Brad Pitt's ‘F1' Races to $144mn Debut — Apple's Biggest Yet
The racing drama, co-produced by Apple and released in partnership with Warner Bros., sees Pitt take on the role of a veteran Formula One driver making a high-stakes return to the track. Drawing from the intensity of real F1 circuits, the film blends thrilling action with a compelling underdog storyline which has further fueled buzz across social platforms. Reviewers are calling the movie a sleek, adrenaline-fueled tribute to motorsport, with Pitt's performance being described as both charismatic and emotionally grounded.
North American audiences contributed roughly $70 million to the film's total, while international markets added another $74 million — a remarkable feat for a sports drama, and a clear signal of Apple's growing influence in the world of blockbuster filmmaking.
Unlike its previous streaming-first releases, Apple has opted for a full theatrical run with F1 — and the gamble is already paying off. The film's production, which involved shooting during real Formula One events with direct support from the sport's organizers, adds authenticity that fans and critics alike are praising.
With 'F1,' Apple has made a loud and confident statement: it's ready to compete at the highest level of cinematic storytelling — both critically and commercially.
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Muscat Daily
a day ago
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Omani actor Yousuf al Housni appears in Brad Pitt's ‘F1'
Muscat – Omani actor Yousuf al Housni makes an appearance in the blockbuster F1 , the Brad Pitt-led Formula One film currently screening in cinemas worldwide. This marks his second appearance in a major international production following his earlier role in the sci-fi epic Dune . Speaking to Muscat Daily , Housni shared how he was cast in the role. 'There's no formal audition for these roles. We apply through a casting agency's website, where our portfolio – including videos, showreels and casting tapes – is already uploaded. If selected, you simply agree to the terms and payment,' he said. Housni appears in the Abu Dhabi sequence of the film shot over a year ago in a five-day schedule. He plays a senior official in the pit stop during a race sequence. 'It is a small role but being on such a high-profile set is a valuable experience in itself. I am optimistic that very soon I will lead the narrative,' he added. Describing his experience on set, Housni said working with Pitt was 'awesome'. While direct interaction and photography with lead actors were restricted, he noted that sharing the set with top international talent was both inspiring and motivating. 'It's definitely good for my career.' Looking ahead, Housni said he hopes to be the first Omani actor in a leading role in a major global production. 'My aim is to work on more global projects, build a strong reputation internationally, and eventually direct and produce my own films,' he added.
Observer
2 days ago
- Observer
Brad Pitt's ‘F1' cruises to top of North America box office
"F1: The Movie," starring Brad Pitt as a washed up Formula One driver who gets one last shot at redemption, sped to the top of the North American box office in its debut weekend with $55.6 million in ticket sales, industry estimates showed Sunday. "This is an outstanding opening for an original action sports drama," said David A. Gross of Franchise Entertainment Research, noting that both critics and audiences have loved the racing film from Apple and Warner Bros. "How to Train Your Dragon," Universal and DreamWorks Animation's live-action reboot of the popular 2010 film, slipped to second place with $19.4 million, according to Exhibitor Relations. The family-friendly film tells the story of a Viking named Hiccup (Mason Thames) who strikes up a friendship with Toothless the dragon. In third place was Disney/Pixar Animation's latest original film "Elio," at $10.7 million in the United States and Canada. "Elio" tells the story of a young boy who is mistaken by aliens as an intergalactic ambassador for Earth. The voice cast includes Oscar winner Zoe Saldana. "M3GAN 2.0," the sequel to Universal's 2022 film about a murderous doll, opened in a disappointing fourth place with $10.2 million. "The idea of a child-sized humanoid robot doll powered by AI generated a lot of interest the first time, but that interest has fallen apart," Gross said. In fifth place was Columbia Pictures' zombie sequel "28 Years Later," which took in $9.7 million. Critics' reviews and audience ratings have been strong for the Danny Boyle-directed threequel, which picks up -- as the title suggests -- more than a generation after the initial outbreak of the Rage Virus. —AFP
Muscat Daily
2 days ago
- Muscat Daily
Brad Pitt's ‘F1' Races to $144mn Debut — Apple's Biggest Yet
USA – Brad Pitt's latest cinematic outing, F1, has had a thunderous global debut, earning an impressive $144 million and cementing itself as the biggest box office opening for Apple Original Films. The racing drama, co-produced by Apple and released in partnership with Warner Bros., sees Pitt take on the role of a veteran Formula One driver making a high-stakes return to the track. Drawing from the intensity of real F1 circuits, the film blends thrilling action with a compelling underdog storyline which has further fueled buzz across social platforms. Reviewers are calling the movie a sleek, adrenaline-fueled tribute to motorsport, with Pitt's performance being described as both charismatic and emotionally grounded. North American audiences contributed roughly $70 million to the film's total, while international markets added another $74 million — a remarkable feat for a sports drama, and a clear signal of Apple's growing influence in the world of blockbuster filmmaking. Unlike its previous streaming-first releases, Apple has opted for a full theatrical run with F1 — and the gamble is already paying off. The film's production, which involved shooting during real Formula One events with direct support from the sport's organizers, adds authenticity that fans and critics alike are praising. With 'F1,' Apple has made a loud and confident statement: it's ready to compete at the highest level of cinematic storytelling — both critically and commercially.
