Quadrophenia on The Royal Mile
The cast of Quadrophenia took to the Royal Mile on Tuesday to promote the show which runs at the Festival Theatre until Saturday.
Liam Rudden writes in his Must See Theatre for June about the show: 'In 1973, Townshend wrote Quadrophenia. Recorded by The Who, proved an iconic and multi-million selling album, defining a generation and inspiring the 1979 cult film of the same name starring everyone from Phil Daniels to Lesley Ash, Ray Winstone to Trevor Laird, Sting to Adam Ant and not forgetting Toyah and Gary Shail. If that cast seemed like an incendiary mix at the time, now Sadler's Wells, with Townshend, have reimagined it as an explosive dance production.
'A large cast of exceptional dancers will introduce new audiences to troubled mod Jimmy's story, while remaining true in spirit to the much-loved original. Steeped in the mythology of the 1960s – sharp suits, soul music, vespas and parkas – Quadrophenia's themes of lost youth, rebellion, search for belonging and hunger for social change are just as urgent today.
'Scored with an orchestral version of the album by Rachel Fuller, choreographed by Paul Roberts and directed by Rob Ashford, Quadrophenia: A Mod Ballet promises to bring a whole new dimension to one of the UK's most iconic rock albums.
'Running time 2 hours including interval. Tickets £26.50-£59.50'
Tickets here
Capital Theatres – the cast of Quadrophenia – A Mod Ballet on the Royal Mile in Edinburgh ahead of the show opening tonight and running until Saturday 14th June
Capital Theatres – the cast of Quadrophenia – A Mod Ballet on the Royal Mile in Edinburgh ahead of the show opening tonight and running until Saturday 14th June Pic Greg Macvean 10/06/2025
Capital Theatres – the cast of Quadrophenia – A Mod Ballet on the Royal Mile in Edinburgh ahead of the show opening tonight and running until Saturday 14th June Pic Greg Macvean 10/06/2025
Capital Theatres – the cast of Quadrophenia – A Mod Ballet on the Royal Mile in Edinburgh ahead of the show opening tonight and running until Saturday 14th June Pic Greg Macvean 10/06/2025
Capital Theatres – the cast of Quadrophenia – A Mod Ballet on the Royal Mile in Edinburgh ahead of the show opening tonight and running until Saturday 14th June Pic Greg Macvean 10/06/2025
Like this:
Like
Related
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
a day ago
- Daily Mail
Leslie Ash, 65, shows off her taut visage as she reunites with Phil Daniels, 66, at Quadrophenia event - 45 years after filming cult classic
Quadrophenia stars Leslie Ash and Phil Daniels looked delighted to be in each other's company again as they reunited 45 years after filming the cult classic. The actors, aged 65 and 66 respectively, looked in great spirits as they posed on the red carpet at a ballet adaptation of the 1979 British drama at Sadler's Wells in London. Leslie looked more youthful than ever in the snaps, while casually clad in a black polo neck jumper and trousers teamed with white trainers. The Men Behaving Badly star was aided by the use of a pink walking stick, two decades after contracting an MSSA superbug that nearly left her unable to walk. By her side was Phil, who sported a brown T-shirt and navy blazers with tinted shades. The duo were impressed by the production, calling the cast 'fantastic'. Quadrophenia, which was set amid the real-life drama of mods and rockers fighting on Brighton beach in 1964, also starred the likes of Sting and Ray Winstone. The cult classic was based on the eponymous 1972 double-album by The Who. While it was one of his most famous roles, Phil previously confessed he could barely remember filming the drama. He said: 'All I can remember about the film is working really hard. We shot it all in six weeks and we did the end first. 'It was quite interesting and it's kind of a nice way of doing a film where you do the end first, so at least you know where you've got to go with the character.' However, in 2010, Phil confessed that he is constantly asked about his sex scene with Leslie, quipping: ' If I had a pound for every time someone asked me exactly how intimate, I'd be a very rich man.' Writing for the Mail, he continued: 'I can see it coming a mile off, although people think they're being subtle. 'Since no system of automatic remuneration exists for this routine conversational exchange, I would like to take this opportunity to say once and for all: It didn't happen.' He added: 'That scene looks good on the screen but I remember it being quite awkward - Leslie really didn't want to do it. 'The problem with Leslie and me --well, it wasn't a problem, because it worked really well in the film - was that I was very raw and young at that time, whereas she already had a boyfriend who was a lot older than her and drove a Porsche. 'I couldn't compete even though obviously I wanted to because she was pretty. 'And while me having the sense that I was not in her league was good for Quadrophenia, it wasn't so good for me. 'Especially as I'd seen her jealous boyfriend hanging around the set a few times - not exactly giving me the evil eye, but almost. It wasn't my fault, was it? But you know what boyfriends are like, especially those who are going out with actresses. 'It wasn't just the boyfriend issue. The whole scene was tricky for Leslie and director Franc Roddam had to coax her into it by saying, 'Get in there for the old wallbanger.' 'You wouldn't generally do too many rehearsals before a scene like that so we were very new to each other. 'It was meant to be a closed set, but there's always someone who shouldn't be there - one of the crew trying every means possible to get a glimpse of the action. 'Excepting the occasional setbuilder with a wandering eye, Roddam was good at keeping people at arm's length. 'I never got The Who's Roger Daltrey coming up and telling me how to do it. Well, we did have a bit of a chat one day while sitting on a couple of deckchairs in Brighton, but that was fine by me.'
The Herald Scotland
a day ago
- The Herald Scotland
Why has the cost of an Edinburgh theatre revamp soared?
But by the end of 2018, leading architects Bennetts Associates had been appointed and had unveiled designs for the new-look venue, with the project then priced at £20m. Read more: The revamp was aimed at securing the long-term future of the King's, with key elements include a new stage, long-awaited improvements to backstage facilities and a new fly tower. Other planned additions included a ground-floor café-bar and box office, and an overhaul for the top of the building to create a new a studio space for workshops, classes and events. A new fly tower has been installed at the King's Theatre in Edinburgh as part of its ongoing revamp. (Image: John Robb) Within months of the designs being unveiled to widespread approval, the project had been plunged into uncertainty by the Covid pandemic. Capital Theatres was forced to put the revamp on hold indefinitely while it grappled with the impact of prolonged Covid restrictions on both the King's and the Festival Theatre, which it is also responsible for. The revamp of the King's Theatre is already running three years later than planned. (Image: John Robb) Although the cost of the project had increased to £25m by the start of 2022, it appeared to be firmly back on track by then after the Scottish Government, the National Lottery Heritage Fund and Edinburgh City Council had all made significant funding commitments. Work was meant to get underway in September 2022, after the final performances during that year's Edinburgh International Festival. But before the end of the 2022 festival, Capital Theatres was being forced to rally support from performers including Alan Cumming, Brian Cox and Gabriel Byrne for a new campaign to bridge a growing funding gap threatening the viability of the project and the future of the King's. Soaring construction industry costs and inflation would see the price tag soar to £35.6m by the start of 2023, when Capital Theatres warned the project was at risk of being abandoned and the King's forced to close completely unless it could bridge an £8.9 million funding gap. With a new budget of £35.6m set, work was able to begin within weeks after the Scottish Government and Edinburgh City Council committed £3.85m and £3m respectively, while the UK Government had confirmed a further £2m worth of support by the end of 2023. However hopes of the venue reopening by the summer of 2025 were dashed last October when it emerged that some of the work had proven to be much more complicated than anticipated. Key factors included the discovery of "bedrock" much closer to the surface of the area earmarked for one of the new lifts, the complexity of the demolition of previous staircases and the old fly tower, a number of design changes and the need to bring in a new sub-contractor. Nine months after Capital Theatres announced that the planned reopening of the King's had been put back to the spring of 2026, it has still not revealed a new estimated cost of finishing the project - or how much it needs to raise to get the revamp back on track.
The Herald Scotland
a day ago
- The Herald Scotland
New public funding plea to finish Edinburgh theatre revamp
And it not known if the King's will definitely be able to reopen as planned in 2026 – the 120th anniversary of the venue. Read more: Management of the venue, which has played host to stars like Noel Coward, Laurence Olivier, Maggie Smith, Simon Callow, Maria Callas, Ian McKellen, Rikki Fulton and Sean Connery, say they are unable to provide an update on either the funding or timeline of the project as ongoing discussions are 'commercially sensitive.' The crucial behind-the-scenes negotiations have emerged despite the project - which is expected to improve facilities for staff, visiting performers and audiences - receiving a previous £9m bailout from the UK and Scottish governments, and the city council. A ground-floor cafe-bar is being created as part of the project to overhaul the King's Theatre in Edinburgh. (Image: Anneleen Lindsay) The King's, which has been known for decades as "The Old Lady of Leven Street," was said to be at risk of closing is doors for good before a deal was agreed following months of campaigning and lobbying at the start of 2023. The cost of the project had already soared from £20m when detailed designs were revealed in 2018 to more than £35m by the time the previous rescue package was secured. A new fly tower has been created at the King's Theatre in Edinburgh. (Image: John Robb) However its costs have increased increasingly since then, with management at the King's blaming the scale and 'immense complexity' of the project. Capital Theatres, the arts charity which runs the King's on behalf of the city council, which owns the building, has been planning a full-scale refurbishment project since 2017. A full-scale refurbishment of the King's Theatre in Edinburgh has been ongoing since February 2023. (Image: Anneleen Lindsay) Key elements include installing a new stage, backstage facilities, fly tower, lifts and stairwells, creating a new ground-floor café-bar and box office, refurbishing bar and foyer areas, and converting space in the top of the building into a studio space for workshops, classes and events. However plans to reopen the building for summer, including a run of Edinburgh International Festival shows, were scrapped last October due to the programme of works taking much longer than planned. The announcement also meant that the annual King's pantomime would not be returning to the King's as planned this Christmas. Key factors included the discovery of "bedrock" much closer to the surface of the area earmarked for one of the new lifts, the complexity of the demolition of previous staircases and the old fly tower, a number of design changes and the need to bring in a new sub-contractor. An update posted on the Capital Theatres website earlier this month stated that 'significant strides' were being made on the King's project, including on the new café-bar, which will extend the footprint of the building and the top-floor 'creative engagement studio.' However councillors met behind closed doors earlier this week to discuss a request for 'additional funding' for the King's project. The local authority has since refused to discuss whether it has agreed any new funding for the project or how much it is expected to cost to complete all the remaining work. Around £10m in additional funding had to be found by the Scottish Government and Glasgow City Council to finish off a long-delayed overhaul for the Citizens Theatre, which has been closed since 2018 but is finally due to reopen in September of this year. The King's has been closed since the end of the 2022 Edinburgh International Festival and was intended to reopen in the summer 2023. However the project was significantly delayed by the Covid pandemic and soaring construction industry costs. Stars including Brian Cox, Alan Cumming and Gabriel Byrne launched a campaign to bridge the previous £8.9m funding gap, which was resolved in time to allow work to start in February 2023. A spokeswoman for Capital Theatres told The Herald: 'Significant progress has been made to fulfil the key objectives of the project. 'The scaffolding on the east side of the building has been taken down, with the newly extended fly tower now visible in all its glory. In the heart of the theatre, all partition walls for the stage basement have now been constructed. 'The installation of the new stage floor is now underway. The auditorium and plant room are also steadily taking shape and, once completed, the internal scaffolding will be removed to reveal the full extent of these newly developed spaces. 'The project features a brand-new street-level café to support the role of the King's as a thriving community hub. The new internal café floor has been installed, and the external groundworks have been completed. The recently dug-out basement has now been re-enclosed following the installation of steel beams and metal decking. 'All of this enables the forthcoming construction of the external café structure, the enlarged basement-level toilets and the kitchen to support the new café and bars. 'The brand-new creative engagement studio is currently a hive of activity, with work underway to install partition walls, plumbing for new toilets, ventilation and electrical fittings. ' The feature window on a staircase to the north side of the building is now fully installed. This allows natural light to flood the stairwell on the north side of the building. The walls of the new stairwells have been dry lined, with tiling on the wall into the auditorium currently underway. The stairs themselves will be installed over the summer. 'Expert conservation work on John Byrne's iconic dome design has been completed, ensuring that this significant piece of public art is protected.' When the most recent delays for the project were announced last October, Capital Theatres chief executive Fiona Gibson said it was being handled with 'the utmost care and dedication to ensure the long-term success of the theatre.' She said at the time: 'The King's Theatre restoration project is not just a refurbishment. 'It is a once-in-a-lifetime transformation of one of Edinburgh's most beloved cultural landmarks. We are committed to achieving our vision to deliver a fully accessible, high-quality venue that will serve future generations.' The Capital Theatres spokeswoman told The Herald: 'There are ongoing discussions with all of our funders to close our existing funding gap. We cannot give a more precise update at this stage because this is commercially sensitive.' The city council said it was unable to discuss any details of the negotiations it has been having on the King's project. However council leader Jane Meagher said: 'The King's Theatre is an Edinburgh institution and integral part of our cultural landscape, entertaining generations of residents and visitors for more than a century. 'As one of only a handful of surviving Edwardian theatres still operational in the UK, this painstaking and much-needed redevelopment will preserve its unique heritage while also modernising its spaces and improving accessibility for all. 'We continue to offer our full support to the project and, like many, I can't wait for 'The Old Lady' to reopen her doors and welcome audiences back for the next 100 years, and beyond.'
