Noah Kahan to headline first ‘Rock the Runway' show in London
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Toronto Star
6 hours ago
- Toronto Star
Giant trolls built from trash want to save humans from themselves
WOODSIDE, Calif. (AP) — Nestled in forests around the world, a gentle army of giant wooden trolls want to show humans how to live better without destroying the planet. The Danish recycle artist Thomas Dambo and his team have created 170 troll sculptures from discarded materials such as wooden pallets, old furniture and wine barrels.
Winnipeg Free Press
6 hours ago
- Winnipeg Free Press
Giant trolls built from trash want to save humans from themselves
WOODSIDE, Calif. (AP) — Nestled in forests around the world, a gentle army of giant wooden trolls want to show humans how to live better without destroying the planet. The Danish recycle artist Thomas Dambo and his team have created 170 troll sculptures from discarded materials such as wooden pallets, old furniture and wine barrels. Twelve years after he started the 'Trail of a Thousand Trolls' project, his sculptures can be found in more than 20 countries and 21 U.S. states. Each year Dambo and his team make about 25 new trolls, which stand up to 40 feet (12 meters) tall. 'I believe that we can make anything out of anything,' said Dambo, speaking from his farm outside Copenhagen. 'We are drowning in trash. But we also know that one man's trash is another man's treasure.' An installation of six sculptures called 'Trolls Save the Humans' is on display at Filoli, a historic estate with 650 acres of forests and gardens in Woodside, California, about 30 miles (50 kilometers) south of San Francisco. 'They bring us back to be connected to the earth and to nature,' said Jeannette Weederman, who was visiting Filoli with her son in July. Dambo's trolls each have their own personality and story. At Filoli, the troll Ibbi Pip builds birdhouses, Rosa Sunfinger plants flowers and Kamma Can makes jewelry from people's garbage. 'Each of them has a story to tell,' said Filoli CEO Kara Newport. 'It inspires people to think of their own stories, what kind of creatures might live in their woods and make that connection to living beings in nature.' Wednesdays Columnist Jen Zoratti looks at what's next in arts, life and pop culture. Dambo's trolls don't like humans because they waste nature's resources and pollute the planet. The mythical creatures have a long-term perspective because they live for thousands of years and have witnessed the destructive force of human civilizations. But the six young trolls at Filoli have a more optimistic view of human nature. They believe they can teach people how to protect the environment. 'They want to save the humans. So they do this by teaching them how to be better humans — be humans that don't destroy nature,' said Dambo, 45, a poet and former hip hop artist. 'They hope to save them from being eaten by the older trolls.' Dambo's trolls are hidden in forests, mountains, jungles and grasslands throughout Europe and North America as well as countries such as Australia, Chile and South Korea. Most were built with local materials and assembled on-site by his team of craftsmen and artists with help from local volunteers. 'My exhibition now has four and a half million visitors a year globally, and it's all made out of trash together with volunteers,' said Dambo, a poet and former rap artist. 'That is such a huge proof of concept of why we should not throw things out, but why we should recycle it.'
Winnipeg Free Press
9 hours ago
- Winnipeg Free Press
‘The Osbournes' changed Ozzy's image from grisly to cuddly, and changed reality TV
LOS ANGELES (AP) — There was Ozzy before 'The Osbournes' and Ozzy after 'The Osbournes.' For much of his life, the Black Sabbath founder and legendary heavy metal frontman who died at 76 on Tuesday was known to much of the public as a dark purveyor of deeds ranging from decadent to downright Satanic. Wild stories followed him. Clergy condemned him. Parents sued him. But with the debut of his family reality show on MTV, the world learned what those who'd been paying closer attention already knew: Ozzy Osbourne was soft and fuzzy under the darkness. During its relatively short run from 2002 to 2005, 'The Osbournes' became a runaway hit and made stars of his wife Sharon and kids Jack and Kelly. But more than that, it made a star of the domesticated version of Ozzy Osbourne, and in the process changed reality TV. In 2025, when virtually every variety of celebrity has had a reality show, it's hard to see what a novelty the series was. MTV sold it as television's first 'reality sitcom.' 'Just the idea of the Black Sabbath founder, who will forever be known for biting the head off a bat during a 1982 concert, as a family man seems strange,' Associated Press Media Writer David Bauder wrote on the eve of 'The Osbournes' premiere. But on the show, Osbourne was 'sweetly funny — and under everything a lot like the put-upon dads you've been seeing in television sitcoms for generations.' Danny Deraney, a publicist who worked with Osbourne and was a lifelong fan, said of the show, 'You saw some guy who was curious. You saw some guy who was being funny. You just saw pretty much the real thing.' 'He's not the guy that everyone associates with the 'Prince of Darkness' and all this craziness,' Deraney said. 'And people loved him. He became so affable to so many people because of that show. As metal fans, we knew it. We knew that's who he was. But now everyone knew.' Reality shows at the time, especially the popular competition shows like 'Survivor,' thrived on heightened circumstances. For 'The Osbournes,' no stakes were too low. They sat on the couch. They ate dinner. The now-sober Ozzy sipped Diet Cokes, and urged his kids not to indulge in alcohol or drugs when they went out. He struggled to find the History Channel on his satellite TV. They feuded with the neighbors because, of all things, their loud music was driving the Osbournes crazy. 'You were seeing this really fascinating, appealing, bizarre tension between the public persona of a celebrity and their mundane experiences at home,' said Kathryn VanArendonk, a critic for Vulture and New York Magazine. The sitcom tone was apparent from its first moments. 'You turn on this show and you get this like little jazzy cover theme song of the song 'Crazy Train,' and there's all these bright colors and fancy editing, and we just got to see this like totally 180-degree different side of Ozzy which was just surprising and incredible to watch,' said Nick Caruso, staff editor at TVLine. Like family sitcoms, the affection its leads clearly had for each other was essential to its appeal. 'For some reason, we kind of just fell in love with them the same way that we grew to love Ozzy and Sharon as like a marital unit,' Caruso said. What was maybe strangest about the show was how not-strange it felt. The two Ozzies seemed seamless rather than contradictory. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. 'You're realizing that these things are personas and that all personas are these like elaborate complex mosaics of like who a person is,' VanArendonk said. 'The Osbournes' had both an immediate and a long-term affect on the genre. Both Caruso and VanArendonk said shows like 'Newlyweds: Nick and Jessica,' which followed then-pop stars Jessica Simpson and Nick Lachey after they married, was clearly a descendant. And countless other shows felt its influence, from 'The Kardashians' to 'The Baldwins' — the recently debuted reality series on Alec Baldwin, his wife Hilaria and their seven kids. ''The Baldwins' as a reality show is explicitly modeled on 'The Osbournes,' VanArendonk said. 'It's like you have these famous people and now you get to see what their home lives are like, what they are like as parents, what they're eating, what they are taking on with them on vacation, who their pets are, and they are these sort of cuddly, warm, eccentric figures.'
