Try the Tiktok-famous tissue bread – and kiss your troubles goodbye – at this boutique bakery
The plain, pistachio and matcha varieties (I have many troubles to farewell) work surprisingly well dipped into Buttered's frothy Signature Velvet sweet corn drink. It's essentially a corn-flavoured latte, although there are other (much) sweeter flavours including butterscotch, royal chestnut and dalgona, or ppopgi, the traditional Korean honeycomb-flavoured treat made famous in the Netflix series Squid Game.
The counter also holds perfect rows of the signature 'Salty Boi' − salt bread, aka sogeum-ppang. It looks like a cross between a croissant and a dinner roll, made by baking a finger-sized log of salted butter into a coil of cold-fermented dough. The added butter creates a crispy base below the roll's crunchy exterior and soft filling. Pocked with several air holes, the Salty Boi accommodates a lavish spree of sweet and savoury fillings.
The most luscious filling is potato, egg and mayo, followed by butter-glistening garlic cheese. A corn cheese version is swoony and plump and has a lovely pop of sweetness against the bread's saltiness. (That saltiness comes from the salted butter, by the way, not from extra sodium in the dough.) One of the most popular lunch items is the ham, tomato, lettuce and wasabi-mayo Salty Boi. Thanks to the seasoned bread, it's a va-va-voom improvement on the average meat and salad roll.
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Perth Now
20 minutes ago
- Perth Now
Drake Bell claims Nickelodeon doesn't pay residuals to former child stars
Drake Bell has blasted Nickelodeon for allegedly not paying residuals to child stars. The 39-year-old actor and musician - who appeared on shows like The Amanda Show and spinoff sitcom Drake and Josh for the network - has claimed that unlike of the deals reached with most adults performers, his early contacts involved one-off payments, which means he doesn't get any money from streaming or syndication. He told The Unplanned Podcast: "That's the perception of the world, it's always been this way. "It's like, you know, 'Oh, you made a Folgers Coffee commercial. You must live in a mansion in Hollywood. Like, I saw you on TV. You're rich.' 'That's far from the case. And especially, which is the bummer for most of us on Nickelodeon, we don't get residuals for our shows.' The star - who previously opened up about his childhood trauma and struggles in 2024 docuseries Quiet on Set: The Dark Side of Kids TV - pointed out how he doesn't get any money despite Drake and Josh's recent move to Netflix. He claimed: "It's a lot of evil, corrupt people. That's the only thing, that is the answer. There's no other answer. 'Do everything that they do to us mentally and emotionally, and then throw us to the wolves. And we're like, okay, cool. I got rent this month. "There are three channels doing marathons. Netflix just bought it, it's top 10 on Netflix, and I gotta figure out how to pay my rent this month." He pointed out how the cast of Friends are still able to earn huge amounts of money from re-runs of the classic sitcom. He said: 'The Friends cast at the peak was making a million dollars an episode. You make 13 episodes that year, you make $13,000,000. You make 20 episodes that year, you make $20,000,000, right? 'But right now, each cast member of Friends just in syndication alone is making over $20,000,000 a year, and they're not filming a show every week. "They're not going to work, but they're playing their show and they're using their likeness and they're doing all this, so they get paid for it.' He compared the studio's approach to the situation to "child labour", while addressing the lack of control young performers have. He added: 'People don't understand how the business works, the business side of this. They just see what the perception is on Instagram and social media and all the glitz and the glamour of Hollywood. 'We're putting in all of this work. This corporation is making billions with a 'B' off of us, and we're being compensated for the week of work, cool, but that's it. 'And forever, in perpetuity, it literally says in the contract, across universes and galaxies and planets.'
Perth Now
an hour ago
- Perth Now
Aussie reveals ‘insane' details about Berlin's infamous club
Berghain is renowned for it's elusive door policy, hypnotic techno and no-phones anything goes atmosphere, but an Aussie influencer has recently revealed all about exactly what happens inside. Jacki, 29, posted a video on TikTok and explained all of the scandalous scenes she witnessed inside after gaining access to the club that is infamously hard to get into. Berghain's black-clad dress code and tough door policy reflect its roots in Berlin's queer underground, aiming to protect freedom, anonymity, and self-expression. She shared a video of her outfit alongside her friend Jesse which consisted of a short black skirt, cropped black top and black gloves while Jesse wore a see-through vest and loose black trousers. In a separate video she revealed every detail of her night at Berghain, addressing her followers while she did her make up. 'Once the guy told us we looked a little bit boring but he waved us in, the next thing you do is go through bag check . . . the entrance fee was $29 which I thought was kind of a bargain compared to what I think you would pay in a club that big,' she explained. Her first surprise was that most club-goers had an entirely different, often skimpy, outfit to wear once they gained entry to the club in a 'locker room' area which you enter after the bag check. 'Some of these outfits people got into were kind of insane, there were girls in lingerie, maybe just a g-string, nothing on top. Certain guys were getting full nothing on, full everything swinging, hanging out.' Berghain has a strict no photos or videos rule, their Instagram profile on has one post - a picture of the iconic sign. Credit: Berghain / Instagram She explained that next, everyone's phone cameras were covered with stickers to prevent people disobeying the strict no photos or videos policy, then she walked into the main warehouse which has three floors, and lots of different rooms. 'There's also two different dance floors, one super techno one and one more slightly disco, EDM one at the top, no words or anything like that but one's a little more dancey and one's super heavy techno,' the 29-year-old said. The Aussie pair entered the club in the late afternoon having had one drink, but were surprised how cheap the bar was at such a famous club. 'So once me and Jesse got in at about 5pm we were basically sober . . .so we went straight to the bar. The drinks were really affordable, it was like seven euros for a drink and three euros for a shot,' she continued. Berghain's black-clad dress code and tough door policy reflect its roots in Berlin's queer underground. Credit: Instagram The influencer's main shock was the kinky interactions that she witnessed taking place between attendees as the night continued. 'There were people having a threesome on these stairs, fully naked, in broad daylight . . . I saw a lot of that, girls, guys, two, three, four, all over the club,' she said. She also explained some of the infrastructure that is built inside the club where sexual acts were also taking place 'There was these boxes, big boxes, like you could fit three four people standing up in them, there was an alleyway of six of them lined up, there was a different group of people in each one of these boxes and there were different acts happening in every box, full bright light you could literally look in . . .it was insane.' Jacki revealed her outfit to her followers before she tried to get into Berghain. Credit: TikTok / @Jetsetting_jacki She also shared the minimal and bizarre options of food on offer to buy once you're inside the club. 'Also this is so random but inside they sell bananas and ice cream as food. So there's people who go in there and stay for two, three days and literally eat banana and ice cream while they're there,' she said. The video quickly went viral, amassing more than 400,000 views on TikTok and was flooded with comments; some sharing that they had witnessed similar scenes, while others judged the influencer for exposing what she saw. 'I'll never forget what I witnessed in the bathrooms,' one person said. 'Berghain is a queer kink club . . .it's hard to get into because of people like you who go in and treat it like a zoo and shame people for doing kink in a kink dedicated space. Not cool,' another added.
News.com.au
2 hours ago
- News.com.au
Meghan's Netflix show fails to make top 350
It's not often a spreadsheet makes news but today's story comes to you live from the depths of thousands of line items. Every six months Netflix executives take a break from brainstorming ideas like a S quid Game / Stranger Things crossover set in space and lets the world take a look under the hood by releasing their streaming figures. In the first half of this year, the Emmy-nominated Adolescence was the most watched TV show on the platform, hoovering up 145 million hours of viewing. Meanwhile, Meghan, The Duchess of Sussex's lifestyle-tainment show which saw her instruct audiences in the finer art of decanting pretzels from one plastic bag into another didn't manage to make it into the top 350. According to Netflix's latest 'What We Watched' report, With Love, Meghan was the 383rd most watched show, registering 5.3 million views, beaten by the first four seasons of Suits and Gossip Girl season one (number 376). Who knew that Blair Waldorf could better a real life duchess? With Love 's flatter-than-a-deflated-souffle-numbers have left the Hollywood entertainment bible Deadline scratching their heads, given that the world is in for a second serve. They reported that the show's ranking 'is very low for a Netflix original — and pretty unprecedented for a show that has been renewed.' ('Atypically,' they noted, With Love 's seasons one and two were filmed back-to-back.) Today, more than three months on since With Love posed the important question to audiences, 'but have you ever thought about fiddling about and colour-co-ordinating a fruit plates?' No date has been set for Meghan's sophomore series. But there is one clear date on the horizon: September 2. That day will mark five years since Meghan and her husband Prince Harry, The Duke of Sussex announced their 'megawatt' five year Netflix deal. Back then, in 2020, this seemed like an all round jolly good bet, with the world pressed-up- against-the-glass and glued to the unfolding saga of the self-exiled couple. They had done the unthinkable - turned down the chance to spend their lives in a group chat with Princess Anne sending horse gifs, doing charity all the charity work they fancied and never having to pay a gas bill. When they announced the deal, it seemed a given that the streamer's subscribers would eagerly gobble up whatever they made. It all seemed pretty win-win: The duke and duchess would make content that 'that informs but also gives hope' and 'impactful content that unlocks action' and Netflix could piggyback on the global Sussex obsession. Five years on the proof is in the cold, stodgy pudding. The only 'action' they have 'unlocked' is Meghan having given an unexpected boost to the flower sprinkle industry and them managing to further estrange the royal family and to set a lot of Brits' teeth further on edge. Meanwhile, Netflix has extracted the only thing of real value the Sussexes possessed -the sorry, sad tale of their tortured royal lives. The outlier in their Netflix tale has been their six-parter, Harry & Meghan, all those hours of raw emotions, soft lighting and one infamous curtsy making for compelling viewing, translating into Netflix's biggest documentary debut ever, which has now been watched for more than 177.85 million hours in total. Huzzah and all that. However, move beyond that and we have two egregiously flaccid duds, Harry's solo Heart of Invictus and Polo proving that he's about as good at making TV as his uncle Andrew is at giving interviews, and With Love's limp showing. Heart of Invictus only got 300,000 views after its release. Since then it has not made the top 6,800 shows. Polo, a boring offering of on field testosterone, horsey braggadocio and capped toothed-men rabbiting on about winning only got 600,000 views, putting it at 2,946th spot. In the six months of this year, it has added 500,000 views and currently sits at 3,436. In return for all this output and their credibility, the Sussexes have reportedly only made tens of millions, far from the much touted figure of $USD100 ($153) million. Over the weekend, 'a source with knowledge of the Netflix deal' told the Daily Mail that the Sussexes 'probably managed to maybe keep $10million-$15million [$15.3-$23 million] or a touch more purely for themselves over the nearly five years so far.' How long can or will that sum last, with the same Mail report saying they need to bank $6 million a year after tax to pay for their living expenses? The good news for the duke and duchess is that Netflix CEO Ted Sarandos is said to be a huge fan of Meghan's and that With Love will be renewed for a third go. According to the Mail, 'It's probable that they'll pay Meghan between $3-$5million [$4.6- $7.6 million] a year for it.' Or in other words, the duchess would make just about enough to keep the lights on and their bank manager sweet. With Spotify having parted ways with the Sussexes back in 2023, the duke failing to have gotten a single podcast series off the ground, and both The Hollywood Reporter and Vanity Fair having published exposes about their allegedly poor treatment of staff, the couple's Hollywood fortunes are in the doldrums territory. The Duchess of Sussex might keep cranking out With Love and dispensing invaluable advice about how to put ice in drinks but beyond that their entertainment careers appear to be largely kaput. Should push ever come to shove, the latest Netflix spreadsheet makes one thing clear: the appetite for royal melodrama is as healthy as ever. Season one The Royals, a long since canned series in which Liz Hurley is the Queen and heads up a fictional British royal family, has been viewed 14.3 million times for a total of more than 85 million hours. As the saying goes, there's money in muck - and monarchy.
