale Above Graff Gift of Love Necklace adorned with 125 carats of diamonds Graff turns its gaze to the sparrow, a quiet symbol of affection. The Gift of Love necklace is a piece of fine jewellery adorned with 125 carats of diamonds, featuring a duo of birds rendered in exquisite detail. One wears a brilliant-cut yellow diamond of 13.51 carats; both sparkle with sapphire eyes and agate beaks. A total of 2,247 diamonds and 6,000 hours went into crafting this intimate tale of devotion. Read more: What makes ceramics so attractive in the world of jewellery? Bright colours Above Tiffany & Co bracelet Jean Schlumberger Croisillon Jean Schlumberger's Croisillon bracelet for Tiffany & Co. brings a sense of revelry to the wrist. First debuting in 1962, the design features bold bands of white, blue, and red enamel, framed in 18K yellow gold and marked by the artist's iconic X motif. Reviving an enamelling technique from the 19th century, Schlumberger infused molten gold with radiant hues. The result? A timeless design elevated by meticulous hand engraving turning everyday wear into something far more poetic. Minimalist beauty Above Together Collection by Pomellato, a quiet nod to the season's ethos Actress Louise Wong embodies the elegance of understated summer fine jewellery. As Pomellato's ambassador in Asia, she wears pieces from the Together collection with effortless flair. Each item pairs two rose gold ellipses, lightly dusted with diamonds and joined by a single luminous link. Thanks to an adjustable sliding mechanism, the chain length shifts with ease. A quiet nod to the season's ethos where simplicity makes the boldest statement. Pearls of the unconventional Above Mikimoto The Bows Earrings offer a playful reinterpretation Departing from the classic pearl necklace, Mikimoto's Bows earrings offer a playful reinterpretation. Pearls remain a presence, but now share the stage with blue sapphires and diamonds, all set in cool 18K white gold. Elegant with a touch of mischief, this design blurs the lines between heritage and haute couture, perfect for those inclined to bend tradition with just the right amount of flair. NOW READ What makes Van Cleef & Arpels' creations poetic? The prosperity story behind iconic jewellery Chaumet and the love story of Napoleon and Josephine: When love inspires the legacy of haute joaillerie Credits Images: Thương hiệu cung cấp


CNN
29-05-2025
- Business
- CNN
Rarity over perfection: Why jewelers are championing ‘ugly' gems
Using the scientific precision of terms like 'IF Type IIa'— to describe diamonds so pure they show no inclusions under 10x magnification — jewelry purveyors have long placed heavy emphasis on the clarity and cut of a gem. The sharper the facet and flawless the sparkle, the more valuable a stone once appeared. Until now. Once dismissed as 'ugly ducklings' — too marked, too dark, or too strange — imperfect gems are now stepping into the spotlight, as high-end jewelers increasingly champion stones with unique inclusions or less-than-perfect clarity. An early adopter was Pomellato. Five years ago, the Milanese jewelry company, took a bold leap when it launched its first high jewelry collection — one that turned away from the canonical 'big four' (diamonds, rubies, sapphires, and emeralds) and featured stones that do not sparkle and are sometimes not even cut. It's an approach that the house has continued to take, as it seeks to carve out a unique aesthetic in a crowded high jewelry market that includes fashion houses such as Dior, Louis Vuitton, Dolce & Gabbana and Gucci. Among Pomellato's most recent creations is a necklace of large, smooth aquamarines, unfaceted and softly contoured — as if shaped by the sea itself — crossed by diamond threads that mimic a sailor's rope catching precious underwater pebbles. Another necklace, inspired by Milan's night sky, suspends a smoky star composed of grey sapphires and spinels. 'At Pomellato, we don't divide gemstones by the traditional categories of 'precious' and 'semi-precious,' or by how expensive they are,' explained the company's gem master Stefano Cortecci. 'We treat all stones equally — each has its own identity, its own beauty. What matters is how the stone is used and how it's cut.' A trained geologist from a family of university professors in the field, Cortecci was never a conventional gem buyer when he joined Pomellato nearly two decades years ago. Rather than sourcing only cut and polished stones — as is standard in the trade — he began selecting raw gems, asking cutters to shape them according to new aesthetic criteria developed in collaboration with creative director Vincenzo Castaldo. 'In jewelry, everything is often very symmetrical, right? Diamonds have 57 facets cut symmetrically. At Pomellato, the gem we call 'Nudo' also has 57 facets, but they are not symmetrical; they are random and the perception is totally different,' Cortecci said. Sharing a similar enthusiasm for unusual gems is Brazilian jeweler Ara Vartanian, who has made upside-down black diamonds (the point faces up instead of the usual faceted top) his signature. 'I never thought of inclusions (trapped materials that get encapsulated inside a diamond during its formation) as problems,' he told CNN. Born into a family of gem dealers, Vartanian often accompanied his father to business meetings, where he found himself drawn not to the top-tier stones displayed for discussion but to those set aside in a corner — the 'imperfect' ones reserved for clients with limited budgets. When he launched his brand some twenty years ago, the lower prices of black diamonds and flawed stones also became a practical advantage. 'My father thought I was being rebellious by choosing black diamonds and setting them point-up (the reverse setting flips the gem, exposing its pointed side),' Vartanian recalls. 'I was not. For me, it came from love — I thought they were beautiful, even when they didn't meet traditional standards. And I soon found that clients shared my enthusiasm and believed that my approach was refreshing. Different.' Unusual gemstones are also increasingly being embraced by emerging jewelry designers as the cornerstone of their storytelling. Belgian designer Dries Criel, based in Antwerp, uses tiger's eye in rich toffee hues as the focal point of bold creations like a scarab-shaped ring. 'I was intrigued by the gem's symbolism — protection, courage, and clarity of vision. For me, it became a symbol of personal empowerment,' he wrote to CNN over email. Other designers are similarly turning to lesser-known stones, which they believe have poetic or emotional resonance. Moonstone — named for its resemblance to the soft, cloudy light of the moon — anchors British jewelry label Anoona's Lunar collection. Ananya Malhotra, founder of her namesake jewelry brand Ananya, believes that gemstones possess healing properties; her designs incorporate a luminous brown agate, known as Sulemani Aqeeq, which is said to bring joy and balance. Meanwhile, Swiss independent jeweler Cora Sheibani highlighted smoky quartz — 'the neglected poorer cousin of rock crystal, amethyst, and citrine,' she quipped — in her latest collection. And Milanese jeweler Villa Milano uses tourmalinated quartz — rock crystal threaded with dark inclusions — and even volcanic stones in earrings and cufflinks. The popularity of unconventional stones signals a broader shift in consumer behavior. More women are now buying jewelry for themselves, often valuing design and emotional resonance over traditional notions of investment — contrasting with male buyers who typically view jewelry as a store of value or a gift, according to several jewelry executives interviewed by CNN. At Pomellato, for example, around 70% of clients are women, said Cortecci, despite the market being long dominated by male purchasers. 'Seeking uniqueness' is one of the key motivators for shoppers to buy unusual gems, said Claudia D'Arpizio, a partner at Bain & Company, who leads its luxury goods vertical. The growing popularity of lab-grown diamonds and the current economic landscape also play a part. In response to the flawless uniformity of lab-grown diamonds, traders of natural gems increasingly emphasize the rarity — rather than the perfection — of stones, with natural imperfections becoming a selling point. D'Arpizio also noted that sourcing traditional, high-grade stones is becoming more difficult due in part to restrictions on Russian diamonds and rising competition in the jewelry sector. 'Jewelry is characterized by high material costs, especially gold, and limited scalability. Using non-standard stones allows brands to create more accessible or distinctive pieces without proportionally increasing raw material expenses,' she explained. But for Munich-based family-run jeweler Hemmerle, which has long embraced diamonds in unconventional hues as part of its erudite visual language, there is no such thing as imperfection. 'Diamonds don't need to sparkle, they have to speak,' said Christian Hemmerle, the fourth generation in the business (today, he leads the company alongside his wife Yasmin). 'If the color is beautiful, that's enough — even with inclusions. After all, in everyday life, nobody looks at a gem through a microscope.'


CNN
29-05-2025
- Business
- CNN
Rarity over perfection: Why jewelers are championing ‘ugly' gems
Using the scientific precision of terms like 'IF Type IIa'— to describe diamonds so pure they show no inclusions under 10x magnification — jewelry purveyors have long placed heavy emphasis on the clarity and cut of a gem. The sharper the facet and flawless the sparkle, the more valuable a stone once appeared. Until now. Once dismissed as 'ugly ducklings' — too marked, too dark, or too strange — imperfect gems are now stepping into the spotlight, as high-end jewelers increasingly champion stones with unique inclusions or less-than-perfect clarity. An early adopter was Pomellato. Five years ago, the Milanese jewelry company, took a bold leap when it launched its first high jewelry collection — one that turned away from the canonical 'big four' (diamonds, rubies, sapphires, and emeralds) and featured stones that do not sparkle and are sometimes not even cut. It's an approach that the house has continued to take, as it seeks to carve out a unique aesthetic in a crowded high jewelry market that includes fashion houses such as Dior, Louis Vuitton, Dolce & Gabbana and Gucci. Among Pomellato's most recent creations is a necklace of large, smooth aquamarines, unfaceted and softly contoured — as if shaped by the sea itself — crossed by diamond threads that mimic a sailor's rope catching precious underwater pebbles. Another necklace, inspired by Milan's night sky, suspends a smoky star composed of grey sapphires and spinels. 'At Pomellato, we don't divide gemstones by the traditional categories of 'precious' and 'semi-precious,' or by how expensive they are,' explained the company's gem master Stefano Cortecci. 'We treat all stones equally — each has its own identity, its own beauty. What matters is how the stone is used and how it's cut.' A trained geologist from a family of university professors in the field, Cortecci was never a conventional gem buyer when he joined Pomellato nearly two decades years ago. Rather than sourcing only cut and polished stones — as is standard in the trade — he began selecting raw gems, asking cutters to shape them according to new aesthetic criteria developed in collaboration with creative director Vincenzo Castaldo. 'In jewelry, everything is often very symmetrical, right? Diamonds have 57 facets cut symmetrically. At Pomellato, the gem we call 'Nudo' also has 57 facets, but they are not symmetrical; they are random and the perception is totally different,' Cortecci said. Sharing a similar enthusiasm for unusual gems is Brazilian jeweler Ara Vartanian, who has made upside-down black diamonds (the point faces up instead of the usual faceted top) his signature. 'I never thought of inclusions (trapped materials that get encapsulated inside a diamond during its formation) as problems,' he told CNN. Born into a family of gem dealers, Vartanian often accompanied his father to business meetings, where he found himself drawn not to the top-tier stones displayed for discussion but to those set aside in a corner — the 'imperfect' ones reserved for clients with limited budgets. When he launched his brand some twenty years ago, the lower prices of black diamonds and flawed stones also became a practical advantage. 'My father thought I was being rebellious by choosing black diamonds and setting them point-up (the reverse setting flips the gem, exposing its pointed side),' Vartanian recalls. 'I was not. For me, it came from love — I thought they were beautiful, even when they didn't meet traditional standards. And I soon found that clients shared my enthusiasm and believed that my approach was refreshing. Different.' Unusual gemstones are also increasingly being embraced by emerging jewelry designers as the cornerstone of their storytelling. Belgian designer Dries Criel, based in Antwerp, uses tiger's eye in rich toffee hues as the focal point of bold creations like a scarab-shaped ring. 'I was intrigued by the gem's symbolism — protection, courage, and clarity of vision. For me, it became a symbol of personal empowerment,' he wrote to CNN over email. Other designers are similarly turning to lesser-known stones, which they believe have poetic or emotional resonance. Moonstone — named for its resemblance to the soft, cloudy light of the moon — anchors British jewelry label Anoona's Lunar collection. Ananya Malhotra, founder of her namesake jewelry brand Ananya, believes that gemstones possess healing properties; her designs incorporate a luminous brown agate, known as Sulemani Aqeeq, which is said to bring joy and balance. Meanwhile, Swiss independent jeweler Cora Sheibani highlighted smoky quartz — 'the neglected poorer cousin of rock crystal, amethyst, and citrine,' she quipped — in her latest collection. And Milanese jeweler Villa Milano uses tourmalinated quartz — rock crystal threaded with dark inclusions — and even volcanic stones in earrings and cufflinks. The popularity of unconventional stones signals a broader shift in consumer behavior. More women are now buying jewelry for themselves, often valuing design and emotional resonance over traditional notions of investment — contrasting with male buyers who typically view jewelry as a store of value or a gift, according to several jewelry executives interviewed by CNN. At Pomellato, for example, around 70% of clients are women, said Cortecci, despite the market being long dominated by male purchasers. 'Seeking uniqueness' is one of the key motivators for shoppers to buy unusual gems, said Claudia D'Arpizio, a partner at Bain & Company, who leads its luxury goods vertical. The growing popularity of lab-grown diamonds and the current economic landscape also play a part. In response to the flawless uniformity of lab-grown diamonds, traders of natural gems increasingly emphasize the rarity — rather than the perfection — of stones, with natural imperfections becoming a selling point. D'Arpizio also noted that sourcing traditional, high-grade stones is becoming more difficult due in part to restrictions on Russian diamonds and rising competition in the jewelry sector. 'Jewelry is characterized by high material costs, especially gold, and limited scalability. Using non-standard stones allows brands to create more accessible or distinctive pieces without proportionally increasing raw material expenses,' she explained. But for Munich-based family-run jeweler Hemmerle, which has long embraced diamonds in unconventional hues as part of its erudite visual language, there is no such thing as imperfection. 'Diamonds don't need to sparkle, they have to speak,' said Christian Hemmerle, the fourth generation in the business (today, he leads the company alongside his wife Yasmin). 'If the color is beautiful, that's enough — even with inclusions. After all, in everyday life, nobody looks at a gem through a microscope.'